Saturday, February 17, 2018
Roland SH-1000 Analog Synthesizer
via this auction
"This listing is for a ROLAND SH-1000 Monophonic Analog Synthesizer Keyboard w/ Road Case. Roland's very first product introduced in 1973! This one is in superb condition! This particular synth comes out of the personal collection of synth legend Michael Boddicker."
Polivoks Soviet Russian Analog Synth
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Mint condition Polivoks serviced in late 2017 by Elta Electronics in Moscow. Has had midi outputs added and also converted from the Soviet output to 1/4 jack. Super cool and unique sounding synth. Comes with original case and manual. It weighs 21kg so prefer pickup in Brisbane but can ship internationally or Australia wide at buyer's cost."
via this auction
"Mint condition Polivoks serviced in late 2017 by Elta Electronics in Moscow. Has had midi outputs added and also converted from the Soviet output to 1/4 jack. Super cool and unique sounding synth. Comes with original case and manual. It weighs 21kg so prefer pickup in Brisbane but can ship internationally or Australia wide at buyer's cost."
The Magnetic Sea // Eurorack Modular Ambient
Published on Feb 17, 2018 r beny
"The Strymon Magneto is here. This is what it sounds like when you feed it 2xRings and 2xPlonks"
VCS 3 - Oxygene 2 Sound + Sample Pack Preview
Published on Feb 17, 2018 100 Things I Do
"I get a lot of questions about the VCS 3 and about how Jean-Michel Jarre created the signature VCS3 sounds heard on Oxygene & Équinoxe, I thought today I would let you see how one of the sounds can be created with one of the main sounds from Oxygene 2.
Also I thought it time to give an update on the VCS3 Sample pack I have been promising for a while. It still might be a little while yet before I'm happy and ready to release it but I am looking to hear from you what types of sounds, one shots or soundscapes your looking for in the pack. Also do you want the sound 100 dry, compressed/limited , with effects ? or a mix of all above ?"
Makenoise 0-Coast: Timbre Space 01
Published on Feb 17, 2018 C Nich0lls
"Single take recording meant simply as sound exploration. I enjoy ambient music that can be played quietly to add an audio sheen to a space, but also that can be played loud, when it becomes an almost physical immersion. Let me know what kinds of ambient music you enjoy and whether you also enjoy recordings that can be played loud.
The 0-Coast was self-patched with the internal clock pulsing the Contour. The Slope generator was set to self-cycle.
The rhythmic pulsing was developed by using the random out to both the Contour Decay and Slope Time inputs, simultaneously.
The amount of random is adjusted though the recording, as is the Balance mix between the Triangle wave and the Overtone/Multiply circuit.
The 0-Coast was recorded though an Infanem Improbability Drive pedal and subsequently through the Strymon Timeline, running a custom dTape patch.
Recorded in Ableton Live with slight EQ and compression on final out. A second pass of reverb from Strymon BigSky, running a custom Bloom patch, was added after the recording."
Vermona PERfourMER mkII - Pads
Published on Feb 17, 2018 Simon Chauvin
"Each voice has different settings.. this is when the magic happens"
DIRTY ELECTRONICS MUTESYNTH 2
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The Dirty Electronics Mute Synth II (MSII) is a hand-held synth and sequencer.
At the core of the instrument is a versatile mini patchbay that provides expansion and modification permutations and a grid-like visual representation of patched parameters using coloured jumpers.
The patchbay encourages a particular interaction with the instrument and playfulness.
The printed circuit board artwork, black and silver finish, has multiple touch electrodes in the form of small squares that provide a labyrinth of possible connections and resulting behaviours.
Different rhythmic sequences are created through hybrid 4-bit binary coding, feedback loops and bit bashing.
The graphical artwork for the printed circuit board was done in collaboration with Adrian Shaughnessy. The Mute Synth II is Dirty Electronics’ second hand-held synth with Mute Records, the first being created in 2011.
One of the main ideas behind the Mute Synth II was to consider the dissemination of a musical idea other than through recorded fixed media, and to explore the intersection between sound object and artwork etching.
The synth also presents the notion of writing music through electronics and code.
The Mute Synth II is a statement against MPEG culture and places an onus on active participant rather than passive consumer. The synth has been born out of Dirty Electronics’ ongoing commitment to DIY approaches and noise aesthetics, and serves as a catalyst for experimenting with electronic sound. Additional modules and hacks allow for the instrument to be customised.
Features: Noise generator Feedback Oscillator Waveshaping (triangle - square) Buffered output Sequencer External clock option Touch and knob/potentiometer controls Mini patchbay Dotmatrix display (external module) PCB artwork Bend and hack points Expansion board capability Mini jack/headphone output Battery powered 9v (battery not included)"
via this auction


The patchbay encourages a particular interaction with the instrument and playfulness.
The printed circuit board artwork, black and silver finish, has multiple touch electrodes in the form of small squares that provide a labyrinth of possible connections and resulting behaviours.
Different rhythmic sequences are created through hybrid 4-bit binary coding, feedback loops and bit bashing.
The graphical artwork for the printed circuit board was done in collaboration with Adrian Shaughnessy. The Mute Synth II is Dirty Electronics’ second hand-held synth with Mute Records, the first being created in 2011.
One of the main ideas behind the Mute Synth II was to consider the dissemination of a musical idea other than through recorded fixed media, and to explore the intersection between sound object and artwork etching.
The synth also presents the notion of writing music through electronics and code.
The Mute Synth II is a statement against MPEG culture and places an onus on active participant rather than passive consumer. The synth has been born out of Dirty Electronics’ ongoing commitment to DIY approaches and noise aesthetics, and serves as a catalyst for experimenting with electronic sound. Additional modules and hacks allow for the instrument to be customised.
Features: Noise generator Feedback Oscillator Waveshaping (triangle - square) Buffered output Sequencer External clock option Touch and knob/potentiometer controls Mini patchbay Dotmatrix display (external module) PCB artwork Bend and hack points Expansion board capability Mini jack/headphone output Battery powered 9v (battery not included)"
LABELS/MORE:
Auctions,
Dirty Electronics,
New,
New in 2018,
New Sound Machines,
New Sound Machines in 2018
Untitled #4: Ambient w/ Mangrove, Three Sisters, Rings
Published on Feb 17, 2018 S. B. Arweiler
"Exploring the wonderful Mannequins Mangrove and Three Sisters in this ambient improvisation.
Voices:
- Mannequins Mangrove through Three Sisters
- Mutable Instruments Rings
- Make Noise Morphagene
Sequencing:
- Monome Kria (on White Whale)
Effects:
- Disting Mk3 (Clockable Delay)
- Mutable Instruments Clouds
- EHX Cathedral (in Mixer)
Modulation:
- Ornament+Crime (Dialectic Ping Pong)
- Monome Circles (on Ansible)
- Make Noise Function
((always better with headphones))"
Rheyne - Sequenced Jam #70
Published on Feb 17, 2018 Rheyne
"Sounds from a Make Noise DPO, Noise Engineering LIP, and Moog DFAM. Delay is from an EarthQuaker Avalanche Run, and reverb is from a Strymon BigSky."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH