16- The Arturia PolyBrute- The Matrix Part A

AutomaticGainsay

"Here is the first part of a two-part video exploration of the functionality of the matrix present on the Arturia PolyBrute. As it focuses on functionality, there is relatively little audio-related content or performance.

The theme for this demonstration was recorded by multitracking the Arturia PolyBrute in order to provide the various parts necessary. The drums were assembled out of loops from Apple’s GarageBand."

AutomaticGainsay Arturia PolyBrute posts

Endorphin.es Running Order V2 firmware update: ratchets, probability, Euclidean shift, live recording

Endorphin.es

"What is new in Firmware v2.0?

Release notes: v.2.0: 29.12.2020

Live recording: now you can record a new sequence by toggling the Track select switch to the side and the current sequence will continue playing until we enter the new sequence and switch back to the center.
Ratcheting and Probability in the Standard (a.k.a. Step Input) mode.
When in the record state: current’s track knob (Repeats I for Track I and Repeats II for Track II) sets the ratcheting amounts for current step (0 to 3).
Another track knob (Repeats II for Track I and Repeats I for Track II) sets the probablity of current step (1% to 100%).
Ratchet means that trigger fires per current step not once, but up to 3 times more (4 in total with original trigger).
If Repeats I/II knobs are not touched on enabling the record switch and entering the steps, then the probablity is always 100% and all the ratchets are off.
Once we move each of track’s knobs during the record state, we set ratchet and probability values for current step and if we don’t change the knobs – those values apply to the next steps. To remember probability / ratchet parameter in step mode, first set the parameter value and then press step button to lock the value to a current step and change the new one.
Offset and Probability in the Euclidean mode.
When in the record state: current’s track knob (Repeats I for Track I and Repeats II for Track II) sets the offset amount -8 steps in CCW to 0 to +8 steps in CW of the euclidean circle grid.
Another track’s knob (Repeats II for Track I and Repeats I for Track II) sets the probability 1% in CCW to 100% CW of triggers appearing.
Sync inputs even more improved. Sync latency reduced to 100 micro seconds. Once external clock is paused for longer than 1 second and then continues again, that acts as a sync on both inputs.
Bug fix: previously if Repeats knob was set to fully CCW, then the divider knob would not have any effect on the speed of the track with external clock applied."

Isobutane (meets Polyend Tracker) - Fifuci

Polyend

"I was trying out a sample of my cat and some other guitar stuff I was recording earlier and this is basically it being tweaked live in the Performance mode.

My name is Martin but everybody calls me Iso. I'm based in Bratislava and been making music since I have discovered a program called Music on one of those old PlayStation 1 demo discs in 1999. Started to play live under the moniker Isobutane sometime in 2006 and have been pretty active since.

When I bought the Polyend Tracker, I was just curious. What really happened when I got it was beyond anything I was expecting. I really mean it. I realized that throughout the years I became very ignorant about the best thing when making music – the process of making itself. With all these music jobs I had, I teach myself to work quickly and effectively and absolutely forgot about how good the process of making a track really feels. The Tracker brought this back, slowed me down a bit, make me learn, make me think of composing and sound design and actually brought a huge chunk of fun and passion to the game. So thank you for making it, it is certainly a machine that brought a new fresh chunk of enjoyment to what I love the most." ❤️
---
"The video comes with a included downloadable track project for you to explore and try performing it your own way! Using our Blog Scene section, we will be sharing various artists profiles and their Tracker composed music with the community growing around it. Sharing is caring! Get the project of Isobutane – Fifuci."

Polyend - Inspiring Instruments for Creative Individuals

Polyend

"Polyend Tracker & Medusa in hands of Isobutane."

Random Source Serge Mantra

] mxbdpln [

"Self playing sequence
DUSG plays the two voices
Sequence is modulated by TimeGen Oscillator
Filtering by VCFQ and SSG

Effects are Strymon Timeline delay and Zoom reverb"

KORG SQ-64 Video Manual - The Basics

Playlist:
SQ-64: The basics [Part 1] - (TURN on CC)
SQ-64: The basics [Part 2] - (TURN on CC)
SQ-64: The basics [Part 3] - (TURN on CC)

Phantom of the Paradise Model

via Space Leech

"I want this Phantom of the Paradise statue more than food.

SMH Magazine, Vol. 2, 1996."

And a clip from the film featuring Tonto:


phantom of the paradise - FAUST (robot) bloomis23

Roland MC-500 | The Magic of 80s MIDI Sequencing | Pt.1

Espen Kraft

"In 1986 Roland released the MC-500 Micro Composer. It soon ruled the world of MIDI sequencing. It was cheap, fast and rock solid.

Gear used in the video:
Roland CR-1000 drum machine, set to external sync, received from MIDI Out2 on the MC-500.
Crumar BIT01 for strings
Roland D-550 for the lead
Yamaha TX802 for synth bass
The Sequential Six-Trak is played live (over the top) in the demo track."

Novation Nova Desktop (Laptop) #3 Poly/Keys/Misc Demo #noTalking

Kosmokatze

"Last Video of my little Nova Desktop Demo series. Out of the Box, no EQ/FX!" Hope you enjoy and get a little inspired from this 90s machine."

Kosmokatze Novation Nova posts

Desert Rain

Baghead · Desert Rain

"All sounds from single tracked Easel sending two outs, one with 208 Toolbox switching between Easel MO and VCS3 card sounds at random all thru an H9 with Blackhole Centaurus preset, the other out went raw Easel to a Bastl Dark Matter Feedback that self oscillates at time.

Patch is in the image

Enjoy

Bastl Dark MAtterH9"