Waldorf Quantum Presets by Synthesizer Video Service Part 2

[demo] My Own Presets, Part 2 (Waldorf Quantum) Published on May 29, 2020 Synthesizer Video Service

Update: embed fixed.

My Own Presets, Part 2 (Waldorf Quantum)Published on May 29, 2020 Synthesizer Video Service

"A long time ago, I did a video with some self made sounds for the Quantum. Now it's time for part 2 with completely new patches! I tried to cover different types of sounds and selected the most interesting ones for you :)"

Part 1 here

Also see Synthesizer Video Service's Quantum tutorials.

[tutorial] Blofeld Beginners 13: Binary Modifiers

Synthesizer Video Service

"In video 13 we are talking about binary operations which you can do with the modifiers. Binary calculations can be hard to understand when you don't know them yet. But in this episode, I try to go pretty much into detail."

You can find all parts in this series of Waldorf Blofeld tutorial videos by Synthesizer Video Service here and additional Blofeld videos by Synthesizer Video Service here.

[tutorial] Blofeld Beginners 14: Modulation Resolution

Synthesizer Video Service

"This is a cool trick you can do to change the character of a modulation source. Use the binary modifiers to reduce the resolution of the modulation values. This video explains exactly what happens when you do that and how you have to set up your synth."

You can find all parts in this series of Waldorf Blofeld tutorial videos by Synthesizer Video Service here and additional Blofeld videos by Synthesizer Video Service here.

Rare Chromaton 14 Analog Video Synthesizer

images via this auction

"extremely rare analog video synthesizer from the 1970's. Here is an opportunity to purchase a piece of history. The Chromaton 14 was designed and manufactured by Ralph Wenger in 1977, and released by BJA Systems. It originally sold for $ 9,500 USD, and there were approximately 120 units sold. As of today, less than 8 working units are known to exist. This may be your only opportunity to own such a rare video synthesizer. The Chromaton 14 is a fairly small video synthesizer, approx 18 by 18 inches square. It includes 2 camera inputs with color quantizers, but can also generate fairly complex color images without any external inputs. There are six pattern generators that can be sent to each of the chroma keyers (there are 10 preset patterns in each). The beauty of the Chromaton is that it can be played like an instrument. There are two motion generators in the upper right which can control the movement of the patterns. When the patterns are combined with the camera inputs, truly psychedelic imagery results. The pattern generators and motion generators can be set to respond to an audio input. All of the switches and knobs on the front panel are 0-5v, so this would be ideal to modify for voltage control (and for use with a modular synthesizer). Since there are two camera inputs, the system is ideal for video feedback applications.

My unit was recently serviced and cleaned. I have tested all the pattern generators as well as the camera inputs and controls. The camera inputs were designed to be used with broadcast cameras. They must be synced to the Chromaton with a genlock/sync signal. If you want to connect consumer cameras, you will need to use a timebase corrector or video mixer to syncronize the cameras/video sources with the Chromaton's sync signal. I am not including this equipment; you must provide this on your own.

I am including the schematics for the Chromaton 14, in case it needs future service. As with all vintage equipment, I am selling it as is. I guarantee that it is working and will arrive functional; however, there is no warranty on this item as it is vintage analog synthesizer equipment.

Here is a sample video showing a few basic patterns, the response to audio, and that the camera inputs are working. The video shows only a fragment of what this synthesizer is capable of. Be aware that the camera used is a consumer video camera which is not syncronized to the Chromaton, so the picture fluctuates. If a timebase corrector or video mixer was utilized, the image would be stable:

Chromaton-14 Demo

YouTube via sydilaxe. via Bryan

"Demonstration of Chromaton 14 video synthesizer. Camera inputs are not synced, so they are not stable."

[patch] Eternal Pluck Arp Tutorial (Blofeld)

video by Synthesizer Video Service

"In this video, I want to show you how to make an eternally playing arpeggio sound which has multiple layers and changes slowly from time to time. We are going to use a lot of modulations and modifiers.

[00:00] Intro
[01:45] (Loop) Envelopes
[04:20] LFOs
[05:39] Oscillators
[08:37] Mono/Unisono
[09:33] Filters
[11:12] Modifiers
[13:05] Modulation Matrix
[22:40] Arpeggiator
[25:34] Effects
[27:22] Final Patch"

Synthesizer Video Service Blofeld posts

Waldorf Blofeld Beginner Tutorial Videos by Synthesizer Video Service

Published on Aug 26, 2018 Synthesizer Video Service

Playlist:

[tutorial] Blofeld Beginners 1: Menu Pages
[tutorial] Blofeld Beginners 2: Multi Mode
[tutorial] Blofeld Beginners 3: Oscillators
[tutorial] Blofeld Beginners 4: Filters
[tutorial] Blofeld Beginners 5: Envelopes and LFOs
[tutorial] Blofeld Beginners 6: Modulation Matrix
[tutorial] Blofeld Beginners 7: Modifiers
[tutorial] Blofeld Beginners 8: Effects
[tutorial] Blofeld Beginners 9: Arpeggiator
[tutorial] Blofeld Samples 1: Is the Blofeld a Sampler?
[tutorial] Blofeld Samples 2: How to activate? (+ Factory Samples)
[tutorial] Blofeld Samples 3: How to prepare samples?
[tutorial] Blofeld Samples 4: How to transmit samples?
[tutorial] Blofeld Samples 5: Using samples + tricks!
[tutorial] Blofeld Beginners 10: LFO Basics
[tutorial] Blofeld Beginners 11: LFO Synchronization
[tutorial] Blofeld Beginners 12: LFO Randomness
[tutorial] Blofeld Beginners 13: Binary Modifiers
[tutorial] Blofeld Beginners 14: Modulation Resolution
[tutorial] Hard panned voices, again... (Blofeld)

TITAN Sound-Show 16 "Basses 1 analog classics"

YouTube via bestservicegmbh
"This video shows 42 analog Synth-Basses from the Best Service TITAN sound-library, the biggest and most extensive Synthesizer Sound Collection of all time! 200 different Synthesizers in one famous virtual plug-in."

best service TITAN Sound-Show 04 "Chords, Dance, Techno"

"This video shows 42 synth-chords, dance & techno synth-sounds from the Best Service TITAN sound-library, the biggest and most extensive Synthesizer Sound Collection of all time! 200 different Synthesizers"

Update:
best service TITAN Sound-Show 19 "Bells & Percussion"

"This video shows 32 real & synthetic bells & percussion instruments"

Update:

best service TITAN Sound-Show 13 Pads 3 "Movies, Experimental, Orchestral"

"This video shows 27 pads & strings....Movies, Experimental and Orchestral from the Best Service TITAN sound-library, the biggest and most extensive Synthesizer Sound Collection of all time! 200 different Synthesizers"

Waldorf Quantum Tutorials by Synthesizer Video Service

Published on Apr 14, 2020 Synthesizer Video Service

These were sent in via Soviet Space Child.

Playlist:
[tutorial] Waldorf Quantum 1: Hardware
[tutorial] Waldorf Quantum 2: Settings and Menu Pages
[tutorial] Waldorf Quantum 3: Play and Perform
[tutorial] Waldorf Quantum 4: Wavetable Oscillator
[tutorial] Waldorf Quantum 5: Waveform Oscillator
[tutorial] Waldorf Quantum 6: Particle Oscillator
[tutorial] Waldorf Quantum 7: Resonator Oscillator
[tutorial] Waldorf Quantum 8: Kernel Oscillator
[tutorial] Waldorf Quantum 9: Analog Filters
[tutorial] Waldorf Quantum 10: Digital Former & Routing
[tutorial] Waldorf Quantum 11: LFOs
[tutorial] Waldorf Quantum 12: Envelope Generators
[tutorial] Waldorf Quantum 13: Komplex Modulator
[tutorial] Waldorf Quantum 14: Modulation Matrix
[tutorial] Waldorf Quantum 15: Effects
[tutorial] Waldorf Quantum 16: Direct Sampling

"If you want to support me, have a look on my shop:
https://frequture.net/shop
Check out my music:
http://curiouselectric.com
http://youtube.com/curiouselectric"

Roland Museum Germany Massive Synthesizer Selloff - Most Gear for Sale in a Single Auction

Note: Auction links are affiliate links for which the site may be compensated.

This one in via Marko of Retrosound.de.

26.000,00 Euro gets it all.

via this auction

Someone needs to contact the Guiness Book of World Records. Longest list of gear for sale ever:

CLICK FOR MORE »

RIP Alan R. Pearlman

It has come to my attention that ARP founder Alan R. Pearlman has passed way. He was 90 years old at the time of the NAMM TEC Awards in 2015. The ARP 2600 SYNTHESIZER received the award that year. You can find a video from the event featuring Pat Gleeson and Jim Heintz of WayOutWare, who worked with Alan on their ARP emulations, below. Alan was no longer traveling at the time and was not at the event.

You can find a great video interview with Alan R. Pearlman from 2006 at the NAMM website here. The following is an interesting excerpt from the site: "Alan R. Pearlman was nicknamed 'ARP' as a kid growing up in New York City, so it seemed the perfect name for a company when he was later designing electronic musical instruments. The first instrument created by Alan was the modular synthesizer known as the ARP 2500. The monophonic product was released years after the first Moog and Buchla instruments, but gained attention for several new features including the ever-popular function of not drifting out of tune, which was a common problem in the earlier products. Next came the now classic ARP 2600, and soon the company became a great leader in the growth and development of the electronic musical market."

And via Wikipedia:

"Pearlman was born in New York City in 1925. His father was a movie theatre projector designer and his grandfather made parts for phonograph machines. He grew up building radio sets, inspired by Popular Science and Popular Mechanics magazines, and served in the military briefly following World War II.

Following his military service, Pearlman attended Worcester Polytechnic Institute in Worcester, Massachusetts and in 1948, for his senior thesis designed a vacuum tube envelope follower that could extract the envelope of a sound from an instrument. He later audited a Harvard University course taught by one of the inventors of the transistor, Walter Brattain.[1]

Pearlman spent five years designing amplifiers for NASA's Gemini and Apollo programs. He worked at George A. Philbrick Researchers with Roger Noble, and the two later founded analog module and op amp manufacturer Nexus Research Laboratory in Canton, Massachusetts in the early 1960s. Nexus Research Laboratory's business grew to $4 million in annual sales before being acquired by Teledyne in 1966.[2][3]

In 1969, Pearlman founded ARP Instruments, Inc. (originally Tonus, Inc.) with $100,000 of his own money and matching funds from a small group of investors. The name ARP was derived from Pearlman's initials. ARP entered the fledgling synthesizer industry with the introduction of the ARP 2002, which with twice as many switch rows on top, became the 2500 analog modular synthesizer. The 2002 was introduced at the AES show in Fall 1970, and subsequently competed head to head with other leading synthesizer companies of the time. Pearlman eschewed patch cord methodology for interconnecting synthesizer modules, designing instead a system of sliding matrix switches. He also applied his op-amp experience by utilizing dual transistors on a single integrated circuit to overcome temperature gradients and provide very stable oscillators - more stable than other popular synthesizers on the market at the time, namely offerings from Moog Music and Buchla.[4][5]"


ARP 2600 Synthesizer Award Show w/ Dr Pat Gleeson & Jim Heintz NAMM TEC Awards 2015

Published on Feb 3, 2015 Byron Hotchkiss

"ARP 2600 SYNTHESIZER receives NAMM TECH Award at 2015 show. Speakers Dr. Pat Gleeson and Jim Heintz of WayOutWare recall stories of the ARP 2600 instrument. Quotes from Pete Townsend, Alan R. Pearlman (ARP name taken from inventors nickname as a youth) Video by B K Hotchkiss"



Note it is extremely difficult to pick videos for a RIP post especially considering how many great videos there are out there and how many have been already featured on the site as you can see via the ARP label. I'll be searching for some not previously featured to put up in individual posts throughout the day. If you have any you'd like to share please do so in the comments. I wanted to share the following as it features Alan R. Pearlman's first iconic synth, the ARP 2500.

A Portrait of Eliane Radigue (2009) from Maxime Guitton on Vimeo.

"A portrait of Eliane Radigue, produced by the Austrian IMA (Institute for Media Archeology), which observes Eliane in her workspace, operating the ARP and talking about the process of composing and recording."



Featuring ARP engineer Philip R Dodds who passed away in 2007.

Update: found this ARP 2500 playlist on YouTube:

Oberheim OB-8 Tutorial

Note: Auction links are affiliate links for which the site may be compensated.
Published on Mar 26, 2019 Resurrection Studios

Overview starts at 4:17. Samples of songs featuring the OB-8 until then. Van Halen's Jump after the overview was an OB-Xa, Rush's Tom Sawyer wasn't an OB-8, so take the examples with a grain of salt.

"This is our Oberheim OB-8 analog synthesizer. I made 3 parts in this video. The first shows pictures of the features and plays music recorded with this actual synthesizer. The second is a live video explaining how an analog synth works, and we do all the tests and play the keyboard. The last part is pictures of the accessories, and music recorded by National Artists with an OB-8."

via this auction, also on Reverb.

"We have owned this OB-8 for over 20 years. It has been kept in our smoke-free studio and is in mint condition! This unit was built in February of 1983. The factory MIDI was in the rear of the synthesizer. The side panel MIDI inputs (as on some others) were the retrofits. I included the page of the user manual which explains this (see pics). We recently sent the synthesizer to Jeff from The Analog Lab, who is the most famous and trusted synth tech in the country. We replaced all of the key contacts, so that the keys and action feel new, and Jeff went through the entire synthesizer and made sure that every single function and control worked, and were tuned to factory calibration settings. We have the receipts for this also. After finishing testing everything, Jeff told me that this is the nicest and warmest Oberheim synthesizer he has ever played, and he has played them all!

This OB-8 has been extremely well cared for. It includes a full flight case / road case, a CD with the factory sounds (brain) and custom user banks all included on the CD (all operating instructions are detailed in the User Manual), both the User Manual and the Service Manual are included, along with a mini cable and adapter to run from the headphone jack of a CD player or laptop, into the interface on the synthesizer for loading and backup storage of program memories. We included pictures of everything, including the inside of the unit so you can see how clean it is :)

There are very few mint condition analog powerhouses like this left. This OB-8 is the grand-daddy of them all. This is NOT something you'll see sitting on boxes in some damp basement needing repair (like other ads I've seen in the past, and it is not on the other side of the world - if you're in North America). To prove what we say is true, I am including a link to a Youtube video where we demo and play this exact synthesizer for you, so you can see that it is everything that we say it is!"

CLICK FOR MORE »

TRAX RS-1 Rota-Synth Analogue Sequencer & Synthesizer Part 1

YouTube via traxcontrols | July 28, 2010

via this auction

"The Rota-Synth is a desktop 8-step analogue sequencer, coupled with a monophonic, true analogue synthesizer. It does not use a keyboard like a conventional synth, but instead generates musical sequences and sound effects that you program in real time.

This is the prototype, and this video demonstrates the sequencer section and analogue state-variable filter. No external effects are used in this clip.

There are two more demonstration videos, part 2 shows how the sequence length can be altered and steps added/removed, and the frequency modulation effects available."

TRAX RS-1 Rota-Synth Analogue Sequencer & Synthesizer Part 2

traxcontrols | July 28, 2010

"This is the second demonstration video for the TRAX RS-1 Rota-Synth, a new 8-step analogue sequencer which incorporates a monophonic, true analogue synthesizer.

In this part, the Glide control is explored, the sequence length is altered by setting a 7-position rotary switch, steps are added and removed using the toggle step switches, and we show the different effects available when the VCO is frequency modulated by the Low Frequency Oscillator. This has a waveshape control, for more modulation possibilities.

The only external effect used here is reverb."

TRAX RS-1 Rota-Synth Analogue Sequencer & Synthesizer Part 3

traxcontrols | July 28, 2010

"In this final video, the RS-1 has been connected to a computer running Ableton via a USB to MIDI lead. This allows you to synchronize a sequence to the MIDI clock output of the computer program.

The RS-1 can also be synched to any other electronic instrument that has a MIDI Clock output, in which case a 5 pin DIN MIDI lead is used.

Apologies in advance for the rather monotonous sequence - there must be many talented musicians out there who can get much better results!"

via this auction

"The Rota-Synth is a desktop 8-step analogue sequencer, coupled with a monophonic, true analogue synthesizer. It does not use a keyboard like a conventional synth, but instead generates musical sequences and sound effects that you program in real time.

Use it to create rapidly repeating musical phrases, grungy riffs, retro computer game effects, rolling basslines, off-the-wall rhythmic patterns, dub sirens, weird sci-fi effects, plus sounds yet undiscovered....

No clumsy menus to wade through - just switch on and go. You get full, hands-on control via knobs and switches.

Sequencer Section
There are separate pitch controls, toggle switches and yellow LED indicators for each step - creating sequences is fast and easy. The Sequence Length switch lets you change the number of steps in a sequence "on the fly"; great for improvisation in live performances.

You can synchronize the sequences to any electronic musical instrument that has a MIDI CLOCK output (just connect with a standard 5-pin DIN MIDI lead).

You can also sync. the sequence to a computer running music software which outputs MIDI Clock, in which case you will need an optional USB to MIDI lead (available on eBay).

PLEASE NOTE: the RS-1's MIDI Sync. input will only respond to MIDI CLOCK, START and STOP commands - it is not possible to control the actual pitch of notes with MIDI.

A 0 - 5.7V control voltage output is provided, along with a +5V gate output, for driving other analogue equipment such as synths and drum machines.

Synthesizer section
FULLY ANALOGUE voltage-controlled oscillator, with triangle and square wave outputs. No glitchy digital oscillators here! Huge frequency range, tuneable from a few Hz. to almost ultrasonic frequencies.

Full frequency modulation of the VCO by a low-frequency oscillator, for anything from a simple vibrato to devastating hyper-modulation! Waveshape control for even greater versatility - create whoops, ultra-slow sweeps and trills.

Turn up the Glide control a little to slide smoothly from one note to another - perfect for dreamy, melodic sequences. Turn it up further, and you are in the Twilight Zone!

Two square-wave sub-octaves can be mixed with the VCO's output for a fuller, fatter sound, perfect for basslines and organ-like effects.

True analogue state-variable filter for "Moog" (TM) style effects, with manual sweep. Selectable Bandpass or Lowpass response.

Add your own effects pedals to increase the range of possible effects even further!

The RS-1 will work on any mains voltage between 110V and 240V ac, via the supplied mains power adapter.

Dimensions: 278 (W) x 173 (D) x 95 (H) including controls and rubber feet. Supplied complete with a comprehensive Owner's Manual containing full operating instructions, tutorials, troubleshooting guide, service information, and program sheets you can copy and print out for future reference.

Guaranteed for one year from date of purchase. Full after-sales service available after expiry of the guarantee period."

1973 Moog Satellite With an Interesting Bit of Synth History

YouTube Uploaded by richspe on Mar 6, 2012

via this auction

Read the description for an interesting bit of synth trivia involving this individual synth. The story starts at the second image below.

"I purchased this Moog new in 1973. It was occasionally used in a recording studio I owned. As you can see it shows little use. Also included are the user’s guide, service manual, and a tech bulletin with detailed tuning information. The user's registration guide is useful for basic settings for most musical instruments and a variety of other strange sounds. A year or two ago I tuned this Moog and cleaned all key contacts planning to sell it, which I didn’t move ahead with for some reason. It was working great. Now it works great some of the time and other times the tab settings don’t change the sound, as they should. Not sure what the problem is. It seems to be somewhat temperature related in that when the temperature is cooler it generally works fine. Perhaps a transistor needs replacing or something else. I am selling it as-is with no returns. The service manual has a full schematic, parts list, and picture views of the PC board. See the video I made 2/29/12 below, at which time it was working. This synthesizer has a great bass sound.

More than you wanted to know: It was used to produce the first radio/TV commercial for electronic money transfer, which became today’s ATMs. Yes, a Lincoln Nebraska savings and loan company started electronic money transfer. It was called TMS, transmatic money service. TMS service was at a special service counter in chain grocery stores. It was very rudimentary, sort of like going to a bank and requesting money from a saving account – no mag card or machine was involved.

The savings and the loan company that pioneered TMS knew that the banking industry would use legal means to shut down this service and that the courts would decide if TMS was legal. The banks claimed that the savings and loan company had not chartered a branch operation through the Banking Dept. of the State of Nebraska, which in their view was required for any money transaction. Not knowing which way the courts would rule the ad agency for the savings and loan company had me do a relatively low cost track rather than purchase a track from the jingle-jungle in Dallas Texas. ATMs are everywhere today so we know how the court ruled. At that time I think I was recoding with my Ampex 440, 4 track recorder (like the Beatles used early on), or an 8 track Ampex 350 deck with 440 electronics. Some of my synthesizer settings for the TMS commercial are written in the back of the user’s guide on blank registration pages. I know some say this is a wimpy synthesizer, but the fact remains that it has that great full Moog sound and it is a quick way to lay down a bass line, banjo track, or a track using any of the other great sounds it will create."

CLICK FOR MORE »

The End of an Era - Moog Voyager to be Discontinued

It's hard to believe it's true, but the Moog Voyager, Bob Moog's first synthesizer after getting the Moog Music name back, is being discontinued after 13 years.

I was fortunate enough to pick up a Signature Series Voyager, brand new in the box, on clearance years ago when the last ones were being blown out. It never left the studio and I never sent it out for updates. I wanted to preserve Bob Moog's Voyager exactly as it left the factory, as he signed off on it.

I also have a Minimoog Model D, a Minitaur and the Sub Phatty. What set the Voyager and Model D apart of course was that third oscillator. It makes a difference. I'm curious if Moog will replace the Voyager with another three osc synth. Perhaps a re-issue of the original Model D? Owning both, I have to say each stands on it's own and is different enough to warrant both. The Voyager is refined, yet exudes power. The Model D is wild, aggressive, rough around the edges, but can be tamed.

Whatever Moog comes up with next, I'm sure it will be great. All of their synths to date have something special to offer.

An interesting side note is Bob Moog's Moogerfooger and theremins, released before the Voyager under the Big Briar name, will live on.

The official press release from Moog Music with a tribute video from Nine Inch Nails' Trent Reznor follows below.

"After 13 years & 14,000 instruments, production of the Minimoog Voyager is coming to an end. Moog will lovingly handcraft 600 final units of the Minimoog Voyager at their factory in downtown Asheville, NC before saying goodbye.

The Minimoog Voyager is the foundation of the modern Moog synthesizer. When it went into production in 2002, it signaled the rebirth of Moog Music, and the re-emergence of the analog synthesizer as a viable creative tool in our increasingly digital world. The design philosophy behind the Minimoog Voyager set the pattern for all of Moog’s subsequent work: where beauty, high mechanical quality, and sonic excellence are equally paramount in the service of musical ideas. The Minimoog Voyager is an embodiment of this ideology, and a wellspring of inspiration for Moog’s instrument design now and into the future.

Most importantly, the Minimoog Voyager is the last synthesizer that Bob Moog designed from start to finish. His DNA is in the circuits of this machine, and it is the culmination of Dr. Moog’s life’s work, which was dedicated to electronic musical instrument design.

Recently, Moog had the honor of sitting down with Nine Inch Nails’ Trent Reznor, the genre-defining music innovator, master synthesist and Academy Award winning composer. In the interview, Reznor recounts his intimate relationship with the Minimoog Voyager, which he feels “is the archetype of what a synthesizer is and should be.” Through personal stories, Reznor reveals his decades long history with the instrument and how it has shaped the way he views and creates music. The video is set to an original score by British electronic music producer, The Haxan Cloak, co-producer of Bjork’s Vulnicura. Befitting the occasion, the artist used a Minimoog Voyager and a prototype Mother-32, Moog’s newest synthesizer, to create the score.

Over the course of its 13-year production run, the Minimoog Voyager has become one of the most iconic analog synthesizers in history. Its impact on modern music can be heard on countless records and seen on stages around the world with artists such as Stevie Wonder, Dr. Dre, Radiohead, Herbie Hancock, Alicia Keys, Kanye West, Daft Punk, Bjork and many more.

As a thank you to existing Minimoog Voyager owners, Moog is offering 20% off on all Minimoog Voyager upgrades, modifications and calibrations to domestic customers until the end of the year. Contact techsupport@moogmusic.com for more information.

The Minimoog Voyager is still available in limited quantities at stocking dealers in Performer and Electric Blue versions while supplies last. For pricing and availability, please visit www.moogmusic.com/dealers."

Please check with MATRIXSYNTH sponsors on the right of the site.  They help make this site possible.

Trent Reznor | Archetype of a Synthesizer

Published on Sep 30, 2015 Moog Music Inc

"Through personal stories, Trent Reznor recounts his relationship with an iconic analog synthesizer and describes how it has fit into his creative process over his storied career.

Original score by The Haxan Cloak, co-producer of Bjork’s Vulnicura. Befitting the occasion, the artist used a Minimoog Voyager and a prototype Mother-32, Moog’s newest synthesizer, to create the score."

http://www.moogmusic.com/news/end-voy...

[patch] Krell: An Aleatoric Sound (Blofeld)

video upload by Synthesizer Video Service

Also see What is Krell? Louis & Bebe Barron - Ancient Krell Music (Forbidden Planet) & More

"This is a mega-tutorial about how to program the Krell sound from the 1956 film "Forbidden Planet" on a Waldorf Blofeld. You should expect heavy use of modulation and modifiers. But first, we are going to have a look on the history of the Krell patch. Then we start programming with the help of my "Blofeld Modifier Simulator".

Attention! My sorry, I forgot to set the sustain to 65 in envelope 4 :(

[00:00] The Krell Patch (Example)
[01:06] Complaining
[02:38] History of the Krell Patch
[07:30] Programming of Low Bouncing Noise (Part 1)
[17:09] How Not to Do the Low Bouncing Noise
[20:37] Programming of Low Bouncing Noise (Part 2) and Simulator
[29:00] Programming of High Theremin Noise
[36:46] Reverb
[38:14] Arpeggiator
[39:50] Final Patch
[40:53] Summary
[47:38] Outro"

Additional Krell posts

[demo] 10 Minutes of Krell Patch (Blofeld)


"This is a demonstration of a self-playing eternal patch, programmed on a Waldorf Blofeld synthesizer. A lot of modulations and modifiers were used. There was no external post-processing and no external effects were applied. The hands were off the unit and the keyboard, though the arp is playing very slow and long 'notes'.

'Krell' is an alien species from the film "Forbidden Planet" (1956). The soundtrack for these creatures was composed by Louis and Bebe Barron and very popular among modularists. It's a good example for an aleatoric patch - a sound playing with the help of randomness."

[patch] Shepard Tone (Blofeld)

video upload by Synthesizer Video Service

"In this tutorial, I'm showing how to program the Shepard Tone on a Waldorf Blofeld synthesizer. The Shepard Tone is an effect that gives you the impression of an infinitely rising or falling sound. This is a good example for careful and delicate choice of parameters during the sound design process.

Attention! I'm sorry, I forgot to set oscillator 2 to 16'' :(

More Infos on the Blofeld Modifier Simulator:
https://www.frequture.net/products/bl...

[00:00] Intro
[00:37] The Shepard Tone
[01:48] Oscillators
[02:12] Explanation of the Structure
[03:41] LFO
[04:13] Modulations and Modifiers
[07:26] Effects
[09:25] Modifier Simulator
[12:17] Final Patch
[12:34] Outro"

Shepard Tones

[patch] Multimode Drums (Blofeld)

video upload by Synthesizer Video Service

"I'm showing in this tutorial how to program a simple rhythm on the Waldorf Blofeld synthesizer, using the multi-mode and the arpeggiator. Use it as a basis for your own experiments!

[00:00] Intro
[02:10] Kick
[08:29] HiHat
[15:18] Snare
[19:02] Tom
[23:45] Beam
[27:51] Arpeggiators
[32:54] Multimode Setup
[35:11] Final Result
[35:42] Summary
[37:46] Outro

Have a look at my products:
https://frequture.net/shop

Check out my music:
https://curiouselectric.bandcamp.com/"

[demo] Multi-Mode on Blofeld

Published on Nov 28, 2016 Synthesizer Video Service

"This video shows an example of the use of the multi-mode function within a Waldorf Blofeld synthesizer. No multi-track recording, no sequencer, no external effects or post processing - just a Blofeld (with several sounds and arpeggiators) and a midi-keyboard."

RIP Mr. Tsutomu Katoh - Founder of KORG

A letter via Seiki Kato, President of KORG Inc.

"Dear Sirs and Madams,

I would like to inform you that our founder and chairman Mr. Tsutomu Katoh passed away early this morning (March 15, 2011) after a long fight with cancer.

Since he founded Korg Inc. in 1963, Mr. Katoh has led our company with great talent, vision and leadership. He was loved and respected by all the employees, all Korg family members and made a huge contribution to the lives of countless musicians around the world.

Plans for a memorial service will follow very soon.

I would appreciate your prayers for him and hope he can rest peacefully now.

Sincerely,

Seiki Kato
President
Korg Inc."

Tsutomu Katoh and the History of Korg

Another hero lost; one of the first to define the world of synthesis as we know it. The gifts he gave us will always be remembered and will inspire new synth enthusiasts and musicians for decades to come. Tsutomu Katoh-san, you will be missed. Thank you for everything you gave us.

Via Wikipedia: "Founded in 1962 in Japan by Tsutomu Kato and Tadashi Osanai, Korg was originally known as Keio Gijutsu Kenkyujo Ltd." and later "Keio Electronic Laboratories (京王技術研究所^?) because its fledgling offices were located near the Keio train line in Tokyo and Keio can be formed by combining the first letters of Kato and Osanai. Before founding the company, Kato ran a nightclub. Osanai, a Tokyo University graduate and noted accordionist, regularly performed at Kato's club accompanied by a Wurlitzer Sideman rhythm machine. Unsatisfied with the rhythm machine, Osanai convinced Kato to finance his efforts to build a better one..." And indeed they did.

This sad news in via Amos of Moog Music and Michelle Moog-Koussa of the Bob Moog Foundation.

Update: some condolences and pics on the KORG Forum here.

Some video of the legacy of instruments he brought us with a rare interview in Part 1 (previously posted):

'The Vintage Synth - Volume 3: Korg' 1-11

YouTube via baward — November 24, 2009 —

"Rare, Japanese-language video from some time in the 1990's, taking the viewer on an odyssey through Korg's many instruments, from Korg's synthesizer museum at its Tokyo headquarters.

Two other videos were produced in this series, 'The Vintage Synth - Volume 1: Moog and 'The Vintage Synth - Volume 2: Roland'"

Part 1: "This clip features an interview with Korg's co-founder Tsutomu Kato and footage of the rare DA-20 Doncamatic drum machine (1963) and an early appearance of Korg's famous 'Traveler' filter control - on an organ! (late 1960's.) More to follow."

Part 2: "This clip features the Korgue organ from 1968, as well as Korg's first synthesizer, the Mini Korg 700 from 1973 (here shown in its expanded 2 oscillator version, 1974's Mini Korg 700S.)"

Part 3: "This clip features the Synthesizer 800DV (1974), Synthesizer 770 (1975), and the PE-1000 (1976)."

Part 4: "This clip features the polyphonic, patchable, part-modular and extremely rare PS-3300 (1978)."

Part 5: "This clip features part one of the MS series (1978-79), focussing on the wall-mounted 'education' MS-20 as well as some other early analogue products."

Part 6: "This clip features the MS-20 and MS-50 synthesizers, VC-10 vocoder and SQ-10 analog sequencer (1978-79) in more detail."

Part 7: "This clip features the Delta strings synthesizer, Trident polyphonic synthesizer, and BX-3 analogue organ (1980-81)."

Part 8: "This clip features the first part of an in-depth look at the Polysix synthesizer from 1981."

Part 9: "This clip features the second part of the Polysix synthesizer feature and the one on the Mono/Poly."

Part 10: "This clip features the Poly-800II and the DW-8000 (1985)"

Part 11: "Computer-control of MS instruments (or is it the 05R module?) with 700S, original Korg Wavedrum, as well series conclusion."

[patch] Laser Harp (sync and ring mod)

Published on Jan 16, 2018 Synthesizer Video Service

"In this video I show you how to make the infamous sound of Jean Michel Jarre's laser harp. The sound is normally made with a Elka Synthex synthesizer. Here, I use a Waldorf Blofeld. It has everything you need to make a quite similar patch. Therefor, I show oscillator synchronization and ring modulation."