MATRIXSYNTH


Friday, February 02, 2024

Intellijel System February C# ~ Strymon Cloudburst


video upload by Ebotronix

Intellijel System
Quadrax ( 4 voice chords by ARC Serge TKB & OC)
Shapeshifter , 2x Amps , 3x Planar 2 , 2x Polaris Multi Mode Filter,
4x Dixie II +, 2x Plonk , 2x Multi FX 1u, 2x Mixup, 2x Tangrams,
2x Quadratt 1u, 2x passive LPG, Dr. Octature 1 & 2,Steppy,
Scales, Bifold, Flurry (master clock), Quad VCA,
Sealegs, Quad Inverter, µMod V1 , ADSR,
Cylonix - Cyclebox II with expander,
16n Faderbank AtoVproject channel 1,2,3 to FX aid .
9 - 16 to Strymon Cloudburst Midi CC
Tunefish 2x Ornament and Crime (Aeolian Scale)
Happy Nerding Panmix, 2x FX Aid XL
WMD Modbox
Doepfer R2m
Ritual Electronics 2x Flexibilite´
2x Boss EV 30
Strymon Cloudburst (2x) Midi CC ( 8 channels) by 16n Faderbank AtoVproject
ARC Serge TKB
2.2.2024
video # 2338

NAMM Show 2024 Modbap Booth VOLTAGE CTRLR


video upload by Modbap Modular

"Join us on Modbap's YouTube channel every Friday in February 2024 at noon as we debut a video series showcasing the complete Modbap module bundle. In preparation for their live NAMM 2024 show floor beat set at the Modbap booth, we provided four talented beatmakers with the full arsenal of Modbap's performance-oriented Eurorack modules.

Each episode features a 15 to 20-minute set by one of the beatmakers - Voltage CTRLR, Ali The Architect, Fess Grandiose, and Ken Flux Pierce - showcasing their skills and creativity using the Modbap module bundle in various combinations with a variety of groove boxes and modular systems all centered around modbap modules. Experience the sonic character of HUE, Meridian, Osiris, Per4mer, Transit, and Trinity as these beatmakers push the boundaries of sound and music.

Discover the innovative capabilities of Modbap's Eurorack modules and witness the incredible talent of Voltage CTRLR, Ali The Architect, Fess Grandiose, and Ken Flux Pierce as they showcase their skills in real-time."

How To Prep Your K.O. II Samples for Lo-Fi Grit


video upload by Bloom Music

"Donald Jordan walks through prepping lo-fi samples for maximum grit on the Teenage Engineering EP-133 K.O. II.

All sounds and music in this video were created using the K.O. II.

This video is not sponsored and all featured gear was purchased at full price.

If you enjoyed this review and want to see similar content in the future, please like and subscribe.

Intro: 00:00
The Theory: 1:18
The Process: 4:47
The Results: 11:03"

Exploring the 1st Buchla 100 Modular Synthesizer


video upload by Sarah Belle Reid

"This video is a historical, technical, and musical deep dive into the Buchla 100 Series Modular System at the Mills College Center for Contemporary Music. This instrument was the first voltage controllable modular synthesizer built by Don Buchla—it was delivered to the San Francisco Tape Music Center in the mid-1960s.

In this video we’ll start with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, we’ll unpack everything that’s inside the instrument module by module. Finally, I’ll share some of the quirks of this particular instrument, and lots of patch examples to illustrate its unique voice and character.

As I was getting to know this instrument, I tried to keep in mind the circumstances surrounding its development—the people who contributed to it, the time in which it emerged, and the state of electronic music at the time of its invention. These thoughts greatly inspired my approach to working with the instrument and are present throughout this video.

It’s a rare opportunity to be able to work with a historical instrument like this one. I have always been super inspired by Buchla’s work in general, but like many people have had few opportunities to work with his original instruments. Instead, much of my experience has been through newer instruments inspired by his designs. Being able to work closely with this instrument was an incredibly inspiring and clarifying experience that allowed me to gain a deeper understanding of Buchla’s own creative and technical development, as well as the multitude of music, modern modules, and instruments that have been inspired by his work.

Special thank you to Mills College for letting us spend a week in the electronic music studio working with the Buchla 100; to The Buchla Archives and Ryan Gaston for helping to put this video together; and also to all of the amazing folks in my Patreon community for your support in helping to bring educational projects like this one to life!

Learn more / join the waitlist for Learning Sound and Synthesis, my online modular synthesis and sound design class: https://www.soundandsynthesis.com

Join my Patreon community for behind-the-scenes content, unreleased music, and extended tutorials: sarahbellereid

Thank you to:
Mills College Center for Contemporary Music https://www.performingarts.mills.edu
The Buchla Archives https://www.buchlaarchives.com
Ryan Gaston (co-producing + filming) https://gastonsounds.com
Hainbach (tape slicing footage)

TIMESTAMPS:
00:00 Historical Overview: Buchla 100 + the San Francisco Tape Music Center
7:38 Mills Buchla 100 System Overview
14:27 Timbre in the Mills Buchla 100
18:29 Chaos in the Mills Buchla 100
21:52 Voltage Control Quirks
25:00 Sequencing Tactics: Triggered Segments
30:40 Sequencing Tactics: Extended Sequences
32:06 More Patches + Sounds
32:36 Ring Modulated Reverb Patch
34:40 Keyboard Chaos Patch
36:55 Gated Voice Patch
38:29 Wonky Drum Machine Patch
38:57 Triggered Gestures Patch
39:14 Transposed FM Sequence Patch
39:48 Bell Tones Patch
40:27 Touch Controlled Ratchet Patch
41:00 Sequenced Melodic Patch

Sarah Belle Reid is a performer-composer, active in the fields of electroacoustic trumpet performance, intermedia arts, music technology, and improvisation.

www.sarahbellereid.com"



"In the Spring of 2024, Reid spent a week at the Center for Contemporary Music at Mills College, where she worked closely with their original Buchla 100 modular synthesizer system. This specific instrument’s historical significance can’t be overstated. It was the very first voltage controllable modular synthesizer that the now-famous artist, inventor, and electronic musical instrument designer Donald Buchla built in the mid 1960s—indeed, one of the very first modular synthesizers altogether. In its time, this specific system has been used by countless inspiring and influential musicians, such as Pauline Oliveros, Morton Subotnick, Suzanne Ciani, Warner Jepson, and others.

The video begins with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, Reid unpacks everything that’s inside the instrument module by module, with sound demos and examples. Finally, she shares some of the unique quirks of the Mills Buchla 100 instrument, and patch examples of how the instrument can be used to create a wide range of music and sounds."

Hot swapping FX circuits with the Befaco FX Boy // CAUTION - there's utter filth in here!


video upload by DivKid

"I really enjoyed making the FX Boy demo for Befaco and have enjoyed using the module since, so as further ideas for the FX Boy came to mind I decided to make FX Boy Fridays (anything for a catchy hashtag! #FxBoyFridays). For now this will be a pair of videos with some extra ideas, starting here with making one riff-y complex modular bass patch and drum beat thing and hot swapping the cards to see what they offer that sound. Short simple and there's some UTTER FILTH in there.

Fulsome FX Boy Demo, give it a watch //" [posted here]

Parallel Worlds - Fragmented (DiN83) Released on Digipak CD & Download





This is a follow-up to this post.

"The first DiN album of 2024 is now live on the DiN Bandcamp store. "Fragmented" (DiN83) by Parallel Worlds, on limited edition Digipak CD & download. This fourth solo sonic journey from Parallel Worlds sees him focusing in on his modular synthesiser systems."

Groundhog Day modular jam with Herman #shorts


video upload by CatSynth TV

"The venerable Herman makes his Groundhog Day appearance, accompanied by a modular jam featuring Metasonix R54, R54 and RK5 modules as well as the Make Noise Tempi and Rene. Off-screen, our trusty Strymon StarLab provides some color and reverb."

Bad Gear - Danger Zone


video upload by AudioPilz

"Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about the Yamaha Reface DX FM synthesizer. Is this 2015 descendant to the iconic Yamaha DX7 , Yamaha DX100 and sibling of the Yamaha Reface CS worthy of the legacy and can it keep up with other modern FM synths like the Korg OpSix ? Are we entering the Danger Zone ?"

Chapters:
00:00 Prologue (no pun intended)
Intro tune
01:12 Overview Reface DX
01:39 Reworked UI (Touch Sliders)
02:16 Real Time Tweaking
02:24 Synth Engine, Algorithms, Polyphony, Patch Memory
02:48 Feedback per Operator
03:03 Envelope Generators, Pitch Envelopes, LFO
03:29 More UI Stuff, Keyscaling
03:45 FX Section
04:00 Midi Looper
04:21 Connectivity, Speakers, Pitch Bend
04:52 What else??? (Pricing, Thanks,...)
05:09 Hate
05:35 Jam 1 (Dub Techno)
06:23 Jam 2 (80s Bass Tweak)
07:25 Finale (Sanic House)
07:55 Verdict

Unlock Another Dimension with Animoog Galaxy for Apple Vision Pro



It looks like Moog is the first to produce an app specifically for Apple's new Vision Pro headset.

Details via Moog Music

"The creative minds at "Moog have been a part of many firsts in the space where art and technology intersect. From the brand’s beginnings in popularizing the very notion of electronic music to its innovation in developing platform-specific products like the first professional synthesizer designed for iPad, Moog Music brings another revolutionary instrument to musicians and technophiles with its latest release: Animoog Galaxy. Animoog Galaxy is an exciting new music production app designed exclusively for Vision Pro, Apple’s highly anticipated entry into the world of spatial computing. Powered by Moog’s Anisotropic Synth Engine (ASE), this multi-sensory creative tool introduces users to an immersive experience unlike any other.

Animoog Galaxy embodies the immediate and intuitive experience of playing a Moog instrument and applies it to spatial computing, enabling the user to quickly sculpt incredibly fluid sounds that live, breathe, and evolve in all dimensions.

Sound Design Meets Spatial Computing

Animoog Galaxy exists to redefine how we create and consume music. Combining state-of-the-art technology with a user-friendly interface, this innovative Moog instrument empowers users to discover new synthesis concepts and traverse sonic landscapes unknown.


Key Features:

Anisotropic Synth Engine (ASE): Animoog Galaxy utilizes an exciting Moog technology that allows you to spatially move through the X, Y, and Z axes of unique timbres to create an expressive and constantly evolving soundscape.

Immersive Experience: Constantly evolving sounds and visuals help create a peaceful mood and environment all around you. Fully immerse yourself in Animoog Galaxy's universe with a futuristic user interface that takes cues from popular sci-fi imagery.

Designed for Apple Vision Pro: Visuals, graphics, gestures, interactions and sounds were created specifically for Apple Vision Pro, embracing and amplifying its unique capabilities.

Modulation and Pitch Shifting: Control Animoog Galaxy's advanced gestural keyboard with configurable scales, pitch correction, and glide. Simply look, pinch, and drag to control multiple per-voice parameters.

For more details, visit the link below!"

https://apps.apple.com/us/app/animoog-galaxy/id6471704891

New Auto Fills App by Cem Olcay


video upload by Cem Olcay

Auto Fills jam with Octachron and Hammerhead

video upload by Cem Olcay

"Auto Fills is a random MIDI generator app for creating drum fills.

http://keybudapp.com/autofills

https://apps.apple.com/us/app/auto-fi..."

"Auto Fills is a random MIDI generator app for creating drum fills for your drum synth apps or hardware synthesizers. It works as an Audio Unit AUv3 plugin with the supported host apps such as AUM, Loopy Pro, Logic Pro, Cubasis, Nanostudio, apeMatrix etc.

In Auto Fills, you are working with a drum kit. You can either create the kit by adding drum parts and assigning them MIDI notes/channels yourself, or you can select a kit templete from the settings menu for an app or hardware for quick setup.

- In Kit mode, you can assign a probability value to each drum part.
- In Velocity mode, you can assign a velocity to each drum part, and you can also introduce velocity variety for them.
- In Duration mode, you can set the drum fill length as well as the waiting time before and/or after the drum fill, in beats or bars.
- If you've set "wait before the fill" and/or "wait after the fill" durations in the Duration mode, the drum fill won't be played during the waiting periods.

If you have a favorite drum sequencer, you can route it through the Auto Fills, before the drum app, like
- Drum sequencer -> Auto Fills -> Drum App

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