"Mint condition vintage Oberheim DMX drum machine and sequencer. Iconic piece of music history that is truly inspiring to work with. Brand new battery, factory installed DMX memory expansion, three additional sound cards. Works perfectly and sounds incredible."
"(c)2007-25 by RetroSound
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One of my favorite tracks from the 80s.
Happy Children by P. Lion from the album Springtime (1984)
written by P.Lion, produced by David Zambelli
Featured the Roland JX-3P, the LinnDrum and the Simmons SDS-8
This cover song series contains my own recreations of my favourite songs from the last 50 years. The original music from which I take inspiration belong to their respective owners. I recreate tracks only for personal passion and to pay homage to these tracks.
My intention is not to create covers that sound exactly like the original (if you want to hear identical sounds, please listen the original). It's more of an inspiration with my sounds from the old synthesizers from the past and of course the great appreciation for the original performers and producers."
"Welcome to the soundset for a semi-modular system, Behringer EDGE + SPICE. It is a collection of 50 patches that include basses, drums/percussion, leads, plucks, stabs/chords, generative-style patterns. There is a wide range of sound colors in the pack: massive and gentle, aggressive and soft, bright and dull, harmonic and dissonant tones, straight and polymetric rhythms.
🎛 The main point of the soundset is the high level of interconnection—not just syncing the two synths with independent timbres (individual patches for EDGE and SPICE are also available on my website). In this patchbook, the timbres of the synths are fused and can’t exist separately: ✔️ They modulate each other with envelopes. ✔️ A sequence from one synth may change parameters on the other. ✔️ Triggers, clock/rhythm, run/stop modulations break predictable patterns. ✔️ Audio signals from VCOs may be used as modulation sources to create harmonies/intervals or crazy experimental inharmonic tones.
🧿 At the same time, they play different and clear roles. It’s not a sound mess, but two synths working in close cooperation. For syncing the synths, I chose SPICE as the master. I send clock to it from the DAW via USB. Then, I sync EDGE to SPICE using patch cables. On the EDGE, the PLAY button is pressed in advance, but EDGE doesn't start playing until PLAY is triggered on the SPICE. This way, launching SPICE starts both synths in sync. If SPICE is synced to the DAW via USB/MIDI, hitting PLAY in the DAW will start both synths in sync with the DAW.
"Inspired by 1970s visionaries like Klaus Schulze, Tangerine Dream, and Ash Ra Tempel, this collection captures the essence of analog warmth, cosmic sequences, and ethereal leads—perfect for crafting your own voyage through time and space. Explore a universe of expressive, retro-futuristic sounds! Featuring 50 exclusive presets where each sound has been expertly sculpted by renowned sound designer, OttO K. Schwarz. The presets are fully optimized with modwheel and velocity assignments, ensuring dynamic control!
Ideal for producers shaping retro-futuristic electronica, ambient, or synthwave; film and game composers in search of cinematic depth and cosmic textures; and synth enthusiasts eager to expand their sonic palette. Berlin Legacy is more than a soundset—it’s a portal to another dimension. Whether reviving the magic of vintage sequencers or pioneering new electronic frontiers, let these sounds carry you to a realm where analog circuitry meets the infinite cosmos!
"This is a fascinating setup: using Landscape and Evicshen as a resonator for the guitar, feeding the signal into Auratie via the 208, and modulating it with Auratie’s new self-feedback feature. The 700 sends out a low-frequency sound field, which is then AB-morphed using the 208’s LFO.
Put on your headphones and enjoy — hope you like it!"
Welcome to my latest video, "MegaFM: Sound exploration - Session 5"! In this video, I dive deep into the world of FM synthesizers and explore the characterful Twisted Electrons MegaFM. If you’re passionate about FM synth sound design or looking to enhance your synth music skills, this video is for you. I’ll show you the unique features of the MegaFM and how it stands out in the crowded world of FM synths.
The MegaFM offers incredible possibilities for sound designers, from deep, evolving basses to sparkling, intricate leads. Throughout this video, I’ll demonstrate key tips and tricks to help you unlock the full potential of this digital synth, while giving you a close-up look at its user interface and sound-shaping capabilities.
Whether you're a seasoned FM synth user or just getting started with synth music, the MegaFM is an exciting tool to explore. Join me as I explore the ins and outs of this versatile synthesizer and create a range of sounds that will inspire your next track."
"This is a video demonstrating the sounds of the Roland JP-8000.
The JP-8000 caught my attention when I started digging into the whole super saw concept. As a relative newcomer to the dutch hardcore scene I was blown away by this fat, yet aggressive sound. The JP-8000 was the first to incorporate it and, although subtle, it's directness is unrivaled. And it is capable of so much more. I feel the sounds are dated, but still relevant. A bit contradictory, I know. I recently recapped the unit, but unfortunately, directly after this demo, the right channel went very dim. I guess I need to open it up again. Build quality is lacking a bit, but with a little tlc this unit is one of my favorites.
Thanks my love for playing so beautifully."
0:00 Strings
5:01 Bass
7:17 Pads
9:27 Arpeggiator
14:45 Lead & Organ
17:00 FX
"Playing around with my Chroma Polaris and OXI ONE sequencer today. Using 2 channels on the Polaris - although, amazingly for a 1984 synthesizer, this synth is 6 part multitimbral. You can run 6 different sounds on different MIDI channels and automate all the parameters on each channel. I think most other synths of that era pretty much only did note-on/note-off!"
