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Showing posts sorted by relevance for query accordoTV. Sort by date Show all posts

Sunday, January 02, 2011

First Fairlight Since 1989 Arrives


"Birth Announcement
« on: December 31, 2010, 11:19:01 PM »

Peter Vogel and the Fairlight Family are proud to announce the arrival of the first CMI-30A. Our new baby has already left the nest and is currently winging its way to the US in readiness for a first performance at NAMM. Its parents are recovering well and are looking forward to receiving visitors in the near future.

Here are a couple of early pics, but more baby photos and recordings of first words will be posted in time. We thank our friends and loved ones for their support during the gestation period.

Happy New Year and Happy Fairlight!

The first CMI since 1989. Awaiting transport to US for NAMM

All packed and ready to go on 31st Dec 2010 with Peter Wielk (left) and Peter Vogel (right)."

via John via Fairlight

Update:

Friday, July 02, 2021

Studio Electronics SE-1X Angel Dust Nova Edition

Note: Auction links are affiliate links for which the site may be compensated.
ANGEL DUST.mov video upload by accordoTV

Note the demo above is from 2011. It was in the listing below and apparently it was never featured on the site. You can find additional posts featuring accordoTV here.



via this auction

Friday, April 08, 2011

MusikMesse 2011 - Moon Modular


YouTube Uploaded by accordoTV on Apr 8, 2011 http://lunar-experience.com/home.html

Friday, January 14, 2011

NAMM: Teenage Engineering OP-1 Ready for Production

"OP-1 Newsletter #3, Jan 14, 2011

SPECIAL NAMM 2011 ANNOUNCEMENT

Finally. After more than two years of development the OP-1 is ready for production.

Initial supply will be limited. We now accept reservations at http://www.teenageengineering.com

Order now to make sure you get an OP-1 from the first production run. Manufacturing, assembly and shipping will be eight weeks.

PRICE

The OP-1 is priced at $ 799 / Euro 799 (including EC-VAT).

We have got questions about the dollar versus euro price.
The apparently higher euro price is a consequence of that we are required to add sales tax on all sales to the european union.

MEET US AT NAMM

We are in Hall A, Booth# 6409. The NAMM Show, Anaheim convention center in California. This is the place to try out an OP-1 for yourself. The show ends on Sunday.

BETA

Invitations has been sent out to the people selected for the Beta program.

We are exited to open up the sales of the OP-1 and are looking forward to hear what music you will create with our beloved synthesizer.

Thank you for signing up for the Teenage Engineering Newsletter.

Have a nice day.

-Teenage Engineering."

Teenage Engineering @ NAMM 2011 OP-1

YouTube via DontEatWhatTheyFeed | January 14, 2011 |

"Jesper from Teenage Engineering discusses the updates and release of the OP-1"

One more video in via Luis here: http://www.viddler.com/simple/85f10197/

Updates: via Luis Duran @ www.othersidesounds.com:

Namm Show 2011 - Teenage Engineering

YouTube via accordoTV | January 15, 2011

via Stefan in the comments:

Teenage Engineering OP-1

YouTube via ChuckLevins | January 14, 2011 |

"Sneak peak at one of the hottest upcoming synths out there!"

Update:

Teenage Engineering Op-1 Namm 2011 by Rock oN Report

YouTube via RockoNCompany | January 16, 2011 |

Friday, April 08, 2011

MusikMesse 2011 - Korg Monotribe


YouTube Uploaded by accordoTV on Apr 8, 2011

The main Monotribe post is here.

Sunday, January 16, 2011

Namm Show 2011 - Don Buchla: parla il maestro


YouTube via accordoTV | January 15, 2011 |

"http://audio.accordo.it/articles/2011..."

Thursday, March 22, 2012

Muskmesse 2012 Roland Jupiter 50 e 80


YouTube Uploaded by accordoTV on Mar 21, 2012

http://audio.accordo.it/articles/2012/03/64055/mm2012-roland-jupiter-50-e-80.html

Saturday, January 15, 2011

NAMM: Spectrasonics Omnisphere 1.5 & Omni TR for iPad


Don't miss the video at the bottom of this post.

"At the 2011 NAMM show, Spectrasonics made two product announcements and demonstrated both a major new version of their award-winning Power Synth Omnisphere® along with a new iPad app called “Omn TR” that allows wireless-remote control of Omnisphere. Many of the new capabilities in version 1.5 of Omnisphere are featured in the “Omni TR” app.

The company’s flagship synthesizer includes a host of new features, in particular a new interactive interface called “The Orb” offering stunning real-time synthesis manipulation capabilities (also a key element in the new “Omni TR” app) — along with many deeply expanded additions to the synthesis engine and user interface. The v1.5 update also includes many important user-requested features such as the new 5-Column Browser view and support for polyphonic aftertouch. The new version also includes a significant update to the factory patch library, taking advantage of all the new sound design capabilities and bringing the total number of included sounds to over 8,000. Omnisphere 1.5 is set to be released on February 15th, 2011 as a free downloadable update for all registered users.

'Our goal for Omnisphere has always been to make it the ‘best of both worlds’ – awesome sounds AND a dream instrument for sound design,” says Eric Persing, Founder and Creative Director of Spectrasonics. “As longtime synth geeks ourselves, we are just as excited as our customers to see how Omnisphere is growing and evolving as a synthesis platform. We’re really looking forward to hearing how our users explore the new sonic worlds this version opens up. I think it’s some of our best work yet.'"

At the 2011 NAMM show, Spectrasonics made two product announcements and demonstrated both a major new version of their award-winning Power Synth Omnisphere® along with a new iPad app called “Omn TR” that allows wireless-remote control of Omnisphere. Many of the new capabilities in version 1.5 of Omnisphere are featured in the “Omni TR” app.

The company’s flagship synthesizer includes a host of new features, in particular a new interactive interface called “The Orb” offering stunning real-time synthesis manipulation capabilities (also a key element in the new “Omni TR” app) — along with many deeply expanded additions to the synthesis engine and user interface. The v1.5 update also includes many important user-requested features such as the new 5-Column Browser view and support for polyphonic aftertouch. The new version also includes a significant update to the factory patch library, taking advantage of all the new sound design capabilities and bringing the total number of included sounds to over 8,000. Omnisphere 1.5 is set to be released on February 15th, 2011 as a free downloadable update for all registered users.

“Our goal for Omnisphere has always been to make it the ‘best of both worlds’ – awesome sounds AND a dream instrument for sound design,” says Eric Persing, Founder and Creative Director of Spectrasonics. “As longtime synth geeks ourselves, we are just as excited as our customers to see how Omnisphere is growing and evolving as a synthesis platform. We’re really looking forward to hearing how our users explore the new sonic worlds this version opens up. I think it’s some of our best work yet.”

omnitr.jpg
Omnisphere 1.5 Update
Expanded Synthesis
Omnisphere 1.5 includes new and expanded synthesis capabilities, with newly designed “zoom” interface views for the synthesizer’s Harmonia, Waveshaper and Granular synthesis areas. Harmonia can create extremely rich sounds by adding up to 10 oscillators per patch with new independent modulation possibilities on each oscillator. The Waveshaper now includes more extreme sound mangling capabilities with the new polyphonic “Crusher” and “Reducer” modules, which include ‘Animation’ and ‘Force’ parameters that can all be modulated. Omnisphere’s Granular synthesis area has been made significantly more powerful by including new ‘Speed’ and ‘Position’ modes, which create dramatic polyphonic shifts through the audio and time spectrums. At the center of the Granular Zoom interface is a new real-time ‘Granular Visualizer’ showing a colorful graphic model of the effect of parameter edits, all of which makes Omnisphere’s complex Granular synthesis easier to understand and more fun to use.


The Orb The innovative “Orb” feature of Omnisphere 1.5 is both a remarkable sound manipulation tool and an intuitive performance interface — it can be thought of as a ‘circular controller.’ Now with a single click of the mouse, the user can instantly customize the sound. Best of all, the Orb automatically works with every patch a user has, there’s no setup necessary.The user simply moves the Orb cursor with a mouse, a MIDI controller or in the case of an iPad, with fingers directly on the Orb itself. As the Orb moves around the concentric circles, it morphs between automatically generated parameter scenes in Omnisphere’s STEAM engine in a highly intelligent and musical manner — all patch dependent — manipulating the sound in subtle or radical ways appropriate to that particular patch. If the user doesn’t like what the Orb has created, a complete new set of manipulations can be chosen by simply rolling the “Dice” button, which instantly creates a brand new group of intelligent sonic modifications and effects to try. There’s no limit to how many serendipitous sonic variations the “Dice” can create – opening up the vast power of the STEAM engine to every user, regardless of synthesis knowledge.

For advanced synthesists seeking maximum flexibility, the Orb can also be setup manually and used as a new modulation source in Omnisphere’s sophisticated Mod Matrix.The Inertia slider of the Orb allows the user to create a ‘movement trail’ after letting go of the Orb, just like a ball might roll and bounce off the walls of a circular enclosure, adding a musical symmetry to the “performance” of an Orb interaction. Users can also Record their performance movements directly into the Orb and play the performance back in sync with their controller or host. The Orb’s movements and sonic results are saved within the patch, multi or the host’s session for later recall. The movement of the Orb can also be automated in the users host.The ideal control surface for Omnisphere’s new ‘Orb’ is the multi-touch interface of the simultaneously announced “Omni TR” iPad app, but the Orb can also be used with standard mice, trackpads and MIDI controllers.Hands-On Expression
Omnisphere 1.5 includes support for Spectrasonics new “Omni TR” iPad app, which provides wireless multi-touch performance control over the synthesizer. Alternate controllers that send multiple simultaneous MIDI channels have improved handling with the new “Clone Part” feature, making it easier to edit with multichannel systems like Guitar synths and the Eigenharp™ controller. Omnisphere 1.5 also adds support for MIDI keyboards and devices that send polyphonic aftertouch. A special new MIDI Learn mode enables hardware controllers that send a single channel to have all of their learned knobs, sliders and switches affect any parts currently selected in Live Mode – making Omnisphere even more intuitive when controlled from a hardware synth such as a Moog Little Phatty™.Version 1.5 of Omnisphere is set to be released February 15th, 2011. The update will be free for all registered users and can be downloaded from the Spectrasonics website. http://www.spectrasonics.net

Omnisphere is available now from all Spectrasonics dealers - MSRP $499US / 379Euro

Highlights of Omnisphere 1.5

• Innovative “Orb” ‘circular sound manipulation’ interface with Motion Recording and “Dice” button for infinite variations and one-touch sound customization

• Expanded Synthesis capabilities:

Harmonia: New zoom page shows all Harmonia parameters per layer adding up to 10 oscillators per patch with new independent modulation options for Levels and Fine Tuning on each Harmonia oscillator.

Waveshaper: New zoom page with extreme new processing modules including polyphonic ‘Crusher’ and ‘Reducer’ sections with ‘Force’ and ‘Animation’ controls that can all be modulated.

Granular Synthesis: New ‘Speed’ and ‘Position’ modes. New zoom page with new ‘Granular Visualizer’ showing a graphic model of the effect of parameter edits which makes Granular synthesis easier to use.

• Patch Library Update: Over 700 brand new patches created by renowned Spectrasonics sound development team gives Omnisphere over 5,000 patches and 8,000 total sounds
• New 5-Column Browser view displays more sound categories and attributes simultaneously
• New Online Video Tutorials for Version 1.5 capabilities
• Support for new ‘Omni TR’ iPad app
• New “Recently Added” Browser sorting option
• Added support for MIDI devices which send polyphonic aftertouch
• New ‘Clone Part’ feature allows easier editing/setup with multichannel MIDI controllers
• New MIDI Learn hardware control mode follows Live Mode selection
• Modulation Envelope points can be key-command snapped to semitone when modulating pitch
• User-assignable Legato Interval rule added
• V1.5 is a FREE update for registered users of Omnisphere!


The new “Omni TR” iPad app introduces Spectrasonics ‘TR’ (Touch Remote) concept - combining the tactile advantages of the iPad as a performance-oriented touch surface, with the company’s powerful computer-based virtual instruments – creating a true hands-on experience for musicians.“One of the big differences between software and hardware synths is the feeling of hardware that’s so wonderful,” says Eric Persing. “With the iPad and our new Omni TR app, we are excited to bridge that gap and bring the sense of touch to state-of-the-art virtual instruments like Omnisphere.”Omni TR brings Omnisphere’s interactive features closer to the music creation process with the ability to create setups and sound modifications very quickly. The user’s fingers can activate patches, tweak filters, re-mix, bend and spin amazing performance possibilities from the innovative new ‘Orb’ circular controller.With its high contrast interface, ‘Omni TR’ is perfect onstage for live performance or even in the studio where the iPad sits at the controller keyboard located away from the studio computer. Best of all, the Omni TR app is extremely easy to use, offering full two-way communication with Omnisphere with just a simple wireless connection to the computer running the plug-in.Main Page
The Main page mirrors Omnisphere’s unique Live Mode offering 8 patch slots with latching and trigger modes, individual mute and solo, and mixer faders. In this page alone, Omnisphere becomes a new performance instrument with the iPad sitting at the user’s controller keyboard. Patch names can be simply touched to be enabled, one or more at a time for layers and stacks. Users can also browse and select Multis and Patches directly from the iPad to instantly change sounds for a new song or live set.

Orb Page
Omni TR was designed to make the iPad the ideal control surface for Omnisphere’s innovative new ‘Orb’ feature. The ‘Orb’ is both a remarkable sound manipulation tool and an intuitive performance interface — it can be thought of as a ‘circular controller.’ Now with a single gesture, the user can instantly customize the sound in Omnisphere. Best of all, the Orb automatically works with every patch a user has, there’s no setup necessary.

As the Orb moves and orbits around the concentric circles, it morphs between automatically generated parameter scenes in Omnisphere’s STEAM engine in a highly intelligent and musical manner, all patch dependent — manipulating the sound in subtle or radical ways appropriate to that particular patch.

If the user doesn’t like what the Orb has created, a complete new set of manipulations can be chosen by simply rolling the “Dice” button, which instantly creates a brand new group of intelligent sonic modifications and effects to try. There’s no limit to how many serendipitous sonic variations the Orb can create – opening up the vast power of the STEAM engine to every user, regardless of synthesis knowledge.

The tactile experience of moving the cursor around the Orb space on the iPad with a finger to create variations in the sound is remarkably musical. Where standard controllers might change one or two simple parameters in a linear manner, the Orb morphs a host of parameters that are patch specific, and easily changed on-the-fly.

The Inertia slider of the Orb allows the user to create a ‘movement trail’ after letting go of the Orb, just like a ball might roll and bounce off the walls of a circular enclosure, adding a musical symmetry to the “performance” of an Orb interaction.

Users can also record their performance movements directly into the Orb and play the performance back in sync with their controller or host. The Orb’s movements and sonic results are saved within the patch, multi or the host’s session for later recall. The movement of the Orb can also be automated in the user’s host.

Controls and Jumbo Pages
The Controls page features a touch-based pitch ribbon performance controller and 8 touch sliders assigned to groups of the most useful performance/editing parameters for each Omnisphere layer. The Jumbo page shows large patch names on all 8 parts, easily seen in a live stage performance situation.

The new “Omni TR” iPad app is compatible with both Mac and Windows systems running Spectrasonics Omnisphere v1.5 or higher and will be available free from the App Store on February 15th, 2011 (pending Apple’s review)."

Namm Show 2011 - Rudess

YouTube via accordoTV | January 15, 2011 |

http://audio.accordo.it/articles/2011..."

Sunday, April 03, 2011

New Roland Jupiter-80 Pics & Specs Leaked?


via the Roland Clan Forums

This one in via Soviet Space Child

Also see this post.

via wladymeer in the Roland Clan Forums thread:
"As it's meant for live performers, I don't think it's wrong at all. Especially because you could probably enter effect selection with SHIFT+ON/OFF shortcut and assign, lets say, distortion or delay instead of effect. Afterall, Juno-Stage had such knob next to high/low EQ.

Face it, Jupiter-80 is not gonna be next Fantom. Consider it more as a advanced stage piano. In other words, as a Nord Stage. I saw on one website that Nord Stage 73 costs $3.299,00 - you tell me - why Jupiter-80 can't cost the same if it's not workstation?

And here's my overview of front panel buttons:

• USB MEMORY SONG PLAYER/RECORDER - guess we can record directly on USB thumb drive?
• D-BEAM section with typical assign: PITCH, VOLUME and ASSIGNABLE
• CONTROL section with:
Arpeggio: HOLD, ON/OFF for LOWER and UPPER and TEMPO (probably tap tempo)
bellow something that's called either VISUAL CONTROL or V-LINK CONTROL and HARMONY INTELIGENCE
and last is typical Roland TRANSPOSE, OCTAVE DOWN and UP
• PART BALANCE section:
LOWER, UPPER, SOLO faders with ON/OFF buttons
I can't read what's on that white fader, but my guess is just for piano sounds. You can see there are 3 "gray" buttons saying piano, e. piano and clav so my guess that fader is just for that type of sounds.
• Then we have some MENU and SHIFT buttons below display and 4 encoders in between with display showing what they're controlling, typical DEC/INC, wheel, EXIT and WRITE on the right...
• REVERB section with ON/OFF button
• SONG PLAYER/RECORDER with usual controls (so I guess, phrase recording will be possible)

And last row seems to have next (my best guess with (?) where I'm not sure):

• ROTARY SOUND section ON/OFF and SLOW/FAST buttons
• LOWER section:
- SPLIT
- BASS
- PAD
- CHOIR
- STRINGS
- SYNTH STRINGS (?)
- BRASS / SAX
- SYNTH BRASS (?)
- WOOD WINDS (?)
- Something white labeled
- ALTERNATE ON/OFF (guess every button has two alternates?)

• UPPER section:
- PIANO
- E. PIANO
- CLAV
- CHURCH BELLS (?)
- ??? BELLS (?)
- THEATER ORGAN (?)
- GUITAR
- SYNTH LEAD
- VIBES/MARIMBA
- ACCORDION/HARMONICA
- Something white labeled
- ALTERNATE ON/OFF

• SOLO section:
- VIOLIN
- TRUMPET
- SAX
- FLUTE
- OBOE (?)
- BELL
- Something white labeled
- ALTERNATE ON/OFF
- SOLO SPLIT

Beneath keybed, there is WRITE (or maybe REC?), PREV and NEXT buttons on the ends and in between it seems that it will have SH-201 system with 4 banks up with 8 patches per bank. Hope it's just USER bank but then again... come on... it's 2011 we're talking about! What's wrong with 1000 user slots idea?"

And via IgorChristo:
"This is the advertising on Keyboard Magazine - May 2011
I've managed to get a copy of the entire magazine (I know this is wrong!) from another forum, and this ad is at the beggining of the magazine.

I beleave he got it in this leaked version of the magazine."





Update 5/5/2011: Sounds & Demo Video from Musikmesse 2011 YouTube Uploaded by delamartv on Apr 5, 2011

"Roland Jupiter 80 http://www.delamar.de/news/musikmesse/

In diesem Video kannst Du den Roland Jupiter 80 etwas eindringlicher hören und sehen. Erfahre, wie dieser Synthesizer klingt, was der Roland Jupiter-80 kosten wird und wann er auf den Markt kommt.

Viel Spass bei diesem Roland Jupiter-80 Video"

Roland Jupiter-80 Musikmesse 2011 PREVIEW :)


Update:

Original Jupiter 8 Explained

YouTube Uploaded by DanKrisher on Apr 5, 2011

"The original JP8 was a live performance synth."

And some pics from Create Digital Music's post on the Jupiter-80 where you'll get Peter Kirn's take on the new synth. In simplest terms, the Jupiter-80 is being touted as a performers' synth with the emphasis on performance and playability. The video above makes the connection with the mindset behind the original Jupiter-8.

On the synthesis front, the Jupiter-80 uses Roland's SuperNATURAL engine.

"SuperNATURAL is more than a single sound, effect, or operation. Each type of instrument, whether string or keyboard, wind or percussion, ethnic or even electronic, subtly shapes sound in its own unique way. Particular characteristics enable different forms of tonal expressiveness. SuperNATURAL provides the ability to realistically shape the physical parameters of virtual instruments in organic and expressive ways. Across the broad and varied forms of Roland musical instruments, SuperNATURAL is the gateway to a new universe of expression.

SuperNATURAL is available in many forms. There are SuperNATURAL ARX expression boards for Fantom-G, for example. First out of the gate are the stunning ARX-01 Drums board and the ARX-02 Electric Piano Electric Piano. The RD-700GX has SuperNATURAL Electric Piano built in, giving you amazingly expressive electric piano sounds. In addition, thanks to SuperNATURAL technology, all the characteristic control of acoustic organs are provided on Roland’s Music Atelier Organs."





Update: the official description:

"One of the most revered prefixes in the history of synthesis returns. Welcome the arrival of the JUPITER-80— a live-performance powerhouse that pays homage to its legendary namesake with road-proven hardware and massive sound, yet blasts into the future with advanced SuperNATURAL technology. The JUPITER-80’s expressive, organic approach to synthesis makes a new world of sound design possible with multilayered SuperNATURAL textures under the control of a full-color touchscreen and creative hands-on controllers. Experience the metamorphosis of a legend with the all-new JUPITER-80!

Powerful integrated SuperNATURAL synthesis engines designed for legendary vintage synth sounds to realistic organic acoustic sounds and more
Single Tone is equivalent to the performance of powerful single synthesizer—stack four of these to create a mind-blowing “Live Set”
Tone Blender tweaks multiple parameters of tones in realtime for complex, emotive sonic movement during performance
Fast, friendly operation with intuitive front panel and color touchscreen optimized for live performance
76-note semi-weighted synth keyboard, and 256 polyphonic voices (varies according to sound-generator load)
USB-memory Song Player/Recorder for backing tracks or quick idea capture
Easy integration with computers via built-in USB-MIDI/Audio interface

Past, Present, and Future Sound

The JUPITER-80 nods to its past with lethal, multi-layered SuperNATURAL synthesizer tones so fat you’ll need a knife to cut through it, but that’s only the beginning of what this powerhouse synth will do. Gigging musicians will love the stockpile of essential sounds onboard, including Roland’s famous SuperNATURAL Piano, strings, brass, and much more. The JUPITER-80 puts a fast-access user interface under your fingers—a dream for live performance. Its heavyweight design, complete with metal side panels, recalls the legendary JUPITER but with a modern twist.
Powerful Live Sets Featuring Four-Tone Structure and Registrations

JUPITER-80’s sound engine handles four x tones with dedicated DSP per tone as a basic unit “Live Set” for manual performance. Layering of Upper and Lower Live Sets, plus a specialized “SOLO” part, means the incredibly massive nine-tone-stack sound. Customized complex settings can be saved as Registrations, and easily recalled during live performance.
Tone Blender

You will love the deep possibilities of the stackable SuperNATURAL architecture and unique features such as Tone Blender, which tweaks values of multiple parameters simultaneously and lets you “Capture” any new combination and save it as a Live Set. Create complex, emotional textures that respond, react, and evolve like nothing you’ve heard before. Tone Blender can also dramatically enhance your live-performance capabilities by letting you assign its multiple parameters to controllers such as the D Beam."

And the official site is live. You'll find the intro video there.

Updates 4/6:: new demos added below.




Howard Jones and the Roland Jupiter-80 Synthesizer

YouTube Uploaded by SoundsLiveShop on Apr 6, 2011

"Howard Jones, he of the amazing haircut and baggy jumpers, knows a thing or two about synths and live performance. Here, Howard Jones talk about the new Roland Jupiter 80 synthesizer. Launched at Musik Messe 2011, the Roland Jupiter-80 revives one of the great names in music synthesis and it's a recognition of the renewed interest in synths by musicians of all genres."

Roland Jupiter 80 Synth Overview

Uploaded by SoundsLiveShop on Apr 6, 2011

"Roland promised something big for Musik Messe 2011 - it is! The Jupiter-80 brings one of the most revered names in synths into the modern era. Roland appear to be aiming the Jupiter 80 squarely at the live performer who wants easy access to some of the best sounds available. The Jupiter-80 is absolutely stacked: - SuperNatural synthesis engines for vintage sounds - Stackable tones to create 'multi-synth' live sets - Tone Blender - 76 semi-weighted keys - Built-in USB-MIDI/Audio interface The Roland Jupiter-80 - Check it out!"

Update 4/6 10:21 PST:

MusikMesse 2011 - Roland Jupiter-80 1/3

Uploaded by accordoTV on Apr 6, 2011

"MusikMesse 2011 - 1"

MM2011 - Roland Jupiter-80

Uploaded by accordoTV on Apr 6, 2011

http://audio.accordo.it/articles/2011/04/51102/mm2011-roland-jupiter-80.html


Uploaded by RockoNCompany on Apr 6, 2011


YouTube Uploaded by HarmonyCentral on Apr 6, 2011

"Choosing the demo for this video was a tough call, because the demo player did three totally different ones - from a Zappa-esque piece in 15/16, to a more lyrical demo, to an electro-type mashup called "Oh My God." This is the techno one, because I think most people weren't expecting that kind of sound from the Jupiter-80. Yes, it does strings, brass, pianos, and all that...but this demo shows that there's more to this synth than meets the spec sheet."


YouTube Uploaded by musotalk on Apr 7, 2011

Friday, April 08, 2011

MusikMesse 2011 - Haken Continuum


YouTube Uploaded by accordoTV on Apr 7, 2011

Saturday, April 09, 2011

MusikMesse 2011 - Moog Theremin


YouTube Uploaded by accordoTV on Apr 8, 2011

MusikMesse2011 - Numa Organ & Piano


YouTube Uploaded by accordoTV on Apr 8, 2011

Friday, April 08, 2011

MusikMesse 2011 - Analog Systems


YouTube Uploaded by accordoTV on Apr 7, 2011
Analogue Systems
http://www.analoguesystems.co.uk/

Thursday, April 07, 2011

Musikmesse 2011 - Club of the Knobs


YouTube Uploaded by accordoTV on Apr 7, 2011

http://www.cluboftheknobs.com/

Saturday, April 09, 2011

MusikMesse 2011 - Nord Keyboard


YouTube Uploaded by accordoTV on Apr 8, 2011

Thursday, June 07, 2012

Nord Drum


YouTube Published on Jun 7, 2012 by accordoTV

"Leggi e commenta (Read and comment):
http://ritmi.accordo.it/article.do?id=66413"

Tuesday, January 31, 2012

NAMM 2012 Stevie Wonder @ Moog booth


YouTube Uploaded by accordoTV on Jan 26, 2012

Wednesday, April 06, 2011

New Doepfer Module at the Musikmesse

MM 2011 - Mmmh... lucette e bottoncini

YouTube Uploaded by accordoTV on Apr 6, 2011

"http://audio.accordo.it/articles/2011/04/51101/mm-2011-mmmh-lucette-e-bottonc..." - 404 for me unfortunately.

via Doepfer:
"We exhibit in Frankfurt from April 6 to 9, 2011 at the booth of Schneiders Buero in Hall 5.1 booth # C70. These products will be shown:

The new versions of our master keyboards LMK4+, LMK2+ and PK88 with the new graded hammer action keybed TP/40GH
severyl Dark Time Sequencers in combination with Dark Energy synthesizers and A-100
DIY SYNTH example
New A-100 modules A-142-4 Quad Decay and A-190-3 USB/Midi-to-CV/Gate interface, as well as some prototypes (e.g. touch keyboard, A-157 trigger sequencer, A-143-4 Quad-VCO/VCLFO)
All other modules of the A-100 system are available in different cases scattered over the booth of Schneiders Buero"

Sunday, January 16, 2011

Namm Show 2011 - Audio Day 4 - MISC Booths


YouTube via accordoTV | January 16, 2011

See The NAMM List for the latest updates. More have gone up since the last update.

Saturday, January 15, 2011

Namm Show 2011 - Dewanatron


YouTube via accordoTV | January 14, 2011

Update:

NAMM 2011 Swarmatron - Analog Synthesis
YouTube via musicianews | January 13, 2011 |



"Leon Dewan and Brian Dewan of www.Dewanatron.com demo a really interesting set of analog synthesis instruments"
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