MATRIXSYNTH

Sequential Circuits Prophet 5 Rev 3 w/ MIDI SN 5666

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Yamaha CS-60

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Yamaha DX7 Custom Patch Tutorial 28 | EASY DXPAD

Published on Sep 1, 2019 madFame

"This custom patch series is the quickest and easiest way to learn how to program your DX7 FM synthesizer.

www.patreon.com/madfame

All $2 or more Patrons can download my Custom Patch SYSEX files

Some of the music used in my videos is available on the Magic & Steel bandcamp page: https://magicandsteel.bandcamp.com

Thanks for watching!"

Arturia Fairlight CMI drumloop re-synthesis

Published on Sep 1, 2019 Empty Vessel

"Just a quick play with one of the loops from the Reverb drum machine giveaway inside Arturia's CMI recreation. Similar to what I love about old hardware samplers, sometimes the results once interpreted by the sampler and pitched around are quite unexpected."

John L Rice: MOTS At Lusio, A Night To Awaken

Published on Aug 31, 2019 John L Rice

"As per my usual, I didn't have any idea of what I was going to perform until the day before the performance, but for what it's worth, here it is! ;-) I had fun none the less and a big thank you to Mollie, Bradley, Chris, Philip, Justin, James, Kevin, everyone else who helped out, all the other great performers , and big hugs to the wonderful members of the audience!

If you want to know more about MOTS (Modular On The Spot) and Modular Nights shows, to either be part of the audience or to perform yourself, contact Modular Seattle:
https://www.modularseattle.com/

Learn more about Lusio here: https://www.lusiolight.com/

As per the MOTS tradition, I only used a modular synthesizer, you can get a good look at it at 2:35. I had three stereo patches on the modular, a sequenced background and then two different lead voices I controlled with an Arturia KeyStep keyboard and Mutable Instruments Yarns MIDI to CV/Gate module:

1) The background patch was the most complex, it was a four voice shift registered sequence featuring an Erica Synths Black Clock, a Division6 SQ816 sequencer, a VPME T43 precision adder, a Synth Tech E102 shift register, an Instruo Quad Performance Quantizer with micro keyboard, 4 Synth Tech E330 VCOs, a Modcan Quad LFO, a 2hp clock divider/multiplier, a Doepfer quad envelop generator, a Xaoc Devices stereo mixer, and a Strymon Engineering Magneto delay/reverb.

2) The rich fat typical synth voice was a Modcan Triple VCO into a Synth Tech E440 low pass filter along with an Erica Synths EG and VCA for voicing and an Audio Damage reverb module and then finally to a Circuit Abbey mixer.

3) The plucky voice was simply a Mutable Instruments Rings into Clouds and then to a second Circuit Abbey mixer. I had the patch set up in stereo where the output switched sides every time I played a note but unfortunately there was a problem with one of the cables so only every other note was heard! Whoopsie! ;-)"

Making of the Electra One MIDI Controller

Published on Sep 1, 2019 Electra One MIDI Controller

"A short video about how first Electra's were made."

Electra One

Suzuki Omnichord OM-300 sound demo - "Monochrome Eggwhisk"

Published on Sep 1, 2019 Alfonse

"I only had the Omnichord for a single evening, so this isn't the full performance video I would have liked to make. As usual, though, all sounds you hear in the track originated from the OM-300 and were recorded to a DAW, where compression, EQ, reverb, delay and chorus were added as required. I sampled individual drum hits from slowed-down OM-300 rhythms and processed them, to allow me to build fresh beats rather than using the rhythms found on the OM-300 itself.

Music: "Monochrome Eggwhisk" (C) Copyright 2019 Alfonse
Download here: https://alfonse.bandcamp.com/album/a

ALFONSE
Store: http://alfonse.bandcamp.com
Twitter: http://twitter.com/alfonsemusic
Instagram: http://www.instagram.com/alfonsemusic
Soundcloud: http://www.soundcloud.com/alfonsemusic"