MATRIXSYNTH

Make Noise System 1 - Hotel Patch

Published on Dec 10, 2013 Laurentide SynthWorks·44 videos

"Perfect system for traveling.

Modules used:
Make Noise: Function (2), DPO, Optomix, Echophon, Pressure Points (2), Brains.
Mutable Instruments: Ripples

Recorded on a Tascam DR-40. I think I used a bit of the reverb on it too,

The new Windows Movie Maker doesnt like .mov files for some reason. Obviously downloaded the trial of Cyberlink. Whatev's."

http://www.laurentidesynthworks.blogspot.com

TR606 DFM & MegaBleep: 1st Snow Acid

Published on Dec 10, 2013 burnkit2600·51 videos

"Having fun with a quick demo of this nasty little setup. Testing the newly installed Multi-Trigger outs of this TR-606 DFM w/ QS606 OS. Here, the Bass and Snare drums are triggering the MegaBleep square wave synth. + Enough reverb added to make my workbench sound like a battleship.
Contact Thom @ burnkit2600.com to talk about commissions."

Analog Delay MF-104M & Analog Modular System Tinysizer & MFB-Tanzbär [HD Quality]

Published on Dec 10, 2013 inbetweenmovements·55 videos

"No external effects! Recorded with Ableton Live"

Dave Smith Introduces the Mopho SE

Published on Dec 10, 2013 Dave Smith Instruments·25 videos

"Questions? Email support at dave smith instruments dot com.
It's a Bigger Badder Mopho!
Mopho SE is the newest addition to DSI's revered line of analog subtractive synthesizers. Building upon the same award winning voice architecture of the Mopho and Mopho Keyboard, the Mopho SE boasts huge sound in an ideally sized, portable, and elegantly designed package. Use it to create huge basses, creamy leads, and maniacal sequences.

The Mopho Sings!
The Mopho SE voice is composed of two analog oscillators, two sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, three 5-stage envelope generators, four LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations!

FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. Process external audio through the Mopho's voice and add some analog warmth to any source. Mopho SE's 100% analog signal path is powerful, monstrous, and sonically dynamic!"

Original PROPHET5 SALES BROCHURE

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Original early 1980's Prophet-5 sales brochure from Sequential Circuits in excellent condition, 6-pages unfolded.

This is a rare black & white sales brochure from SCI for the Prophet synthesizer, showings Prophet5 pics and descriptions of:

- Poly-Mod Section
- LFO Section
- Wheel-Mod Section
- Oscillator Section
- Mixer Section
- Programmer Section
- Amplifier Section
- Filter Section
- Back Panel Section

Condition: Original brochure is in excellent condition, no tears, no creases, no writing
- shows a few barely visible creases (3/4"), some edge wear at the folds (see pics)
- has three (3) holes punched for binder (see pics)

Size: Approximately 11" x 5-5/8" folded, 11" x 16-3/4" unfolded"

CLICK FOR MORE »

The Modular Synthesizer Solstice - Modular Peformances Coming to New York

via Modular Solstice Facebook

"Nathan Cearley and Shawn O'Sullivan present this round of the Modular Synthesizer Solstice.

Vapauteen + Jahiliyya Fields (Shawn O'Sullivan and Matt Morandi, L.I.E.S. Records)

Rosemary Arp (Jacob Knibb, Washington D.C.)

Mark Dwinell (Forma) + Nathan Cearley (LDP)

Dan Snazelle (Snazzy FX) + Tadayuki Hirano

Abby Echiverri (Dream Affair) + Matthew Patterson Curry (Safety Scissors)

Modular Fingernail Art by Arielle Avenia
AftermathSupplies

Yes, its a week early. But, yes, its on Friday the 13th!

Silent Barn
603 Bushwick Ave
J/M/Z to Myrtle and Broadway
L to Morgan or Jefferson
UFO to 40.6942° N, 73.9186° W
$8.00"

Svärm (sound responsive particle swarm)

Published on Dec 10, 2013 humbletune·53 videos

"This is my little christmas present this year. I hope it will be accepted by apple in time. Of course it will be free, it is a gift. But enough about that.

Svärm implements a particle swarm that reacts to sound. All computations are done in real time so both live and recorded music works just as well. As input you can use the mic, line in or load songs from the iPod library. Oh, and it also supports audio bus (input, output).

This example shows one of my own tracks called RE."

Roland Jupiter-8 + TR-808 Trig Seq.

Published on Dec 10, 2013 TheSynthFreq·205 videos

"Hi everyone!
TSF here. :)

This short video is featuring the Jupiter-8 arpeg. clocked to the TR-808 trigger out. I am demonstrating the 808's precise control over the arp in JP-8 using EXT on JP, JP-8s ability to be modified while the 808s triggers are being received and then further in the video after some editing of the patch I plug the 808 AC TRIG OUT directly into my mixer channel strip so you can hear exactly what JP-8 "hears" from the 808. It is a high amplitude signal.
If you do not have an 808 but wish to trigger the JP-8 or JU-6/60 or any other synth that receives trigger in, it CAN be done. There are several other great videos demonstrating this on youtube by other users. Also,, to trigger the JP (or other synth/drum machine) you will need a high amplitude sound or short duration "spike" kind of pulse from another source. Drum sounds seem to work well for JP-8, even a drum sound sent directly into JP from the Yamaha Motif6 triggered JP's arp.
Here is some information on the 808s trigger out:

808 has 3 trigger outs. They are CB, CP, and AC all of which are located on the back of the 808 which I show the camera when I am picking up the 808. Keep in mind these trigger outs will function simultaneously along side the actual (cow bell CB), (clap CP) and the (AC accent) function/sound. If you do not want to hear the sound along side the trigger, you can simply turn down the individual volume for each, a nice feature of the 11 sounds on the 808.

A 'TRIG' or Trigger is a high magnitude voltage or transient spike, 808 provides 3 trigger outs, each trigger signal is a positive 15 volt, 20 millisecond pulse. It is very loud and will peak a mixer channel easily as it did on mine.

Some ENV/ADSR settings to approximate the short trigger of the 808 could be suggested as:

(synth: JP-8) ADSR- A= 1mS-5mS, D=1mS-10mS, S= 0-100%, R= 1mS-10s
(Also keep in mind that the Decay time and Release Time on an analogue synth like JP-8 are the same parameter just placed at different sections of the ADSR or "Shaped control voltage".
A= 0 meaning the attack time of the ENV should be 0 so that there will be a quick instantaneous response once the key or other trig/gate is started/pressed. A- controls the amount of time required for env voltage to reach its max level after a gate signal is received.
D= 0 to 2 or to the setting that works best. The decay time controls the amount of time required for the voltage to fall from its level at the end of the end of the attack time to the level set by the sustain control.
S= 0%. there needs to be no sustain for a short sound. Sustain control determines the level to which the voltage will fall at the end of the decay time.
R= 1mS- release of the gate signal. The amount of time required for the voltage to fall to its minimum level after the release of the gate signal.

Please enjoy this simple arp/808 jam.!
:) TSF"