MATRIXSYNTH


Monday, January 30, 2012

The GREATEST Custom Studio Keyboard Stand!


via this auction

Some great synth spotting below as well. Note the Con Brio, Conn Electric, 360 Systems, and OB-Mx amongst others..

"Perfect for someone with a large keyboard/synth collection and want to keep it close without a lotta space. It is a 6 tier keyboard stand for wall mounting. It's VERY strong, and mounts to the wall (please find studs to screw into!) securely with long screws/bolts. It's welded iron, with some foam pads added to each tier. Over the years, I've had many people approach me about making another, but I never did. It will be a bear to ship, but it's possible. I'll leave it at "local pickup" for the auction, and IF you want to ship it, we'll deal with the cost them."


3 RARE VINTAGE SOVIET LELL EFFECT PEDALS

via this auction
mechanical animals
(RSS)
"INCLUDES (FROM LEFT TO RIGHT): LELL EP (PARAMETRIC EQUALIZER), LELL DD (DRIVE DISTORTION), LELL CZ (DIGITAL DELAY) :::

LELL were the first normal stompboxes made in Russia. They had normal guitar jacks and even a 9-volt socket - same format as BOSS pedals. The footswitch pad reveals a battery cavity underneath.
The company still exists! It's website for some unknown reason claims the company was established in 1992. But look at the pictures - we've got a proof it was active in the 80's. The headquaters is located in Moscow, on the Lower Krasnoselskaja street.

In general, it must be said that some of the LELs sound interesting and useful. The die cast metal boxes of LEL fx's are heavy and solid, but the jacks and some other components tend to break which renders many of these pedals useless for gigging, but they're still very cool for a studio.

#1 LELL EP (PARAMETRIC EQUALIZER)

- 4 control sliders include level, frequency 50Hz-500Hz, frequency 500Hz-5kHz, frequency 5kHz-15kHz, and 3 control knobs for each frequency +/- 12dB.
Like most Russian analog gear this pedal produce different sound from well-known guitar pedal brands.
This pedal is truly PARAMETRIC not graphic equalizer.
Body made of metal. Power standard BOSS type AC adaptor or 9V battery operation.

#2 LELL DD (DRIVE DISTORTION)

The Drive/Distortion features two circuits in one pedal and the mini toggle switches between them. Two upper knobs are overdrive and distortion gains and the lower row of master controls affect both effects.

The overdrive section is more useable because the noise this thing produces is terrible and the distortion amplifies it too much. But I like the sound of the overdrive: it's not brutal and it aplies a very strong EQ to the signal. It cuts everything except for middles in a narrow 800-10kHz range (no' it's not from the manual, it's what I hear). The "filter" knob shifts the frequency peak around 1-5 kHz. All the rest of the knobs affect different gain/volume stages. I use this pedal mainly with vocals - the EQ it produces is very telephone-like and it makes the vocals cut through.

#3 LELL CZ (DIGITAL DELAY)

"Digital Delay" in Russian goes like "Cifrovaja Zaderjka", and while in Russian "CZ" makes sence, it was lost when it was transferred to another language. In fact, there was no chance to convert it into "DD" (digital delay) since the DD pedal already exists - it's "Drive/Distortion".

Thanks a lot http://www.meatexz.com/ for the info."




CASIO VL-1 (upright) by S-CAT


YouTube Uploaded by PHONICPOTION on Jan 30, 2012
S-CAT on eBay (RSS)

"Circuit bent 12-mod prototype."

Bob Moog Foundation Announces Pilot Program of Dr. Bob’s SoundSchool Curriculum

Pictured: "BMF volunteer Dave Hamilton shows waveforms to students"

"Bob Moog Foundation Announces Pilot Program of Dr. Bob’s SoundSchool Curriculum in Asheville City Schools

January 30, 1012 – Asheville, NC The Bob Moog Foundation (BMF) proudly announces the launch of a pilot program of its hallmark educational project, Dr. Bob’s SoundSchool, at Asheville City Schools’ (ACS) 2nd grade classrooms.

Dr. Bob’s SoundSchool (formerly known as MoogLab) ignites the creative and innovative spirit by teaching children the science of sound through the magic of music. The experiential curriculum, which meets state and national standards, integrates intuitive, engaging electronic musical instruments to teach the physics of sound to young students. For the pilot phase of the program, the 2nd graders are using theremins, which were donated to the BMF by Moog Music, Inc. In addition to an introduction to the physics of sound, students are taught about scientific method using examples from Bob Moog’s science notebooks, as well as examples from other seminal inventors.

The SoundSchool curriculum was developed over the summer of 2011 by a team of music and science educators along with music technologists. Jonna Kwiatkowski, PhD, Assistant Professor at Mars Hill College, an experimental psychologist specializing in creativity, coordinated the curriculum team.

Following the development of the curriculum, the BMF collaborated with eight participating 2nd grade teachers from ACS, teaching them the necessary background knowledge regarding the concepts of sound in preparation for successful teaching of the SoundSchool curriculum. This professional development was conducted in the Fall of 2011.

The pilot program will run for 10 weeks during the winter and early spring of 2012, after which an assessment measuring science proficiency and creativity will be issued to participating students as well as to a control group who will use a state provided kit-based curriculum.

The curriculum development and teacher training have been guided by Donalyn Small, Instructional Coach for Science at ACS. “This unique opportunity has been an honor for our district. It gives our students a chance to learn the concepts of sound using lessons that have been designed using a constructivist approach. They are innovative, authentic and promote creativity as well as 21st century learning skills. This partnership was timely as the state has recently adopted New Essential Standards for Science. The SoundSchool curriculum reflects these new standards,” Small explains.

Following the assessment of Dr. Bob’s SoundSchool, the BMF plans to seek grant funding to grow the program nationwide. Currently, the Foundation is conducting a fundraising campaign on IndieGoGo.com in an effort to raise $50,000 for the program.

The last in a series of kickoff events will take place on Tuesday, January 31 at Vance Elementary School. BMF volunteers August Worley and Ben Hovey will explore ideas, invention, sound, and music with 2nd grade students as an introduction to the course work that will ensue over the next 10 weeks."

Additional pics here

Associated Links:
www.moogfoundation.org
www.indiegogo.com/Bob-Moog-Foundation-Dr-Bobs-SoundSchool
http://www.ashevillecityschools.net"

Serge & Eurorack Modular +Boss Re 20 Space Echo

Serge Modular +Boss Re 20 Space Echo

YouTube Uploaded by DavideModu on Jan 30, 2012

"QuadSlope-Creature-self-generated patch
Boss RE 20 Space Echo
(sorry for Bad Quality Video)"

Eurorack Modular +Boss RE 20 Space Echo

Uploaded by DavideModu on Jan 30, 2012

via The MATRIXSYNTH Lounge

SAM-16 sequencer plays MiniMoog


YouTube Uploaded by TheSAMagain on Dec 26, 2009

"SND SAM-16 sequencer controlling (modified) MiniMoog"

via this auction
SND SAM-16 SEQUENCER
"Manufacturer Description:
high-end MIDI / analogue sequencer

- The SAM-16 is a high-end analogue and MIDI-sequencer with special emphasis on tightness and intuitive handling. It has 16 steps, each with the following controls:

* 3-position toggle switch for trigger/mute/reset
* 12-position rotary encoder for semitones/chords
* 3-position toggle switch for transpositions
* control for second parameter (i.e. filter)
* control for third parameter (i.e. volume) or gate/step length
* 3-position toggle switch for audio/CV routing between 2 busses and individual input/ouput jacks

Two Bugbrand SV Filters Having a Party


YouTube Uploaded by otoskope on Jan 30, 2012

"An illustration of the complex waveforms you can get from just a Bugbrand PRC3A SV Filter when fed back to itself. The signal chain is one SV filter to each channel (L and R), nothing else. Feedback strength, and self-modulation (frequency, Q) for each filter are controlled by some auxiliary circuitry (VCAs and bipolar modulators) run by gestural sources (sequencers and looping envelopes).

More on this specific technique here: http://www.muffwiggler.com/forum/viewtopic.php?t=51588

Actually, the cross-modulating envelopes (2xENV1, in the lower row of the modular) create rather interesting rhythmic patterns. It is an interesting technique. Each envelope modulate the other's timing.

Apologies for bad image quality."

serge modular House music


YouTube Uploaded by DrOctave1 on Jan 30, 2012

"Serge modular doing house music."

Unknown




"analog Ambient session

Bass: Vermona Monolancet
Fm Synth: Doepfer Darkenergy
Analog Glitch: Doepferm ms 404
Drums, Samples & MFB 522
Ambiences: D16Toraverb & TalDub"

Arturia MiniBrute @NODE 2012 Audio Demo Video & More


YouTube Uploaded by pixelsoundstudio on Jan 30, 2012

"Premiers essais de l'Arturia MiniBrute au Node par Push-Pull."

via Jean-Bernard

Aperçu du NODE 2012

Uploaded by pixelsoundstudio on Jan 30, 2012

"A mi-chemin entre la convention et le festival, le rendez-vous du 28-29 janvier 2012 était dédié au theremin et au synthétiseur analogique. Il a eu lieu à Pôle Sud et au Romandie de Lausanne.

http://www.node-rdv.ch
http://www.anafrog.com
http://www.pixelsound.ch"
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