ESK - Leploop Arpoloop Sound Demo Part 2

video upload by Metunar

"Second Demo Track of a Leploop Arpoloop. It’s a kind of „strange analog groovebox“. I'm slowly starting to understand the synth now and it's becoming more and more fun.
Also this time no use of external effects. I will do that later.
Direct recording with soft mastering.

http://www.metunar.ch

Groovebox Patch with MetaModule

video upload by 4ms Company

Bastl WAVE BARD at Superbooth 2025

video upload by Tweeeeeak!

"No talking, just tweaking and patching..."

Patch from scratch with the Befaco Bandit

video upload by Omri Cohen

"Here you can find the document of tips and tricks - / 119073839

You can find this patch, along with many others, available on my Patreon page - / 129021825

00:00 - Introduction
00:23 - Envelopes on different bands
08:53 - Mixing
16:38 - Audio rate modulation
23:21 - Send/return"

PPG 1002 Synthesizer Live-Jam

video upload by Cornel Hecht

"A short live jam with the PPG 1002 analog synthesizer, sonically enhanced with the effects of the Strymon Big Sky and the Zen Delay. Have a listen to the sounds created with this combination! 🎶"

Glitchy High Speed Switch || Turbocharger by Hakai Labs

video upload by Robots Are Red

"Turbocharger is a 6hp high speed switch between two signals. By default one signal is 5v and the other is 0v. There is an internal oscillator to act as the switching clock. The oscillator also has PWM control. CV control over all parameters. And the 'Do Not Touch' knob... well you'll just have to watch to see it's glitchy goodness.

Jump to any section of the video:
00:00 - Opening
00:25 - Intro
00:57 - Full Walkthrough and Demo
14:12 - Make it Louder
15:01 - Wavechopping
17:26 - Momentary Switch
18:28 - Pulserizer with Drums
24:03 - Some Music

Special thanks to Hakai Labs for providing the module for this video."

"Turbocharger is finally here!

Turbocharger at its core, is just a simple super high-speed switch (not a VCA) between 2 inputs. This sounds boring, but the switch is run by a CMOS switch IC capable of switching at extremely high speeds. This, paired with its internal oscillator, with PWM controls, makes for some fun experimentation. The best part is you don’t even have to use the internal oscillator. There is an external clock input that you can patch in your own pulse wave to control the switch.

Turbocharger is an idea that I (Scott Danesi) have had for some time now. After watching a presentation by Jon Sonnenberg (artoftravelogue.blogspot.com) back in the day at one of the early Knobcon conventions in Chicago on Wave Replacement Synthesis, I thought, I could do that in one module but make it crazier. So, what started out as a simple “Turbo” gate for the NT Controller module, now turned into this monstrosity.

The front panel art was created by the talented Aurich Lawson.

Check out the user manual below for more detailed information!

CLICK FOR MORE »

MOOG ONE Three sequences! 🔥🔥🔥

video upload by SMV Producer

"Everything recorded in real-time and no external processing added.
Subscribe @smvproducer
Sound banks available for purchase at:
https://gumroad.com/smvproducer
Other links:
Bandcamp : https://sergiomassimilianovarvazzo.ba...
Instagram: / smv_producer
Smartlink: https://ffm.bio/smv_producer"

Etherized: Modular Signals from a Planet in Crisis

video upload by Electrum Modular

"What do rising sea-levels sound like? How might we listen to the temperature of the oceans? What rhythms can we hear in the increased frequency of intense hurricanes/cylones? Can we imagine mounting CO2 emissions as a crescendo of dissonance?

This piece uses a data sonification module (Loud Numbers) to translate spreadsheets of climate-change data into MIDI cc values. An interface (CV.OCD) then converts the MIDI to voltages to control my modular system. ADDAC’s Swell Physics’ CV inputs for swell size, agitation, offset, etc. are ideal for modelling the complex, unpredictable effect of rising sea levels, sea temperatures, and storm intensity, on ocean waves. Meanwhile, Disting EX’s 'spectral freeze' algorithm is processing ocean-related songs.

Despite the fixed data on the spreadsheets, this patch generates different sonic results each time it is played – thanks to the chaotic behavior of Swell Physics. I am planning a longer, ~30 minutes version for a public performance, with video visualization/projection of the data.

Data sources

Carbon dioxide (CO2) emissions: Our World in Data (University of Oxford/Global Change Data Lab), https://ourworldindata.org/co2-datase...

Annual sea-surface temperature anomaly – global: Australian Bureau of Metereology, http://www.bom.gov.au/cgi-bin/climate...

Category 3+ storms: Tropical Meteorology Project, Department of Atmospheric Science, Colorado State University (calculated from National Hurricane Center, the Central Pacific Hurricane Center and the Joint Typhoon Warning Center), https://tropical.atmos.colostate.edu/...

Global Average Absolute Sea Level Change, 1880-2023: United States Environmental Protection Agency (data soures: CSIRO, NOAA), https://www.epa.gov/climate-indicator...

Loud Numbers’ VCV Rack module: https://www.loudnumbers.net/tools"

Korg Wavestate - "Classic Synth Waves" 40 Performances

video upload by LFOstore

"Korg Wavestate 'Classic Synth Waves' sound pack.

BUY: https://kav-sound-explorer.sellfy.sto...

New sound pack for Wavestate: 40 performances, 43 programs, 42 multisamples

The collection of performances and programs contains a set of both analog and digital synth waves that will complement your library, oscillators will find wide application and will not take up much space in the memory of your synthesizer.

Contents: 40 Performances, 43 Programs, 42 Multisamples (22.5 MB)
The pack offers a diverse selection of inspiring sounds:

Expressive synth tones, perfect for melodies, pad, leads or deep textures
Synth punchy basses to drive your grooves
Dynamic arpeggios to add rhythm and movement to your tracks
Analog and digital synth waves

Whether you create electronic, techno, pop or cinematic music,
'Classic Synth Waves' provides the perfect palette to expand your creative possibilities."

The Mythical Yamaha DX7 Bass Cartridge

video upload by Espen Kraft

"Stock, Aitken and Waterman used a lot of DX7 basses in their hits. In interviews in the 80s they would occasionally talk about their cartridge with DX7 bass patches and how no one would get access to it.

Many decades later and the patches can now be found online. Just to make sure I asked Phil Harding if he was able to verify that these are indeed the real mythical patches and he, in turn, asked Ian Curnow. Ian Curnow is of course the guy that actually did the programming of most of it. He also made the Fairlight patches/sounds for 'Never Gonna Give You Up' which uses one of these bass patches. Ian Curnow did confirm this is it."