MATRIXSYNTH

Korg Monologue & Volca Keys minimal live jam by DreamsOfWires

Published on Feb 26, 2018 DreamsOfWires

"Korg Monologue & Volca Keys live jam. Nothing serious, just a simple, improvised, minimal performance/recording, just to see how they play together and try the sync function (Volca sync out to Monologue sync in). I like polyrhythmic patters in sequences too.

Recorded into AUM with EOS2 reverb (iPad) via iConnectAUDIO4 audio interface.

Video footage is the first part of a series depicting my trip around America (2017). This part features Seattle. Filmed using an iPhone SE and Sony RX100 MkIV. Instrument footage was filmed with a LUMIX GX7.

If you'd like to help support this channel, please check out the following:
My music is available here: https://tomorrowthecure.bandcamp.com
Updates/News about all my musical/creative activity here: https://www.facebook.com/tomorrowthec..."

Much more than a drone!

Published on Feb 26, 2018 Wein Glas

"The Soma Lyra 8 may be the perfect drone synthesizer. But with a little help from the Mooer Ocean Machine and the Boss SL-20 Slicer it is much more than this."

011//Before Sunrise - a Moog Mother 32 self-generating track

Published on Feb 26, 2018 Alastair Wilson

"A moody, melodic, self-generating patch on a Mother 32 sent through an Eventide Space modechoverb reverb and an Eventide Timefactor on banddelay setting. The only other processing applied is a slight cut of the higher frequencies with an EQ in Ableton, to tame some of the filter resonance.

I created this patch with the thought 'can you get the Mother 32 to pan left and right without other gear?'. The answer is, you can, using the VC Mix feature! Switch the VCA to 'On' and the volume to full, patch the VCF output to the Mix 1 input, and then patch the VCA output and VC Mix output to the stereo inputs of your pedal. Patching the LFO triangle output to the VCA CV input and the VC Mix Ctrl input will make the LFO fade the Mother 32 between the 2 outputs.

I also used Veils to attenuate the signal coming out of the Mother 32 so that it wouldn't be too hot for the Eventide pedals.

The patch is semi-random; I created the sequence, but everything else is left to the whims of the modulation. The name comes from the resonance of the filter - I thought it sounded a bit like birdsong, as if dawn is about to break.

If you want to recreate this patch, you can find it here:
https://www.modulargrid.net/e/patches..."

Testing new midi converter for Aelita.

Published on Feb 26, 2018 Alexey Taber

"new midi control for Aelita : note, pitch bend, midi cc -sustain VCF,midi cc -sustain VCA"

LPZW.modules Schleußig

Published on Feb 26, 2018 k101011 k

"the HOLD setting demo"

Linnstrument Meets Synthesizers.com

Published on Feb 25, 2018 Mark Vasoll

"This is my first explorations of Roger Linn's Linnstrument used in conjunction with my modular synthesizer from Synthesizers.com. Two Rogers? Can't go wrong!"

Introducing ES01 Rack Extension Based on the Yamaha CS-01

Published on Feb 16, 2018 Ekssperimental Sounds Studio

"The ES01 is a faithful recreation of a beloved analog classic. While the hardware which the ES01 is based on was originally marketed as an entry-level synth, it is still a popular tool of many professional artists for its ease of use in getting great sounds, particularly leads and bass lines.

The ES01 is not a 1:1 emulation - it also has additional features like Sub Oscillator, Unison and last but not least, Polyphony. The Touch Data Programmer with its Global Settings and modulation matrix together with the CV connectivity of the Reason Rack gives ES01 massive tweaking possibilities. This all makes the ES01 unique and quite capable of producing many classic analog synth sounds like fat basses, vibrant pads, synthetic arpeggios and leads that cut through the mix.

Ekssperience the sound of the past with the possibilities of the future with the ES01 Analog Synthesizer."

Roland TB-303 Bass Line

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via this auction

"This one is in exceptional cosmetic condition and is working 100%. It is ready to be used and needs nothing! The tact switches are still nice and firm and do not feel like they were used much."

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Oberheim OB-Xa Demo (HQ)

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Published on Feb 13, 2018 Jaak Jensen

"The OB-Xa is a massive analog synthesizer with digital control, allowing for highly sophisticated and complex sounds while still maintaining an analog signal path. It has been fully restored and is currently for sale. It includes a very well padded and durable flight case that is in exceptional condition. See the video above for the condition of the unit and to get a taste of how it sounds.

0:00 - Intro
1:18 - A demonstration of the patches currently stored in memory
2:31 - Dual sawtooth patch with subtle portamento and filtering
3:02 - Dual square wave patch for an ambient pad
4:05 - Electric piano/rhodes/wurlitzer sound
4:40 - Wood block percussion sounds
4:54 - Mellotron-like synth pad
5:31 - VERY huge and gritty-sounding unison patch with pitch bending
5:58 - White noise demonstration and filtering
6:30 - Sparkly-sounding synth piano
7:02 - Dual sawtooth sound demonstrating the snappiness of the envelopes

We are hoping to sell this locally to someone in Minnesota but are open to offers outside the state if the offer seems legitimate and reasonable. If you would like to purchase this unit, please contact us at the following email addresses:
jens1438@umn.edu and eddieaudio@gmail.com

We are currently seeking offers in the $4950-$5950 range.

This particular one has 8 voices which can be split, layered and stored. They all featured patch memories in varying degrees. This one has 4 banks of 8 for a total of 32 patches. All models of OB-Xa featured the new Curtis chips which offered great stability for an analog synth and they are attributed to its great filters and sounds.

The OB-X was very similar to the OB-Xa except that its voices could not be split or layered and, more significantly, the OB-X had a lowpass-only discrete SEM 12dB/oct state variable filter, which had a great and classic Oberheim sound. The OB-Xa changed that in an attempt to economize manufacturing and increase stability by switching to CEM3320 Curtis chips for its filters. The Xa offered two switchable filter modes: 12 dB/oct (2-pole) or 24 dB/oct (4-pole). When compared with the OB-X, people will often say that the OB-Xa is capable of nastier, grittier, more powerful, and immediate sounds.

Splitting the keyboard mode separates the OB-Xa into two 4-voice synths with two available patches. The Layer mode plays the two patches simultaneously. There are also some added effect sources, perfect for any analog polysynth, including portamento, unison, sample & hold, chord memory and three LFO's!"