MATRIXSYNTH

Waldorf Pulse Analogue Synth

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Yamaha CS-10 Vintage Analog Synthesizer w/ original Hard Case

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via this auction

"Classic 70's mono synth in solid condition with all knobs, switches, jacks and LED's working as intended.

This unit was recently serviced, with the power supply being recalibrated along with the VCO, VCF and VCA sections -- in other words a full recalibration of the unit as per the original service manual.

The unit has been modified to operate at normal US wall voltage, not the 100V Japanese it was originally set for. This mod only involved attaching a different tap from the original transformer inside, as per the service manual.

Key action is smooth throughout full range of keys."

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Gone Now (Sonicware Elz_1 and Microkorg)

Published on Jun 2, 2020 J. Dylan Proctor

"Gone Now, inspired by Geroge Gershwin's piece My Man's Gone Now from the opera Porgy and Bess.

Microkorg, Korg Volca Kick, and Sonicware Elz_1 synthesizers are used."

FM Dub Techno Jam (TR-08 / Volca FM / Mersenne (iPad App) / RE-20 / Ableton Live)

Published on Jun 2, 2020 Koichiro Toki

Equipment :
- Roland TR-08
- KORG Volca FM
- iceGear Instruments Mersenne (iPad App)
- BOSS RE-20

Bandcamp : https://tokikoichiro.bandcamp.com/

EssenceFM Electro/Experimental & Soundscapes

Published on Jun 2, 2020 Kodamo

"Sequenced track showing many sounds!
EssenceFM recorded through headphones output without additional effects."

See the Kodamo label below for more.

home keyboard extravaganza

Published on Jun 2, 2020 wildchurch

"proof perhaps that 'less is more'?

a function generator acts as master clock, sync'ing the following keyboards (via clock dividers and multiples):

- casio mt-65 - drums & accompaniment
- casio ct-310 - accompaniment only at 1/4 speed
- casio pt-80 - chord buttons only - through nux modcore pedal on phaser setting
- korg sas-20 - drums only - triggered individually by an external trigger sequencer

the divided clock signal is also sent to an audiowerkstatt trigger2midi2trigger for MIDI conversion, sync'ing:
- yamaha psr-6300 - rhythm & bass
- victor kb-65 - rhythm, bass, accompaniment & arpeggio"

The Rainbow Patch - Morph Innovator, FH2 and the Quarantine Box

Published on Jun 2, 2020 Synth Diy Guy

"I create a custom controller with the Sensel Morph Innovator Overlay, and interface it to my Quarantine Modular using FH2 Factotum. Then I perform some cinematic soundscapes with this cool instrument!
Featuring Dust of Time, Piston Honda mk3, Kermit Mk3, Monsoon and Tendrils Cables."

Update:

Rainbow over Pandora

"An improvised performance on my compact system, featuring my custom controller designed for the Sensel Morph, FH2, Dusto of Time, Kermit, Piston Honda, Monsoon and Tendrils Cables."

KORG minilogue xd / prologue / nts1 reverb work in progress demo...

Published on Jun 1, 2020 hammondeggsmusic

"Working on an interesting reverb for your logue-sdk compatible synthesizers, using a filter and a long feedback, we can get some interesting sounds from some very simple waveforms... Stay tuned...!"

Demo Xenophone

Published on Jun 1, 2020 coyotesynth

"HyperSynth Xenophone is a very well featured monosynth, with 3 DCO, 2 Subs, many noises (including commodore C64 noise), a multimode filter with 4 analog distortions, flexible envelopes with modulation matrix, and FX bus. Audio input and CV/Gate I/O are also available.

Check out this synth, which is excellent in acid / bassline animated with its built-in step sequencer / arpeggiator."

Fading lights (Genesis cover)

Published on Jun 1, 2020 GS Music

"After implementing some multitimbral capabilities on Zeus, our analog polyphonic synthesizer prototype, I made a virtual reunion with my friends from Selling Broadway (Genesis tribute band) to cover the instrumental part of this song.

All the synth sounds were produced by Zeus. The lower keyboard is a MIDI controller.

The band:
Mariano Redruello: electric guitar
Guillermo Salvat: drums
Guido Salaya: synthesizer

Fading Lights is the twelfth and final song on the album We Can't Dance by Genesis. The song was written by Tony Banks, Phil Collins, and Mike Rutherford, with lyrics by Tony Banks. It is the longest song on the album."