MATRIXSYNTH


Saturday, April 07, 2007

"This is the Filter, the Filter Made with Diodes..."


A while back I remember hearing a demo on one of the modular manufacturer sites with a vocal saying, "this is the filter, the filter made with diodes." About a year ago I went looking for it and couldn't find it. I gave up and forgot about it. Every now and then it gets stuck in my head. Today was one of those days. I decided to finally track it down and try the AH list. Sure enough someone not only knew what I was referring to but also had the mp3 and sent it my way. Thank you mark.  The module of course was the Modcan Diode Filter 23a.

Update: the mp3s gone awol.  You'll find the recording in a video here.

Wiard Suitcase Modular in the Works?

There's been some talk on the Wiard list about Grant working on a suitcase modular. Note this is purely speculation although Grant did write back to the list with the following when asked: "I am attempting to do something on the difficulty level of the Yamaha DX7. Whereas Yamaha has hundreds of people to work on such projects, I am only one person.
Also I have to invent all of this technology from the ground up. There are no existing designs to copy, and no reseach papers to "crib" from."

He also previously mentioned:
"I apologize for any confusion my remark has caused.

I have spent hundreds of man hours over the last 3 years researching new synthesizer technology in advanced controllers and advanced multidimensional waveshaper and wave terrain oscillators.

Like the other Wiard modules, these ideas are new and unique. Because they are so new, the exact method of implementing them is not entirely clear to me yet. But I have far too much invested already to simply abandon the ideas.

When I mentioned the Envelooper, I was hoping someone would come forward in the manner of "I think this would work for this application that I have in mind." People (and myself) still need more time to mull over the application for such advanced devices.

In regards to a fully integrated synthesizer; Many of the great synth companies historically began with modulars, and then released fully integrated instruments. ARP began with the 2500 series and later produced the Oddysey. Moog began with the 900 series and later produced the Mini-Moog. Emu began with a modular and later produced integrated instruments.

Of course, the integrated instruments never have the full capability of the parent modular. There are always design trade offs. While I would like to produce an integrated instrument sometime in the future, it will not be a replacement for the 300 or 1200 series, but will contain a scaled down version of those unique technologies. First I have to finish developing those technologies, before I can concern myself with how best to package them.

At his exact moment, my concern is with getting the existing designs so I can produce them for the next 3 to 5 years. The Envelooper design project has only been placed on the back burner until I can catch up with stocking parts and building your orders.

My use of the word "dropped" was unfortunate because it gave the impression I had abandoned the project. I have not. The Envelooper module and Walkabout Oscillator are still being researched. I have working prototypes of both designs, but they need to be improved for manufacture. I also need to reseach if ideas like downloadable wavetables are fesible.

I apologize again for any confusion."

KORG PolySix demonstration


YouTube via OriginalJambo.

Waldorf XTk

Title link takes you to more shots.


via this auction.

Friday, April 06, 2007

Vember Audio - SURGE

"Binary is beautiful
A digital recording is just a sequence of numbers. Easily quantifiable as ones and zeros, stored on physical media, combined together into larger numbers to form a continuous stream of data.

Surge - Digital and proud of it

Until you listen to it. Then it becomes real.

SURGE is an instrument capable of generating truly beautiful sequences of numbers. Your ears will agree with us.
More than the sum of its parts

More than the sum of its parts
Architecturally speaking, SURGE is a rather complex synthesizer. But because of how it's put together it's still easy to learn. Once you do, you will turn the sounds in your head to audio faster than ever.

The effortless workflow, attention to detail and the sound quality can't really be appreciated without trying it yourself. We suggest you try the demo!"

Title link takes you there. Samples via the audio player to the right when you get there.

Roland WS-1

Title link takes you to a couple more shots via this auction.

Details:
"This is the Roland WS-1, the extremely rare write switch for the CR-78 Compurhythm Drum Machine... The CR-78 is one of the best drum machines Roland ever made, but without the WS-1, it's just another beat box. With the WS-1, you have full control over the 4 yellow program buttons on your machine. It is possible to program the CR-78 using a footswitch in real time, you can't program it accurately in step time without this switch." Auction link sent my way via Omeganaut

00005

flickr by ax11.

Roland Jupiter-8a

This one in via Rod. Title link takes you to a 17M super sized strip of several shots via this auction. The link goes to the directory (pun intended) hosting the file, so you don't lock up your browser by clicking on the title link. The pun? The name of the directory. The starting bid on this one is $5k with a Buy It Now at $6500 and you'll be hard pressed to find one in this condition. It's a long shot.

Details:
"History: I bought this synth from a Russian ballet dancer who bought the synth in Japan in the 80's. He moved to Los Angeles in the early 90's and brought the synth with him. In the early 90's he had JL at Musictek in LA convert it to US power and install an Encore Electronics MIDI kit in it. When he decided to move back to Russia in 1996, I bought it from him and have owned it ever since. It has been used on pretty much every song I've ever done and has never needed repair or tuning the entire time I've owned it. I would have to say that out of my entire collection of synths, this one synth has been the most reliable, and sounds the prettiest of them all. I've owned 4 Jupiter-8's over the years, and this is my last and best one. You'd be hard pressed to find one in better condition at any price.

Version: This is actually a Roland Jupiter-8a, the later, more desirable model with a more reliable 14-bit processor for improved tuning. By the time this version was produced, all of the updates and bugs were addressed, the tuning was very stable, and the LED screen was brighter with no flicker. It has the DCB port as standard but the Encore MIDI kit installation disabled the DCB functionality.

Condition: Based on 15 years of owning literally dozens of vintage synths, I would rate it a 9.9/10. It is in near mint electronic and cosmetic condition. I know the word mint is overused on eBay, but take a look at the photos and judge for yourself. As you can see, the cosmetic condition of this synth is pristine. There is no wear whatsoever on the graphics, knobs, silver switches, or lettering. The colored orange paint reflects like a mirror and the Jupiter-8 logo is clean and clear. There is no sun damage and all of the parts retain their original coloring, including the white buttons and switches. The stainless steel end panels are in pristine condition. The stainless screws on the sides show no pitting or warping from screwdriver bits as found on most JP-8's. Most Roland synths from this era have pitted screws and the paint is worn off. Not on this synth. The painted screws have retained their glistening finish and look as new. The red LED screen is bright and clear, and the plastic lens has only extremely light scratches from dusting it...but they would not show up in the photos. A little plastic polish and the lens will shine as new. The vinyl-clad exterior is in pristine condition, and the matte finish is not rubbed as most are. The only obvious cosmetic issue on the synth is some minor scratches on the underbelly of the synth from being on an A-Frame stand in my non-smoking studio. There is some dust on the felt inside the air vents at the top of the synth which appeared to be a painstaking task to clean, so I'm leaving it up to the new owner to take care of this (you can see that I started to clean out the dust inside the two slots on the far right). There is one small mark in the vinyl clad metal on the back of the synth above the XLR jacks on the back of the synth. It's less than 1/8" long and nearly impossible to capture in a photo (but I tried). The keys are highly reflective with only the occasional mark here and there.The internal components are all present and accounted for, and the internals are clean and free of rust and debris. The synth is complete in every way, and even includes the small red plastic DCB plug on the back of the synth. This is the mintest example of a Jupiter-8 that I have ever owned or seen for sale anywhere on the net, eBay, or otherwise over the past 15 years of collecting synths. If you're picky about the condition of your gear, and you want the very best synth ever made, this is the synth for you. I realize I'm asking a lot for this synth and it may not be the synth for your price range. If so, please don't send me threatening e-mails. If you can find another in this shape at any price, then buy it at any price. It would be worth it. I'm the type of person that will pay additional $ for something that is the best of its kind, with no rust, and no issues. And this is the best example I have seen of a Jupiter-8 anywhere, at any price.

Functionality: Everything functions perfectly. It tunes up literally on start up, and never drifts. It's the most ultrastable synth with VCO's that I've owned! All sliders have that high-quality feel that the Jupiter-8 synths were famous for. All of the knobs and buttons function perfectly, with no scratchy pots. I have never had to clean the sliders or pots, and they all work as new. All keys trigger perfectly with no double-triggering. All inputs and outputs, MIDI, velocity (from MIDI), aftertouch (from MIDI), modulation, pitchbend, keys, buttons, and pitchbender - everything works perfectly. There is nothing functionally wrong with this synth. The Encore MIDI kit provides MIDI in and out (for exporting sysex data) and is considered to be the best MIDI kit available for the JP-8. It also doubles the memory of the Jupiter-8. For more info on everything that the Encore MIDI kit can do, please check out the Encore site at encoreelectronics.com"

Musicmesse Via Progsounds


Arturia Origin. This is the best demo I've seen of the interface. It's actually pretty slick. One thing I hate working with PC modulars is the clicking and dragging to edit. A giant analog push button knob just seems way more efficient. I also like how the focus goes to the module you are editing. The one thing I hope it comes with are the complete versions of the Arturia range of softsynths preconfigured and ready to go. I'd hate to have to recreate them on my own.

Click here for more Messe vids at Progsounds.

PSP RHYTHM 7.1 Released




"PSP Rhythm is a complete music workstation in the palm of your hand. Its features include sample playback, sample manipulation, wave synthesizers, audio effects, grid sequencer, and song arranger.

PSP Rhythm enables you to take audio samples, arrange them, effect them, and record your songs to CD quality audio files.

Major Improvements for version 7.1:
- Pattern Sample Playback (Loop)
- Export Song by Audio Track
- Improved Graphics
- Improved Audio Engine
- Improved Rendering to Wave File
- Bug fixes

The PSP Rhythm Development Team"

Website
Windows Installer
Manual Installer
Rhythm 7.1 Demo Song (song file and samples included with release)
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