MATRIXSYNTH


Friday, January 28, 2011

ADDAC501 Explained

via ADDAC System

"I’ve been announcing the ADDAC501 Complex Random and it’s side companion ADDAC501B Complex Random Expansion

But what do they do exactly??

Like the name suggests, it’s complex to describe by words…
So i thought of making a small java application that could run on a browser, i made it and behaves exactly like the ADDAC501, but unfortunately browsers don’t seem fast enough for it to run smoothly, so there’s downloadable versions for 3 platforms bellow."

Download links at ADDAC System

【DEMO】Novation UltraNOVA


YouTube via musictrackjp | January 27, 2011 |

"From request ( http://musictrack.jp/request/ )
DEMO by Katsunori UJIIE"

KORG/KID 2011 W.NAMM SHOW NEW PRODUCTS DIGEST MOVIE


YouTube via KORGINC | January 27, 2011 |

"2011年のWinter NAMM SHOWにて発表されたKORG/KID取り扱い新製品を一挙ご紹介。

PRS
・SE TRERO (NEW COLOR)
・SE Paul Allender (NEW COLOR)
・SE 245
・SE Tim Mahoney
・McCarty 58
・DC3
・ME Quatro
・JA-15
・NF3
・SC58

aguilar
・SL Series
・TONE HAMMER500

nord
・nord stage2

VOX
・Dynamic Looper
・NightTrain50/V212NT
・TB35C1/C2
・AC30C2-RD
・SDC-22
・APACHE(参考出品)

KORG
・KRONOS
・nanoKEY2/nanoPAD2/nanoKONTROL2
・KAOSS PAD QUAD
・WAVEDRUM ORIENTAL
・PANDORA mini

各製品の詳細な情報はホームページをご覧下さい。
■ KORG:http://www.korg.co.jp/
■ VOX:http://www.voxamps.jp/"

[cubisteffects] modded Line 6 DL4 Delay Modeler Feedback Mod


YouTube via cubisteffects | January 28, 2011 |

"This demo is of the [cubisteffects] Line 6 DL4 Feedback Mod. The stomp switch on top of the unit engages the feedback. The two knobs on the side control the intensity of feedback/oscillation (white knob) and the blend of feedback and input signal (black knob).
The mod changes with different modes, the best ones being Tube Echo, Auto Volume and Reverse. Also, the feedback effect changes with drive pedals in front of the DL4, and changes in bridge to neck pickup."

D-50: Initializing patches, PG-1000 setup


YouTube via TheSynthFreq | January 28, 2011 | 3 likes, 0 dislikes
Note the braille.
"A new video explaining the 'init' process of D-50, how to work through a reset of a patch from the ' init' settings and a basic PG-1000 edit. Always check the Chorus settings and the balance of the two L and U first. Set the Chorus parameters to 00's since they are most of the times always going to be set to high values from the init process. This video is not the full length since my iPhone 3GS has a 9min limit and I guess the phone got bored of all my rambling on. lol
:) TSF"

EigenZone QuickTip : How to access the Scripts Browser from the Eigenharp Alpha and Pico


YouTube via gbevin | January 28, 2011 |

"http://eigenzone.org - QuickTip that explains how to switch the EigenBrowser to display the factory and users scripts on your system"

Answer the phone


YouTube via martinHETERJAG | January 28, 2011 |

"Alien ringtone"

holy moly power noize blast in some faces download denver


YouTube via horchacha | January 28, 2011 |

"oucho moucho
bangin yer face
rawrrrrrr"

korg kaossilator bend mod


YouTube via underwoodblog | June 27, 2010 |

"korg kaossilator circuit bend mod. more infos: http://underwoodblog.blogspot.com/201..."

Challenger 25th Anniversary Tribute Created with Korg KRONOS Released

"KARMA Developer Stephen Kay, working with the new Korg KRONOS, has released an inspirational and heart-felt tribute song/video to commemorate the 25th anniversary of the Challenger Space Shuttle disaster which occurs this Friday, January 28, 2011.



Accompanied by his long-time partner David Alvey on guitars and backing vocals, Kay used the new Korg KRONOS to record all of the keyboard, synth and drum parts for the resurrection of his 25 year old original composition 'The Challenger (Where No One's Gone Before)'.

'25 years ago, right after the event when I wrote and recorded a version of this song, the Internet was nothing like it is now," comments Kay. "There was no YouTube, no Facebook or Twitter - no social networking sites and forums to release this on myself. While I received some great responses and positive interest, I was unsuccessful in getting it released back then.'

In early 2010 Kay, now the developer of KARMA Technology at Karma-Lab and a partner with Korg and Yamaha, discovered that the 25th anniversary of the disaster was approaching, so he re-visited his effort and realized that perhaps the song might finally be able to find an appreciative audience.

Kay found a challenge of his own in resurrecting the song: the tracks and the equipment used to play them were now decades old, and it would be difficult to restore them, particularly as the original master tape was decomposing and decaying. He could have re-recorded the song anew, though it had been years since he had regularly performed, but he felt the emotion held in his original performance would be more appropriate and vital. He found help restoring the tapes into new digital files, and brought his old equipment out of storage, including his now 30-year-old Apple II+ computer, which he successfully nursed back into working order.

The story of this process, which he figures may be of most interest to 'musicians and recording geeks,' is related on his site ChallengerTributeSong.com with great care and comprehensive detail, along with the history of the Challenger mission, the astronauts, and other resources related to the production of the song and video:

http://www.ChallengerTributeSong.com

In all, the project took some six months to complete. Not wishing to gain from this financially, he hopes that it will encourage donations to the Challenger Center for Space Science Education, founded by Challenger family members, www.challenger.org. And he merely wishes to once again take the chance to convey the heartfelt message of hope and inspiration to all who would challenge the odds, and to remind the world that 'it¹s with the brave that the future lies.' "
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