Check with dealers on the right for availability. Details follow:
Dreadbox Artemis is a six-voice desktop polyphonic analog synthesizer with two VCOs with waveshaping, PWM and FM, high and low pass VCFs, four Sinevibes effects, a polyphonic sequencer and 640 presets on board. Built upon classic Dreadbox DNA, it brings a whole new polyphonic dimension to the Dreadbox family of analog synths.
Two VCOs with waveshaping, PWM, FM Sub-oscillator and noise generator
24/12dB super-creamy resonant low pass filter with key tracking, drive and oscillator/noise FM High pass filter
Two ADSR envelopes, one dedicated to VCA and one for low pass filter Cutoff and VCO FM amount with smart, user-friendly control Polyphonic LFOs with BPM sync, fade in, and a variety of waves Cross-mod controlling VCO pitch, filter cutoff, VCO wave and VCO pulse width
Four stereo Sinevibes effects that can be used at the same time: Reverb Delay Modulation effects: chorus, ensemble, etc. Distortion / bit crusher 640 presets in 10 banks of 64 each Polyphonic sequencer Arpeggiator
MPE compatible Polyphonic aftertouch Mod wheel, aftertouch and velocity modulation matrix
"A complete demo and tutorial of the Buchla and tiptop audio 259t. The father of all the complex oscillator will show you all its secrets. So you'll can play with and understand all its sons, they work the same...DPO Brenso Further generator and more.
How complex oscillators work.
Waveshaping
Wavefolding
FM
Internal and external modulations
Cross modulation
Hard and soft sync
"I was recently able to acquire one of my bucket list synths in the Oberheim OB-8 and have been enjoying getting to know it lately. As in all these vintage analog synths they each have their own personality and life to them. The electronic components and voltages combined with age and calibration will never make any two sound exactly the same. There is a depth and space to the natural analog sound waves that is so easy to get lost in sometimes. I enjoy going into the studio and just hearing them speak back as keys are pressed. Tonight I just spent some time in front of these four... The Obeheim OB-8, Arp Odyssey Mk1, Roland Jupiter 6, and the Roland Juno 6 ...and was able to capture this. Enjoy these Sounds from the Sandbox."
"This is more than just another saturator. It’s the result of dedicated work by our team of engineers and musicians. In this video, we show how our unique saturation circuit adds depth, warmth, and character to any sound. Experience a whole new world of sound with Aircraft Designs."
"Add depth and character to your sound with our analog saturation processor. From subtle warmth to bold harmonic textures, Ember helps your tracks stand out with rich, musical coloration, cutting through the mix with that sought-after analog vibe—making it ideal for mastering, live performances, and mixing individual instruments.
One of the standout features of this saturator is its low noise floor and low self THD (Total Harmonic Distortion), which allows for a transparent and authentic saturation effect without undesirable artefacts. It brings warmth, rich harmonics, and character to your audio signals, elevating your sound to new heights.
● Unique Saturator Circuitry. Engineered to minimize self-noise and delivering an exceptionally clean saturation with vibrant sonic character.
● Stereo/Mono Operation. Allows for both stereo processing and mono configuration with left input being normaled to right.
● Separate Odd and Even Harmonics Control. Gain granular control over harmonic texture, shaping your sound with pinpoint accuracy.
● M/S Matrix. Apply saturation independently to Mid and Side channels, enabling complex audio processing while maintaining the original stereo field.
● Crossover with Frequency Control. Configure the threshold frequency for applying saturation, effectively preserving the low-end spectrum.
● Bypass. Compare processed and clean signals.
● Balance Control. Set the dry/wet mix ratio to achieve a seamless blend between the processed and unprocessed signals.
● Level Metering. See the levels or output signal so have more control before hitting next in the chain module.
● Modular and Line-Level Compatibility. Although designed to excel with modular-level signals, Ember is also compatible with standard line-level inputs."
"Teo takes the Medusa for Eurorack for a (long) spin, here's the full recording used for the IG teaser ... #sergemodular"
Press release follows:
Introducing the Serge MEDUSA Subharmonic Oscillator for Eurorack: Unleashing New Depths in Modular Synthesis
Frankfurt, 1 November 2024 — Serge Modular proudly announces the launch of the Serge Medusa Subharmonic Oscillator for the Eurorack modular synthesizer format. This groundbreaking module designed by Serge Tcherepnin brings orchestral clusters, coveted undertones and rich harmonic complexity to the Eurorack format.
A Revolution in Sound Design
The Subharmonic Oscillator is one of Serge’s latest inventions and one of his most extraordinary designs. 7 accurate analog VCOs tied at the waist—in unison, yet their frequencies can open like a fan, creating complex clusters. Each voice generates a pulse wave. It is temperature compensated and follows exceptional 1V/Octave tracking. In addition, each voice provides (voltage controlled) pulse width modulation or subharmonic division as well as an individual output. By producing mathematically related lower frequencies, it enables the creation of complex and evolving soundscapes that were previously difficult to achieve within the Eurorack environment. The precision of these voices in combination with a global Spread control and various FM inputs opens an enormous sonic range from massive unisono sounds to dissonant, orchestra-style textures. The ODD and EVEN outputs enable the use as a stereo oscillator.
Key Features:
• Original Serge 2023 design • 100% analog • Seven simultaneous subharmonic VCOs with individual Outputs, PWM and variable divisions • Wide Range Frequency Control: Precisely dial in frequencies from deep bass to soaring highs, all synchronized to the master oscillator. • Voltage-Controlled Parameters: Extensive CV inputs allow for modulation of pulse width and frequency divisions, enabling expressive performance potential. • Odd and Even outputs for independent processing / Stereo use. • Global Spread Control (manual and VC) • Linear and Exponential FM • Eurorack format (3U), 42 hp • Power consumption: 220mA @ +12V, 200mA @ -12V • Skiff-friendly: depth less than 25mm (1")
“This is my version of a cluster generator. Clusters are part of the contemporary music arsenal of effects. The Subharmonic Oscillator has a total, tracking, V/octave range that is the same as all our VCOs, however, it outputs only pulse waves. Pulse-width operates from instantaneous -> square wave > 1st sub-harmonic > 2nd sub-harmonic ...> Nth sub-harmonic. You guessed it, this is one VCO that sounds like a symphony orchestra playing Atmosphères by György Ligeti.” Serge Tcherepnin, 18 October 2023
Unmatched Versatility
Designed for both traditional musicians and experimental artists, the Serge Subharmonic Oscillator excels in a variety of applications:
• Bass Enhancement: Generate powerful sub-bass frequencies to add weight to your mixes. • Polyphonic Textures: Create rich, chord-like structures from a single note input. • Rhythmic Modulation: Utilize subharmonics to produce complex rhythmic patterns and sequences. • Sound Exploration: Dive into uncharted sonic territories with modulations and cross-patching.
Availability
The Serge Subharmonic Oscillator will be available starting November 1st, 2024 through Serge Modular / Random*Source and authorized dealers worldwide.
The Story behind Medusa
“I was sitting on a bench recovering from a bike ride at the edge of Fontainebleau forest, when a swarm of crows - some 30-40 of them, suddenly erupted in the sky above the large forest trees facing me. They swirled in a large arc, emitting a few caws-caws, disappearing and reappearing wildly in the sky in front of me. And here is what this made me realize about my electronics: Drones have been part of my musical consciousness from the very beginning, thanks to LaMonte Young and the many examples of drones in Indian classical music. One of my first electronic circuits was a 3 oscillator 9V operated shruti box. Maryanne Amacher, Eliane Radigue, Charlemagne Palestine, are drone masters I helped and fostered. Charlemagne still uses the console of ultra stable drone oscillators that I designed for him more than 50 years ago. Drones and clusters, in fact. Clusters, thanks to the marvelous composer Henry Cowell who coined the word for music. The fruit of all this, was me deciding on designing electronics for the creation of drones and clusters. MEDUSA is the result of this project.
But what do a swarm of crows swirling in the sky above a forest have to do with drones and clusters??
EVERYTHING
MEDUSA is the perfect module for letting fly a swarm of semi independent musical notes, swirling in and out of unison, clusters, or chords, capable to scaling the entire range of frequencies, from sub-sonic to inaudible. MEDUSA gives wings to drones :)”
About Serge Modular Serge Tcherepnin is an American composer, musician and electronic mastermind of Russian and Chinese descent who grew up in France and in Chicago. In 1970 he joined the music faculty at Cal-Arts where he developed the idea and design of the first “Serge” modules. He founded his company, Serge Modular Music Systems, in Hollywood, in 1975. Random*Source was founded by Ralf Hoffmann in 2015 with a mission to carry on and extend the work of synth pioneers Serge Tcherepnin and Jürgen Haible. Since the beginning Random*Source has been working in close cooperation with Serge on a new generation of the Serge system. In 2018 Serge became Chief Innovation Officer and is leading the development under the Serge Modular brand.
"The @moogfoundation Miniraze Bank has 200+ sounds by top sound designers, composers, producers and artists. Proceeds support the Moogseum in storm-battered Ashevill NC, Dr. Bob's SoundSchool, the Bob Moog Foundation Archives and other Moog Foundation endeavors.
Check out these sounds by the one and only @DATACHILD (Chrissy Tignor) with lush pads, low bass, cool fx, and responsive melodic tones.
#synthsounds #vstplugins #electronicmusicproduction #vstsynth.
"Fully functional RS-505. She's never been the shiniest -- some missing caps, some heavy scratches in the wood, but sounds amazing (the bass is bonkers). I've owned the synth for six years, and it's been one of my favorites."
"First Test of Orpho’s New Prototypes: the Orb Former and Volt Glider CV Recorder modules—two intriguing tools expanding rhythmic and modulation possibilities in Eurorack setups.
Orb Former – Euclidean Rhythm Module
The Orb Former generates two independent Euclidean rhythm sequences, evenly distributing beats across a set number of steps. These sequences are displayed on a clear OLED screen, allowing for up to 16 steps per sequence. Potentiometers adjust both beat and step count, enabling a range of polyrhythmic patterns. Dedicated buttons allow start and pause control for each sequence, while reset and interrupt options provide additional rhythm management. LEDs signal each beat, giving visual feedback. For instance, setting 16 steps with 3 beats on one channel and 13 steps with 5 beats on the other creates a complex pattern that only synchronizes every 208 steps—ideal for those looking to experiment with rhythmic depth. Currently in the prototype phase, the Orb Former offers promising features for rhythm creation.
Volt Glider CV Recorder – Touch-Based CV Modulation
The Volt Glider CV Recorder captures touch gestures as CV signals and enables playback via a touch-sensitive interface. With adjustable sampling rate and gain, this module provides smooth modulation effects at high sampling rates and more segmented, rhythmic patterns at lower rates. Playback can be triggered by a button or an external trigger, allowing flexible integration within modular systems. Also a prototype, the Volt Glider allows for intuitive, interactive modulation.
These first tests of Orpho’s prototypes show promising approaches for new explorations in rhythm and modulation. For more information, visit the product pages:
Dreadbox Artemis is a six-voice desktop polyphonic analog synthesizer with two VCOs with waveshaping, PWM and FM, high and low pass VCFs, four Sinevibes effects, a polyphonic sequencer and 640 presets on board. Built upon classic Dreadbox DNA, it brings a whole new polyphonic dimension to the Dreadbox family of analog synths.
