Roland RS-505 49-Key Paraphonic Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Presenting the legendary Roland RS-505 Paraphonic Strings, a gem in the world of vintage synthesizers. Known for its lush and captivating string sounds, the RS-505 is a legendary classic."

CLICK FOR MORE »

Korg Maxikorg 800DV w/ CV & Kenton ProSolo MK3

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Fittted with CV and comes with Kenton ProSolo MK3 midi interface."

CLICK FOR MORE »

Oxford Synthesizer Company OSCar 37-Key Analog Monophonic Programmable Music Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The legendary Oxford Oscar in full working condition with midi."

CLICK FOR MORE »

Moog The Source Mono Analog Synthesizer SN 3531

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

CLICK FOR MORE »

Korg Prophecy Demo

video upload by Panu Savolainen

"Multitracked demo of Korg Prophecy. Eventide Space and Waves delay used in some sounds. Only edited presets used. https://panums.bandcamp.com/track/kor..."

Cherry Audio Introduces PS-3300 Virtual Analog Recreation of the KORG PS-3300 Synthesizer

video upload by Cherry Audio

"PS-3300 is an exactingly faithful virtual analog emulation of the colossal and ultra-rare semi-modular analog polyphonic synthesizer released by KORG in 1977. Cherry Audio has pulled out all the stops to accurately recreate and update this mythical monster synth, from its massive stacked sonic character and signature multiple‑resonator sweeps to the considerable patching capabilities that distinguished the PS-3300 from all other polysynths at the time."

Introduction to Cherry Audio's PS-3300 - Hosted by Tim Shoebridge

video upload by Cherry Audio

"To get users up and running with PS-3300, Cherry Audio and Tim Shoebridge of Sound Mangling have again teamed up to create an introductory tutorial video walking users through the history and extensive features of this massive virtual synthesizer instrument.

https://cherryaudio.com/products/ps-3300

00:00 - Introduction
02:57 - The KORG PS-3300
04:38 - Cherry Audio's PS-3300


User Interface Basics
05:41 - Signal Generator Panels and Master Panel
06:33 - The Oscillators
08:15 - The Filters
09:22 - The EGs
10:54 - Keyboard Tracking
11:21 - The Resonators
13:00 - Modulation (LFOs)
16:45 - Temperament and Tuning Controls

Semi-Modular Patching with Virtual Cables
18:14 - Patching Basics
20:58 - Mod Wheel Patching
25:20 - Conclusion

Cherry Audio PS-3300 - a massive demo and tutorial for a massive synth

video upload by CatSynth TV

"Today we present the new PS-3300 from our friends at Cherry Audio, in partnership with the good people at the Electronic Music Education and Preservation Project (EMEAPP). The original Korg PS-3300 is a massive polyphonic semi-modular analog synthesizer with three independent polyphonic synth voices, each of which has a multi-waveform oscillator, low-pass resonant filter, a unique three-band resonator, independent tuning of each note of the scale and more. Cherry Audio's version recreates the look and sound of the original, and adds some additional modern features.

Such a beast of an instrument deserves a beast of a video, almost an hour in length, packed with details about the history of the instrument, how each part of the synth voice works, how to use all three together, the global and effects sections, and factory presets."

00:00 Introduction
00:26 History of the Korg PS-3300
01:33 Overview
02:39 Single voice - oscillator
05:40 Low pass filter
10:42 Resonators
13:56 Amplitude and frequency modulation (single voice)
17:56 More global modules
19:55 Temperament and intonation
23:48 Multiple voices
25:57 Multiple resonators and low-pass filters
34:27 Cross-voice modulation
39:23 Different temperaments on each voice
41:33 The effects section
48:48 Factory Presets
57:15 Conclusion

**NEW** Cherry Audio PS3300 // 3 polyphonic synths in a semi modular box

video upload by Starsky Carr

"This is one CRAZY synth!! 3 full polyphonic synths in one big box. Here's my review, demo and walkthrough of the Cherry Audio PS3300. It's a replica of the Korg of the same name from 1977. This is a great example of a unique and characterful synth from the days when they were figuring out how best to create and control the tones.

Each voice has a single oscillator, lowpass filter, ADSR envelope and 2 LFOs. The resonators are a great addition - 3 resonant BP filters per voice - gives a lush or crazy phasing effect.

Follow all this with Cherry Audios FX, and the scalable interface, MIDI control etc etc and you end up with something well worth picking up. Have a cheese sandwich for you dinner and pick this up instead of a pizza!"

0:00 what is it?
2:35 Oscillators
4:52 Filter
6:20 Envelope
7:22 Polyphony
7:41 Keyboard Volume Balance
8:18 Resonators
9:50 Amp Modulation
10:27 Keyboard CV Outputs
11:08 Mixer
13:08 CV Processors
15:23 Sample and Hold
16:21 CV Processors Signal Invert

Kaivo Sequencer Overview

video upload by Madrona Labs

"Overview of Kaivo's Sequencer

Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-to-use semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based)."

https://madronalabs.com/

Chapters
Intro: 00:14
Outputs: 00:30
Output Delays: 00:46
Glide: 01:31
Clock/Rate: 01:36
Steps Dial: 01:55
Loop Button: 02:01
Internal/Host Button: 02:21
Audio Rate Modulation: 02:37
Offset: 03:11
Gate Width: 03:20
Range: 03:27
Quantize Button: 03:41
Steps Buttons: 04:01
Preset Waveforms: 04:17
Sequencer in use: 05:11

Qu-bit Introduces Mojave Live Granular Processor Eurorack Module

Tutorial 1: Getting Started video upload by Qu - Bit

00:00 Introduction
01:18 Let's get started with Clock modes, Rate, Gen triggers and how to get grains moving.
02:36 Other ways to trigger grains? Hello, Gen Modes!
03:36 SIZE!
04:26 Don't forget to shut the window. Or, maybe open it?
05:04 Speed: Wait, we can pitch-shift grains?
05:39 Zone: Grains from the present and the past. (Too fun.)
06:35 The relationship between Distribute and Structure.
08:02 Take control of quantization with Sky modes.
09:06 I want my grains to jump around! Drift is your friend.
09:37 Whirl creates a universe in stereo. No, really.
10:03 TWO end-of-chain effects - Feedback and Reverb!
11:17 TWO freeze functions!
13:02 Dune: Mojave's unique CV/Gate output
13:38 Oh, we didn't tell you there's a mic on Mojave?
14:33 Patch Example - "Gypsum"
15:00 Patch Example - "Mic-Check"
15:56 Patch Example - "Interstellar Beats"
___________________________________________

https://www.qubitelectronix.com/

Press release follows:



SAN CLEMENTE, CA, USA: Q-Bit Electronix is proud to announce availability of the Mojave module as its latest Daisy platform- based Eurorack entry — effectively kicking up a granular sandstorm as a live granular processor drawing inspiration from vast swathes of its American Southwest desert namesake by using microscopic bits of audio to create beautifully-crafted sonic landscapes while reinventing the way we interact with sound, seriously backing up the self-proclaimed ‘Future Coast’ modular synth-maker’s philosophy of building bespoke devices that push the boundaries of design beyond what is presently possible in the process — as of October 10…

It is fair to say that Mojave is a stereo live granular processor at its creative core, but, in reality, it is capable of so much more — not least when being pressed into play as a stochastic event generator. Mojave makes it possible for explorative users to patch together feedback-driven glitch textures or compose harmonic symphonies from a single droning oscillator. Other possibilities include creating a granular delay or scrubbing a locked audio buffer to create time-stretching effects — and all directly from the front panel of this 14HP-wide module.

Mojave can — in many ways — behave exactly like other granular processors, but what sets it apart in this realm is its ability to take complex granular manipulations and make then accessible to even the most novice of users. “Our first module ever was Nebulae, a granular looper; we've always wanted to do a fully-committed, live granular processor but with a ‘New-Bit’ twist,” confirms Qu-Bit Electronix CEO — and company co-founder — Andrew Ikenberry. Indeed, that ‘New-Bit’ moniker really reflects the company’s collective internal name for its new design philosophy of focusing on hands-on, approachable devices that leave room for users to push their own technique and explore sound design in new ways.

With this in mind, Mojave is no exception to this rule; for its front panel includes the fundamental controls for generating and manipulating grains — themselves the tiny building blocks of granular synthesis. Adjust a grain size, shape, and generation rate while also having control over the grain pitch, the position in time where the grain grabs audio, and the audio playback direction. Though these controls are essentially found in any granular processor, they only scratch the surface of Mojave’s potential.

Put it this way, then: the key to Mojave’s magic resides in the controls at the centre of the module. The two larger knobs there are absolute attention-grabbers — and for good reason, providing aleatoric grain manipulations in exciting, unquestionably ‘Qu-Bity’ ways. Turn the distribute knob to add rhythmic displacement to the grain rate; depending on which Mojave mode is selected, distribute’s displacement can either be asynchronous movements through time or quantised ratchets, repeats, and rolls that liven up the simplest of rhythms. Representing the flip side of the granular coin, as it were, the structure knob adjusts each grain’s pitch within a defined system. structure can — at its smallest setting — provide subtle semitone pitch changes, perfect for thickening up a sound, creating chorus/flanging effects, and more. But by turning up structure beyond halfway, Mojave begins to sing. structure starts to play through a quantised scale, introducing arpeggios and trills as the knob ventures further up; with the grain size large enough for grains to overlap, Mojave effortlessly transforms into a polyphonic sound generator — regardless of input.

Said structure knob and its rate (speed) neighbour are connected to Mojave’s Sky Mode — itself selected using the button in between distribute and structure — that determines what scale Mojave is quantised to. The default modes include major, minor, and chromatic scales, as well as the aptly-named, non-quantised Twilight Mode. Moreover, each mode will be fully customisable — alongside a host of configurable settings — within Narwhal, Q-Bit Electronix’s module web app (https://narwhal.qubitelectronix.com/) for custom settings.

Since Mojave boasts true stereo I/O, it includes a couple of controls that emphasise this characteristic. drift does exactly as its name implies; it drifts the grains through the audio buffer, and the more the knob is turned, the more Mojave begins to slip into the past, grabbing random bits of audio from both signal channels to fill its grains. An adjacent whirl control provides random stereo panning to each generated grain; the more this knob is turned, the more frequent and wider the grains are panned, creating huge stereo sounds from any sound source — stereo or monophonic.

Mojave has more than one way to inject sound into its granular sandstorm, speaking of sound sources. Indeed, it even has an onboard, high-quality MEMS (Micro- Electro-Mechanical System) microphone that is positioned just above its USB port; simply removing any patch cables from Mojave’s audio inputs makes the microphone active, ready to pick up any acoustic audio! Try talking or singing into Mojave — or even play an acoustic instrument in a live setting — to bring granular flair to compositions.

Clearly, then, Mojave is primarily designed for live granular processing, yet users are afforded an ability to not only freeze the grains in place for glitch stutter effects, but they are also able to lock the audio buffer in place, thereby using Mojave as a granular buffer scrub; Mojave — at the right settings — can even mimic the time- stretching effects of its bigger granular sampler and DSP (Digital Signal Processing) platform sibling, Nebulae, now benefitting from v2.1.2 firmware itself. It is worth noting here that future firmware updates and alternative firmware for Mojave are accessible via its USB drive.

Meanwhile, Mojave’s granular engine can generate a plethora of audio effects that will transform any sound. Saying that, Q-Bit Electronix even included one final end-of- chain control to add some sparkle to an already dazzling device — namely, the gust knob. Which way it is turned determines control over either an internal feedback loop designed to tear grains apart in the best way or a lush reverb effect to fill the voids between the audio — alternatively, granular-textures-into-a-wash-of sound-morphing.

“Mojave is the module that’s gotten me excited about patching again,” admits Andrew Ikenberry, alluding to its configurable dune CV/Gate output and more connectivity besides, before enthusiastically continuing towards a natural conclusion: “There is something to be said about designing individual aspects of a module, not fully knowing how each part will interact with another; as such, Mojave has created sounds that I’ve never heard before, and it’s this journey into the unknown that — as a designer — gives me the opportunity to sit down and discover every corner of this amazing device along with everyone else.”

Check with dealers on the right for availability.

Exploring Ambient Sounds - Hydrasynth Deluxe Multi Patches

video upload by MR TUNA Music

"Stay a while and get lost in the beautiful ambience of the @AshunSoundMachines #Hydrasynth Deluxe. Today we are going to scroll through the #ambient category patches in the multi-bank (Two 8-voice synth engines either stacked or split)

Which one is your favourite?"

Programming sequences with Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns

video upload by Frap Tools

"Slonimsky's Thesaurus is quite a strange music book, but its impact on Jazz and experimental musicians has been enormous. Today we tiptoe into this extravagant world to see if there's anything interesting for our USTA sequencer!

https://frap.tools/usta/

00:00 Introduction: Slonimsky's Thesaurus
2:45 Pattern no. 1
04:02 Adding the bass
04:29 Rhythmic variation over pattern no. 1
04:47 Adding a tonal bass line
05:10 Cross-patching a CV for pitch-shifting the pattern
05:31 Quantizing the chromatic pattern
06:30 Integrating the notes and closing the filter
07:03 Pattern no. 141
08:09 Quantizing pattern no. 141
09:28 Pitch-shifting pattern no. 141"