Abstrakt Instruments Avalon Synth Tutorials

Published on May 30, 2017 Abstrakt Instruments

Playlist:
Avalon Synth Tutorial 1 - Normal Mode [Pattern Write]
Avalon Synth Tutorial 2 - TB-303 Mode [Pattern Write]
Avalon Synth Tutorial 3 - Record Mode [Pattern Write]
Avalon Synth Tutorial 4 - Realtime Mode
Avalon Synth Tutorial 5 - MIDI Play Mode
Avalon Synth Tutorial 6 - Pattern Modifiers
Avalon Synth Tutorial 7 - Arpeggiator
Avalon Synth Tutorial 8 - Configuration Mode
Avalon Synth Tutorial 9 - Accents, VCA & Filter Envelope

Modular Synth - Self Generating Melodic Drone Sequence

Published on May 30, 2017 isvisible / isinvisible

"Not much to see in this vid, but I think the patch sounds quite nice.

It's all being controlled by the Doepfer A-143-4 Quad VCLFO in LFO mode.
It's gates (square waves) and sines are triggering or shaping envelopes, filters, other lfo's, a sequencer and the Livewire 'Chaos Computer, which in turn is cv-ing the A-143-4.
So with absolutely no external influence it'll run for (think of a very, very long time because I can't do the maths) without having the same sonic outcome etc, even though it's all based on a single 8 step sequence.

Audio from 4 Doepfer A-110's and Mutable Instruments Elements, Braids and Rings."

Spikes & Springs Eurorack Jam (w/ OP-1, Error Instruments & Melu Freak) #TTNM

Published on May 30, 2017 The Tuesday Night Machines

"First tryout of the Errorinstruments Spikes Eurorack module. A pointy body-contact instrument that also generates CV. I play some OP-1 chords on top and have two drones going, one form the Benjolin and one form the Melu Freak VCO. MORE INFO BELOW :)

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PixelNoises Synth T-Shirts by The Tuesday Night Machines:
https://shop.spreadshirt.co.uk/pixeln...

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Audio gear used:
- Error Instruments Raw Spring PSY XL (spring synth)
- Eurorack Modular Synth (w/ Errorinstruments Spikes, Melu Instruments Freak, Klangbau Köln Rob Hordijk Benjolin, Doepfer Phase Shifter, etc.)
- Teenage Engineering OP-1
- Zoom R16 recorder"

The Beauty and the Timbre Wolf

Published on May 30, 2017 Wein Glas

"Future Retro Zillion, Behringer CC300 Chorus and Keith McMillen K-Mix are the reason for these romantic sounds coming out of the Akai Timbre Wolf.

Doesn't sound like Weinglas? Then fast forward to the final minute of the video ;)

And if you want to enjoy music and not demo sounds, start at about 1:00!"

Forever Beats Melodic Step Sequencer for iPad

Published on May 30, 2017 pantsofdeath

iTunes: Forever Beats - John Hussey

"Forever Beats is a melodic step sequencer for making new beats and hooks, jamming with new ideas and building new compositions.

Intuitively input beats and melodies with touch based gestures and jam with them live using the breaks feature.

Establish your own sound with the Forever Beats synth engine. Synthesised percussive, bass and ambient instruments are included.

Bring the sound to life with 2 LFOs assignable to every synth parameter.

Use MIDI output and MIDI clock to control your own hardware using the Forever Beats step sequencer."

Nanostudio Sessions - Lee B - Last Chance

Published on May 30, 2017 014london70

Update: vide is back.

"Just mixing down some tracks that needed finishing in Nanostudio.
Eagerly awaiting Nanostudio 2!"

iTunes: NanoStudio - Blip Interactive Ltd

Deckard's Dream Poly Aftertouch Demo, Pre-Orders & Production Update

Deckard's Dream + ROLI via MPE. Just to show polyAT and poly pitchbend. #deckardsdream #roli #midimpe

A post shared by Deckard's Dream (@deckardsdream) on May 30, 2017 at 5:12am PDT

http://www.deckardsdream.com

Roman Filippov let me know tomorrow is the last day of pre-orders, and manufacturing begins on June 1.

29 05 17 Serge Paperface '78

Published on May 29, 2017 batchas

Rheyne - Sequenced Jam #36

Published on May 30, 2017 Rheyne

"Recorded using 2x Moog Mother-32 synths, a Make Noise​ DPO sequenced by a 3rd Mother-32, and a Moog DFAM clocked by a Make Noise Wogglebug. The tempo of the three Mother-32 sequencers and the Wogglebug randomly changes after each step, controlled by their stepped-random voltages. All notes are from the sequencers, no outside MIDI was used. Eight additional LFOs are sent through an Expert Sleepers​ ES-8 from Silent Way. Reverb is from a Strymon​ BigSky."

Native Instruments Introduces THRILL for KONTAKT 5

Published on May 30, 2017 Native Instruments

THRILL Walkthrough

Published on May 30, 2017 Native Instruments

"Native Instruments releases THRILL – a one-of-a-kind instrument for playing a wide range of cinematic, spine-chilling scores – in real time.

May 30, 2017, Berlin – Native Instruments today released THRILL, a ground-breaking new instrument that enables the introduction of terrifying live scores to movies, games, sound installations, or theater productions.

THRILL is the first instrument to combine the epic power of an orchestra with the chilling depth of expert sound design, house them within a simple performance-driven interface, and place them into the hands of a single player.

Using THRILL, a single person could perform the terrifying string tone clusters from The Shining, as Jack Torrance rampages around Overlook Hotel. An aspiring young filmmaker could single-handedly play all of Arrival’s stomach-churning bass drones in just one take.

The all-original 30 GB sound library is taken from 963 source sounds, including orchestral recordings and hybrid sound-design based on ambiences, custom-built instruments, voices, pitched metal, synthesized drones, and more.

Central to THRILL is an X-Y control for modulating effects and morphing between sounds. This control offers composers and sound designers something completely new – the ability to design and play complex cinematic textures and builds in real time. Simple and intuitive to use, the control blends between sound sources, effects, the number of sonic layers, general intensity, and more, depending on the preset being used. This X-Y modulator lends itself to trackpad, tablet, or even smartphone control (via TouchOSC), allowing an unprecedented level of sound-to-action interaction.

THRILL also comes with the most powerful tone cluster designer ever offered in a virtual instrument. Tone clusters are a special kind of chord, containing at least three adjacent notes, and are one of the staple tools for generating fear and tension in any audience. THRILL offers 250+ diverse and editable cluster sound and voicing presets, using the many types of pitched sounds in the THRILL library, such as strings and horns. Tone clusters can also be built from scratch, with up to eight independently editable and modulatable voices.

THRILL was created in collaboration with sound master Uli Baronowsky of Galaxy Instruments. Already a trusted NI partner, known for the acclaimed RISE & HIT and UNA CORDA, Uli now brings his proven mastery of high-quality sampling, sound reinforcement, and innovative control to THRILL.

THRILL runs in KONTAKT 5 and the free KONTAKT 5 PLAYER, and is available at the NI Online Shop for €299 / $299 / £239 / ¥ 37 800 / AU$ 439"