"The Junior 106 is an incredibly rare and hard to find custom modified Juno 106 done by SynthSpa. It was completely serviced and modified in 2016. It has all the functionality of a Juno 106 in a smaller form factor. It has purple LEDs, yellow display window, and a yellow illuminated pitch bender. And, it's YELLOW!! I also had SynthSpa put some wood cheeks on it (original matching yellow cheeks will be included too). Everything works perfectly."
System 100M 191-J PATCH BAY
System 100M 112 Dual VCO
System 100M 112 Dual VCO
System 100M 121 Dual VCF
System 100M 130 Dual VCA
System 100M 140 Dual ENVELOPE - LFO
System 100M 191-J PATCH BAY
System 100M 110 VCO - VCF - VCA
System 100M 110 VCO - VCF - VCA
System 100M 172 PHASE SHIFTER / AUDIO DELAY / GATE DELAY / LFO
System 100M 150 RING NOISE - S/H - LFO
System 100M 140 Dual ENVELOPE - LFO
System 100M 190 PATCH BAY
System 100M 182 SEQUENCER
"Featuring only the very sweet sounding BASS LINE SYNTH
with SSM LoPASS filter. A bit tricky to program though.
+ 1 important note: different from the drum parts:
the bass line can't be corrected, so
if you made a mistake you must enter all the steps
again."
Published on Nov 2, 2018 Synthesizer Video Service
"The TTSH is an ARP2600 clone. My TTSH is version 3 with some fixes and exchangable filters (currently with Moog filter mounted). Moreover, it has several modifications like additional waveforms for oscillators 1 and 3, suboscillator for oscillator 1, midi and reduced gate and trigger voltages.
This demo was recorded directly into the DAW on 8 stereo tracks. No additional external effects (like delay, reverb, EQ, compressor etc.) were used, only the inbuilt spring reverb. The tracks were not postprocessed. Consequently, you hear 100% TTSH. I just took an external clock to get an easier sync, but the TTSH (like the ARP2600) has an internal clock to get the same results."
"I completely reconstructed Pink Floyd's synth classic "On The Run" using my Synthesizers.com and STG Soundlabs modular synthesizer. The main sequence was played from a Korg Minilogue, synced to an SQ-1 sequencer, which is playing the percussion sounds. The key ingredients to making this sound authentic are the STG Soundlabs Mixer and Sea Devils Filter, which is a recreation of the classic filter used on the original.
There are two sounds that required some additional processing:
The panning, whooshing sound at the beginning of the track was created by running white noise through a Leslie simulator (Amplitube 3).
The explosion at the end was created by "crashing" my Q115 Reverb (Accutronics) tank and then digitally lowering the pitch. It still didn't have enough impact so I layered an actual explosion sound underneath.
Please consider supporting me on Patreon! Even if you throw me $1 a month, it helps a lot! You'll get some cool stuff! https://www.patreon.com/user?u=3833701
