Martin Gore To Receive 2019 Moog Innovation Award

"Moog Music is proud to announce Martin Gore as the recipient of the 2019 Moog Innovation Award

Award Will Be Presented Following Martin Gore’s Keynote Conversation During Moogfest, Friday April 26, 2019

Gore joins past honorees Devo, Brian Eno, Suzanne Ciani, and Gary Numan.

Asheville, N.C. [April 23, 2019] - Musical pioneer Martin Gore’s masterful electronic meditations on the human condition have illuminated the connection between transformative sound and pure emotion for decades. A founding member of the band Depeche Mode, Gore’s sensual electronic compositions and introspective lyrics have resonated with faithful audiences around the world and impacted the direction of countless visionary artists from Trent Reznor to Johnny Cash.

Gore’s enduring ability to connect the rawest aspects of the human experience to the dance floor defined an era and perpetually reminds us what it means to be human through the emotional power of electronic sound. For his contributions we are honored to name Martin Gore as the recipient of the 2019 Moog Innovation Award.

Martin will be presented with the award during Moogfest on Friday, April 26 at 3:30 p.m. (ET) at the Carolina Theatre immediately following his keynote conversation with Mute Records founder Daniel Miller, which begins at 2:30 p.m. (ET).

The Moog Innovation Award recognizes artists who have contributed to the exploration of sound in popular music and beyond for the past 50 years, exemplifying the bold, innovative spirit of Bob Moog. Past recipients include visionary artists Gary Numan, Devo, Suzanne Ciani, Brian Eno, Bernie Worrell, synth designers like Herb Deutsch, last year’s recipient Bernie Krause, and Thomas Dolby, who will also be performing and presenting this year.

For more information on Moogfest, visit www.moogfest.com."

Quick Tip: Pluck Bass Patch On Moog Subsequent 37 Tutorial

Published on Apr 23, 2019 Perfect Circuit

"Here is a quick tip on how to make a plucky bass sound on a Moog synth.

You will need:
- a 2 oscillator bass synth (in this video we used a Moog Subsequent 37)

The patch:
- Oscillator 1 set to saw waveform
- Oscillator 2 set to square waveform
- Slow PWM (Pulse Width Modulation) from the LFO to oscillator 2
- Oscillator 1, 2, & sub oscillator levels all the way up
- Filter cutoff all the way down
- Filter envelope amount 2/3 to 3/4 up
- Amp and filter envelopes set to no attack or decay and full sustain and some release.

To get a giant plucky bass sound out of a Moog synth try these settings. With the sustain all the way up and release adjustable the gate length of your sequencer will adjust how plucky or long the sound is. Alternatively you could have the sustain at zero and adjust your envelope length with the decay. The steep 24db filter is closed all the way down and then opened by the filter envelope.

To thicken the sound up you can add in a sub oscillator or feedback from the output to the filter input (this is normalized on the Subsequent 37). The sound can be further tweaked by adjusting the octaves and detuning of the two oscillators, the filter envelope amount, and the envelope shapes.

Subsequent 37 available here: https://www.perfectcircuit.com/moog-s...

#PerfectCircuit #QuickTip #MoogBass"

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Supporters of MATRIXSYNTH get %10 off at Perfect Circuit!

Novation Circuit & More Videos by asogaut

Published on Apr 15, 2019 asogaut

Playlist:

Faux Positivity (Novation Circuit)
no crystals (Circuit + Microbrute + Ipad Pro)
Is it soon june (Novation Circuit)
Guns (eurorack audio experimentation #1)
Soda for sale (Ipad + Beatstep Pro)
It sure is rainy. (Pocket Operator PO-33 + Volca Beats)
What are you looking for (Eurorack + Beatstep Pro + Ipad)
Bit Rush (PO-20 Arcade)
Mono beat (Volca Beats)
We can never be dreamy (Microbrute + Ipad)
Repeat and a (PO-33)

Overlay

Published on Apr 23, 2019 zack dagoba

"Overlaying the EMS VCS3 with the Buchla 200. The Moog 3C and Roland 100M were thrown in for good measure.."

Hymn for Sri Lanka

Published on Apr 23, 2019 Robert Engstrand

"'Hymn for Sri Lanka' - a tribute to the lost ones in the Sri Lanka bombings in April 2019.

Composed and performed by Robert Engstrand"

iOS Cality driving Eurorack

Published on Apr 23, 2019 junklight

"Cality on iOS driving three voices with the help of Polythemus and the keystep providing a lead line with the Cursus Iteritas"

StepBud AUv3 Midi Step Sequencer - iPad Demo & Tutorial

Streamed live on Apr 14, 2019 The Sound Test Room

"You can get StepBud here at the App Store"

"StepBud is a MIDI Sequencer with Audio Unit AUv3 plugin, Audiobus and Ableton Link.

Add an unlimited number of steps to your sequencer.
Your steps appear with a LED and a fader on top of your screen.
You can change the active mode that your step faders displaying/controlling.
- Set the current note or chord in range of the scale and key you selected with respect the range of the octave you want to focus,
- Set the velocity, rate, gate time, modulation, pitch bend, portamento for each step,
- Try increasing the rate and repeat count your steps if you want to add more flavor.
Below the step faders, you have a master fader where you can control your entire sequencer. It has two modes which you can change from the settings strip on the bottom of the app.
- In copy mode, it assigns its value to each step.
- In shift mode, it shifts up or down each step.

If you want to go off-scale or try some crazy chords on some of your steps, or maybe on all of them, you can go to the Step Editor by double tapping the LED of the step you want to edit.

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ContinuuCon 2019 Set for May 30 – June 1 Asheville, North Carolina

"The first ContinuuCon Haken Continuum Conference, held in Asheville in 2016, was a big success and a great start to this yearly tradition. The following year we were back in Asheville, hosted by the University of North Carolina Asheville. 2018 took things to the next level in Paris at IRCAM, the Institut de Recherche et Coordination Acoustique/Musique (Institute for Research and Coordination in Acoustics/Music).

2019 brings ContinuuCon back to beautiful Asheville, again hosted by the University of North Carolina Asheville Department of Music.

Performers, sound designers, composers and electronic music enthusiasts who attend ContinuuCon explore this uniquely expressive instrument through music, workshops, lectures and more. Dr. Lippold Haken, inventor of the Continuum and ContinuuMini, and Edmund Eagan, developer of the Continuum’s synthesis engine EaganMatrix, along with many other technologists and performers, openly share their knowledge, history and musical talents at this event.

Why go to ContinuuCon?

1. A great chance to interact one-on-one with the principle people behind the Continuum Fingerboard. Let your own ideas be heard in a open and welcoming atmosphere.
2. Get exclusive insights into future design ideas from Haken Audio.
3. Meet old and new friends who share the same interests as you.
4. Experience first rate performances from the finest Continuum players in the world.
5. Be part of a unique and special community based on the truly ground breaking expressive musical instrument, the Continuum Fingerboard.
6. Located in beautiful Asheville, North Carolina, ContinuuCon offers the ability to do additional site seeing in one of the top rated destinations of the world.

Don't miss it!
Grab your Early Bird Tickets NOW and save $75! Sale ends April 30th."

Casio VL-1 Processed to Modular Patch

Published on Apr 20, 2019 Fahmi M.

"Improv session / live jam used custom sound of VL-1 with VCV Rack.

Info:
The VL-1 was the first instrument of Casio's VL-Tone product line, and is sometimes referred to as the VL-Tone. It combined a calculator, a monophonic synthesizer, and sequencer. Released in June 1979, it was the first commercial digital synthesizer.

It has 29 calculator-button keys (G to B), a three-position octave switch, one programmable and five preset sounds, ten built-in rhythm patterns, an eight-character LCD, a 100-note sequencer, and a multi-function calculator mode. The VL-1 is notable for its kitsch value among electronic musicians due to its cheap construction and its unrealistic, uniquely low-fidelity sounds.

Its sounds were mostly composed of filtered squarewaves with varied pulse-widths. Its piano, violin, flute and guitar timbres were nearly unrecognizable abstractions of real instruments. It also featured a "fantasy" voice, and a programmable synthesizer which provided for choice of both oscillator waveform and ADSR envelope. It had a range of two and a half octaves. (Wikipedia)

VCV Rack now lets you run an entire simulated Eurorack on your computer – or interface with hardware modular. And you can get started without spending a cent, with add-on modules available by the day for free or inexpensively. Ted Pallas has been working with VCV since the beginning, and gives us a complete hands-on guide.

There’s always a reason people fall in love with modular music set-ups. For some, it’s having a consistent, tactile interface. For others, it’s about the way open-ended architectures let the user, rather than a manufacturer, determine the system’s limits. For me, the main attraction to modulars is access to tools that can run free from a rigid musical timeline, but still play a sequence. It means they let me dial in interesting poly-rhythmic parts without stress. (CDM)

More sounds:
ideologikal.bandcamp.com"

Percussa SSP Update 22042019 [Major MIDI Module Improvements; Step Sequencer and Granular Fixes]

via Percussa on Kickstarter

"Hi all

Time for the next update! This will be the last one before we head off to superbooth in the coming weeks.

With this update we’ve covered a variety of requests for the MIDI module as well as simplified the use of the module. This update also comes with 2 presets, new versions of the 8-voice wavetable synth patch demonstrating the changes we made to the MIDI module (see below).

For the download links, visit the forum at https://forum.percussa.com/t/update-22042019-major-midi-module-improvements-step-sequencer-and-granular-fixes/618/2

MIDI Module

* Removed V1-V16 toggles from MIDI Module

* Added CH1-CH16 toggles

* Added CCA-CCH outputs and parameters

* Removed pitch bend data from pitch output

* Added new pitch bend output

In-depth description

It’s now easier to use fader and knob boxes sending MIDI controller data. Previously the MIDI module would only output controllers 74, 7 and 1. With the new CCA-CCH parameters and outputs it’s possible to use 8 MIDI CCs per MIDI module. The P-page can be used to set the controller numbers.

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