MATRIXSYNTH

NAMM 2008: Tara Busch @ Fender Rhodes

YouTube via tarabusch.
"http://analogsuicide.com
http://tarabusch.com
http://moogmusic.com
NAMM 2008 Tara Busch @ Fender Rhodes"

MusoTalk 114-Namm Report 2008-Omnisphere-Euphonix MC

YouTube via musotalk
"weitere Informationen: www.musotalk.de Der neue Spectrasonics Megasynth Omnisphere kommt Ende des Jahres. Die Euphonix MC Control war einer der kleinen Hypes der Messe."

WNAMM08: Perfect Prophet Pair

See the write-up on Sonic State.

WNAMM08: MTron Pro Makes its Debut

See the write-up on Sonic State.

Drumfire DF-500 Drum Synthesizer

via this auction. This one in via Bryan K who was previously featured in this post. The Drumfire was used on most of the tracks for that release. Some details from the auction:

"This is what is also known as a "drum brain"... a synthesizer for drum sounds made to be triggered by contact mics (drum triggers) attached to a regular drum kit or pads or whatever you want, like regular audio signals.

In the picture you'll see some contacts that I'll include for those that want to make their own triggers. I have a bunch, so within reason I'll include however many you need.

The Drumfire is in great shape, everything works well.

Here's the lowdown... there are five channels that can be triggered independently and each has controls for the trigger input sensitivity. You can take audio output from each track individually or just use the stereo master output and have the sounds panned however you want.

The sounds on each channel: there's a triangle wave and a noise source with the addition of a "click" sound which adds attack. There's a "balance" setting for mixing the amount of oscillator or noise sound you want. Individual settings for oscillator and noise decay which vary in length from a short "click" to a long decay (longer than you'll want for percussion). You can adjust the pitch/frequency of the oscillator from sub-audio to midrange. There's a sweep setting for making the sound either sweep up or down in frequency (think disco toms).

Oh no, it's not just for disco toms.... it's fun for experimenting with by feeding the trigger inputs with different sounds. I made a ground loop by connecting the trigger IN of channel one to the footswitch IN and then taking the output of channel 1 into channel 2. By chaining them together and keeping the decays very short some interesting crackly sounds can be had, a low frequency noise source. Listen here to track 3 here. I used this thing to get sounds on other tracks there as well.

I've heard the electronic group Pan Sonic had one of these, and I recognize some of its sounds on their first album. Also, David Tudor used a percussion synth on his piece "Phonemes" and I could swear he used this model. Like I said, fun for experimenting with... for more than just drum sounds."

The Bubblegum Sequencer - Making Music With Candy

YouTube via theberlintable. Sent my way via Michael. Reminds me of a better version of this. More info on the gumball here. "The Bubblegum Sequencer is a physical step sequencer that lets you create drumloops by arranging colored balls on a tangible surface. It generates MIDI events and can be used as an input device to control audio hardware and software. Finally, people can't claim anymore that electronic music isn't handmade."

NAMM: Pigtronix Mothership Analog Synthesizer

More info to come on Pigtronix.com. For those of you at NAMM, you can try out this guitar synth at Booth 1241 on lower level E.

Korgtronic

YouTube via EISoundtrack.
"A song made entirely with a microKorg synthesizer."

NAMM 2008 - Big City Music - Metasonix F@#%ing F@#%er amp 2!

YouTube via bigcitymusic.
"Metasonix designer, Eric Barbour, has never been known for subtlety. His new amp usually gets some kind of reaction. Dan Levey (REwire) plays through it in this video."