Saturday, November 19, 2022
22 06 19 Scrotum Lab - M Class Pico VCO / Gate Sequencer [AUDIO RATE]
video upload by batchas
"Testing the Gate sequencer in audio rate."
22 06 19 Serge M-Class 10-step Gate Sequencer + VCO
"M-Class panel for Serge Modular System made by Scrotum Lab: 10-step Gate Sequencer (CGS89) + Stroh Pico VCO as very slow LFO or as VCO.
A switch allows the Gate Sequencer to be externally clocked or internally (Pico VCO rate becoming the main clock)."
Alesis Andromeda A6 Rebirth w/ Custom Hinged Black Panel
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Here is a Alesis Andromeda A6 Rebirth for sale.
It’s handmade rebuilt by Doc Analog from Germany.
There are six(!) units worldwide only. Thomas Siedler (Doc Analog) stopped that rebuilt project now, in cause of the enormous extravagance."
This one was spotted and sent in via M Me.
via this auction
"Here is a Alesis Andromeda A6 Rebirth for sale.
It’s handmade rebuilt by Doc Analog from Germany.
There are six(!) units worldwide only. Thomas Siedler (Doc Analog) stopped that rebuilt project now, in cause of the enormous extravagance."
This one was spotted and sent in via M Me.
Volume II for the OB-6 (Part 1)
video upload by Robust American Patches
"This video demonstrates 24 custom patches from our latest release...Volume II for the OB-6!
Visit us at https://www.robustamericanpatches.com for more info."
Nanobox Fireball - "Aura" 40 Presets
video upload by LFOstore
"Lfo.store presents 'Aura' the bank for Nanobox Fireball.
Buy: https://lfostore.sellfy.store/p/nanob...
Nanobox Fireball is an incredible synthesizer with amazing features and sound, and we continue to unlock its potential.
Time for cosmic vibrations and aura healing!
In the bank you will find deep pads and soundscapes.
40 amazing presets are waiting for you and ready to fill your compositions with new colors and inspire creativity.
Cinematic, Electronic, Ambient, create new music worlds with Nanobox Fireball and 'Aura'
Every patch of our soundset is musical & can be immediately used in your tracks & production.
Enjoy and may the music come with you!"
Time Doesn’t Care
video upload by John L Rice
"Another quick test I lost myself in after a change to this mini modular.
Rebel Technology CLK
Vermona meloDICER
Ladik Dual Lag
Endorphines Two Of Cups
4ms Pod48x case
Tendrils Cables
Thanks 🙏"
LABELS/MORE:
4ms,
Endorphin.es,
eurorack,
Ladik,
MATRIXSYNTH Members,
Rebel Technology,
Tendrils,
Vermona
Eurorack jam featuring Tymp Legio, Manis Iteritas, and Loquelic Iteritas
video upload by
"Here's a performance with NE's Patrick O'Brien with a fiery techno Eurorack track featuring Tymp Legio, Manis Iteritas, and Loquelic Iteritas. There are two Tymp Legios in this case, one for the heavy kicks and another for the stereo hihats."
http://www.noiseengineering.us
SPITFIRE AUDIO ORIGINALS - They Did A Wurli
video upload by
"Demo and walkthrough of newly released SPITFIRE AUDIO ORIGINAL WURLI, a VST plugin sample library of the famous Wurlitzer 200A electric piano."
MORE WOODY PIANO SHACK
► WEBSITE https://woodypianoshack.com - additional links there.
► PATREON http://bit.ly/woody_patreon
► MUSIC https://woodypianoshack.bandcamp.com
ACE TONE CANARY S-3 One of the few remaining units on the planet
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
This appears to be the same one listed back in September. You can find a small handful of posts mentioning the Canary here.
"One of the very few remaining Ace Tone Canary S-3 on the planet. Despite being a 60 years old machine, this unit works like a charm and it's in spectacular cosmetic conditions -- it looks much better than the unit exhibited at the Roland Museum, actually.
History Designed and built by Ikutaro Kakehashi (founder of Ace Tone, Roland and Boss) in 1962 during the Pre-Roland era, the Ace Tone Canary S-3 is an early monophonic synthesizer inspired by the Clavioline, a forerunner to the analog synthesizer invented in 1947, but implementing several technical improvements and revisions that make it a unique instrument. In 1964, Ikutaro Kakehashi decided to take the Canary S-3 along to the NAMM show in Chicago but, despite receiving interest, he did not receive any distribution deals. So the Canary S-3 ended up being distributed in Japan only and quickly became a rare instrument even at that time.
Sound When you listen to this machine, the reason of that unsuccessful mission at NAMM quickly stands out: the sound of the Canary S-3 had nothing to do with 60's music, it was not a simulation of classical instruments. The Canary S-3 sound was quite agressive, warm and extremely rich in armonics, totally in line with nowadays electronic music standards and so far away from the 60's vibes. It's pure electricity generated by military-grade germanium transistor oscillators and filters, a machine that can easily be used as main/only instrument in modern music productions.
Germanium Instead of using a vacuum tube oscillator as the Clavioline, the Canary S-3 implements a solid state circuitry totally based on germanium transistors. Widely implemented in vintage guitar fuzzboxes and amplification and exceptionally in synthesizer circuitry (such as the VCA section of the EMS VCS3/Synthi A), these transistors have a warmth and a granulity as pleasant as the tube sound, without being the same. The sonic grain of germanium is generally a bit rougher than the tube grain, and radically less flat and plain than classic silicon transistors. -- As far as I know the Canary S-3 is the only synthesizer ever built using germanium transistors as sound generators.
Architecture The Canary S-3 can be organized in 3 main sections: Sound Generator - Tone Color - Controls. The Sound Generator features 4 parallel octave dividers that output super fat saw waveforms in 4 different octaves (Bass - Tenor - Alto - Soprano) ranging from F0 to F4. Then the resulting waveform is passed through a germanium filter bank that separates the input signal into 5 components, each one carrying a frequency sub-band of the original signal. The 5 bands (obtained using HP and LP filters) are controlled by 5 combinable switches under the Tone Control section (1 - 2 - 3 - 4 - 5). The mix of the 4 Sound Generators and the 5 Tone Colors delivers a total of 496 different settings/sounds ranging from fat basses to rich organ and raw lead sounds. In addition to the main sounds the Canary S-3 features also two noise generators controlled by two unusual momentary push buttons designed to perform abstract rhythms in real time. The sounds can be modified using the knobs and the bizarre knee lever designed to perform volume variations in real time. The Control Section includes also two knobs for (pitch) Vibrato Speed and Depth, the global Tuning knob (+/- 2 semitones) and a master Volume knob used also tu on/off the instrument. Lastly there is the Rhythm Volume knob to set the volume of the two noises.
The Ace Tone Canary S-3 is undoubtedly a one-of-a-kind instrument, an amazing piece of retro tecnology, an avant-garde machine born six decades ago that still has something exclusive and unique to say."
via this auction
This appears to be the same one listed back in September. You can find a small handful of posts mentioning the Canary here.
"One of the very few remaining Ace Tone Canary S-3 on the planet. Despite being a 60 years old machine, this unit works like a charm and it's in spectacular cosmetic conditions -- it looks much better than the unit exhibited at the Roland Museum, actually. History Designed and built by Ikutaro Kakehashi (founder of Ace Tone, Roland and Boss) in 1962 during the Pre-Roland era, the Ace Tone Canary S-3 is an early monophonic synthesizer inspired by the Clavioline, a forerunner to the analog synthesizer invented in 1947, but implementing several technical improvements and revisions that make it a unique instrument. In 1964, Ikutaro Kakehashi decided to take the Canary S-3 along to the NAMM show in Chicago but, despite receiving interest, he did not receive any distribution deals. So the Canary S-3 ended up being distributed in Japan only and quickly became a rare instrument even at that time.
Sound When you listen to this machine, the reason of that unsuccessful mission at NAMM quickly stands out: the sound of the Canary S-3 had nothing to do with 60's music, it was not a simulation of classical instruments. The Canary S-3 sound was quite agressive, warm and extremely rich in armonics, totally in line with nowadays electronic music standards and so far away from the 60's vibes. It's pure electricity generated by military-grade germanium transistor oscillators and filters, a machine that can easily be used as main/only instrument in modern music productions.
Germanium Instead of using a vacuum tube oscillator as the Clavioline, the Canary S-3 implements a solid state circuitry totally based on germanium transistors. Widely implemented in vintage guitar fuzzboxes and amplification and exceptionally in synthesizer circuitry (such as the VCA section of the EMS VCS3/Synthi A), these transistors have a warmth and a granulity as pleasant as the tube sound, without being the same. The sonic grain of germanium is generally a bit rougher than the tube grain, and radically less flat and plain than classic silicon transistors. -- As far as I know the Canary S-3 is the only synthesizer ever built using germanium transistors as sound generators.
Architecture The Canary S-3 can be organized in 3 main sections: Sound Generator - Tone Color - Controls. The Sound Generator features 4 parallel octave dividers that output super fat saw waveforms in 4 different octaves (Bass - Tenor - Alto - Soprano) ranging from F0 to F4. Then the resulting waveform is passed through a germanium filter bank that separates the input signal into 5 components, each one carrying a frequency sub-band of the original signal. The 5 bands (obtained using HP and LP filters) are controlled by 5 combinable switches under the Tone Control section (1 - 2 - 3 - 4 - 5). The mix of the 4 Sound Generators and the 5 Tone Colors delivers a total of 496 different settings/sounds ranging from fat basses to rich organ and raw lead sounds. In addition to the main sounds the Canary S-3 features also two noise generators controlled by two unusual momentary push buttons designed to perform abstract rhythms in real time. The sounds can be modified using the knobs and the bizarre knee lever designed to perform volume variations in real time. The Control Section includes also two knobs for (pitch) Vibrato Speed and Depth, the global Tuning knob (+/- 2 semitones) and a master Volume knob used also tu on/off the instrument. Lastly there is the Rhythm Volume knob to set the volume of the two noises.
The Ace Tone Canary S-3 is undoubtedly a one-of-a-kind instrument, an amazing piece of retro tecnology, an avant-garde machine born six decades ago that still has something exclusive and unique to say."
Brother GX-151 aka Baldwin Discoverer DS-50 Analog Synthesizer / Drum Machine SN 111892 w/ Extras
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
You can find dmeos of one in previous posts.
"Incredibly cool piece of RARE vintage analog goodness. This is a pretty-much-mint condition 1970 Brother Auto Emillion GX-151 Synthesizer/Organ.
Before it was the Baldwin Discoverer DS-50, it was the Brother Auto-Emillion GX-151, manufactured by the Japanese printer company, who later sold the rights to Baldwin.
Made by Brother Industries, Nagoya Japan, and sold in the US under the name Baldwin Discoverer. Which was a favorite of Brian Wilson from the Beach Boys, and later Radiohead, Gorillaz, Beck, Haley Williams - Tiny Desk NPR, etc...
This one’s definitely for the collector, but could also be a fully functioning addition to the keys collection of any recording studio looking for those extremely rare, cool retro vibes.
This analog synth/organ has a number of great preset sounds, as well as the potential to create your own sounds combining different sound voices.
This machine has the ability to record user-created arpeggiated or chord sequences, and this function works perfectly. One saved sequence can be stored on a microchip which is working perfectly, even after powering off. It is also one finger or live automated if desired. Similar to a Suzuki Omnichord, but with a synth/keyboard.
There is a Mic input which can be volume controlled on the interface, expression pedal input, Line out, and Line in, Input jack for DC 12V.
There's a great built-in analog drum machine, with great preset rhythms, reminiscent of the Roland CR-78, and two different rhythms can be played at once, creating nice new combinations.
This is a great sounding machine with tons of character.
Again, it is in collector condition. Comes with the original Instruction Manual, the two original music stands, and complete with the original dark grey Brother carry bag.
Minus one tiny scratch on the left end piece. Every function, knob, and slider is in working condition. It’s been in storage for a few years, so some of the pots are scratchy, could use some canned air or contact cleaner. All in all, it’s in fantastic shape.
Purchased in Ireland, Comes with the original European 250v Brother A/C adapter. I’ll include the after market 12v USA adaptor pictured."
via this auction
You can find dmeos of one in previous posts.
"Incredibly cool piece of RARE vintage analog goodness. This is a pretty-much-mint condition 1970 Brother Auto Emillion GX-151 Synthesizer/Organ.Before it was the Baldwin Discoverer DS-50, it was the Brother Auto-Emillion GX-151, manufactured by the Japanese printer company, who later sold the rights to Baldwin.
Made by Brother Industries, Nagoya Japan, and sold in the US under the name Baldwin Discoverer. Which was a favorite of Brian Wilson from the Beach Boys, and later Radiohead, Gorillaz, Beck, Haley Williams - Tiny Desk NPR, etc...
This one’s definitely for the collector, but could also be a fully functioning addition to the keys collection of any recording studio looking for those extremely rare, cool retro vibes.
This analog synth/organ has a number of great preset sounds, as well as the potential to create your own sounds combining different sound voices.
This machine has the ability to record user-created arpeggiated or chord sequences, and this function works perfectly. One saved sequence can be stored on a microchip which is working perfectly, even after powering off. It is also one finger or live automated if desired. Similar to a Suzuki Omnichord, but with a synth/keyboard.
There is a Mic input which can be volume controlled on the interface, expression pedal input, Line out, and Line in, Input jack for DC 12V.
There's a great built-in analog drum machine, with great preset rhythms, reminiscent of the Roland CR-78, and two different rhythms can be played at once, creating nice new combinations.
This is a great sounding machine with tons of character.
Again, it is in collector condition. Comes with the original Instruction Manual, the two original music stands, and complete with the original dark grey Brother carry bag.
Minus one tiny scratch on the left end piece. Every function, knob, and slider is in working condition. It’s been in storage for a few years, so some of the pots are scratchy, could use some canned air or contact cleaner. All in all, it’s in fantastic shape.
Purchased in Ireland, Comes with the original European 250v Brother A/C adapter. I’ll include the after market 12v USA adaptor pictured."
Retro Mechanical Labs Hyde Distortion Filter
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Retro Mechanical Labs Hyde/Electron Fuzz Custom Combo unit. This one is in an oiled walnut case, and I had RML add 1/4” I/O for the filter as well as the EFC and LFO out. It can be connected with either the standard Eurorack 1/8” or the 1/4” on the back. It’s a beautiful thing, works perfectly and was purchased new direct from Retro Mechanical Labs."
You can find some demos in previous posts here.
via this auction
"Retro Mechanical Labs Hyde/Electron Fuzz Custom Combo unit. This one is in an oiled walnut case, and I had RML add 1/4” I/O for the filter as well as the EFC and LFO out. It can be connected with either the standard Eurorack 1/8” or the 1/4” on the back. It’s a beautiful thing, works perfectly and was purchased new direct from Retro Mechanical Labs."
You can find some demos in previous posts here.
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
