CATCH NOISE Demo

Published on Mar 18, 2019 ReBach

"In this demo the new CATCH NOISE.

The CATCH NOISE is supported in this demo by a CATCH VCF-A, CATCH ADSR-A and CATCH LFO-B. He can also be heard here without a filter."

Dave Smith OB-6

Published on Mar 18, 2019 Vintage Sounds

"First demo with some sounds I made with my new OB-6, all sounds create with OB-6."

Synthpop on the Novation Circuit

Published on Mar 18, 2019 Gabe Miller Music

"A synthpop/synthwave jam on the Novation Circuit.
All of the sounds in this track are from the Delorean Dream pack by Yves Big City."

[Maurice Ravel] Le tombeau de Couperin: Fugue Transcription (vol.34) Akihiko Matsumoto

Published on Mar 18, 2019 Akihiko Matsumoto

Transcription Session Live Series by Akihiko Matsumoto (2019 - )

Concept : Akihiko Matsumoto
Operation : Akihiko Matsumoto
Programming : Akihiko Matsumoto
Sound Material : [Maurice Ravel] Le tombeau de Couperin: Fugue
Generative Software : Cycling '74 Max8
Binaural Decorder : IRCAM Spat
Audio I/O : RME Fireface UCX
MIDI Controller : Novation LAUNCH PAD XL
Camera : Sony a7RII(Zeiss Sonnar 85mm f1.8)

Original Max for Live Plugins
http://akihikomatsumoto.com/download/

Softube Parallels Introduction & Overview Videos

Published on Mar 12, 2019 SoftubeStudios

Playlist:
Introducing Parallels – Softube
Parallels Demo pt. 1/5 – Overview – Softube
Parallels Demo pt. 2/5 – Sources – Softube
Parallels Demo pt. 3/5 – Modulators – Softube
Parallels Demo pt. 4/5 – Shapers – Softube
Parallels Demo pt. 5/5 – Effects – Softube

"Parallels is a software instrument like no other; a beautiful, intuitive, single-page interface concealing a wealth of treasures within. Created by dreamers, controlled by you.

In short:

A plug-in soft-synth with dual wavescanning source sections
Almost a hundred high-quality pre-recorded multi-waveforms
Sonic progression within each waveform means near-infinite source-material
Two parallel sources means blended sounds, opening up exponentially more possibilities
Up to fourteen voices (seven per source when both sources are active)
Hundreds of expertly-created presets from world-leading synth artists, engineers, and sound-designers, including Brian Transeau a.k.a. BT, Richard Devine, Inhalt, and more.
Three analog-modeled filter types (state-variable, vactrol LPG, and resonant peaks)
Five sophisticated types of modulation source; LFO, random, Euclidian sequencer, step sequencer, and envelope
Five top-quality effects options; distortion, chorus, flanger, delay, and reverb
Inspirational, creative, and beautiful
Crucially, it always sounds amazing"

For use with VST, VST3, Audio Units and AAX Native. ($149) $129 https://www.softube.com/index.php?id=parallels

Previously posts

Softube Parallels: Factory Presets

Published on Mar 18, 2019 Starsky Carr

"A few examples of Softube's Parallels artists presets that come bundled with the synth. There's some amazing stuff in there - ethereal pads, spacious ambience and industrial drones - loads of inspiration for new tracks.

There's no talking on this one - apparently, some people would rather not hear my voice :)

Take a look at my first look video for more info (and talking!)"

Softube Parallels

New Tiptop Audio MISO Multipurpose Utility Module Officially Announced

Tiptop Audio - MISO from Tiptop Audio on Vimeo.

via Tiptop Audio

"MISO is a multipurpose utility module, a laboratory for synthesizing control voltage signals and audio. MISO combines multiple CV tools into one module for making complex CV shapes at the output stage. The name comes from the the four main functions available: Mix, Invert, Scale, and Offset.

MISO’s 2 sections (1/2 IN and A/B IN) are identical. Each section has 2 inputs that can be used to Mix signals, Invert polarity/shape, Scale magnitude and Offset voltage. Each function can be used independently or simultaneously with the total shape summed to the mix output.

At the center of the module is another processor, an accurate smooth linear voltage-controlled crossfader that mixes equally between the outputs of the top and the bottom MISO sections. Feed the MISOs with envelopes, LFOs, Sequences to create new shapes and then crossfade them manually or with CV using the center section for even further complexity of shapes and animation of control signals. Crossfade between the waveforms of a VCO or audio samples with CV for more motion.

There are an endless number of ways to patch MISO with unexpected and inspiring results. MISO is the kind of module that gives modular synthesizers its incredible replay value, rewarding hours of creative explorations and its experimental and non-traditional mixing.

MISO offers a lot in a small comfortable module that matches Tiptop’s system look with clean white faceplate styling. A red/yellow indicator light next to each section makes it easy to see signals and visualize polarity.

SPECS:
Size: 10HP – Depth: 42mm
Power Consumption: +12V 55ma / -12V 55ma"

You can find additional demos previously posted here.

Mutable Instruments Clouds in VCV Rack (techno & ambient tricks)

Published on Mar 18, 2019 VCV Rack Ideas

"In this video I did exploration about famous Mutable Instruments Clouds module. I did it in VCV Rack and you can easily see every 11 tricks in detail.
"Clouds is a granular audio processor like no other.
Clouds is focused on the realtime granularization of incoming audio signals, and their transformation into amorphous textures.
Grains of adjustable size, pitch and envelope, are extracted at controllable time offsets from the input signal. Grains are seeded randomly, periodically, or whenever the module receives a trigger.
The textures generated by Clouds are extremely thick, partly because of the large number of concurrent grains (up to 60), partly because of a built-in allpass diffuser and reverberator, smearing the shortest transient into a wash of noise - giving the illusion of an even larger number of simultaneous grains.
A list of things Clouds is not trying to be: a sample player, a slicer, a looper." - official page says."

Neutron Practicing Scales

Published on Mar 18, 2019 Paul Schilling

"And it gets a little out of hand. S&H sampling the triangle LFO and modulating the 2 VCOs"

TIPTOP AUDIO - Mix Invert Scale Offset - MISO

Published on Mar 18, 2019 Station 252

Daily Patch #4

MISO chanel 1 - Z4000

MISO channel 2 - z3000 (audio rate and LFO. controlled by the main sequence)

MISO channel A - Math (in cycle mode)

MISO channel B - TT LFO - (attenuverter output also patched into crossfader CV in)

MISO mix output is patched into frequency modulation input on Z2040 LP Filter

Sound source: 2x Z3000 (one is sync'd)
Sequencing: Circadian Rhythms, Z8000, QuantiZer, Trigger Riot, Doepfer Sequential Switch.
Drums: BD808, Tiptop ONE + Tiptop VCA

FX: Z-DSP (Room), Z-DSP (Delay)