Friday, April 25, 2014
Japanese Synth Documentary: "The New World of Synthesizer in Osaka" Short trailer01
Published on Apr 25, 2014 スタジオねこやなぎ·126 videos
http://modularsynth.jp
"Japanese synthesizer document film
'The New World of Synthesizer in Osaka'
Short trailer."
Update:
"The New World of Synthesizer in Osaka" Short trailer02
MOOG MINITAUR ANALOG BASS SYNTHESIZER SN MT01739
Simmons SDS 400 Vintage Analog Drum Synthesizer SN 000712
grayscale algorhythm module
grayscale algorhythm module from hpsounds on Vimeo.
"This is a demo of the new Grayscale Algorhythm module. It's a 100% modular one take video with a good measure of effects (ValhallaDSP and Eventide Eclipse). Best listen at high volume on a good system or good headphones.
The main voice is 2 detuned Cwejman VCO-6 filtered by a Toppobrillo Multifilter, enveloppes are 2 Malekko/Wiard Envelator.
The big evolving pad is a Mutable Instruments Braids oscillator (WMAP mode, 8bits, 8Khz - that's part of the trick), no filtering but a lot of shimmering effects to get this lush and deep tone (I love it !).
The third element is a long fieldrecording loop of hand manipulated stones from Iceland (they are precisely from Vonaskarð) - triggered in Ableton Live.
The main sequence is driven by 3 different clocks which gives this progressive poly-rhythm feel : one trig each beat (TipTopAudio Z8000), one trig each two beat (left Algorhythm module), one trig each three beat (Algorhythm module). The two Algorhythm modules' PATTERN OUT are mixed together, and trig the envelopes (Malekko Envelator) and the quantizer (TRIG IN of the Quantimator, which samples the CV sequence coming from the Z8000).
BTW, these Algorhythm modules are the first and only one in Iceland ... up to now :-)
ps : sorry for the "hiss" noise all along this video, it's an artefact of how I've recorded the audio with my digital camera."
LABELS/MORE:
Cwejman,
eurorack,
Grayscale,
Malekko,
Mutable Instruments,
TipTop Audio,
Toppobrillo,
Valhalla,
Video,
Wiard
Cwejman RG-6 Random Generator & SPH-2 Spacial Phaser
Published on Apr 25, 2014 bigcitymusic·330 videos
"In this patch we are using the Cwejman RG-6 to modulate the wavetable position and chord type of a Mutable Instruments Braids which is being processed by the Cwejman SPH-2. As the RG-6's 'Sampling Signal Level' increases, the random probability spread (patched from High to Braids modulation input) is more likely to change the Braids wavetable position. Increasing the RG-6 'Slew Rate' function produces a more dramatic stepping effect to the CV input of the Braids modulation bus. The RG-6's bipolar saws are fed into attenuators and then into the Cwejman SPH-2's Left & Right Comb CV Inputs.
Sorry for the clicks. :( They're from our sound card, not from the modules. :)"
17 minutes of Roland TR-8 (Aira) and TR-707
Published on Apr 25, 2014 MAWW Records·20 videos
"Roland AIRA TR-8 first impression. We have 909 sounds at the first 10 minutes. It's amazing how TR-8 can change kit while playing! Roland just did they job, even though digital it sounds pretty good playing in real time. Ok, the lights are not so cool, but it really helps the musician to write patterns live at clubs and dark stages. The effects are pretty cool too, and the external input's sidechain it's a really good feature. I just hope Roland give us some new kits and upgrades! The playability of this instrument is amazing, I really would love playing this with other sounds beyond 909 and 808.
Soon I'll make more videos of TR-8 interacting with others synths and stuffs.
Cheers!
Pedro Zopelar"
Stroh Modular Signal Block Semi-Modular Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
via MATRIXSYNTH CLASSIFIEDS
"The Stroh Modular Signal Block Synthesizer
This is a panelized semi-modular banana-synth, built with all latest revisions of my PCBs, using high quality components designed with patching flexibility in mind. The entire synth was designed by myself, or using designs adapted with permission from two or three other sources. The panel is 3mm thick anodized aluminum with white in-fill engraving. The case was hand made from alder, and finished with bees-wax. The power supply is internal, and is designed to be quiet, safe, and reliable. Though there are no modules in this synth which require 5V power, it is also supplied on the board in case of future modification or expansion. I very much enjoyed building this synthesizer, and hope that you will enjoy playing it.
Here is a list of modules/functions/and anything else I can think of. Demos to follow below as well.
Two UltraFade VCOs. - These are my latest and favorite VCOs. They are built on a classic triangle core design, provide the usual wave shapes, as well as some extras. There is a logic 0-10V PWM output to trigger other modules, clock and logic inputs, etc. There is also a mixed, and inverted mixed waveform, which is a crossfade between either sine and ramp, or sine and PWM. (selectable via switch) This is similar in function to how a 258 would work, only using an improved circuit. There are Linear FM, Exponential FM, Volt per Octave, PWM, and Wave Shape CV inputs. There are Sine, Ramp, Square, Logic Pulse, PWM, Mixed, and Inverted Mixed outputs. There is a switch for Audio and LFO rates, and one for wave selection for mixing. These VCOs track approximately 8 octaves.
One VCO Control - This section includes an Attack Release envelope, which can also function as a slew if needed, a Divide by N/N.5 clock/frequency divider which can divide odd, even, and half steps, and an XOR Logic circuit. The XOR in addition to the Logic level output, also has a bipolar audio output for use as a Ring Modulator (similar to some ARP synthesizers.) This in conjunction with two VCOs can form a Phase Locked Loop configuration with divisions for chords, octaves, etc. PLLs aren't perfect, but are a lot of fun to play with. Complex rhythms can also be generated using the divide and XOR.
One Sample and Shift - This section is three functions. One White Noise generator, one Sample and Hold, and one Linear Feedback Shift Register. The LFSR can be used to create pseudo-random pulses, complex digital tones that will track with a VCO, or interesting types of digital noise. There are two selector switches that change the routing of the shift-register taps. This creates different pulse trains or tones (depending on how it's clocked) Combined with the XOR, some additional complexity can be added.
One FadeX - This is a voltage controlled Crossfader and Panner. It can also be used as a single linear VCA, or with some creative patching, a Ring Modulator. It also has an extra/auxiliary bipolar indicator LED. Just plug in a signal, and it will fade with rate and phase of the signal. If used in conjunction with an UltraFade VCO, one can crossfade up to three different waveforms for very complex shifting timbres. Low distortion VCAs are used in the FadeX. AC or DC coupled via switch.
One MixAD - This is a Dual, Loopable, Attack Decay Envelope with Variable Analog OR Mixer. Each AD can be set to one shot or cycle via switch. When both envelopes are patched into the OR, complex modulations can be created. The Analog OR can be used with any incoming signal to OR the peaks. Both a normal, and inverted output are available. This can also be used as a simple attenuator as well (though best suited for CVs over audio.)
One MultiMix - This module is two parts. One 4 Channel Precision CV Processor with 5VDC Reference Voltage, and One 4 Channel Audio Mixer. The CV Processor is 4 bipolar "attenuverting" channels to process and combine CVs. The reference voltage can be patched into one of the channels, and used to shift the output signal above or below DC0V. (so level shift from +/-5V to 0 to 10V or 0 to -10V if desired) There are normal and inverted outputs available. The Audio Mixer is a simple AC coupled 4 Channel Audio Mixer with a touch of gain at the inputs available. High quality op amps are used in both mixers.
One Dual LPG - This is two Low Pass Gates in what is typically considered "Both" mode. It does some low pass filtering and VCA function (no resonance). There is a frequency offset knob and a CV attenuation knob for each gate. AC and DC selectable via switch. These also make good slews, and have a nice ring to them at low offset settings.
One Dual VCA - This is a pair of Low Distortion VCAs (Mike Sims design if you're familiar,) with either AC or DC coupling. These are linear response.
One LFO - This is actually a full featured Volt per Octave VCO with High and Low modes, Linear FM, and Sync. It has Triangle, Square, and Unipolar Logic Square outputs. It uses the same core as the UltraFade VCOs, tracks just as well, and sounds quite good as an audio oscillator on top of its LFO labeled duties.
One Output - This is a Two Channel Stereo Output mixer with pan controls, and two AC coupled VCAs. The VCAs are individually patchable and general purpose. They can be used anywhere in the system, but the idea was to allow some voltage control of the output mixer, or use them as AC coupled links for audio signals to go to and from this system. The Output Mixer is also AC coupled, so used as a final stage before a console, audio interface, etc. it will remove DC offsets, etc. Used with the FadeX, signals can be autopanned in the stereo field. The output will happily drive 600 Ohm loads, so headphone will be right at home here.
That's more or less the Signal Block. For those of you who can't get enough VCAs... There are 13 in the Signal Block. (of course only 7 of them are independently available, but...) w00t
The price is $4450.00 shipped."
via MATRIXSYNTH CLASSIFIEDS
"The Stroh Modular Signal Block Synthesizer
This is a panelized semi-modular banana-synth, built with all latest revisions of my PCBs, using high quality components designed with patching flexibility in mind. The entire synth was designed by myself, or using designs adapted with permission from two or three other sources. The panel is 3mm thick anodized aluminum with white in-fill engraving. The case was hand made from alder, and finished with bees-wax. The power supply is internal, and is designed to be quiet, safe, and reliable. Though there are no modules in this synth which require 5V power, it is also supplied on the board in case of future modification or expansion. I very much enjoyed building this synthesizer, and hope that you will enjoy playing it.
Here is a list of modules/functions/and anything else I can think of. Demos to follow below as well.
Two UltraFade VCOs. - These are my latest and favorite VCOs. They are built on a classic triangle core design, provide the usual wave shapes, as well as some extras. There is a logic 0-10V PWM output to trigger other modules, clock and logic inputs, etc. There is also a mixed, and inverted mixed waveform, which is a crossfade between either sine and ramp, or sine and PWM. (selectable via switch) This is similar in function to how a 258 would work, only using an improved circuit. There are Linear FM, Exponential FM, Volt per Octave, PWM, and Wave Shape CV inputs. There are Sine, Ramp, Square, Logic Pulse, PWM, Mixed, and Inverted Mixed outputs. There is a switch for Audio and LFO rates, and one for wave selection for mixing. These VCOs track approximately 8 octaves.
One VCO Control - This section includes an Attack Release envelope, which can also function as a slew if needed, a Divide by N/N.5 clock/frequency divider which can divide odd, even, and half steps, and an XOR Logic circuit. The XOR in addition to the Logic level output, also has a bipolar audio output for use as a Ring Modulator (similar to some ARP synthesizers.) This in conjunction with two VCOs can form a Phase Locked Loop configuration with divisions for chords, octaves, etc. PLLs aren't perfect, but are a lot of fun to play with. Complex rhythms can also be generated using the divide and XOR.
One Sample and Shift - This section is three functions. One White Noise generator, one Sample and Hold, and one Linear Feedback Shift Register. The LFSR can be used to create pseudo-random pulses, complex digital tones that will track with a VCO, or interesting types of digital noise. There are two selector switches that change the routing of the shift-register taps. This creates different pulse trains or tones (depending on how it's clocked) Combined with the XOR, some additional complexity can be added.
One FadeX - This is a voltage controlled Crossfader and Panner. It can also be used as a single linear VCA, or with some creative patching, a Ring Modulator. It also has an extra/auxiliary bipolar indicator LED. Just plug in a signal, and it will fade with rate and phase of the signal. If used in conjunction with an UltraFade VCO, one can crossfade up to three different waveforms for very complex shifting timbres. Low distortion VCAs are used in the FadeX. AC or DC coupled via switch.
One MixAD - This is a Dual, Loopable, Attack Decay Envelope with Variable Analog OR Mixer. Each AD can be set to one shot or cycle via switch. When both envelopes are patched into the OR, complex modulations can be created. The Analog OR can be used with any incoming signal to OR the peaks. Both a normal, and inverted output are available. This can also be used as a simple attenuator as well (though best suited for CVs over audio.)
One MultiMix - This module is two parts. One 4 Channel Precision CV Processor with 5VDC Reference Voltage, and One 4 Channel Audio Mixer. The CV Processor is 4 bipolar "attenuverting" channels to process and combine CVs. The reference voltage can be patched into one of the channels, and used to shift the output signal above or below DC0V. (so level shift from +/-5V to 0 to 10V or 0 to -10V if desired) There are normal and inverted outputs available. The Audio Mixer is a simple AC coupled 4 Channel Audio Mixer with a touch of gain at the inputs available. High quality op amps are used in both mixers.
One Dual LPG - This is two Low Pass Gates in what is typically considered "Both" mode. It does some low pass filtering and VCA function (no resonance). There is a frequency offset knob and a CV attenuation knob for each gate. AC and DC selectable via switch. These also make good slews, and have a nice ring to them at low offset settings.
One Dual VCA - This is a pair of Low Distortion VCAs (Mike Sims design if you're familiar,) with either AC or DC coupling. These are linear response.
One LFO - This is actually a full featured Volt per Octave VCO with High and Low modes, Linear FM, and Sync. It has Triangle, Square, and Unipolar Logic Square outputs. It uses the same core as the UltraFade VCOs, tracks just as well, and sounds quite good as an audio oscillator on top of its LFO labeled duties.
One Output - This is a Two Channel Stereo Output mixer with pan controls, and two AC coupled VCAs. The VCAs are individually patchable and general purpose. They can be used anywhere in the system, but the idea was to allow some voltage control of the output mixer, or use them as AC coupled links for audio signals to go to and from this system. The Output Mixer is also AC coupled, so used as a final stage before a console, audio interface, etc. it will remove DC offsets, etc. Used with the FadeX, signals can be autopanned in the stereo field. The output will happily drive 600 Ohm loads, so headphone will be right at home here.
That's more or less the Signal Block. For those of you who can't get enough VCAs... There are 13 in the Signal Block. (of course only 7 of them are independently available, but...) w00t
The price is $4450.00 shipped."
Imogen Heap - Me The Machine (Official Video)
Published on Apr 22, 2014 imogenheap·78 videos
"Two years to the day since Imogen unveiled the first version of 'Me The Machine' with her Mi.Mu Gloves, here's the official music video!
Back the Gloves on Kickstarter: http://immi.fm/mimukick
Pre-order the "Sparks" deluxe box set: http://immi.fm/ihdeluxe
New album "Sparks" coming soon...
Imogen said: "Today is Earth Day and 2 years ago I performed the first version of Me The Machine written with and for my Mi.Mu gloves. I am dying to let you hear the album but I have to wait, but today I want to let you hear and see the studio version and the additional music video. Hope you really enjoy it! Most of the visuals are being manipulated live using my Mi.Mu gloves as I didn't just want to mime. So I went one step further and worked with the team on getting the gloves ready for visual manipulations."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
