"Buchla Music Easel Clone with a custom case made Boops on mw. Comes with a bunch of banana cables, a reverb tank inside the case, and power in the case.
Everything works as it should, but the touch keyboard can be a little fidgety depending on power."
"Two lovely sounding delay units - started off as a vs and ended with them complimenting each other perfectly... an expensive way to make a stereo delay :)"
"Starting out as a simple testsong for a midified TR-606 in a custom case, this midi-arrangement exercise went somehow oriental and even epic in the end. The solo is played by the PULScar with slight realtime modulations to bring some live into the sound. Finally found the time to make a neat sticker for the frontpanel. The ensemble also contains a modded Alesis HR-16 with custom EPROMS holding oriental percussion. The big knob is for downpitching the whole machine, demoed at 3:52. Other gear: Roland Juno 6 (Bass) & JV1080 (Strings, Brass), Kawai K4 (Brass) and the Waldorf Microwave (.. well, some synth sound). Footage shows the realtime sound editing, some fotos, studio flyovers and score screengrabs."
"COMING SOON ! The Stochastic Inspiration Generator ! Its a unique module that responds to your probabilistic musical direction but you don’t play ‘on’ it, you duet with it by starting with the fundamental musical atoms and controlling how likely different pitch, duration, octave and transition events will be using its controls."
not a traditional sequencer – it doesn’t repeat itself (unless you tell it to!)
not a probability sequencer – you don’t program fixed steps for variation
not a random source – you can control what it will do (within limits)
not a chaotic source – identical initial conditions don’t produce identical output
Stochastic is an Inspiration Generator ! Its a unique sequencer module that responds to your probabilistic musical direction but you don’t play ‘on’ it, you duet with it by starting with the fundamental musical atoms and controlling how likely different pitch, duration, octave and transition events will be using its controls.
Overview
Each event Stochastic generates has its pitch, octave, duration, onset, offset, portamento and ratchet set by probability controls. You can exert as much or as little control over what the next event will be as you wish. This could be very simple (e.g. raise C, E, G and 1/16 to 100% and you have a random arpeggiator kicking out constant 1/16 ) or something much more interesting…
Stochastic leverages tonal harmony by exploiting its statistical hierarchy of pitches: some notes turn up a lot, some not so much, some not at all. Being ‘in’ C Major means having lots of Cs, quite a lot of Gs and Es, a few Fs, some Ds, As and Bs, but no C#s, D#s, F#s, G#s, A#s. Set the note probabilities accordingly and Stochastic will spontaneously jam in C Major. Shift the probabilities, and you morph the tonality, key or mode they define into new tonal landscapes.
"Did you know that the trigger outputs of the Robaux SWT16+ can also be used to control CV inputs? Of course, there are only low or high. See the sequencer in action with the Sample Drum, playing a sliced loop from an old hiphop #vinyl."
Do you find the name of this module offensive, crude? This one had me wondering what is/was the most offensively named module or piece of gear out there. Metasonix definitely covers crude. The reason for the name Flipping bitch is given below.
6x different oscilators
that you can crosmodulate
with each other
with built-in low pas gate.
vactrol based. and for
and super snare sound or tom drum
The name flipping bitch is name like a I kind of French toast . That’s the people in Holland use for breakfast It’s called. wentelteefje ?. If you translate this it will be flipping bitch ."
