MATRIXSYNTH


Friday, October 02, 2020

Korg Mono/Poly Analog Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

SIEL Orchestra 2 Vintage Analog Synth/String Machine 1983 DEMO

Note: Auction links are affiliate links for which the site may be compensated.
Alberto Napolioni

"Testing a rare SIEL Orchestra 2.
Italian Vintage Analog Synthesizer/String Machine from 1983.
Awesome Warm Sound

Some Improvisations
(+ Oto BIM delay + BAM reverb)"


via this auction

2020 08 25 - Erica Synths Syntrx & Bucha Easel Command

Note: Auction links are affiliate links for which the site may be compensated.
John Corrigan

"First song ambient jam with the Syntrx after months of reading the manual. It's a lovely thing. So far plays very nicely with the Buchla Easel Command."


Erica Synths Syntrx pics via this auction

This is the same one in the video above.

Vintage 1970s Yamaha CS60 Analog Polyphonic Synthesizer Mark Stevens Mankind Dr. Who Owned Demos



"Unbelievable original 1970s Yamaha CS60 Synth. This was imported into the UK very early on and was only the second one in the UK. It was imported by Mark Stevens of Mankind, who famously used this on Top of the Pops in 1978 to play Dr. Who. He can be seen playing this exact synth on their recording that day. It has been in his possession ever since and we recently had the opportunity to purchase this off of the friend who received it upon his death. A synth of legends, in full working order, and we have videos of it working for anyone interested. When we received it it was quite dirty so we’ve given it a wipe down but have left the tape on the front for provenance. The exterior case is good condition with a few marks throughout."

Vintage 1970s Yamaha CS60 Analog Polyphonic Synthesizer Mark Stevens Mankind Dr. Who Owned Demo Pt 2



Sound Of: Simmons SDS-V Analog Drum Machine ( Bass / Snare and Tom Tom Modules Only )


Sound Provider

"It's been a long time since I've made a video of a drum machine.
Let's fix that by continuing to explore the material we use in Sound Provider Studio for production or for Sound-Banks by listening to the venerable SDSV Drum Modules built in the early 80's in the UK by Simmons.
For this demo I use Mutable instruments Modules from my Eurorack system to trig the Drum, "Grids" for Kick/Snare and "Grids" with "Branches" for the Toms . Also even if I use few EQ and Few dynamic processor I try to keep the sound quite raw and I didn 't add any other effects like reverb, delay or modulation.
Unfortunatly I didn 't have the Cymbal and HiHat modules ,the drummers used most often their real cymbal and hihat with the modules at the time, so they are rather rare and expensive.It makes the demo with all the modules a little rough without them.
I use a lot my SDS-V for Sound Provider soundbanks expecially for the "Analog Kick, Snare and Tom Now" ( https://www.sound-provider.eu/ )

0:02 Bass Module (Kick)
1:31 Snare Module
2:50 Tom Module x 1
4:08 Tom Modules x3
6:05 All Modules
8:00 All Modules but more Techno (without all the Effects and heavy Processing)

Note about my version: It have mod someone did for me , it's a module in the front where I can switch directly the patch from my Modular , the Knob can adjust the amount of velocity and the button can trig the sound without any external gear (very useful if you want to trigger and adjust the sound)

Playlist of Sound Provider' DrumMachine"

Gershon Kingsley - Popcorn (cover, Syntaxis uModules demo)


Krzychu1995

"!!! available at syntaxis.com.pl !!!
Last time I showed some sounds from Syntaxis micromodules system. Now it's time for more musical demonstration. Very old and overused track, but it's great for presenting capabilities of our synth.

Every sound, except drums comes from synth in the same configuration as in the second demo from my channel."


"micromodular starter kit

This is a set of components for building a basic but complete analog synthesizer on a breadboard. Although it might not have professional look, you will be surprised with its professional sound.

The kit includes:

μPSU·112·A power supply unit
μVCO·3340·A micromodule
μVCF·3320·LP4·A micromodule
μVCA·3360·LIN·A micromodule
μADSR·3310·A micromodule
μLFO·3340·A micromodule
a breadboard, 3x3 units (3 x EIC-16020, 6 x EIC-16010), E.I.C, Taiwan
jumper wires 340 pcs, Wisher, Taiwan
20 potentiometers B10k(*), Alpha, Taiwan
rotary switch, 3 positions, Alpha, Taiwan (VCO wave selection)
rotary switch, 4 positions, Alpha, Taiwan (LFO wave selection)
3 breadboard connectable 3.5mm jack mono sockets
6 connection wires (power connection)
laptop charger, 20V, 3A with 2.5/5.5 plug
2.5/5.5 DC socket with spring contacts
connection diagram

Lell UDS Demo


Jim Hokins

Running Order: how to create both normal and Euclidean trigger sequences


Endorphin.es

"Running Order is a compact 2 channel sub-sequencer. It makes it easy to create variations on the fly and come up with unexpected results that are always musical. In this video we go over how to create both normal trigger sequences (SH-101 style) and also Euclidean, with Euclidean FILL amount modulated by eternal sources for even more variation."

Fenestra: Pico System III workshop for visually impaired


Erica Synths

"FENESTRA is a global initiative to support visually impaired musicians
Learn more & join the cause!
https://fenestra.lv/

On 5th of September first Fenestra workshop took place in the main hub of the initiative - Synthlab in Riga, Latvia. The workshop was organized by Erica Synths and gathered 4 visually impaired musicians from Latvia to learn the possibilities of the Pico System III. It was led by Mario who despite his visual impairment has been mastering modular synthesis for several years in addition to playing trumpet and being a DJ. All the participants were gifted Pico Systems to endorse their continuation of electronic music explorations.

Video by Kristers Gontarevs"

Korg PSS-50 Programmable Stupor Section chord progression


acreil

"This thing isn't as useless as I thought.

Chord progression: G 9, D# M7, C m9, F 7, F 6, G 9, D# M7, C m9, G# 9, B m9, G# 7, G M7, C 6, D# M7, F 9, B m9, G# 7, G M7, C 6, D# M7, F 9, B M7, F# M7, A# m7, C# M7, E 6, B M7, F# M7, A# m9, A 9, E m9, D m6, C# m9, F# m7, F 6, E m9, D m6, C# m9, F# m7, F 6

Pattern: Bass 25 (Hard Rock I), Accomp 14 (16-Beat II), Rhythm 11 (8-Beat I), Fill In 17 (Disco I)"

PREVIOUS PAGE NEXT PAGE HOME


Patch n Tweak
Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH