MATRIXSYNTH

Wednesday, August 30, 2023

Best of PPG wave Synthesizer

video upload by RetroSound

"(c)2007-23 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

❤️ Support #RetroSound channel: https://retrosound.creator-spring.com

Best of PPG wave 2.2 Synthesizer
all synthesizer sounds: PPG wave 2.2 Synthesizer (1982)
drums: Roland TR-808 , Roland TR-707, Linndrum, Simmons SDS-8

Setlist
0:06 Intro
0:31 1982
1:09 Wave Choir
1:34 Riding the Blue Wave
1:50 Rush 1
2:02 Wave Church
2:16 Wave Beat
2:39 Snowfall
2:49 Psycho
3:23 Melancholy
3:48 Daydream
4:08 Arpeggiator Games
4:22 20000Volt Trafo Station
4:35 Dark Waves
5:12 Blue Motion
5:32 Dancing Waves
5:55 Break The Rule
6:06 Upper Wavetable
6:35 Wave Strings
6:45 Elektroplankton
7:10 Wave Sweep
7:27 Wave Detector
7:48 Wave Steps
7:57 Sunday Afternoon
8:32 Blue Hole
8:40 Fast Driving
9:04 Wavetable Playing
9:21 Rush 2
9:30 Permafrost
9:48 Fukushima
10:16 Fundamental Wave
10:54 First Record
11:04 Miami Nights
12:01 ADHS
12:13 Monotony
12:37 Wave Piano
12:50 Oldschool Day
13:14 Wavetable 27
13:25 Retrolink
13:42 60Parallel
14:21 Hit The Wave
14:41 Self Control
14:58 Ti Sento
15:12 Touch In The Night
15:24 Tangerine Dream
15:45 Overture
15:55 Spatzili (Waveterm Sample)

The PPG Wave Synthesizer from the year 1982 is one of the most fascinatic synths ever. Used by Trevor Horn, Rush, Ultravox, Gary Numan Tangerine Dream, Depeche Mode, Propaganda, Tears For Fears, Robert Palmer and many others. Here can you find the full PPG wave playlist with a lot single sound demos, wavetable demos, PPG Waveterm demos and one synth demo tracks. Enjoy.
The PPG playlist:"

Melbourne Instruments NINA Demo & Review

video upload by musictrackjp

DEMO by Katsunori UJIIE.

Bora demos

video upload by DecadeBridge

"This is a collection of short demos of Bora. Beats created with drum machines and Ableton live. Some delay and reverb has been used in Ableton on Bora's dry signal.

00:00 Pamela's pro workout triggering two envelopes output to Bora's pitch (Oscillators E + F) and VCA. Beats from Rample triggered by Pam's new workout.
00:59 Bora output to the desktop low pass filter. Cutoff controlled by CV A from the Korg SQ1. Bora's pitch (Oscillator D) controlled by CV B from the SQ1.
01:35 Bora's output running into the Microcosm. Korg SQ1 gate A connected to Bora's VCA in.
02:40 Bora's output into the low pass filter. Filter cutoff controlled by the SQ1 CV B. Bora's pitch (Oscillators C + F) controlled by the SQ1 CV A. The volcano drum is syncing the SQ1.
03:30 4 note drone using oscillators A, B, E and F.
03:58 Bora's output into the low pass filter. Filter cutoff controlled by the SQ1 CV A. SQ1 gate A to Bora's VCA in. Switched in and out.
04:53 Stacking notes with Bora by switching oscillators on and off. Running the output into MI Beads then using the wet/dry mix.
06:06 Rhythmic drones through the simple use of a gate from the Korg SQ1 to Bora's VCA in.
07:15 Using the Harlequin's context to control Bora's pitch and volume by switching scenes. Using Bora's buttons to quickly change the sound."

See this post for additional details on Bora.

Tuesday, August 29, 2023

Seven Years Gone

video upload by John L Rice

"Thinking of my dad who passed away on this day seven years ago, August 29th 2016.

This is my small custom eurorack synth build with 4ms Pod cases attached to a PedalTrain pedal board. It has modules from Kilpatrick Audio, Noise Engineering, Rebel Technology, Mutable Instruments, Modcan, Steady State Fate, Squarp Instruments, Doepfer, Erica Synths, 4ms, and the Haken ContinuuMini on top.

#modularsynth #eurorackmodular #electronicmusic"

Battle of the Sequential (and DSI) Prophets | From VCO (P10) to DCO (P08) to DSP (P12) ambient pads

video upload by MIDERA

"A friend of mine suggested 'why not compare your Prophets?' And I thought that was an interesting idea. So I sat down with my Prophet 10 and started recording. Only... I didn't actually record the audio. I recorded about 10 minutes of video and looked over and never hit record in my DAW. I should have kept it in the video, the biggest sigh as I put my hand over my face and said 'You've got to be kidding me.' It sounded so good too.

So, I went through the process again. I recorded the Prophet 10. Then I decided to record something similar with the Prophet 08. Then I decided to record something similar with the Prophet 12. All three synths I tried to record something similar, and go through similar sound processes. The end sounds weren't identical, but the process was as similar as I could make it. Everything is recorded mono out into the Strymon El Cap to be equivalent in this regard. The P08 and P12 obviously would have advantages in a stereo playing field.

What's my take on the comparison? The Prophet 10 is just a joy to use. Absolutely brilliant synth to play. At no point did I need to access menus or set, in a difficult way, modulation sources/destinations. They're already preconfigured and give you such a wide range of sounds. I surprisingly found the Prophet 12 to be the most difficult to work with, despite it's excellent UI. But you can't really use the UI to its full potential when you need to use both hands to change things (or what I mean is, if you want the great UI to work, you need both hands so that you can hold a source and twist a knob).

I won't argue that the Prophet 12 is better for some things than what the Prophet 10 or 08, because it's a hybrid synth and has a lot of other waveshapes and people don't always desire making 'analog sounds' whatever that means. From what I understand, some folks prefer to make sounds without even using the filter (or leaving it wide open), and with the P12, you can do that more easily.

Either way, the Prophet 10 to me was the winner here, it might not be the best sounding (although I do think it is), but it provided the most enjoyable experience."

Modal Carbon 8 Experimental Synth - Advanced Tutorial with Chris Martirano

video upload by Kraft Music

"Find exclusive Modal Carbon8 Bundles at Kraft Music:
https://www.kraftmusic.com/brands/mod...

Chris Martirano provides an in-depth tutorial on the Modal Carbon8

Want less talking and more playing? Check out our All Playing, No Talking video right here: [posted here]

Modal Electronics Carbon8 uses over 40 complex digital algorithms and advanced oscillator modifiers to produce contemporary and unusual sounds for modern music production and performance. With a massive array of 34 filter types, shapeable LFO waveforms, a powerful sequencer/arpeggiator section and extensive realtime control, Carbon8 is the dream of today's music producers and performers. Like every Modal instrument, it integrates seamlessly into every synth environment and works with the free ModalApp available for computers and mobile devices.

Get more for your money with an exclusive Modal Electronics Carbon8 Experimental Synthesizer bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new polysynth, all for one low price. If you have any questions, please contact us. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!"

ASM Hydrasynth - Experimental Generative Plucks

video upload by Scott McAuley Sounds & Synthesis

"Diving into the generative side of the Hydrasynth and loving it, this patch utilises the arp in a very slow tempo, then LFO 5 as step sequencer, generating random pitch changes to Osc 4, LFO 5 also triggers Envelope 5, which triggers the filter cutoff.

Various other LFO's and Looped Envelopes to add changes to the filter envelope decay and release times, also to randomly change the time signature of the arp (hence the deliberate drifting out of sync then drifting back in again) it's an addictive type of synthesis and one that really brings some happy/lucky finds.

Pad is OB6 through some bigsky, Piano Is Keyscape, drums are various samples put together for quick video.

I will do some tutorials on this once I have become more adapt at it :)

Enjoy
SM"

Live toolkit: All Disting EX Algorithm Parameters Mapped to MIDI Clips

This one is in via supporting member ty hodson @ sublevel9 lab who had the follwing to say:

"In an earlier post I detailed how to set up Live as a hub for handling MIDI communication to/from your Disting EX. But now I deliver the coup de grâce: a package of Live sets that includes MIDI clips for all parameters for every Disting EX Single Mode and Dual Mode algorithm!"

Find the full post at sublevel9 lab.