Suzuki Omnichord OM-300 1995

YouTube Uploaded by trashbaggage on Jan 27, 2012

"Suzuki Omnichord OM-300 1995"

Omnichords on eBay

noisy night groove

YouTube Uploaded by pianoloft on Jan 27, 2012

"useing korg er1 and em1, sherman filterbank, rota synth, wmd geiger counter, mam amf 8 and a piano"

"Xpander Experiment Sequence" (NightBirds Electronic Music) 2012

YouTube Uploaded by NightBirds31 on Jan 27, 2012

"Recorded only with the Oberheim Xpander with no keyboard.
At the end, the Xpander is controled by a DSI Evolver for a quick sequence.
This is not a track, but a simple demo...

Video by R.V.

NightBirds P&C 2011"

Solton SM 100

YouTube Uploaded by SyntheticMachines on Jan 27, 2012

"Here we have a demo of the Solton SM 100. It is the expander version of the Project 100. Drums are made with the Roland TR 808.
The SM 100 is a polyphonic synth with 12 DCO's ( 2 per voice, 6-voice polyphony ) and a 24 dB filter. 4 waveforms : Pulse with Pulse Width + Saw + Wide Pulse. 2 ENV's + 1 LFO. Analog Chorus FX.
Multitrack recording with some external effects."

Quick Korg Jam with lights by BAUM

YouTube Uploaded by BaumDerProllige on Jan 27, 2012

"Fun with a iElectribe + Kaossilator + KP2 and a Monotron"


iPads on eBay

NAMM 2012 Video - Gur of Tiptop Audio & the PVCO & 808 Drum Modules

YouTube Uploaded by matrixsynth on Jan 26, 2012

Eight voice poly VCO eurorack module with detunable oscillators. Listen closely. There will be additional poly modules coming for filter, VCA, poly MIDI to CV, etc. This will be a eurorack polyphonic system. The VCOs are based on the Z3000 but with some extra features according to Gur. This was probably the highlight for me at NAMM this year. I was telling Gur how most people that haven't jumped on the modular band wagon yet are mainly reluctant due to the cost of entry. It can be difficult to put the money into a case and base monophonic system when that money can go towards other gear, including poly synths just as flexible. This module along with the others will be a way to justify the cost of entry for many. Instead of buying a polyphonic mainstream synth you can buy this and expand from there. The money you spend here will get you a polyphonic modular synth without the hassle of having to patch up individual systems. This is groundbreaking. It sounded amazing.

Pics here: NAMM 2012: Analogue Haven Booth Pics

http://tiptopaudio.com/
http://analoguehaven.com/

NAMM: Dan Snazzelle of Snazzy FX - Ardcore Programmable Eurorack Modules

YouTube Uploaded by matrixsynth on Jan 27, 2012

Pics here: NAMM 2012: Analogue Haven Booth Pics

http://snazzyfx.com/
http://analoguehaven.com/

NAMM 2012 Video of Gordon White & Audible Disease

YouTube Uploaded by matrixsynth on Jan 26, 2012

This one is for the noise lovers.

Pics here: NAMM 2012: Analogue Haven Booth Pics

http://audibledisease.com/
http://analoguehaven.com/

NAMM 2012 Video - Paul Schreiber Synthesis Technology Morphing Terrarium

YouTube Uploaded by matrixsynth on Jan 26, 2012

Pics: NAMM 2012: Analogue Haven Booth Pics

http://synthtech.com/
http://analoguehaven.com/

NAMM 2012 Video of Mike Martin & the Casio XW-P1 Including Deeper Editing

Don't miss the second video below. The first is the general overview and the second is deeper editing of the synth engine parameters. This is a full blown editable synth. The full list of parameters are not yet available but you will see some of them in the second video. What's impressive is it's essentially a six oscillator synth that you can layer with built in arpeggiator, step sequencer and effects. The interface is pretty nice. You use the sliders to set oscillator levels, step parameters and more. It also supports MIDI CC and sysex. The plan on creating a PC editor, but no plans for an iPad editor at this point. Of course ou should be able to create your own. Mike mentions CZ waveforms in the first video. I believe these are PCM samples of the waveforms as the XW-P1 does not support Phase Distortion synthesis. What's interesting is you'll see a section of the synth engines is under a PCM label while the Synth, Hex and and Drawbar Organ are not. I'm guessing it's meant to point out the type of sounds you expect vs. the engine itself. It's my understanding it's all PCM. It does sound good, extremely good for the price actually. The GW-P1 exchanges the Hex layer for a sampling engine. You can sample your own sounds.

One thing that throws me off after watching these again is at 2:34 in the first video you will see him adjust the filter cutoff while holding down a chord and he mentions it, however at 3:51 in the second video he mentions the filter does not work in real time for hex sounds. Not sure what the difference is. I might have missed it as I'm post editing mode. If you know feel fee to comment. Both of these videos are worth watching in full.  Update: turns out real time filter control via the filter knob only works in solo mode.  See this post.

NAMM 2012: Casio's Mike Martin - Overview of the Casio XW-P1

YouTube Uploaded by matrixsynth on Jan 26, 2012

NAMM 2012: Casio's Mike Martin - Deeper Editing on the Casio XW-P1


Pics here: NAMM 2012: Casio Booth Pics with the New XW-P1 & XW-GW1 Synthesizers
The original teaser post here: NAMM: Our First NAMM Teaser of the Year Comes from Casio

http://casiomusicgear.com/home/index.html