MATRIXSYNTH

【MV】ADAMSTAN84「Fire Soul!」

Published on May 9, 2020 adamstan84

Yamaha DX7IIFD

"この曲は一年前に作って、数回ライブで演奏しましたけど、最近だけやっとちゃんと録音をして、ビデオを作りました。これは私のアニメの影響下の二番目の曲です。今回セーラーマーズのキャラクターに影響されていました。

I made this song around a year ago, and performed it live a few times, but it was only just recently that I finally got to recording it and making video* for it. It's the second one among my anime/J-pop inspired songs. This time the inspiration and the title came from Sailor Mars / Rei Hino character from Sailor Moon anime.

* Video is the collection of clips from Sailor Moon anime series that feature Sailor Mars mixed with footage of my live performance of this song at Decrunch 2049 demoparty in June 2019.

#Synthpop #Jpop #Anime"

Oberheim Matrix-12 String Preset & Tuning Sequence

Published on May 9, 2020 synthmaven

"sound recorded with a C22 so it's not that great but you can hear that it stays in tune."

Currently on Reverb here. Pics captured earlier here.

synthmaven on Reverb

Jupiter -X onboard speakers

Published on May 8, 2020 annika morgan

I call this pattern “checkpoint charlie”

Follow-up to Falling Into Summer - DEMO by Veloway. Veloway is annika morgan.

BeatPPL Podcast 69 - Interview w/ Roger Linn

Published on May 9, 2020 BBoy Tech Report

"Roger Linn joins the conversation in this exclusive interview on Beatppl Podcast episode 69.

More on Roger Linn...
In 1988, he designed the innovative MPC60 MIDI Production Center for the Japanese Akai Company, with his signature appearing on the product’s front panel. Combining a sampling drum machine with a real-time MIDI sequencer, this product gradually became the industry standard in the production of hip-hop, dance and related music styles throughout the 1990s, and has been credited as a significant influence in the evolution of hip hop music. This was followed in 1994 with the enhanced MPC3000 and others. In addition to these designs for Akai, he also helped design products for a variety of companies during the 1990s, including the Japanese Roland company.

https://www.rogerlinndesign.com/"

KRAFTWERK tribute to Florian Schneider 1947 - 2020

Published on May 9, 2020 Redmartian

"These are just a few clips I posted on Mastodon as a tribute to Kraftwerk's Florian Schneider. They feature some elements that brought his personality and humor to the band. His skill as a radio telegrapher featured in Radioactivity. While they repeat the main lyrics "tune into the melody" becomes "tune into the KRAFTWERK" in morse code. His use of the vocoder and mellotron on Radioland and of course the Texas Instruments Language Tutor which was featured on Computerworld.

These are just in the moment posts, mostly 1 minute or less made for social media and are not complete cover versions. All backing music was recreated and sequenced using MIDI or played live on vintage analog synths."

Florian Shneider posts

Toa Mata Band - Kop AKA / Tour de France - LIVE ROBOTICS from Lockdown

Published on May 9, 2020 Opificio Sonico

"Toa Mata Band is known as the first LEGO® music #robots orchestra made of #Bionicle figures.

Each band member is built using Lego Bionicle and Technic pieces.

It's a system of electric motors, rubber bands and pulleys connected to the figures arms that allows them to play an array of different touchable synthesizers, drum machines, smartphones and electronic percussions."

Florian Shneider posts

MIKE303 'Tribute to Kraftwerk'

Published on May 9, 2020 SuperfunkOfficial

MIKE303 'Tribute to Kraftwerk'

Rip Florian Shneider

more here : http://analogsynthmuseum.free.fr/

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Florian Shneider posts

Synthspace - Virtual Reality Modular Synthesizer

Published on May 7, 2020 Bright Light

"Support this project on Patreon and try this build today in VR or on Desktop! https://www.patreon.com/synthspace

Synthspace is my attempt to capture the physicality of a modular synthesizer in a virtual instrument!"

via the Patreon page:

"Hi, I'm Markus. I'm an XR programmer by day, but I'll always be a musician at heart.

Whenever a new technology arrives, my first thoughts are: how can I use this for making music? So you can imagine, when I first tried Virtual Reality - I knew at an instant that this was going to change the way we make music forever! The fantastic thing about VR is that it frees us from our screens and mice and keyboards. Suddenly we can use our hands again and we have the entire room to play in.

Synthspace is my attempt to capture the physicality of a modular synthesizer, while adding in all sorts of magical bits that are only possible in a virtual world. VR is the exciting part, but I want to create an instrument that is fun and flexible and ready whenever you need it, so I'd love to have it available on as many platforms as possible (VR, Desktop, Mobile). And I'm working towards supporting multiple users working together in the same virtual space.

I've spent countless evenings and weekends on this project, and now I'd love to take it to the next level and work on it full time! If you like the idea and see the potential, please see if you can support me in any way. Every little bit helps and I'd love to bring you along on this journey!"

Old Casio through Bass Station II filter

Published on May 8, 2020 Alfonse

"Best listened to on speakers or headphones with a good bass response. I love the analogue "super-drums" on this 1985 Casio MT-52, so I tried running them through the external input on the Bass Station II and hitting them with its filter section. On the high-pass setting, adding overdrive gave a nice saturated flavour and switching the slope from 12dB to 24dB with the resonance cranked up brought out the sub-bass in the kicks. Everything was recorded straight to four-track tape on a Tascam Porta05 Ministudio. A Zoom MS-50G multi-effects stompbox was used for a reverb send during mixdown."