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via this auction
Not the sharpest pics, but cool to see.
You can find a few others on Retro Synth Ads, along with tons of scans and great write-ups for all synths.
Sunday, January 13, 2019
Waldorf Quantum - 1600 Polyhonic LFO RK
Published on Jan 13, 2019 Default Corporation
"Sorry the performance.
With this patch i would like put in evidence how 8 LFO's (one per voice) can be so inspirational. Just playing in different times notes everything changes.
Thanks for watching."
Pittsburgh Modular Lifeforms SV1 & Boss RV500 Reverb
Published on Jan 13, 2019 3rdStoreyChemist
BirthdayScope - Oscilloscope Music
Published on Jan 13, 2019 Madame Doduffort
Celebrating curiosity, discovery, and experimentation.
Oscilloscope XY projection of a simple tune.
Gear used:
HP 1200B Oscilloscope
Moog Sub 37
Korg Monologue
MFB Tanzmaus
Sequenced with Engine – Social Entropy
FX:
Delay: Eventide Timefactor
Recorded on Zoom LiveTrak L-12
SYNTH BRASS - Giannis ARK
Published on Jan 13, 2019 Electronic music by GIANNIS ARK
"Synth jam inspired by Vangelis.
Instruments: YAMAHA Reface CS, KORG Minilogue, KORG Monologue,
Pedals: BOSS DD3 Digital Delay, TC Electronic HALL OF FAME 2 Reverb, BOSS RV6 Reverb.
BOSS RV6"
Pocket Electro/Techno Jam 136BPM: Bastl Kastle, Teenage Engineering PO-12, Doomsday Sound Generator
Published on Jan 13, 2019 O.S.cillator @ Kalkartronic
If only this is what they were actually dancing to...
"Mini Electro Jam by O.S.cillator.
The PO-12 drum machine is controlled by the LFO of the Bastl Kastle (I/O output of the Kastle to input of the PO-12, and left channel of the I/O socket on the top of the Kastle patched to LFO socket). The Doomsday Sound Generator is a DIY kit from getlofi.com which I built into a tupperware box a few years ago. Its chaotic sounds can be manipulated by touching the steel buttons (body resistance contacts) on the front.
Hope you like it!
Audio recorded with Yamaha Pocketrak 2G.
Video recorded with Ricoh WG-M1.
Background footage was found somewhere..."
Digitone Meditation 1 - UNDRWATR
Published on Jan 12, 2019 Vague Robots
"I'm on phase two of my experiments with the Digitone, getting deeper into more avant-garde sound design. So, I've decided to upload some "meditations", consisting of just single patterns, iterated over a few minutes. These are also showing off some of the patches that will be included in a sound pack I'll be releasing in the near future.
Digitone only, no external processing or editing, apart from a light master."
Waldorf Quantum Resonator
Published on Jan 12, 2019 prophei
"Meandering around the quantum's resonator..."
Follow-up to Waldorf Quantum - Drive options
Saturday, January 12, 2019
Indigo Dusk
Published on Jan 12, 2019 voltlife
"An ambient exploration, mostly self-running, that uses a few tricks to get more interest out of limited sequencing..
Bass swells: AFG alien saws through STG Sea Devils Filter.
HIgh fizzy stereo sweeps: AFG animated pulses through Belgrad in High/Notch mode with Span modulated by a VCLFO. Stereo sweep by WMD Performance Mixer.
Vocoder choir: Fumana, using random speech samples from Radio Music as modulator; carrier is PPG-like wavetables from E352 in Cloud+Morph mode, run through clouds for smearing into quasi-chords. The EF all out from Fumana modulates the speed of an LFO that drives the centre frequency of Fumana, for varying phaser-like sweeps.
Occasional digital synth blips: the other E352 output through Optomix, opened by a Descent envelope. Sequenced by a Moskwa, which could get boring quickly, but Moskwa's clock is driven by a Doepfer A160-5 for varying clock speeds, and the Descent envelopes are triggered by shifting Euclidean rhythms.
Bell/pluck riff: Rings (what else?!) sequenced by Verbos Voltage Multistage through a VCA, with attenuation changing randomly each bar for variety. To make Rings sound marginally less Rings-y, I modulate its frequency with bandpass-filtered noise at varying frequencies, which gives a slightly noisy or warbly edge to the sound. Brightness and Damping modulated every bar for further variation.
Main modulation sources: Doepfer A149-1/2, A143-4, Erica Black Octasource, Triple Sloth.
Mixing and fx: everything into WMD Performance Mixer, with Erebe Verb on Aux 1 and a mix of Demora into Erbe Verb and plain Demora on Aux 2. Erbe Verb's Decay and Demora's feedback are modulated by random gates from A149-2. I use an L-1 Stereo Microcompressor in the final Send/Return, mainly as a limiter to reign in the occasional peak, but I think I'm still getting a bit of clipping, so I need to work on the makeup gain."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH


























