BOSS RCE 10 SOUND DEMONSTRATION WITH KORG MONOPOLY

Published on Jan 21, 2020 Gregory Cox

"Quick demo of the BOSS RCE10 Chorus Ensemble I'm selling on Reverb.com. Absorb the drone, expect no chops"

Gamechanger Audio MOTOR SYNTH Discussion and Example Notes - NAMM 2020

Published on Jan 21, 2020 VJ FRANZ K

MOTOR SYNTH - I Try It! Part A - Beeping arpeggios z20

Important Interviews with Richard Nicol talks to Tom Holroyd of Verbos Electronics @NAMM2020

Published on Jan 21, 2020 Pittsburgh Modular Synthesizers

"Richard and Tom discuss growing up in Pittsburgh at NAMM 2020."

Sequential Pro 3 In-Store Demo + Q&A

Started streaming 2 minutes ago

"Gerry Bassermann from Sequential will be demonstrating the new Pro 3 synthesizer at our event space in Burbank Ca.

Pro 3 available here: https://www.perfectcircuit.com/sequen...

#PerfectCircuit #SequentialPro3 #Synthesizer"

Black Corporation XERXES

Published on Jan 21, 2020 MrFirechild

"The XERXES is a modern take on the classic ELKA SYNTHEX! While keeping the same core sound including the analog chorus, the beautiful creamy multimode filter and powerful oscillators Black Corporation also adds an additional programmable LFO, MPE/Poly at over MIDI and lots of modern features. The track is called Xerxes.
Composed and produced by www.firechild.se"

Posts featuring Xerxes

NAMM 2020: Korg Arp 2600 FS Sounds

Published on Jan 21, 2020 Perfect Circuit

"Korg's ARP 2600 FS is one of the best-received synth announcements in some time: an authentic recreation of one of the greatest synthesizers of all time.

ARP's 2600 shook the synthesis world when it was first introduced: it provided all of the convenience of a fixed architecture synth, but with considerably greater sonic breadth than possible with its competitors. By combining all the best aspects of a modular synth with all the best aspects of a fixed synth, the 2600 captured the imagination of countless musicians of all styles.

The ARP 2600 FS is an exact recreation of the original 2600, adding selectable filter type, MIDI input, XLR outputs, keyboard aftertouch, and an integrated arpeggiator/sequencer. Bringing one of the most beloved synths of all time into the present, Korg's 2600 is an absolute pleasure to see and hear."

NAMM 2020: Korg Wavestate Sounds

Published on Jan 21, 2020 Perfect Circuit

"Korg's Wavestate revisits the sounds of the 1990s Wavestation, bringing wave sequencing and vector synthesis into the 2020s.

The Wavestate features four "oscillators" per voice—oscillators which scan wave shapes from an enormous bank of PCM sounds. By sequencing the order of waveforms per oscillator, effects ranging from smooth wavetable shifting to all-out percussive soundscapes can unfold, leaving the Wavestate with an uncommonly large sonic range. Not bound to the sounds possible with simple oscillators, the Wavestate's advanced options for waveform sequencing and modulation make it a perfect choice for animated textures, rich soundscapes, and deep, cinematic pads.

Wavestate is expected to ship soon, so expect to hear more brooding, undulating soundscapes and peculiar timbral sequences on the horizon.

Korg Wavestate available here: https://www.perfectcircuit.com/korg-wavestate.html"

Sonicware Liven 8bit Warps #NAMM2020 （日本語と英語です）

Published on Jan 21, 2020 True Cuckoo

Sonicware Liven posts

ASM Hydrasynth Interview #NAMM2020

Published on Jan 21, 2020 True Cuckoo

"Ashun Sound Machines is a new company, debuting with their really strong Hydrasynth. I had the pleasure to meet with both Glen Darcey, head of product development, and product manager Dominic Au. We had a talk about their story leading up to where they are today."

ASM Hydrasynth posts

Virus C meets Octatrack, with Roland TR8S

Published on Jan 21, 2020 Brittle stR music

"The loops in the Octatrack are all sounds from Access Virus C. After all this time, it's still a top synth! Drums from the TR8S, with samples cooked up using various hard and soft synths, including the 'guiro' loop which is from Waldorf Nave on my iPad.

Both melodic sequences are Virus patches where random arpeggiator patterns are selected within the modulation matrix. This makes the arp sound like an improvisation in a way that a repeated single pattern never could."