Title link takes you to a thread on the Moog Forums with some samples of the Little Phatty. They are also on the Little Phatty user's group, Phatsound, where you'll find more samples. via the comments of this post.
Saturday, September 02, 2006
Little Phatty Samples
Title link takes you to a thread on the Moog Forums with some samples of the Little Phatty. They are also on the Little Phatty user's group, Phatsound, where you'll find more samples. via the comments of this post.
Ultravox Synths Take 2
Title link takes you to a previous post I put up on Ultravox Synths. Micke just posted the following on this VSE thread.
Did you know:
1) that the fat bass line on Ultravox' song "Slow Motion" (off of Systems of romance, 1978) was actually played by Chris Cross on his EMS-Synthi?
2) that the EMS synthi, Arp Odyssey (and Elka Rhapsody) were the only synths used for U-Vox' 2nd album "Ha, Ha, Ha" (1977)?
3) that the Elka Rhapsody 610 was used for the string sounds on U-vox' first three albums?
4) that Brian Eno programmed the Minimoog (his own synth) on the early U-vox songs "My way" and "Slip Away"?
5) that the kick drum, snare and hi-hat on U'vox' cues "Dislocation" were done on Billy Currie's Arp Odyssey with lots of fx added?
6) that the Minimoog is responsible for the bassline on "Quite Man"
7) that the Oberheim OB-X was used mainly for solos on U-vox album "Rage in Eden"?
8) that Billy Currie bought a Yamaha CS-80 in late 1979 and used it on songs like "Mr.X" (Vienna), "Western promise" (Vienna") "I Remember" (Rage In Eden), "Hymn" (Quartet)?
9) that U-vox' main string-machine between 1980-1984 was the Yamaha SS-30?
10) that the Yamaha GS-1 FM synthesizer was used for the solo in "Mine for life"?
11) that the EMS-Synthi was U-vox's very first synth back in early '77 or thereabouts?
-----------
Also see Midge Ure on the Minimoog used for the bassline in Viena.
Did you know:
1) that the fat bass line on Ultravox' song "Slow Motion" (off of Systems of romance, 1978) was actually played by Chris Cross on his EMS-Synthi?
2) that the EMS synthi, Arp Odyssey (and Elka Rhapsody) were the only synths used for U-Vox' 2nd album "Ha, Ha, Ha" (1977)?
3) that the Elka Rhapsody 610 was used for the string sounds on U-vox' first three albums?
4) that Brian Eno programmed the Minimoog (his own synth) on the early U-vox songs "My way" and "Slip Away"?
5) that the kick drum, snare and hi-hat on U'vox' cues "Dislocation" were done on Billy Currie's Arp Odyssey with lots of fx added?
6) that the Minimoog is responsible for the bassline on "Quite Man"
7) that the Oberheim OB-X was used mainly for solos on U-vox album "Rage in Eden"?
8) that Billy Currie bought a Yamaha CS-80 in late 1979 and used it on songs like "Mr.X" (Vienna), "Western promise" (Vienna") "I Remember" (Rage In Eden), "Hymn" (Quartet)?
9) that U-vox' main string-machine between 1980-1984 was the Yamaha SS-30?
10) that the Yamaha GS-1 FM synthesizer was used for the solo in "Mine for life"?
11) that the EMS-Synthi was U-vox's very first synth back in early '77 or thereabouts?
-----------
Also see Midge Ure on the Minimoog used for the bassline in Viena.
joerg-erren.de
Title link takes you to joerg-erren.de. Jorg posted a link to his site in this Curetronic post. I of course checked it out. He's got quite a bit of info up there including specific pages on Anywaree Instruments, Alesis, Diverse, Korg, MFB, Oberheim, Roland and Yamaha. You'll find some really nice gear shots and samples for each piece of gear. Very nice.
badl0ader
Remember the chameleon? Turns out it's badl0ader's. He sent me a link to his MySpace site where I found this video. It takes a lot of balls to fill up a cup like that. This one dedicated to Chris Randall of Analog Industries. Something tells me he will appreciate this one. ; )
BTW, do check out badl0ader's MySpace page. Cup aside, it's good synth pop.
Emperor Penguin @ Empty Bottle - New Flickr Shot
flick by spablab.Yep. So, what is that?
Update via the comments: "I am in that band... I'm the guy in the blue shirt in the background. our albums were done by me and the guitarist, Lazlo. When we played live we got extra help from some friends. Lots of synths on our records and onstage - Korg Polysix, Korg DW8000, Univox MiniKorg, Yahama SK20, Korg Delta, Moog Prodigy, etc. No samples used in the live show -- everything was played. The guy in the diaper was known as The ManBaby. He was an amazing beatboxer who for some reason liked to perform in a diaper. He was always a big hit with the audience. Wow, that was a fun band to play in.
- Mel Stanke, Emperor Penguin"
AX60 & S612 Sample
Title link takes you there. Track title is the one with via nematode. via Jon:
"i just got an s612 in the mail yesterday (bought it off kevin, you posted one of his gear sales, so thanks) the 13 pin connectors came in at the same time. so i painstakingly soldered 26 tiny little leads, then i looked in the s612 manual and realized i only had to solder 14 tiny little leads. plugged my new cable in, ran a midi cable from the ax to the s612. messed around with midi channels and worked the static out of the ax's a/b mix slider, knocked over a full stack of 100 blank dvdrs in the process and within about an hour or so was up and running. there's an 8 minute (in two parts) 3 track overdub of just the ax-60 and the s612 arpegiating while i twist and tweak (the sample start/end time faders are awesome) up on my myspace page it's called nematode something-or-other. i was up 'till about 4.30 last night getting that posted, so now i'm going to get some donuts and, if the neighbor kids quiet down, take a nice long nap."
Update via a follow up email from Jon: "this too, i don't know if it's been pointed out yet, but as only audio is being sent to the ax60, there are no control signals envolved, the ax should be able to run -any- audio input through it's filter. all it should take is wiring the leads from an audio connector (your choice) to the ground and signal pin (again, your choice) of the input on the synth."
"i just got an s612 in the mail yesterday (bought it off kevin, you posted one of his gear sales, so thanks) the 13 pin connectors came in at the same time. so i painstakingly soldered 26 tiny little leads, then i looked in the s612 manual and realized i only had to solder 14 tiny little leads. plugged my new cable in, ran a midi cable from the ax to the s612. messed around with midi channels and worked the static out of the ax's a/b mix slider, knocked over a full stack of 100 blank dvdrs in the process and within about an hour or so was up and running. there's an 8 minute (in two parts) 3 track overdub of just the ax-60 and the s612 arpegiating while i twist and tweak (the sample start/end time faders are awesome) up on my myspace page it's called nematode something-or-other. i was up 'till about 4.30 last night getting that posted, so now i'm going to get some donuts and, if the neighbor kids quiet down, take a nice long nap."
Update via a follow up email from Jon: "this too, i don't know if it's been pointed out yet, but as only audio is being sent to the ax60, there are no control signals envolved, the ax should be able to run -any- audio input through it's filter. all it should take is wiring the leads from an audio connector (your choice) to the ground and signal pin (again, your choice) of the input on the synth."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
