"Guide to understanding FM synthesis, programming examples. and operating aids for programming the FM synthesiser. Basic knowledge as well as skills for experienced are taught in equal measure. In German. Signs of use exist."
"Two Yamaha ROM Data Cartridges for the Yamaha DX7 FM synthesizer. Cartridge number 1 and 2 in a set. Together with their original polystyrene box.
Lots of original presets from the 80's that made hit history (Michael Jackson, Queen, Whitney Housten and 1000's more). Each cartridge with 64 sounds organized in 2 banks.
Slight signs of use from insertion into the instrument's cartridge slot.
With adapter ADP1 to my knowledge also suitable for the following instruments: YAMAHA DX7S, DX7IID, DX7IIFD, TX802"
TIMELINE: 0:00 Intro 1:35 Overview 3:35 Connectivity 4:05 East vs West 5:20 Complex gen 6:05 Sub osc 6:20 Complex mods 9:30 LFOs 10:50 Filter 12:50 Delay 13:50 Envelopes 14:50 MIDI 16:30 Tuner 17:05 Pitch control 17:25 PATCH IDEAS 17:25 Paraphony 19:10 Filter kbd trk 20:10 Filter FM 20:50 Velocity mods 21:45 Clock to Gate 23:45 LFO to Clock 25:10 Pros & cons 28:30 Outro
Other gear in the video:
► Arturia KeyStep 37 and KeyStep Pro)
► DINSYNC.info RE-909
► Cremacaffe stands
► Scopes by Melda: https://www.meldaproduction.com/
"This is 20 minutes of me bouncing back and forth between two Oberheim OB-Xa style eurorack filters, trying to hear the differences between them. If you're not deeply interested in OB-Xa filters, you're probably better off moving along.
Still here? Ok. So, these two filters are close but not identical to the original VCF in the Oberheim OB-Xa. They have some improvements here and there, but for the most part are true to the original sound of the Oberheim. (I don't have an OB-Xa, so whether they're exactly the same or not I have no idea.)
As I go through I'm going to first try and get them as identical as possible, then listen to their less identical aspects.
In both cases I'm sticking to the 'standard' model, not the state variable option.
Sorry for the crackles here and there, my interface seems unhappy. They don't get in the way, they're just occasionally irritating."
"This is a sort of lazy tutorial with notes for using Moog Mother-32 internal sequencer with an external sequence, while butchering Mike Oldfield's Tubular Bells.
The second voice here is Mutable Instruments Rings, sequenced by Ornament & Crime."
"The year was 2021. I'd just acquired the Make Noise 0-Coast the day before at Knobcon, and this was my first chance to get to know it. Alone, under the covers with just a few patch cables and my handy Zoom recorder, I droned.
Reverb and B-roll added later.
Reverb and b-roll added later."
"Watch Jordan Rudess plays one of the classic synths of Syntronik 2 - the KW-8000. The KW8000 delivers the late ‘80s sound of the digital-analog hybrid Korg DW-8000. The DW-8000 used digital oscillators with short samples of 16 different waveforms, then into an analog low-pass filter. The result is a remarkably warm sounding instrument whose timbres often sound more analog than digital."
Jordan Rudess plays the Sorcerer modern virtual synthesizer from Syntronik 2
"Watch Jordan Rudess plays one of the classic synths of Syntronik 2 - the Sorcerer. The Sorcerer offers the distinctive timbres of the legendary Moog source, two fat analog oscillators through the legendary Moog 24 dB per octave transistor ladder filter. In many ways, the Source was a programmable Minimoog capable of generating massive basses and superior leads."
