via this auction
Thursday, March 12, 2015
Roland CR-5000 CompuRhythm SN 245158
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via this auction
"The Roland CR-5000 is Classic electronic drum sounds that hint back to the famous CR-78 and TR-808drum machines. I remember listening to the drum sounds and presets as a little kid, It's a really cool vintage piece!
*Comes with Original Dust Cover. Dust Cover is the only thing that shows any age, it has preserved the Roland CR-5000 perfectly!"
via this auction
"The Roland CR-5000 is Classic electronic drum sounds that hint back to the famous CR-78 and TR-808drum machines. I remember listening to the drum sounds and presets as a little kid, It's a really cool vintage piece!
*Comes with Original Dust Cover. Dust Cover is the only thing that shows any age, it has preserved the Roland CR-5000 perfectly!"
VINTAGA PROPHET 600 SN 5877
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via this auction
Vintaga!
via this auction
Vintaga!
Moog Memorymoog Plus Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Basically (as much as the Memorymoog can be considered basic) this instrument is [like] 6 Minimoogs in one box that will store 100 programmed patches. Its chief designers were Rich Walborn and Ray Caster of the Norlin-acquired, "Bob Moog"-less Moog Music. Each voice has 3 VCOs, with tuning controls for VCO2 and VCO3. Unlike the Minimoog, the Memorymoog used Curtis 3340 chips as opposed to the Moog oscillators. Each oscillator can be set on pulse, saw, or triangle (or any combination of the three). And, like the Minimoog, the VCO3 can be used as an LFO to modulate the pitch of VCO1 and VCO2. But unlike the Minimoog, VCO2 can be synced to VCO1. Also, unlike the Minimoog, you have a separate LFO that controlls all of the voices. The LFO is switchable between triangle, pulse, positive and negative sine wave, square wave, and sample-and-hold. Each voice also has its own 24dB/octave filter which has variable keyboard tracking, switchable between 1, 1/3, and 2/3. The Memorymoog can also be set on unison mode which makes it a mono synth using all 18 oscillators for one note! In this mode you can switch between lowest, highest and last note priority as well as single or multiple triggering."
via this auction
"Basically (as much as the Memorymoog can be considered basic) this instrument is [like] 6 Minimoogs in one box that will store 100 programmed patches. Its chief designers were Rich Walborn and Ray Caster of the Norlin-acquired, "Bob Moog"-less Moog Music. Each voice has 3 VCOs, with tuning controls for VCO2 and VCO3. Unlike the Minimoog, the Memorymoog used Curtis 3340 chips as opposed to the Moog oscillators. Each oscillator can be set on pulse, saw, or triangle (or any combination of the three). And, like the Minimoog, the VCO3 can be used as an LFO to modulate the pitch of VCO1 and VCO2. But unlike the Minimoog, VCO2 can be synced to VCO1. Also, unlike the Minimoog, you have a separate LFO that controlls all of the voices. The LFO is switchable between triangle, pulse, positive and negative sine wave, square wave, and sample-and-hold. Each voice also has its own 24dB/octave filter which has variable keyboard tracking, switchable between 1, 1/3, and 2/3. The Memorymoog can also be set on unison mode which makes it a mono synth using all 18 oscillators for one note! In this mode you can switch between lowest, highest and last note priority as well as single or multiple triggering."Intellijel Atlantis
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via this auction
"The Atlantis is heavily inspired by the architecture and sound of the classic Roland SH-101. It has always been one of our favorite synths and we really liked how the seemingly limited architecture allowed for all sorts of creative and musically useful sounds to be easily generated.
Just like the 101 it is quick to dial in beautifully rich bass and lead sounds. However this module uses triangle core VCOs (based on the Dixie core) instead of Saw core which respond much more musically to FM. The modulation oscillator can be used as an LFO or VCO (audio rate) and both track very precisely over 8 or more octaves.
In the mixer section you can adjust the balance of the primary oscillators waveforms including a sinewave which is normalled to the EXT IN jack. You could also patch in one of the modulation oscillators waveforms into this channel and be able to operate the Atlantis as a proper two oscillator synth. There is a switch labelled “LINK” which enables the modulation vco pitch to be based as an offset of the primary VCO. This is useful when using it as a stacked dual vco or when you have the mod VCO acting as the linear FM source for the primary vco and wish to maintain the ratio.
The filter section is a Roland style cascaded 4 pole multimode filter with LP, BP and HP modes. The LP Boost switch engages a special mode useful for the LP that produces a much fatter and prominent sound that is not drowned out by resonance (unlike the original SH-101). The filter self-oscillates to produce a very clean sine wave which also tracks 1V/Oct. Between the Mod VCO, Primary VCO, Sub Oscillator and resonating filter it is possible to layer up to four different pitches at one time.
The envelope section is an ADSR with a dual range switch. It also can be set to a looping mode which can be gated on/off externally.
The output VCA feeds into a two level output clipping circuit that you can use to get a much ballsier/dirtier sound.
Main features:
via this auction
"The Atlantis is heavily inspired by the architecture and sound of the classic Roland SH-101. It has always been one of our favorite synths and we really liked how the seemingly limited architecture allowed for all sorts of creative and musically useful sounds to be easily generated.
Just like the 101 it is quick to dial in beautifully rich bass and lead sounds. However this module uses triangle core VCOs (based on the Dixie core) instead of Saw core which respond much more musically to FM. The modulation oscillator can be used as an LFO or VCO (audio rate) and both track very precisely over 8 or more octaves.
In the mixer section you can adjust the balance of the primary oscillators waveforms including a sinewave which is normalled to the EXT IN jack. You could also patch in one of the modulation oscillators waveforms into this channel and be able to operate the Atlantis as a proper two oscillator synth. There is a switch labelled “LINK” which enables the modulation vco pitch to be based as an offset of the primary VCO. This is useful when using it as a stacked dual vco or when you have the mod VCO acting as the linear FM source for the primary vco and wish to maintain the ratio.
The filter section is a Roland style cascaded 4 pole multimode filter with LP, BP and HP modes. The LP Boost switch engages a special mode useful for the LP that produces a much fatter and prominent sound that is not drowned out by resonance (unlike the original SH-101). The filter self-oscillates to produce a very clean sine wave which also tracks 1V/Oct. Between the Mod VCO, Primary VCO, Sub Oscillator and resonating filter it is possible to layer up to four different pitches at one time.
The envelope section is an ADSR with a dual range switch. It also can be set to a looping mode which can be gated on/off externally.
The output VCA feeds into a two level output clipping circuit that you can use to get a much ballsier/dirtier sound.
Main features:
Korg Arp Odyssey Bassline with Strymon and Eventide
Published on Mar 12, 2015 magikroom
"Just a follow up video focusing on a simple bassline, adding fx to the Arp Odyssey from Eventide H9 and Strymon Deco. Filter modulated (in part) by EHX 8 Step."
KORG Odysseys on eBay
EMS Synthi - The Battle Patch
Published on Mar 11, 2015 DJjondent
"The EMS Battle Patch is a classic EMS 'preset'.
For more info, pics, the unedited video, the patch sheet etc click here:
http://djjondent.blogspot.com.au/2015..."
MaxSynths Releases DR-910 - TR-909 Style VSTi
via MaxSynths
"DR-910 is a drum machine inspired by one of the most known percussive instruments that massively helped to define the sound of modern electronic music.
The instrument itself does not need presentations: used by artists like Moby, Fatboy Slim, The Prodigy, Jean Michel Jarre, The Chemical Brothers, Faithless and many many others, the TR-909 quickly became one of the most classic pieces of gear in the electronic musician's arsenal.
In terms of sound the DR-910 VSTi is a faithful reproduction of the original device: each sound section (bassdrum, snare drum, etc.) has been developed to sound and act as similar as possible to the original instrument. The plugin includes also some extra features not available in the hardware version: a reverb unit with independent send controls for each sound source, a compressor tailored to work with drum sounds (based on the same engine of MaxSynths DSP-1) and a Lo-Fi FX processor.
These extra features will help the user to quickly shape the sound as desired without using external plugins. However if you need to process the signal with external effects, each drum module can be routed to four different stereo outputs that can be independently processed in the DAW."
SoundPrism Electro Mini – Create complex harmonic soundscapes using just your thumbs
Published on Mar 12, 2015 Audanika
"After nearly five years of experimentation with SoundPrism we are happy to announce the next generation of the famous MIDI Controller: SoundPrism Electro Mini for iPhone. With SoundPrism Electro you can now create complex harmonic SoundScapes on a whole new level."
iTunes: SoundPrism Electro Mini - Audanika GmbH
"SoundPrism Electro Mini is a musical instrument for your iPhone or iPod which makes it easy to come up with great chord progressions.
Play full arrangements of bass, harmony and melody with just one tap, making it an indispensable tool for songwriters or electronic musicians looking to add powerful chord progressions to their tracks.
Features:
* New sound engine with rock-solid polyphony and great-sounding effects. SoundPrism Electro’s new sounds are hand-crafted by Swiss sound designer Oliver Imseng to work beautifully with each other.
* Innovative and improved chord input system: effortlessly play inversions and chord progressions while focusing on your track, not on the music theory behind it.
* A ribbon controller for live manipulation of the built-in effects.
* New interactive tutorial system: SoundPrism Electro Mini walks you through its interface and teaches you how to play.
* Supports Audiobus including state saving.
* Supports Core MIDI"
eowave orage VCO FM patch
Published on Mar 12, 2015 marcmodular
"this short video shows the linear FM modulation. 2 VCO , 1 VCA acts as an attenuator"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
