Sunday, November 19, 2017
LO-FI TECHNO WORKOUT / Volca Sample / Monotron Delay
Published on Nov 19, 2017 mishpult
"Live techno set with Korg Volca Sample, heavily overdriven through the Korg Monotron Delay. I overlayed an some old 90's rave videos found on youtube just for the atmosphere. Videos are not mine and no profit of any kind is made here."
Centrevillage C Quencer DLX - Tokyo Festival of Modular 2017
Published on Nov 19, 2017 cuckoomusic
"I found the C Quencer DLX to be particularly lovely. For more information, watch this video ;-) and then go to:
http://centrevillage.net"
This is the first Centrevillage post on MATRIXSYNTH. They also have a non DLX C Quencer module, and one named Trigger HaCker pictured below.
DLX C Quencer DLX
DLX C Quencer
"It is a special phrase generator combining Euclidian rhythm and arpeggiator.
Demo sound source: C_Quencer Demo Tracks (Using some external oscillator, filter module, delay effect)
Documents, source code etc are in github.
centrevillage / C_Quencer
(Invisible story)
Originally, the board of this module was a jacket for coterie music CD. (The height of the euro rack panel is about 13 cm, which is almost the same size as the CD jacket)
The released album is still being distributed on bandcamp."
Trigger HaCker
This module is under prototype phase 5x5 matrix trigger sequencer
Red Roland Juno-106
via this auction
"Here’s a Custom Red Roland Juno 106 we finished up a few weeks ago.
It’s been totally electronically restored , and cosmetically modified.
What’s new is the polyphony meter on the far right of the front panel.
The switch turns it on and off. Right now , it’s set up to cause filter distortion. Pretty cool on filter dependent sounds.
You can also set it to be just a pretty light show, ( no filter distortion ) telling you which voice you’re playing.
Voice chips are perfectly restored and ready to go.
A copy of the “best of the best” sounds has been installed in memory."
YAMAHA DX7, Classic Synthesizer SN 129638 w/ Extras
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Ladies and gents, they don't come ANY nicer than mine with no wear on the buttons or text. Features 61 keys, Modulation and Pitch wheels, all factory internal sounds. The extremely rare accessories include the factory removable music stand, Yamaha sustain pedal, removable Percussion/Effects data tone cartridge and factory user manual. This is the PERFECT Yamaha DX7 package for the collector and player alike, I have never seen a more complete or more beautiful package, this is very special!! Every key, knob, button, input/output jack works perfectly!! I ask that you please study the photos carefully to understand just how one of a kind my synth is, then base your bid on what you see."
via this auction
"Ladies and gents, they don't come ANY nicer than mine with no wear on the buttons or text. Features 61 keys, Modulation and Pitch wheels, all factory internal sounds. The extremely rare accessories include the factory removable music stand, Yamaha sustain pedal, removable Percussion/Effects data tone cartridge and factory user manual. This is the PERFECT Yamaha DX7 package for the collector and player alike, I have never seen a more complete or more beautiful package, this is very special!! Every key, knob, button, input/output jack works perfectly!! I ask that you please study the photos carefully to understand just how one of a kind my synth is, then base your bid on what you see."
AKAI AX80 Vintage (1984) 8-voice Polyphonic Analog Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"It's both cosmetically and functionally excellent. There are no dents or dings in the metal chassis. The paint, print, and logos are still intact and glossy. The end cheeks also have a nice glossy finish. The membrane buttons all work. There are no tears or rips in the membrane. All other knobs and controls work as intended. None of the keys are chipped/broken/repaired and they all trigger notes correctly. Yes, there are scuffs and marks on the end cheeks and a few very light scratches on the plastic display panel. The latter can likely be completely buffed out using plastic polish, if you desire. As you can see from the pics, though, the machine is in terrific condition overall. It's not like many of the beat-up examples you see on the 'Bay, where the sellers are asking outrageous prices."
via this auction
"It's both cosmetically and functionally excellent. There are no dents or dings in the metal chassis. The paint, print, and logos are still intact and glossy. The end cheeks also have a nice glossy finish. The membrane buttons all work. There are no tears or rips in the membrane. All other knobs and controls work as intended. None of the keys are chipped/broken/repaired and they all trigger notes correctly. Yes, there are scuffs and marks on the end cheeks and a few very light scratches on the plastic display panel. The latter can likely be completely buffed out using plastic polish, if you desire. As you can see from the pics, though, the machine is in terrific condition overall. It's not like many of the beat-up examples you see on the 'Bay, where the sellers are asking outrageous prices."
Vintage Chroma Polaris synthesizer - pristine SN 300830
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"This synth was manufactured in the early 1980s by Fender. I was the lead designer, and when the project wrapped up, I bought a couple from the company cheap. This one is serial 300830. Since I mostly played a different unit, this one stayed in its original shipping box for the intervening years, and it is in essentially perfect condition.
This is a six-voice synth with a 61-key velocity sensitive keyboard. It has selective pitch bend, which lets you bend some notes in a chord while keeping others fixed. It has a MIDI interface, and includes a built-in sequencer.
When I took this out of the box for the first time in a long time a week or so ago, the membrane switch panel connections has dried out and cracked, as happens with most Polarises, so I installed brand new panels. I also replaced the CPU with a faster one for a snappier feel, put in the latest revision of the firmware, upped the sequence memory to the maximum 64K, checked out and calibrated all the circuitry, and cleaned the keyswitches and keys. You're not likely to find a cleaner looking and performing Polaris on the market anywhere.
This will be packed in its original box with styrofoam supports, then wrapped in large cell bubble wrap, then packed in another double-wall box. I'm including the line cord, one sustain footswitch, and the original manuals. If you want the Tempo-Tap function for the sequencer, you'll need another footswitch, but any standard footswitch with a 1/4" phone plug will work. It doesn't come with a variable pedal, but any Chroma or ARP pedal you find on eBay will work. It doesn't have a cassette interface cable, but MIDI is a much better way to get data into and out of the Polaris. It comes with one set of factory sounds in it, and the two sets that Fender provided on cassette can also be found on the web, and sent in via MIDI."
via this auction
"This synth was manufactured in the early 1980s by Fender. I was the lead designer, and when the project wrapped up, I bought a couple from the company cheap. This one is serial 300830. Since I mostly played a different unit, this one stayed in its original shipping box for the intervening years, and it is in essentially perfect condition.
This is a six-voice synth with a 61-key velocity sensitive keyboard. It has selective pitch bend, which lets you bend some notes in a chord while keeping others fixed. It has a MIDI interface, and includes a built-in sequencer.When I took this out of the box for the first time in a long time a week or so ago, the membrane switch panel connections has dried out and cracked, as happens with most Polarises, so I installed brand new panels. I also replaced the CPU with a faster one for a snappier feel, put in the latest revision of the firmware, upped the sequence memory to the maximum 64K, checked out and calibrated all the circuitry, and cleaned the keyswitches and keys. You're not likely to find a cleaner looking and performing Polaris on the market anywhere.
This will be packed in its original box with styrofoam supports, then wrapped in large cell bubble wrap, then packed in another double-wall box. I'm including the line cord, one sustain footswitch, and the original manuals. If you want the Tempo-Tap function for the sequencer, you'll need another footswitch, but any standard footswitch with a 1/4" phone plug will work. It doesn't come with a variable pedal, but any Chroma or ARP pedal you find on eBay will work. It doesn't have a cassette interface cable, but MIDI is a much better way to get data into and out of the Polaris. It comes with one set of factory sounds in it, and the two sets that Fender provided on cassette can also be found on the web, and sent in via MIDI."
Siel Cruise Vintage Synthesizer SN 183/249
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The Cruise is two synths in one, combining what is Siel’s Orchestra and Mono synthesizer models into one powerful synthesizer. It features two discrete synthesizer modes or sections: Mono Synthesizer and Poly Synthesizer. The front panel has a lot of graphical information printed on it to clearly designate the Mono section functions from the Poly section features, as well as signal flow charts to help the user understand how the sounds are internally routed. In the middle of the synth is the ‘Masters’ section. This holds master volume sliders for the Mono and Poly synth sections and keyboard split mode options."
via this auction
"The Cruise is two synths in one, combining what is Siel’s Orchestra and Mono synthesizer models into one powerful synthesizer. It features two discrete synthesizer modes or sections: Mono Synthesizer and Poly Synthesizer. The front panel has a lot of graphical information printed on it to clearly designate the Mono section functions from the Poly section features, as well as signal flow charts to help the user understand how the sounds are internally routed. In the middle of the synth is the ‘Masters’ section. This holds master volume sliders for the Mono and Poly synth sections and keyboard split mode options."
Multivox Pulser - Rare Analog Synth
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Up for sale is avery very rare analog synth from the mid 70's The Multivox / Firstman PULSER syntheizer. Although it has presets, it can be partially edited via the left panel for many realtime adjustments. The best thing about this synth is the tone... VERY unassuming It sounds way bigger, smooth than it looks... reminds me very much of an ARP Soloist meets a Korg 770 monosynth meets a Moog micromoog!"
via this auction
"Up for sale is avery very rare analog synth from the mid 70's The Multivox / Firstman PULSER syntheizer. Although it has presets, it can be partially edited via the left panel for many realtime adjustments. The best thing about this synth is the tone... VERY unassuming It sounds way bigger, smooth than it looks... reminds me very much of an ARP Soloist meets a Korg 770 monosynth meets a Moog micromoog!"
LL Electronics Rozzbox One V2
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"LL Electronics Rozzbox One V2. The unit is in perfect condition both operationally and cosmetically. These are rare, discontinued and hard to find in the condition. It pains me to part with it, but sometimes life has other plans."
via this auction
"LL Electronics Rozzbox One V2. The unit is in perfect condition both operationally and cosmetically. These are rare, discontinued and hard to find in the condition. It pains me to part with it, but sometimes life has other plans."
Analogue Solutions Leipzig-s SN 7885
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The Analogue Solutions Leipzig-s synthesizer is a two-oscillator monophonic fully-analog MIDI synthesizer. Its signal path is not only analog, but so are its control functions... envelope, LFO, etc. Because it is a fully-analog synthesizer with circuit designs based on vintage analog synthesizers, it evinces the tone that is what you seek when you're looking for vintage analog sound.
In addition to amazing and fat tone, the Leipzig-s has a great set of functionality. The oscillators have independent glide and independent pulse-width modulation. There is a sub oscillator that can be generated by either oscillator. The filter is a 24db per octave low pass that seems like it was deeply inspired by Moog, and generates one of the thickest, richest filter tones in modern analog synthesizers. The filter can be controlled with either of the two envelopes. The modulation section is complex and allows each oscillator to be modulated by a number of sources, including different waveforms from the LFO, envelopes, the other oscillator, and MIDI. The filter can also be modulated by these sources, allowing a level of complexity that is very useful. Especially for creating drum sounds.
The Leipzig-s also has an analog sequencer that can be MIDI controlled. If you want true vintage analog sequencing sounds with an analog synthesizer, this is a quick and inexpensive way to get them! The sequencer is single-channel, but allows you to control the oscillators in independent amounts. The sequencer can also control the filter."
via this auction
"The Analogue Solutions Leipzig-s synthesizer is a two-oscillator monophonic fully-analog MIDI synthesizer. Its signal path is not only analog, but so are its control functions... envelope, LFO, etc. Because it is a fully-analog synthesizer with circuit designs based on vintage analog synthesizers, it evinces the tone that is what you seek when you're looking for vintage analog sound. 
In addition to amazing and fat tone, the Leipzig-s has a great set of functionality. The oscillators have independent glide and independent pulse-width modulation. There is a sub oscillator that can be generated by either oscillator. The filter is a 24db per octave low pass that seems like it was deeply inspired by Moog, and generates one of the thickest, richest filter tones in modern analog synthesizers. The filter can be controlled with either of the two envelopes. The modulation section is complex and allows each oscillator to be modulated by a number of sources, including different waveforms from the LFO, envelopes, the other oscillator, and MIDI. The filter can also be modulated by these sources, allowing a level of complexity that is very useful. Especially for creating drum sounds. The Leipzig-s also has an analog sequencer that can be MIDI controlled. If you want true vintage analog sequencing sounds with an analog synthesizer, this is a quick and inexpensive way to get them! The sequencer is single-channel, but allows you to control the oscillators in independent amounts. The sequencer can also control the filter."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
