MATRIXSYNTH

Wednesday, January 24, 2024

Elektron Digitone "Cataphyll"


video upload by Benjamin Brodie

"Combining deep FM synthesis with a familiar subtractive synthesis signal flow, the Elektron Digitone is an amazingly powerful 8-voice synth. And with Elektron's acclaimed sequencing onboard, your creative potential is practically unlimited. Digitone is ready to create with four independent synth tracks, each with a 4-operator FM synth engine featuring eight different FM algorithms. Those algorithms — along with pretty much everything else — can be locked to different values for each sequence step. Factor in four MIDI tracks, an arpeggiator for each track, two LFOs per synth voice, multimode filtering, and built-in effects, and the Elektron Digitone may just be the FM synth you've always wanted to perform with.

The complex timbres and sonic animation you can create with FM synthesis make it a unique method of sound creation, and Digitone presents it in a welcoming fashion. Each of the four synth tracks features its own 4-operator FM synth engine with eight algorithms. Elektron gave Digitone a familiar subtractive synthesis-style workflow that makes tweaking these voices fun and intuitive. And with the potential to lock a different synth sound into every sequence step, Digitone offers far more sonic potential than most 8-voice synthesizers — or most FM synths in general for that matter.

The elusive song of the desert, caused by grains of sand rubbing against each other, is nature’s own FM synthesizer. Sometimes roaring, sometimes wailing, always enchanting. Enter the alluring dunes of Digitone: a compact synthesizer that fits snugly at home, in the studio, and on stage.

FM synthesis occurs when you modulate the pitch of one oscillator with another, to achieve rich and unexpected timbres. The ratio and rate of modulation impact the resulting sound. Digitone uses four oscillators, or operators, per voice. A particular configuration of operators is called an algorithm. For classical FM synthesis, it ends here.

With the Digitone, you get to shape, enrich and modulate the sound even further, using the powers of subtractive synthesis. Use the multimode filter with its custom envelope to soften or pronounce the wild overtones. Cut off the low, mid, or high frequencies. Sculpt with style and precision. Define the sound decisively using the full-featured amp envelope. Carve the contour of the sound.

You can add more movement to the sound using an LFO or two. Set any sound-shaping parameter in automated, repeated motion. At a very slow or a very fast speed, using a variety of different waveshapes, including a random one. Make your sound sway gently like the ocean, or flutter like a butterfly."

Eurorack Phasers


volume 3 video upload by John Schussler

"I got a Pittsburgh Modular Toad not long ago, and realized I'd not compared the WMD Orion to anything either. Figured I'd put them both together, and throw in the G-Storm Polychrome to help join this video with earlier comparisons of eurorack phasers.

The Orion is now discontinued, and the Toad is a limited edition that will sell out. Only the Polychrome is in continued production. Not that there aren't other phasers, mind you, just saying if you like these....

VCO is a Befaco Pony. Little bit of reverb to make it not so harsh, but not too much. That's about it. Enjoy.

00:00 Intro
00:20 Drone
11:32 Sequence"

Eurorack Phasers - Take 2

video upload by John Schussler

"(This is a 'headphones required' video. You won't hear half of what's going on if you don't listen in headphones.)

This is my second attempt at a video on eurorack Phasers. The first (linked here but not otherwise listed in my channel: Eurorack Phasers) contained a number of mistakes. I'm keeping it around because I actually find those mistakes interesting, and want to be able to remind myself.

In particular, I didn't understand a couple things:

1) The SynthTech E560 input isn't set up for Eurorack levels, it's set up for line levels. If you don't attenuate the input, it distorts rather badly.
2) You have to use BOTH outputs of any module (that has them) if you want to hear stereo phasing. It's the contrast between the source audio and the phased audio that makes the effect, and you need two outputs to make that happen.

So. Once again into the breach, I attempt to compare some eurorack phasers. I think somewhat more successfully this time.

00:00 Intro
00:20 Next Phase
08:19 E560
17:15 Kamieniec"

Previously posted: Eurorack phasers - two new additions

Tuesday, January 23, 2024

Groove Synthesis 3rd Wave - Dynamica Vol.1 Demo Reel 1 of 4


video upload by Scott McAuley Sounds

"Patches will be available at https://www.orano.co.uk/shop or http://www.synthsounds.co.uk

Video Demo Reel 1 of 4 - (Patches 1 to 25)

So here it is, my first bank of 2024 and first instalment for the Groove Synthesis 3rd Wave. This custom bank took longer than I had anticipated due to the multi-timbrality features of the 3rd Wave.

Many of these Patches have 1, 2, 3 or even 4 sounds per patch, and it is always worth hitting the Play button on the sequencer to see what surprises it may bring :)

Bank contains, Leads, Basses, Strings, Arps, Splits, Binaural, Keys and the expected lush pads.

I have loved programming this synth, it is an absolute pleasure to work with! Hats off to a great synth with a fantastic UI design by the Groove Dudes.

I really hope you enjoy these new sounds, as always thanks for checking them out!

00:00 SM Armageddon
00:50 SM Tron
02:01 SM Epic Pad
03:06 SM Obie 5ths
04:06 SM Contemplation
05:17 SM Velvet Keys
06:04 SM Digi Drops
07:01 SM Reso Falls
08:04 SM Anjuna Beach
09:05 SM Uplift Seq
10:17 SM Genesynth
11:17 SM Misfits 2
12:21 SM Lullaby Waves
13:40 SM Magni Pad
14:47 SM Galactica
16:11 SM What is Love
17:17 SM DroneBellSplit
19:02 SM Divebomber
19:25 SM Constelation
21:13 SM Motion Pad
22:18 SM Meditate Seq
24:25 SM Prodigyesque
26:06 SM Broken EP 2024
27:32 SM Lomond EP
28:19 SM Ballad Keys"

Albers and Cadence - Drone jam


video upload by DecadeBridge

"A little drone jam whilst testing Albers this evening. Both Albers and Cadence working together to create the patch.

Patch notes:-
Albers' LFO D out to Cadence's filter cutoff in.
Cadence's oscillator A running at a division of 9 into Albers' LFO A reset.
Albers' LFO A modulating oscillator A's pitch.
Cadence's oscillator B running at a division of 10 into Albers' filter cutoff.
Albers' LFO B output into Albers' oscillator B's VCA.
Albers oscillators C and D static notes.
Cadence oscillators C and D sent through it's filter and to the main output.

https://www.etsy.com/shop/DecadeBridge

https://www.decadebridge.com/Download...
https://www.decadebridge.com/Download..."

Panharmonium | by Rossum Electro-Music


video upload by Cinematic Laboratory

"Spectral processors are hot these days thanks to the Spectraphon and the mighty 296T. It's easy to skip the Rossum Panharmonium and I got many questions like 'how does it compare...' So I checked a few Chris Meyers Learning Modular videos and many I don't remember. What I heard was pure magic. It's been quite an investment again, especially with the Morpheus.

This is a 'first patch' video so there's not much explaining and too much exploring. I simply don't have the time for a deep dive during #jamuary2024 but it's a perfect opportunity to share the experience of learning by tweaking knobs. I started recording/shooting around noon today, and I am happy I can post it before midnight so it's a genuine Day 23. I may have to shoot something simple tomorrow. Or maybe I'll do the dreaded Strega multi sample that will break reality in two."

A Totally Unique Roland Modular Synth Oozing


video upload by Memetune Studio

"The Roland custom modular from their finest period is coming along nicely!

Enjoy the creamy sounds it oozes 😁"

Industrial 80s - 80s inspired Novation Summit Jam


video upload by Chromaflow

"Here is another song I came up with last night. It was inspired by 80s sounds - I’ve really liked how good the Hydrasynth is for that sort of thing, and have been loving coming up with bass sounds on the Summit. The Digitone has stayed rock solid, as ever."

#Jamuary 23rd "perlington gate"


video upload by Captain Credible

"Can I sync the #ko2 to the #fantasymansion without accidental teleportation to the demon realm ? #occultronic featuring the vintage #airfx"

Quad Multimode Filter & Morphing Scanner Bank // Atlas by Vostok Instruments


video upload by DivKid

"I really love the approach of Vostok Instruments where they’re building out modules that not only sound great, but that offer multiple channels of the same functions. In modular you often need more, and not particularly more variety, but more of the same functions to push creativity and deeper levels of patching.

Atlas is a set of 4 multimode filters (low pass, high pass, band pass), with clever normalisations, dual modulation inputs per channel, a ‘classic synths of Japan in the 80s’ inspired sound PLUS you get an interpolating scanner bank that will morph between the four filter outputs. It’s an impressive thing that’s been a delight to play and patch with.

As always I hope the video provides you patches to explore Atlas and other filters and functions in your own systems."

Update: new video from Stazma:

Atlas Eurorack Module Demo | Gear Talk w/ Vostok Instruments

video upload by Stazma

00:00 Intro
01:14 Module Overview
04:46 Scan section
07:39 My first patch with Atlas
08:11 Four voice poly synth patch
11:23 Funky Bass & vowels
14:01 Ping it!
14:54 Stereo patch
17:17 Ambient w/ Torso T-1
18:14 Drum machine patch
21:34 End talk



Mini press release follows:

"Atlas is the latest addition to our range of multi-channel modules, a fully analog, four-channel multimode filter.

The cores are a modern approach to the gain-cell-based filters included in many of the classic Japanese synths of the 80s, with a vastly improved dynamic range, a super-accurate resonance compensation circuit, and a clean self-oscillation. It is perfect for recreating iconic TR-drum sounds by pinging the filters with fast envelopes or triggers.

In addition to the four filters, the module counts with a dedicated Interpolating Scanning Circuit that morphs between all the filter outputs to create new shapes and timbres."

User Manual

Additional details via Vostok Instruments:

When we talk about the sound signature of synths, filters are probably one of the first topics appearing.

On Atlas, we dive into the sound of the 80s Japanese classics with four gain-cell-based multimode filters that keep the silky and creamy sound of those legendary machines along with some technical improvements like a better noise floor, an accurate resonance compensation, and a daisy-chain input implementation that makes some patching techniques like parallel filtering a lot easier.

The filter cores have been carefully designed and tweaked to be pristine without losing character. With three filter modes available per channel, 4p-LP, 2p-HP, and 4p-BP, Atlas can cover almost any filtering technique, from superb filter sweeps to multi-slope resonant patches.

Thanks to its precise resonance circuit, each core creates a clean sine wave when self-oscillating. Excite the inputs with fast trigger or gate signals, and you will get TR-like drum sounds, from deep kickdrums to nice toms and congas.

In addition, the module counts with a CV-controlled Interpolating Scanner circuit that morphs softly between each filter output, creating new shapes and timbres as it fades between the channels.

Features
Four analog multimode, gain-cell-based VCF circuits.
Three modes per channel: 4p-LP, 2p-HP, and 4p-BP.
Resonance compensation circuit.
Daisy-chained audio and Freq inputs.
Secondary CV input, selectable between Frequency or Resonance.
CV-controlled Interpolating Scanner circuit.

MuSonics' The Vanilla Synthesizer Now Shipping



via MuSonics

"MuSonics is pleased to announce The Vanilla Synthesizer is now shipping and available to order.

The Vanilla Syntheisizer is a small-batch analogue synthesizer in American format which is chock-full of highly optimized 1970s circuitry and tone in a beautiful walnut cabinet. It now features a default patch routing which allows it to make music out of the box with no additional cables between modules.

Those interested in The Vanilla Synthesizer should visit musonics.com to read its origin story, view photos and videos of the instrument, and see ordering details.

If you are at the 2024 winter NAMM convention please visit us at booth 12100 to experience it in person!"
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