BUCHLA EASEL V by Arturia - Let's Surf Some Patches

Published on Feb 26, 2018 thesoundtestroom

Unboxing the Last Anyware Instruments Minisizer Ever Made!

Published on Feb 26, 2018 Synthead

Freq63 - And all the universe around us

Published on Feb 26, 2018 batchas

BugBrand modular.

Bob Moog Foundation Raffle for a Minimoog Signed by Rick Wakeman

via The Bob Moog Foundation, where you can enter.

"It's that time of year again! Our 2018 raffle for a pristine vintage Minimoog synthesizer launched today. This gorgeous synth, serial number 6360, stands on its own merits. Not only does it have an undeniable sonic legacy, but it has been expertly restored and is in excellent physical and technical condition. It's a gorgeous instrument inside and out.

YES, there's more! This year's Minimoog has been inscribed and signed by none other than prog rock god Rick Wakeman, who helped define the use of the Minimoog in live performance in the 1970s with his incredible, jaw-dropping solos. His inscription reads, "Thanks Dr. Bob for sharing your genius. You'll never be forgotten." (sniff!)"

CLICK FOR MORE »

Synth Jam 61: GeoShred (iPad), Moog Sub 37, Nord Stage 2EX & DSI Tetra

Published on Feb 24, 2018 Marcus Padrini

"Idea created originally with Korg Gadget for iOS, now in a hardware version with different analog and digital synths.

Nord Stage 2EX: Mellotron Strings
GeoShred (iPad): Lead 1
Moog Sub 37: Lead 2
DSI Tetra: Synth Bass
Korg Radias: E.Piano
Roland MC808: Drums & MIDI Sequence"

Intro To Synthesis Part 4: Exploring Attack, Decay, Sustain & Release

Published on Feb 26, 2018 Reverb

"Justin DeLay shows us how to use envelope attacks, decay, sustain, and release in the fourth installment of our Intro to Synthesis series. Even Justin has had questions about how these functionalities work in conjunction with playing techniques, and he's here to break it down for us.

Read More on Reverb"

All parts here.

How to Build a Modular Synth ft. Baseck | Stoned Mode

Published on Feb 24, 2018 Super Deluxe

"Watch this electronic musician build his own modular synth.
Thanks to Baseck https://baseck.bandcamp.com/ https://www.instagram.com/baseck/"

Korg Monologue & Volca Keys minimal live jam by DreamsOfWires

Published on Feb 26, 2018 DreamsOfWires

"Korg Monologue & Volca Keys live jam. Nothing serious, just a simple, improvised, minimal performance/recording, just to see how they play together and try the sync function (Volca sync out to Monologue sync in). I like polyrhythmic patters in sequences too.

Recorded into AUM with EOS2 reverb (iPad) via iConnectAUDIO4 audio interface.

Video footage is the first part of a series depicting my trip around America (2017). This part features Seattle. Filmed using an iPhone SE and Sony RX100 MkIV. Instrument footage was filmed with a LUMIX GX7.

If you'd like to help support this channel, please check out the following:
My music is available here: https://tomorrowthecure.bandcamp.com
Updates/News about all my musical/creative activity here: https://www.facebook.com/tomorrowthec..."

Much more than a drone!

Published on Feb 26, 2018 Wein Glas

"The Soma Lyra 8 may be the perfect drone synthesizer. But with a little help from the Mooer Ocean Machine and the Boss SL-20 Slicer it is much more than this."

011//Before Sunrise - a Moog Mother 32 self-generating track

Published on Feb 26, 2018 Alastair Wilson

"A moody, melodic, self-generating patch on a Mother 32 sent through an Eventide Space modechoverb reverb and an Eventide Timefactor on banddelay setting. The only other processing applied is a slight cut of the higher frequencies with an EQ in Ableton, to tame some of the filter resonance.

I created this patch with the thought 'can you get the Mother 32 to pan left and right without other gear?'. The answer is, you can, using the VC Mix feature! Switch the VCA to 'On' and the volume to full, patch the VCF output to the Mix 1 input, and then patch the VCA output and VC Mix output to the stereo inputs of your pedal. Patching the LFO triangle output to the VCA CV input and the VC Mix Ctrl input will make the LFO fade the Mother 32 between the 2 outputs.

I also used Veils to attenuate the signal coming out of the Mother 32 so that it wouldn't be too hot for the Eventide pedals.

The patch is semi-random; I created the sequence, but everything else is left to the whims of the modulation. The name comes from the resonance of the filter - I thought it sounded a bit like birdsong, as if dawn is about to break.

If you want to recreate this patch, you can find it here:
https://www.modulargrid.net/e/patches..."