"MATTHS (aka Matthew Hodson) has been busy releasing 1 track a month for the entirety of 2021. This 11th instalment is unapologetically hard and upfront.
Movement is a dark, repetitive and brutal offering inspired by the dance floor and will make you come back for more.
MUSIC: Production, performance, mix and mastering by MATTHS
ARTWORK: Elina Krima
This track is exclusive to Bandcamp and you can become a MATTHS VIP member for only £3 a month and receive hours of extra releases right away! https://matths.bandcamp.com/vip-membership"
"“Modulation” section is updated with the Dimension-D chorus emulation. Unlike the real unit, this emulation has smoothly varied modulation Rate, Range and positive/negative Feedback for wider range of possible settings.
As usually for such effects: once Rate is set to zero, then Range control can be used for manual/CV modulation. This way external LFO can be used as the modulation source."
"Thanks for watching!
Found out that Berklee's Creative Technology Center has one that students can borrow, so I booked some time and played around with the Roland System 500 for a little while. I triggered it with the Korg SQ-1. For detailed patch notes, follow me on Patreon, and you can find them there. Cheers!
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Here are some links of mine: https://linktr.ee/pgarbaczonek
Go follow my Patreon here: https://www.patreon.com/pgarbaczonek?...
"This is an experiment in using the Akai Midimix to control the Hydrasynth LFO step sequences. I’m using Logic Pro X environment faders to convert midi CC from the Akai to Hydrasynth NRPN’s. What you’re hearing is one Hydrasynth Deluxe multi patch, the Midimix controlling only the lower part."
"This is the third video breakdown/rundown for one of my modular synth systems, this time I'm doing my Eurorack briefcase. Next time I'll do one of my small 5U systems.
Index: 0:00 Beginning 1:24 Introduction 2:05 Modules and Modifications In Tray 5:02 ASR Newsreel 5:58 Modules and Modifications In Tray (continued) 9:42 Modules and Modifications In Lid 16:13 Additional Modification And Construction Notes 26:03 Pleased Ann Buy 27:21 Wiggle 1: Typical Poly Patch 32:57 Wiggle 2: Magneto Magic 33:39 Wiggle 3: Getting Lost 34:52 Wiggle 4: Into The Beyond 36:38 Wiggle 5: Rotated ASR 40:03 Wiggle 6: The Twins Have Spoken 43:20 End
"Tape Leaders book review & flipthrough. Tape Leaders is a richly illustrated A-Z compendium featuring over 100 composers active with tape and electronics in the analogue era.
Containing information never previously uncovered, Tape Leaders shines a fresh light on many sound experimenters unacknowledged in the history of British electronic music. It also covers EMS synthesizers such as the VSC3, Synthi and others as well as BBC Radiophonic studio.
Tape Leaders: A Compendium Of Early British Electronic Music Composers is an indispensable reference guide for anyone interested in electronic sound and its origins in the UK. The book compiles information on practically everyone active with experimental electronics and tape recording across the country to reveal the untold stories and hidden history of early British electronic music.
With an individual entry for each composer, it covers everyone from famous names like William Burroughs, Brian Eno and Joe Meek to the ultra-obscure such as Roy Cooper, Donald Henshilwood and Edgar Vetter.
There are sections for EMS and the BBC Radiophonic Workshop and amateurs, groups and ensembles that experimented with electronics, including The Beatles, Hawkwind and White Noise.
Author Ian Helliwell draws on his experience and extensive research into electronic music. After six years and dozens of interviews, he has amassed information never before brought to light on this fascinating subject.
With a specially compiled 15 track CD of mainly unreleased early British tape and synthesizer works (exclusively available to the Velocity Press shop), this is an essential book for anyone interested in electronic music history during the 1950s and 60s.
This hardback book is 22.7cm x 17.7cm, and the 224 pages are printed and bound on heavyweight 130gsm paper. You can grab a copy at
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TIMECODES
00:00 - Intro & Overview
00:50 - Electronic Music Composers A-Z 12:07 - Experimental Amateurs 13:20 - Electronic Music Groups 15:31 - EMS (Electronic Music Studios) 16:32 - BBC Radiophonic Workshop 17:25 - Tape Leaders CD Liner Notes 17:41 - Info, Credits & Index
The second Genesis video of three in the mini series. Mama is one of my favorite Genesis songs.
Yes it`s a cover but not original at all. It`s my interpretation of this great song.
I used The DX7 for the voice main synth sound. In the original song is the sound made with the NED Synclavier II.
The triggered chord sound is made with the ARP QUADRA.
The analog pad sound and the deep humming sound is made with the Oberheim OB-Xa. In the original with the Prophet-5/10.
The deep bass in the middle part is the MOOG TAURUS bass pedals.
The thin synthetic sound in the middle part is made with the Emulator II.
The drum beat is the LinnDrum. Additional Percussion is Simmons SDS-8 and Emulator II."
