MATRIXSYNTH

Polymoor

Published on Jan 26, 2019 zack dagoba

"Just noodling on the amazing Polymoog. All you are hearing is the Polymoog filter (with LFO) and me changing the resonator frequencies in the resonator section. See https://myblogitsfullofstars.blogspot...
for more"

Synthesizer

Published on Jan 26, 2019 RetroSound

2 Days with the OP-Z Jam

Published on Jan 26, 2019 Perplex On

"I couldn’t resist any longer and finally got this little beast! Still just scratched the surface a little but already great great fun! These are all built-in sounds. Visuals made with the OP-Z app‘s Photomatic feature loaded with own glitch fotos and sequenced with the OP-Z, all in realtime."

NAMM 2019: Novation Launchpad Pong

Published on Jan 26, 2019 Future Music Magazine

NAMM 2019: Novation SL Mk III

Published on Jan 26, 2019 Future Music Magazine

NAMM 2019: Second Sound: Pitch to Synth

Published on Jan 26, 2019 Future Music Magazine

Note this is the first post to feature Second Sound. Their ACO100 audio-controlled oscillator is used by Sonicsmith in their audio-controlled synthesizer products, the ConVertor and the Squaver P1.

via: https://secondsound.com:

The Story Behind Second Sound

We consider Second Sound to represent a “new revolution in synthesized sound” quite simply because we are redefining the way sound synthesis is done. Rather than generating sound waveforms electronically “from nothing” as both traditional analog and digital synthesizers do, our synthesizer transforms existing sounds based on fundamental characteristics of the sounds played by musicians on real instruments, such as their frequency and amplitude.

The human voice, a note played on a violin, piano, trumpet, or any of a wide class of musical instruments, all can be used as the source signal for our music synthesis technology, which converts these sounds into either Control Voltage (CV) for controlling analog synthesizers or MIDI for controlling digital synths.