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Showing posts sorted by date for query Leafcutter. Sort by relevance Show all posts

Thursday, August 22, 2019

Madrona Labs Introduces Aaltoverb


via Madrona Labs

"Hi there, it’s been some while. I'm excited to be writing you again, with the big news that there's a new beastie in the Madrona Labs family. Meet Aaltoverb, our very first effect.

A number of times over the years, people have asked if Aalto’s reverb could be made into its own plugin. The thing is, our focus here at Madrona Labs is on instruments, not effects. And so it didn't really seem to make sense to add a reverb to our lineup. But more time passed, and I started to think, what features would a performance reverb have? This question led to Aaltoverb, a reverberator with a focus on dramatic sound sculpting and completely smooth tweakability.

Aaltoverb’s coolest trick is this: you can smoothly change the size of the virtual space that the sound is reverberating in. This results in in pitch shifting that is reminiscent of what tape delays do when the speed changes. But instead of a single speed, the shift applies to the whole acoustic space, vibrating “air” and all. So a giant room can turn smoothly into a small and natural sounding chamber, and then into a tiny and very unnatural resonator. With longer decay times, weird spring-like beasties can be found along the way.

The controls are minimal, and are meant to interact in musical and inspiring ways. You can read all about Aaltoverb on the website, and in the manual. It's short but tells about some tricks you might not figure out otherwise. And: cartoons!

Aaltoverb 1.0.0 is available now as a 64-bit VST3 for Windows, and as 64-bit VST and Audio Units for Mac OS X. A single license covers both Mac and Windows and is $35.

Get a bundle deal!
Another thing people have asked about over the years is bundle deals. You know, where you buy more than one plugin at a time and as a result you get a discount. This was hard to imagine doing until our web maestro Philip did a bunch of work to modernize the site, including adding a shopping cart feature. But now that's done—and so are bundles.

They work very simply and so we're calling it the Simple Bundle feature. Buy more than one plugin in a single transaction, and save 15% off the entire purchase. That's it. Even if one of the plugins is, say, $35.

You’ll notice that Stripe, not PayPal, is now the default method of payment. We didn't want to leave people out in the cold just because PayPal didn't work in their regions, and since you need a credit card to get PayPal in the first place, hopefully this is more universal. We're always trying to improve the purchase experience, so please let us know how Stripe works for you. If you need or prefer to pay by PayPal for some reason, please get in touch.

Get the T-shirt!
I really love excuses to make a new T-shirt, and Aaltoverb's release seemed like a great one. I thought this one should be a collaboration and happily, Leafcutter John was into the idea. You might know the music he has put out on labels like Planet Mu and Border Community. This year he's gone and made a machine for making artworks, a homemade pen plotter, and the drawings he's making with it have really been pinging my visual cortex in a pleasant way. And so we made a shirt:


The design reminds me of sound decaying, and also of fabric being folded, and the analog robot quality is just (chef's kiss). I am wearing one nearly all the time, and you can too.

What about Sumu?
A long story that must be told short here, because it's nearly the cocktail hour. Very short version: I'm excited about Sumu, and now that Aaltoverb is out I can get back to finishing it.

Slightly longer version: I have some new design ideas for Sumu that required a lot of infrastructure work to pull off. Some to do with graphics and animation, and more on the DSP side of things. Well I dove into that infrastructure work and when I looked up it was a year later, or something. So both as a first use of the new framework and a way to, you know, ship a product, I decided to focus on the Aaltoverb release first. It's a cool enough reverb on its own, but to me it represents a lot more that's been done under the hood. As fall rolls around and I dive back into Sumu and Soundplane work I'm going to share some more about what's going on in there. Meanwhile, I hope you enjoy the sounds.

–Randy
Madrona Labs"

Wednesday, April 17, 2019

Leafcutter John - Against The Clock


Published on Apr 17, 2019 FACTmagazine

"For the past 20 years, John Burton – aka Leafcutter John – has been at the forefront of experimental composition, constructing his own technological systems out of hardware and software to make ornate, complex electronica.

Ahead of the release of his seventh album on Border Community this week, we visited Burton at his studio to see what he could create with his one-of-a-kind setup in just 10 minutes, using Max, a home-made light interface and modular system to manipulate a collection of field recordings. The result – beautiful chaos.

Yes! Come Parade With Us is released on Border Community on April 19."

Check out more posts featuring Leafcutter John here.

Thursday, September 15, 2016

New Mutable Music Things – Ears Eurorack Module


Wait a sec. Mutable as in Mutable Instruments, Music Things as in Music Thing? That is correct.

via Thonk

"Ears is Mutable’s take on the Music Thing Modular Mikrophonie module, Ears is a perfect match for physical synthesis modules like Rings or Elements, but it can also be the gateway between external audio sources and your modular system.

We don’t normally stock non DIY products at Thonk, but when Olivier offered us a worldwide exclusive on the first batch of his new Ears module… how could we refuse?!

This module brings together two of the most (if not the most..) prolific and creative designers in the open source Eurorack scene, Mutable Instruments and Music Thing Modular.

Ears is Mutable’s take on Tom Whitwell’s Mikrophonie module, Ears is a perfect match for physical synthesis modules like Rings or Elements, but it can also be the gateway between external audio sources and your modular system.

4hp
5mA draw on both the +12v and +12V supply rails
25mm deep"


Published on Sep 15, 2016 Robin Rimbaud-Scanner

And a couple of user videos:

"First play today with Ears, Mutable Instruments take on Tom Whitwell’s Mikrophonie module. Literally only the first patch set up wto test it out today. Qu-Bit Electronix provides a constant drone, taking a loop of my voice humming away, as Elements is played by Ears, with the various changes affected by my touch. Arturia BeatStep Pro offers up the melodic content. Simple but fun. This looks likely to live in my performance case for some time now!"

Experimenting with Mutable Instruments Ears Contact Mic Module

Published on Sep 15, 2016 Leafcutter John

"Ears is released on Friday 16th September 2016 and is available through Thonk. https://www.thonk.co.uk

In order of appearance:
1. Tapping the inbuilt pickup through clouds.
2. Ears triggering a René sequence into Rings...
.....Then plugging the audio output of Ears into the in of Rings.
3. Pinging an ossilating Wasp filer.
4. Running contact mic from fan into Ears - Wasp - Clouds.
5. Contact sound of Clouds button through Ears - Wasp - Clouds...
.....Then controlling Clouds hold using inverted Ears gate.
6. Music box Contact Mic - Ears - Wasp - Clouds.
7. Feedback through Ears builtin pickup - Wasp - Clouds.
8. Spring box - Contact Mic - Ears - Wasp - Clouds.
9. Bowed Cymbal - Contact Mic - Ears - Wasp - Clouds.
10. Percussed Cymbal - Contact Mic - Ears - Wasp - Clouds.
11. Stick-rub Cymbal - Contact Mic - Ears - Wasp - Clouds.
12. Stick-rub Cymbal - Contact Mic - Ears - Wasp LFO on cutoff - Clouds.

Enjoy!"

Friday, September 12, 2014

4 channel Trigger Module testing #1. Improvising Clock multiplier modes


Published on Sep 12, 2014 Leafcutter John

"Bass drum marks the clock input. Same clock for all 4 channels.
Two voices, Braids and DPO."

4 channel Trigger Module testing #2. Probability Gates test.

Wednesday, June 25, 2014

One self patched Doepfer A-143-4 LFO


Published on Jun 12, 2014 Leafcutter John·55 videos

Playing with a beta Music Thing Modular Mikrophonie (Extended Version)


Published on Jun 4, 2014 Leafcutter John·55 videos

"A simple contact microphone and amp in a modular format. Simple but inspiring! Not sure when it will be released yet but keep an eye on http://www.musicthing.co.uk/"

Monday, May 30, 2011

BEAM FESTIVAL

"24-26 JUNE 2011

Sarah Nicols and her colleagues at Brunel University are hosting their first edition of the BEAM Festival (Brunel Electronic & Analog Music Festival) between 24-26 June 2011. The program features some of the best in today’s experimental electronic music including Tim Exile, Stelarc, Jennifer Walshe, Leafcutter John, Philip Jeck and more. STEIM is a proud partner of the festival, contributing to the concert and workshop programs. Check out the line-up, and participate in the festival!

http://www.beamfestival.com/

Brunel University, Uxbridge, West London, UB8 3PH

BEAM is a high-tech music weekender, an experimental playground of homemade instruments and sonic robots. Featuring three days of performances, installations, discussions and workshops, BEAM explores the physical virtuosity of electronic music; everything at BEAM moves. An international line-up curated for veterans and beginners alike, BEAM takes place at Brunel University, NW London (Metropolitan Line).

Tickets and programme at www.beamfestival.com

Festival pass £25 - ONLY £50 with accommodation until 9 June
Day passes from £10 Sunday, £15 Friday and Saturday Concessions available
Workshop tickets now on sale for Tom Bugs, STEIM & Dirty Electronics

Festival Highlights include:

PERFORMANCES

Stelarc and Jennifer Walshe; Chikashi Miyama (Angry Sparrow); Sarah Angliss; Ryan Jordan; Leafcutter John; Tim Exile; Stephen Cornford; Atau_and_Adam; Alex Nowitz; Philip Jeck; Tim Exile; DJ Sniff; STEIM and more

WORKSHOPS

Build your own WOM (simple electronic noise synth kit ) with Tom Bugs; create a Cracklebox with Daniel Schorno of STEIM; Dirty Electonics with John Richards Plus free workshops: Psychedelic Goggle with Ryan Jordan; AV Micro-Controllers with Chikashi Miyama and Music from Motion with Sarah Angliss.


INSTALLATIONS

Installed work by Aleks Kolkowski, Ray Lee and BEAM OPEN SPACE artists; Sonic Picnic with Paul Whitty & Felicity Ford; SARC's brain-powered sleepover on Saturday night - bring a sleeping bag!

See the website for full programme details and tickets www.beamfestival.com

BEAM Festival is funding by Arts Council England¹s Grants for the Arts."

This one in via brian comnes.

Monday, February 15, 2010

make a CMOS oscillator in under 2 mins


YouTube via leafcutter
"A simple square wave oscillator made with a cheap and cheerful CMOS chip. It's the first chip project from Handmade Electronic Music by Nicolas Collins. I have reviewed it here: http://leafcutterjohn.com/?p=1053"

CMOS Sequencer Inspired by Handmade Electronic Music written by Nicolas Collins


YouTube via leafcutter
"A Step Sequencer controlling the volume of a guitar, made with cheap and cheerful CMOS chips. I really recommend the book Handmade Electronic Music by Nicolas Collins if you like this kind of thing. I have reviewed it here: http://leafcutterjohn.com/?p=1053"

Introducing the WRONGAMIN noise maker.


YouTube via leafcutter
"Disigned and built by Leafcutter John. Full schematic at http://www.leafcutterjohn.com

The Wrongamin is an excellent, easy to build sound maker that can create a range of sounds. From crackles not unlike the sound of a dusty old record to a deep hungry animal growl heard through several out of control AM radios.

It uses three LDRs (Light dependent resistors) to change the pitch of Three very high frequency oscillators. What is interesting about this machine is that in normal operation we don't hear the oscillators directly as they are tuned far above the highest sound a human can hear. What makes this instrument audible are the interactions between the three oscillators which project downward into the realm of our perception. Some Theramins operate on this same principle and this is where the Wrongamin gets its name.

"A Theramin can sound very wrong in the wrong hands, a Wrongamin sounds wrong in everyones hands"

If you make it please leave a comment or video comment - I want to see your creations!

John."
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