Befaco 7U Backpack

video upload by Befacosynth

"The Befaco Modular Backpack is designed specifically to carry your Befaco 7U Case safely and comfortably wherever your music takes you.

Built for modular musicians on the move, the backpack features a soft padded interior, ensuring your system stays protected during transport. Its expandable design gives you extra space when needed, while keeping a compact profile for everyday travel.

A dedicated laptop compartment lets you bring your computer along for live performances, studio sessions, or patching on the go. Multiple accessory pockets keep cables, headphones, power supplies and small gear neatly organized — including a hidden pocket for your knurlies and tiny essentials.

Sized to be cabin-friendly, the backpack is ready for flights, gigs, rehearsals, and studio hopping. Whether you’re travelling across the city or across the world, it’s the perfect companion for your Befaco 7U Case.

https://www.befaco.org/7u-case-backpack"

TR-808 // MONOLIT SEQUENCER // CONCRETE :: pt.2

video upload by Light Reft [Sasha DZA]

Chase Bliss BIG TIME Delay Showcase | Sound Demo (feat. Modal Element One) ‪@ChaseBlissAudio‬

video upload by Davide Puxeddu

"A pure audio demonstration of the Chase Bliss Big Time hybrid analog/digital echo, utilizing the newly released Modal Electronics Element One virtual analog synthesizer as the main sound source.
No talking, just hardware.

Designed in collaboration with John Snyder of Electronic Audio Experiments (EAE), the Chase Bliss Big Time is a true-stereo hybrid echo that revisits the mixed-up, unique circuitry found in rackmount delays from the early 1980s. In that era, advanced analog engineering was functionally used to prop up crude digital systems. The Big Time intentionally embraces and pushes this hybrid architecture to its absolute extremes.

This video showcases how the Big Time's interactive controls and dual stages of analog coloration transform incoming synthesizer signals:

• Stereo Analog Preamp (Color): Adds beautiful, warm saturation to the input stage, designed to handle a wide variety of instruments.
• Feedback Loop Limiter (State): An analog clipping limiter in the delay path that creates everything from smooth compression to crumbling, misbiased overdrive that slowly disintegrates your echoes.
• Cluster Slider: Blends in additional delay taps and diffusion, smudging and expanding the sound into rich ambient delights and multi-tap clusters inspired by vintage space station units.
• Scale & Motion: Controls creative transposition, Thermae-like musical sequencing, and stereo modulation (Sine, Square, Envelope).

Watch how the Big Time's motorized faders react and seamlessly transition through different delay modes—from tight modulations (3-46ms) to Short (46-736ms) and Long delays, across HiFi, Focus, Warm, and Analog voicings.

Providing the core audio tracking is the Modal Element One. Its 8-voice virtual analog engine, morphable filters, and rich stereo waveforms offer the perfect high-quality sonic canvas to test the Big Time's true-stereo capabilities, input saturation, and analog dry-thru.

🎧 Headphones or studio monitors are highly recommended to capture the full true-stereo imaging and analog character of the pedal.

Special thanks to Chase Bliss!"

Unusable Engineering Releases Partials & Discrepancies Additive Soft Synth & Effects

video uploads by Unusable Engineering

Playlist:

1. Partials & Discrepancies | Full Walkthrough of an Additive Synth
2. Partials & Discrepancies | Sound Examples
3. Geometry Delay | Full Walkthrough of a Multi-Tap Delay
4. Geometry Reverb | Walkthrough of a Geometry-Based Reverb
5. Binaural Modulator | Full Walkthrough of a Spatial Modulation Effect
6. Partials & Discrepancies | Extremely Long and Incredibly Offhand


via Unusable Engineering

Today marks the release of our second synth, a multi-tap delay, a reverb and a free spatial modulator for both Mac and Windows as AU/VST3.

Partials & Discrepancies is an 8 voice additive poly-synth. The goal was to make additive synthesis accessible through a much simpler abstraction model than what you usually get, and include lots of sonic motion capabilities within a simple interface without modulation matrixes or multi page layouts. As always, we want to build instruments and effects that makes it fun to make music and that won’t slow down the creativity. Partials & Discrepancies is available for 79 euros incl. VAT. Discounts and cross-grade offers may be available on the account page for earlier costumers.

CLICK FOR MORE »

How Honeysmack jams live techno — 303, 808, modular & more

video upload by Noisegate and Honeysmack

"David Haberfeld — better known as Honeysmack — is a live techno improviser. That means the tracks in his sets are built and arranged in real time in front of an audience rather than pre-sequenced in a DAW. In this studio tour he walks through the hardware he performs with and puts a track together from scratch on the spot.

The rig spans vintage and modern boxes: the Roland TB-303 (the synth-with-a-sequencer that anchors a lot of his sound), Roland's TR-808 and TR-909 drum machines, a Mackie 16-channel mixer, a DJ mixer he's come to use as a performance instrument, Behringer's RD-8 MKII and RD-9 (clones of the 808 and 909, both of which he beta tested), the Behringer Syncussion SY1, a Pro-1 synth and a modular system. Along the way he gets into why the 808 and 909 ended up defining whole genres — and argues it had less to do with how they sounded and more to do with what was simply available at the time.

Honeysmack has a new Live Techno Masterclass coming up on Sunday 26 July at Collingwood Yards, Melbourne:

https://events.humanitix.com/honeysma...
/ dz1kazpuoma

CHAPTERS
0:00 live techno improvisation
0:36 studio reveal
0:59 Roland TB-303
1:42 building a track from scratch
3:47 808/909
5:43 Performance
7:08 Synths, modular & sequencers
8:45 jam

GEAR FEATURED
Roland TB-303 · Roland TR-808 · Roland TR-909 · Behringer RD-8 MKII · Behringer RD-9 · Behringer Syncussion SY1 · Pro-1 · Mackie 16-channel mixer · DJ mixer · modular synthesizer

https://noisegate.com.au/

Noisegate is an Australian based collective of working musicians, producers, DJs, and live audio professionals dedicated to bringing you the latest music gear news, tutorials, interviews and more. We cover a range of categories including guitars, bass, synths, keyboards, pro-audio, DJ gear, live audio, industry news and all the ways we make and interact with music and sound."

UDO DMNO | The Beauty of Digital

video upload by Laboratory 0

"UDO DMNO recorded in multitrack, processed with granular and glitch effects. Music written by Lab 0."

Multiple Pulsar Simulator Simulator [Buchla Lightning + Max/MSP]

video upload by Ryan Gaston

"multiple pulsar simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator simulator

early tests with Buchla Lightning + Max; once again, using a Buchla controller as a way of testing different parametric linkages / interaction strategies for what i hope will eventually become a standalone instrument. in this case, lightning is sending several position-related CCs to Max, which is running several simultaneous [gen~] patches. these patches were originally developed for several daisy-based modules i designed, namely:

2x Impulse Generator (a pulsar synthesis-based oscillator and nonlinear distortion feedback device)
1x Retention Mechanism (a granular sampler / multitap delay / pitch shifter)
1x Temporal Drag Processor (a multitap delay / resonator)

i only recently acquired the Lightning; here, i'm using it with the rings from a Buchla 222e Multidimensional Kinesthetic Input Port. the use here is quite basic, relying mostly on the Lightning "Ear's to MAX" factory configuration. no doubt i'll keep exploring more unusual ways to use it in the future

#buchla #buchlalightning #midicontroller #experimentalmusic #noise #improvisation #maxmsp #cycling74 #dsp"

Elastic OSC — 24 Oscillator Models — Now on Desktop

video upload by Elastic Instruments

"Elastic OSC – powerful, versatile synthesis made simple. Now available across macOS, Windows, iOS, and Android.

👉 Get Elastic OSC: https://mominstruments.com/elasticosc/

Elastic OSC is an 8 voices polyphone macro-oscillator synthesizer based on the open-source code of Mutable Instruments Plaits. Its core idea: powerful sound design, reduced to just four main parameters: Frequency, Harmonics, Morph, and Timbre.

Key Features
• 24 oscillator models (VA, FM, wavetable, granular, drums & more)
• 8-voice polyphony
• Expressive XY control for synthesis & effects
• 4 LFOs with a unique LFO mixer
• MPE support (polyphonic expression)
• 600+ presets by renowned sound designers
• Cross-platform: iOS, Android, macOS, Windows"

Novation Peak on Drums — How to Turn a Peak (or Summit) into a Drum Machine (with free soundbank)

video upload by TheGuacamoleXplosion

"This no-talking video explores 7 different methods of using the Novation Peak as a drum synthesizer, a drum machine or even a groovebox.

A soundbank for the Novation Peak (should also be mostly compatible with the Novation Summit) with all stuff from this video and some more, as well as the individual Peak patches, can be downloaded here:
https://drive.google.com/drive/folder...

00:00 - Intro
01:06 - Peak Drum Jam #1: Fake Trance for Drake Fans
03:13 - Kraftwerk — Autobahn throwback
03:36 - How to turn your Peak into a drum machine? The Autobahn beats
05:10 - Peak as a Groovebox: The Streets — Blinded By The Lights
06:22 - 'What if?' break: AFX mode for the Peak now!
07:02 - Simulating AFX mode by sending MIDI PCs to the Peak
08:32 - Surrogate Multitimbrality: Marvin Gaye — Sexual Healing
09:15 - 6 Methods for Peak beatmaking — Drummer from yet another Mother
09:55 - JMJ — Oxygène IV throwback
10:38 - 'Played' drums
11:28 - Arpeggiator 'played' mode — how it works
11:59 - Pink Floyd — On The Run throwback
12:08 - Feeding 'played' mode from an external sequencer
12:18 - Testing the limits of 'played' mode: Elbow — Grace Under Pressure
13:05 - Patch from scratch: Four-to-the-floor beat with rumble
19:24 - Changing the master tempo (impact on LFOs vs. Envelopes)
20:12 - Peak Drum Jam #2 (with the patch just made from Scratch)
22:39 - Making a drum template patch (with random Peak Spa Meditation background music)
26:02 - LFOs vs. Envelopes: Creating an early 80s beat from our drum template patch
36:14 - Final Peak Drum Jam #3 (1983/84 throwback)

All Peak Patches in this video were created from scratch. All Peak tracks were recorded through RME audio interfaces (Babyface Pro and Fireface UC) directly into Cubase stereo tracks. There are absolutely no effects on the individual Peak stereo tracks, not even panning, and levels are set to unity gain, to give an as-clear-as-possible impression of the Peak’s sonic potential and limits. On most parts (except intro), there is brickwall limiting on the stereo master, and on most multitrack parts also additional compression and EQ on the stereo master. Guitar parts recorded D.I. into the Fireface UC with a 1973 Stratocaster, several track and send FX on those.

Disclaimer:
I bought the Peak at regular price in 2020. Nobody paid me to make this video or compensated me in any other way, and it’s not monetized. No generative AI was used in the making of this video.
All songs © by their original writers and publishing companies; covered here in the framework of fair use for educational purposes.

Autobahn — written by Ralf Hütter, Florian Schneider and Emil Schult
Blinded by the Lights — written by Mike Skinner
Sexual Healing — written by Marvin Gaye, Odell Brown and possibly David Ritz
Oxygène (Part IV) — written by Jean-Michel Jarre
On The Run — written by David Gilmour and Roger Waters
Grace Under Pressure — written by Guy Garvey, Craig Potter, Mark Potter, Pete Turner and Richard Jupp

Everything else © 2026 TheGuacamoleXplosion"

Alpha Syntauri at Make Noise

video upload by MAKEN0ISE

"Named for the closest solar system to our own sun, the Alpha Syntauri was a digital synthesizer that ran on an Apple II computer and also had some proto-DAW-like or at least workstation-like capabilities. It was probably created as a lower cost alternative to the likes of the Fairlight or Synclavier systems that would have been accessible only to institutions and to the most wealthy musicians. While not everybody had a personal computer in 1980, that was at least something that many people could save up to own if they wanted to.

Like many older electronic music curiosities, this Alpha Syntauri system hung around the shop here at Make Noise for a while and then made its way on to its next home. But this one was unusual enough that we thought it might be fun to briefly feature it in a video.

The Reel used in the patch walkthru can be downloaded here— happy patching! https://freesound.org/people/makenois...

http://www.makenoisemusic.com"