MATRIXSYNTH


Tuesday, June 30, 2020

Noise Engineering Blog: Creating unique CV with unity mixers


Noise Engineering

"From the blog: https://www.noiseengineering.us/blog/...
Here, we're using Extra Mullet as a unity mixer to mix polymetric envelopes from Pons Asinorum to modulate Loquelic Iteritas."

Sound Design with Polyend Dreadbox Medusa (Ep.6) - Making Drums (+ MIDI Sync with Polyend Tracker)


Miltos Schimatariotis

"This episode is my take on making Drum sounds with the Medusa. I am demonstrating a workflow that may help you build a basic kit quite fast and I also describe how to use the sequencer with them. Since the Medusa is not a dedicated drum synth the sounds that we can achieve aren't like the usual 808, 909, etc sounds but I think we are able to have some drums and percussion with their own personality. As you will see in the sound design process something that will help us a lot to achieve some punch for the sounds is the FM feature of the synth. Furthermore, as an outro of the video, I have a demonstration of MIDI syncing the Medusa with the Tracker. It is a small song with the Medusa playing the drums and the Tracker adds some music around the rhythm.
I hope you 'll find this video helpful, feel free to leave your comments and thanks for watching!

Find me also on Instagram:
https://www.instagram.com/miltos_schima/

0:00 Intro
0:27 Kick / Bass drum
3:46 Snare drum
5:47 Hi-Hats
7:18 Toms
8:34 Programming the Sequencer
10:13 Demo song with Tracker"

An overview of new modules and collections in VCV Rack - June 2020


Omri Cohen

"If you like what I do and want to support my work, consider joining me on Patreon - https://www.patreon.com/omricohen

I also created a document full of patching techniques and ideas that I will continue updating - https://www.patreon.com/posts/documen...

Here are the patches - https://patchstorage.com/an-overview-...

00:00 - Sckitam Waveguide Delay
01:46 - Admiral Divisions
03:59 - nysthi TZOP, TZEN, Ambuance
06:24 - Mindmeld Bass Master
09:36 - Ahornberg Metronome
11:15 - Studio 6+1 TE, LALA, EVA, Zazel
14:43 - Modular Fungi Lights Off
16:34 - SV Modular Personal Modules
17:14 - Non Linear Instruments
18:51 - Voxglitch Grain Engine MK2 Expander
20:33 - Nano Ona Oscillator
22:09 - Frequency Domain Grains of Wrath
23:05 - Oxidlab Entferner collection
24:56 - KautenjaDSP RackNES"

Creamware Prodyssey ASB

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Pic of the Japanese manual below.

Korg VC10

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Pics of the inside below.

Serviced:
- All electrolyte and tantalic capacitors are replaced by HQ capacitors.
- All pots, jacks, switches have been serviced.
- The keyboard contacts have been serviced.
- Calibration.

Elta Music Polivoks-M Analog Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

The grey side panels look 3D printed.

Korg Monologue, MicroFreak, Novation Circuit, Volca FM, NTS-1, Lone Rider part 3


Waveformer

All parts here.

"Third and final part of a three-part jam, featuring the Korg Monologue, Arturia MicroFreak, Novation Circuit, Volca FM, and with Zoom MS-70CDR and Korg NTS-1 on effects.

My music on Bandcamp: http://waveformer42.bandcamp.com/

See the two previous videos for part 1 and 2. The tree jams use the same instruments and effects, but with different themes.

The Monologue is used for 3 solo parts - one bright synth-y lead in the beginning, one grumpy distorted lead sound in the middle, and one theremin-like sound at the end. All based on the same custom patch, but with modified envelope, oscillator mix and filter to give each solo a unique character.

The MicroFreak is doing chords with a simple super saw patch and lots of chorus, delays and reverb from the MS70. In the section from 7:30 to 9:30, I'm using a nice "trick" to get from a C minor to a Eb minor in a smooth way. I go from Eb to G7, and then to B diminished 7 (just move the low G note a half step up to a G sharp), and then on to Bb7 (move the B one half step down to a Bb). The Bb7 is the dominant chord for an Eb minor, so the transition to Eb minor feels very natural. To my ear, all these transitions feel very smooth, and still we end up on a Eb minor chord three half steps from the C minor root. And the G minor note in the Eb minor chord is definitely not in the C minor scale. It's even a tritone. The diminished 7th chord of a scale is a very nice gateway to other scales. If you're in C (major or minor) scale, you can use the B diminished chord to go to Eb, to Gb and to A - minor or major. All of these are just a half step up from a note in the diminished chord, so the tension in the diminished chord resolves nicely to any of these.

ELKA SYNTHEX - Sounds, Patches & Ambient Soundscapes | Synth Demo


synth4ever

"Elka Synthex analog synthesizer demo, featuring various sounds, patches and ambient soundscapes. This Elka Synthex synth demo showcases various Elka Synthex sounds including pads, leads, resonant sweeps, organs and more. Filmed at the Vintage Synthesizer Museum in Oakland, CA.

Manufactured from 1981-1984 in Italy, the Elka Synthex is a lush sounding classic 8-voice polyphonic analog synthesizer. It was conceived by independent Italian designer Mario Maggi and has 30 knobs, 6 sliders, 80 switches and a joystick, as well as a 4 track sequencer. Later versions implemented basic MIDI functions.

The Elka Synthex utilizes 2 DCOs per voice, each with multiple waveshapes: triangle, saw, square, pulse, PWM and ring mod. It also has a lovely multimode filter with frequency, envelope control, resonance and keyboard tracking, as well as lowpass, two bandpass options, and highpass filter modes.

The Elka Synthex also has 2 LFOs, multiple envelope generators, multiple chorus modes as well as oscillator cross-modulation and oscillator sync capabilities. LFOs can be routed to osc1, osc2, PW1, PW2, filter or amp and waveshapes include triangle, saw, ramp and square. Voices can be split, dual or layered, and it also supports footswitches for advance, glide, hold and release and direct onboard glide/portamento.

The Elka Synthex sequencer offers four different tracks which can have different length and sounds (Upper/Lower can be allocated to different tracks), and supports rests between notes as well as length of notes. In addition, 2 of its tracks can output MIDI data.

Instead of traditional pitchbend/modulation wheels, the Elka Synthex has a joystick which provides real-time control over the two LFOs, oscillator and filter modulation. The 6 sliders beside the joystick assign what (LFO, osc and filter) goes to the joystick.

Overall, the Elka Synthex is an extremely lush sounding synthesizer with many famous artists such as Tangerine Dream, Nick Rhodes (Duran Duran) and Jean Michel Jarre having used it. It is probably most famous for its "laser harp" sound.

The Elka Synthex is a beautiful machine, quite large in size, and can put out some amazing pads and timbres. The chorus and ensemble effects are particularly lovely, as they add an incredible shimmer to the sounds. The Elka Synthex is quite rare these days and commands hefty prices on the second-hand market, but if you have the opportunity to try one, do not hesitate as it is an experience like no other."

Novation Circuit vs Roland MC-101


Gabe Miller Music

"This video is a comparison of the Novation Circuit vs the Roland MC-101 (covering workflow, sound quality, and sound demos) to help you decide which groovebox is right for you."

Gabe Miller Music Circuit videos

Gabe Miller MC-101 videos

Play CHORDS with the Moog Subharmonicon - A HOW TO lol


Noir Et Blanc Vie

"I like the Subharmonicon to make many notes, not just one. Here's how I do it! I honestly don't think I'm great at showing musicians how to make music, but people kept asking, so Noir's here's with a how to, it may help wrap your head around harmony on this lovely instrument. If it helps great, if not, meh haha."
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