Saturday, September 13, 2014
Tuning a VCO with a Scalable VC Input - Patch of The Week
Published on Sep 13, 2014 Doug Lynner
"You don't need 1v/oct inputs if you know how to set the range of a scalable VC input. Tracking additional VCOs is just as easy too.
Though this is illustrated on a Serge the concepts apply to many modular synthesizers. Let me know how you apply this on your modular synthesizer.
To see the modules used in this patch in detail see the Mystery Serge at http://www.serge.synth.net/gallery/dl....
Doug's website is http://www.neatnetnoise.com.
Interact with Doug:
https://www.youtube.com/user/mlwebworks
https://soundcloud.com/doug-4
https://www.facebook.com/doug.lynner"
Paia 2720 A 2700 series Modular Synthesizer with 7 Modules
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"This Paia-2720 keyboard synthesizer is quite an interesting vintage synth. The 2700 series patchable capability makes it more flexible than many other synths from the seventies. You can use this as a stand alone synth for spacey sound effects, experiments and groovy (though simple) analogue sounds or use its modules together with your other patchable gear to get some more power and variety! You can even use it as an effects processor and route external sounds through it. It's got its own unique sound no other synth manufacturer has captured. Here are its features (modules appear in bold):
Power Supply module
includes 2 adjustable voltage sources with outputs and multiples
voltage control oscillator (VCO)
ramp, triangle and pulse outs, with adjustable
pulse width and 3 CV ins
FUNCTION GENERATOR (envelope generator)
expand on off (lengthens attack time)
manual trigger button
trigger input (for keyboard or other gate)
attack knob
decay knob
5v p-p envelope CV out
variable out with associated attentuator
LOW PASS FILTER (LP VCF)
1 audio in
1 audio out
3 CV ins
BANDPASS FILTER (BP VCF)
1 audio in
1 audio out
"q" (resonance) knob
3 CV ins
CONTROL OSCILLATOR (LFO = low frequency oscillator)
Tuning switch 1-3Hz, 3-9, 9-25 Hz
Tuning knob
5v p-p voltage out
variable voltage out
noise source audio out
VOLTAGE CONTROL AMPLIFIER (VCA)
0db audio in
3db audio in
1 audio output
3 voltage control ins
3 octave keyboard
glide amount knob
pitch (transpose) knob
2 trigger outs
1 control voltage out"
via this auction

Power Supply module
includes 2 adjustable voltage sources with outputs and multiples

ramp, triangle and pulse outs, with adjustable
pulse width and 3 CV ins
FUNCTION GENERATOR (envelope generator)
expand on off (lengthens attack time)
manual trigger button
trigger input (for keyboard or other gate)
attack knob
decay knob
5v p-p envelope CV out
variable out with associated attentuator
LOW PASS FILTER (LP VCF)
1 audio in
1 audio out
3 CV ins
BANDPASS FILTER (BP VCF)
1 audio in
1 audio out
"q" (resonance) knob
3 CV ins
CONTROL OSCILLATOR (LFO = low frequency oscillator)
Tuning switch 1-3Hz, 3-9, 9-25 Hz
Tuning knob
5v p-p voltage out
variable voltage out
noise source audio out
VOLTAGE CONTROL AMPLIFIER (VCA)
0db audio in
3db audio in
1 audio output
3 voltage control ins
3 octave keyboard
glide amount knob
pitch (transpose) knob
2 trigger outs
1 control voltage out"
Roland SH-101 with Original Box
sismo-apc
The Beatles YMO - Day Tripper - Korg DS-10
Published on Sep 13, 2014
The Beatles Day Tripper
arranged by YMO
KORG DS-10 cover
Nintendo 3DS on eBay | Nintendo 3DS on Amazon
DS-10 on eBay | DS-10 on Amazon
Buchla 200e Studio Experiments 9/13/2014
Published on Sep 13, 2014 tastysoilrecords
"Studio experiments w/ Buchla 200e Modular Synth, along with 277r delay & Roland Space Echo."
MFB SYNTH II and Blue Lantern Modular
Published on Sep 13, 2014 Chris Montanaro
"Here is an MFB Synth II tabletop synthesizer and Blue Lantern Modular Euro rack. It was recorded direct to the computer but you can get an idea of how they sound w/o effects."
Virsyn microTERA Ipad Synthesizer Sound Review Part I
Published on Sep 13, 2014 Synth Anatomy
"Waveshaping Synthesis is a type of distortion synthesis that can create dynamic spectra in a controlled way. In waveshaping, it is possible to change the spectrum with the amplitude of the sound. A simple example of this method is the clipping caused by overdriving an audio amplifier."
iTunes: microTERA - VirSyn
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH