Rudess Meets Bebot

YouTube via rlainhart
"Jordan Rudess demonstrates and performs with Bebot, a new multi-touch performance synthesizer for the Apple iPhone and iPod Touch."
You can find Bebot on iTunes here:

Korg Trinity 61

via this auction
"Sound Generation : Multi-Oscillator Synthesis System
Sound : 24MB internal PCM ROM
Keyboard : 61-key
Memory Capacity : 256 Programs and 256 Combinations
Effects : 114 dynamic multi-effects, 8 insert and 2 master effects available simultaneously
Display : touch-screen Graphical User Interface
Sequencer : 16-track, 80000-note capacity
Card slot : optional 8MB PCM Flash ROM for sounds
Controllers : ribbon controller, joystick, assignable switches
Connectors : L(Mono)/R output, Phones, MIDI IN/OUT/THRU, Foot switch, Foot pedal"

Sensomusic Usine by Fractal

YouTube via jeremjerem
"A very very quick view of touch screen edition of Usine on my Tx2z.

I use it to control Ableton Live like a Lemur(only monotouch but in near futur , Usine go multi touch !!! )

Usine is a great software! Free Edition(on video) or pro for only 70 euros.
I think i use only 1% of Usine :) (Usine is full of add ons and other patch!)

Sorry for the bad video( record with one hand and play with other...not very comfortable...)

Music: next Fractal song... http://www.myspace.com/fractaldeath

Sensomusic software : http://www.sensomusic.com/usine/"

NAMM: Open Labs MiKo

"MiKo LXD

The Gen5 MiKo LXD is the latest addition to the Open Labs® products line. Using a 15” touch-screen, 37 black and white keys, external backlit QWERTY keyboard and running Windows® OS, MiKo LXD is an entirely new class of portable music instrument. This portable media work center was specifically designed for the electronic musician, music producer and today’s digital lifestyle.

MiKo LXD’s optimized Windows OS natively supports virtually any music application or plug-in developed for a PC. From Pro Tools™ to Nuendo™, Native Instruments™ Komplete™ to Spectrasonics™ Omnisphere™, MiKo LXD does it all with ease.

MiKo LXD is equipped with the new Bump MP™ integrated drum module, designed to allow the user to create beats and trigger any sound, loop or sample in real-time. Enhanced with a special Open Labs version of Guru™ from FXpansion™, key features of the Bump MP include: (16 plus 1) fully assignable pads, note repeat, max level, fixed level fader, transport controls, chromatic mode, hold, pad tune, multiple groove preset and eight engines with 24 presets per engine.

MiKo LXD is also equipped with the new Open Labs Mix/Edit controller. The mixer section consists of multiple fully assignable controls including: (8) encoders, (8) lighted buttons, (8) faders, (4 X 4) banks (total of 128 channels) and (1) master volume fader. The edit section consists of multiple, fully assignable controls including: (8) encoders, (1) LCD display (for encoders), (4) buttons and (4) banks (total of 32 control parameters).

MiKo LXD has the most relevant and compelling sounds including: Open Labs The Master’s Series Library™ produced by multi-platinum producer Mr. Porter (Denaun Porter), as well as Open Labs’ own V5™ sound, sample and loop library.

Open Labs Riff™ is an entirely new concept in virtual instrument hosting. Written from the ground up by Open Labs, Riff encompasses over six years of live performance and studio production knowledge gathered from some of the world’s top artists, engineers, composers, and producers. Its advanced features include: Live Controls™, which allows the user to create any number of virtual controls in real-time that can be mapped to various effects and other parameters. Advanced intelligence allows any number of virtual controllers to manipulate any number of other virtual controllers, providing automation for virtual instruments and effects. Rewire allows for this powerful host application to be used within any DAW program.

The MiKo offers superior mobility in a compact package. It’s perfect for working in a project studio of performing live – where creating beats, guitar and vocal multi-tracking, and DJ/VJ capabilities are as necessary as playing a keyboard.

The MiKo’s assignable Master and DJ controllers elevate live performance beyond normal application. For instance, you can trigger Mp3’s in real time, then grab audio waveforms via the touchscreen. To top things off, throw some real-time drum, bass, and vocal lines on top of your mix.

Open Labs instruments are equipped with Firewire, USB, PCI EXPRESS and an Ethernet port, allowing access to the Internet via a broadband connection. Open Labs tech support can log-in to your system, and our online technicians can remotely view and diagnose any issue – while you are still in your own studio.

We’ve included over 200 world-class virtual instruments and effects with over 20,000 presets with virtually unlimited capability for third party plug-ins and applications.

MiKo LXD Dimensions: 34"(L) X 19"(W) X 7"(H) Weight (base configuration) 38.8 lbs."

LX5 and XXL pictured below. More info: http://openlabs.com/products.html

NAMM: Jazzmutant Lemur V2

" More flexible. More intuitive. More control.

With the groundbreaking Lemur controller Jazzmutant have revolutionised the way in which performers can now interact with light, video and sound. The Lemur offers an unrivalled package of intuitive features beneath a futuristic multitouch-sensitive surface, and as result has won fans across the globe including the groundbreaking musicians Richie Hawtin, Björk and Ryuichi Sakamoto.

With the new free version 2 firmware update Jazzmutant are taking the Lemur to another level of control, flexibility and intuitive operation. A host of new object features allows users to really interact with sound and manipulate it in real time like never before. Workflow improvements, scripting additions and other new features allow the controller to be used seamlessly with leading software applications. Ableton Live users, in particular, will benefit from some of the new features.

Organised Container objects with tabs
You can now pile up several containers and access their content through their indiviual tabs. Put all the controls you need for one part of your performance in one tab, then simply push the next tab to reveal a whole new bank. This feature will definitely allow you to greatly improve interface layouts and ergonomics.

Enhanced control of all your envelopes with the new Breakpoint object
The new Breakpoint object offers total control of synthesiser or sampler envelopes with a multi-segment envelope editor to allow you to really get inside a sound, live on stage! Rather than assigning knobs to these sound shapers, jump right in and directly tweak an on-screen representation of the envelope. This familiar, visual interface allows you to see exactly how you are changing the sound and you can easily add extra breakpoints with a simple double touch.

Faster set-up with the Alias feature
Duplicate a controller object that sends exactly the same information to your computer as the original with Alias. What are the benefits? It takes up less memory and is less time consuming than setting up a new object with identical characteristics. Manipulating the original can now control the same computer parameters but from different interface screens. Moving one will automatically update its "mirror image".

Mouse and keyboard control
Still finding yourself reaching over to the computer during your live show? Not any more! Now Lemur's objects can be used to remotely control the mouse cursor or computer keyboard.

Acute precision with the new Gesture object
The new Gesture object emulates a trackpad control with advanced gesture recognition and has three novel ways to interact with your sound. Pinch, Rotate or Trace your fingers to send different control messages to your computer.

Intuitive design with new LemurMenu object
It's a new pop-up menu selection tool offering a list of items from which to choose from.

Easier interface design with JazzEditor
Improved customization of your interfaces is a reality with the new Jazzeditor. You now have the ability to easily drag objects from the new palette into the work area and make your interface visually stimulating with the new "color" picker.

Extended scripting abilities
In the JazzEditor, a new Multiline script pane opens up a whole new world of possibilities. You can now modify the physical behaviour, appearance or size of an object in real time. Add a ball to a Multiball object by touching a pad, zoom in on a fader for ultimate precision or modify a Text object content via MIDI or OSC. For Ableton users that means it is now possible to receive clip names and colours and display them on the Lemur. Any changes in your Live set are automatically reflected on the Lemur. Now you can really put that computer behind you and concentrate on your performance!"

http://www.jazzmutant.com/

Multitouch surface as a MIDI controller

YouTube via OfficialDeathCubeK

ReacTogon - Full Demo

YouTube via OfficialDeathCubeK
"The reacTogon is a multi-touch sensitive music arpeggiator based on the harmonic table. Copyright 2007 Mark Burton"

NAMM: Kurzweil PC361

"PC361 Overview
The Ultimate Performance Controller Keyboard

With a sleek new look on the outside, and an arsenal of Kurzweil's latest cutting edge chip technology under its hood, the 61-note PC361 delivers 128 voices of incredible sound quality along with a host of powerful, easy to use features. The PC361 is Kurzweil's ultimate performance controller keyboard, with an enormous collection of stunning sounds combined with comprehensive real-time controller functions.

In addition to our renowned Triple Strike Grand Piano, the PC361 features hundreds of new sounds; basses, drums, guitars, and synths suited for every style and taste, along with a collection of flawless vintage keyboard emulations, KB3 Mode and over 250 orchestral and string section programs.

The PC361's new Dynamic V.A.S.T. architecture is a huge step forward in synthesis, the fruit of several major strides we've made in improving processing power, flexibility and user-friendliness. Good news for synth enthusiasts - we've seamlessly integrated our legendary VA-1 Virtual Analog Synthesizer into the new system!

For good measure we include an unlimited-track sequencer with 960 PPQ resolution and more effects processing power than our acclaimed KSP8 processor, making the PC361 a full blown music production workstation. Add in USB, flash xD card port, a newly designed keyboard action, and a new intuitive user interface, and you've got the next generation of Kurzweil instruments.

It's a performance controller. It's a synthesizer. It's a workstation.
What's Inside...

One thing which clearly sets Kurzweil apart from the competition is the fact that we design our own chips (called ASICs) for all Kurzweil products. Simply put, our chips are customized for optimum audio performance. What does this mean for the end user? It means that all of the processing power in a Kurzweil chip is devoted exclusively to sound. It means no noticeable latency - the performance is always lightning fast. And most importantly, it translates into that rich, full, glitch-free sound for which Kurzweil has become famous. Yes developing our own chips is more expensive and more time consuming. We think it's well worth it. Once you've heard the PC361, we think you'll agree.
The Kurzweil Sound...

The PC361 offers an enormous sound set of over 850 programs, raising the bar once again for both audio quality and variety. With the best samples in the industry, and a powerful, responsive synth engine breathing life into them, you'll feel like you're playing an actual instrument, not just playing samples. Of course there's the famous Kurzweil Triple Strike Piano, with dozens of variations to accommodate every kind of player. All of the basic sounds - basses, guitars, drums, horns and synths - have been painstakingly programmed to reflect the needs of today's professional players, representing a broad selection of styles and flavors from the '60s, '70s, '80s, '90s and today.

Also included is our Classic Keys ROM, which puts an impossibly large vintage keyboard rig at your fingertips. These are vintage emulations which actually sound like vintage instruments and classic recordings. The recognizable sounds of those classic electromechanical instruments, with all of their characteristic imperfections, have been faithfully re-created, along with pedals, amps and speakers. Lush Mellotrons, growling electric pianos, and punchy Clavinets are all there at the touch of a button, programmed to sound just like those classic albums.

For more vintage firepower, the PC361 is equipped with the most advanced version of Kurzweil's widely lauded KB3 Mode tonewheel organ simulator, which screams, sputters and sizzles just like the original. In addition to newly developed Leslie effects, and a new bank of B3 programs, we've also included sounds from the classic Vox and Farfisa combo organs. The PC361's 9 sliders provide real-time drawbar control.

The PC361 offers a full range of world class orchestral sounds, including our new String Section ROM bank, making it ideal for film-scoring and soundtrack projects. Every type of articulation, every nuance has been captured, with samples of full and divisi sections of violins, violas, cellos, and double bass. The details, the warm swells, animated pizzicatos and the sound of scraping rosin all add to the breathtaking effect of these string sections. You can plug and play with sounds worthy of a finished production - instant gratification with uncompromising sound quality.
Dynamic V.A.S.T...

Under the hood of the PC361 is simply the most powerful synthesis engine ever created by Kurzweil. Dynamic V.A.S.T. picks up where the K series left off. Having up to 32 layers per program means that emulations of real instruments can be extremely detailed and accurate, while the synthesized sounds can be extraordinarily large and complex.

Expanding upon our V.A.S.T. architecture, the PC361's new architecture delivers more power and flexibility combined with unprecedented ease of use. Users can now create and store their own DSP algorithms, with nearly limitless possibilities for routing.

In another huge development, we've resurrected the VA-1 Virtual Analog Synthesizer, having built it's synthesis engine right into the new system. Hear the VA-1's power-shaped, anti-aliasing oscillators (including supersaw, triplesaw, and hard sync oscillators) combined with a newer, larger set of V.A.S.T. filters (like the classic-style 4pole low pass w/ resonance) and non-linear processors and you'll understand why the internet is buzzing about this feature.
Cascade Mode...

Every layer in a program can be routed through the DSP of any other layer, in series or blended together, with up to 32 layers. It's the same concept as Triple Mode on our K26 series, without the 3 layer limit. You can run your sound through literally dozens of filters (which can all move independently in real-time) in addition to Kurzweil's signature DSP processors like Shaper, Wrap and Distortion, allowing for some truly dazzling results. This is one more feature which makes the PC361's synth engine so powerful and so different than anything else on the market.
User Interface...

While the PC361's user interface may look familiar to veteran Kurzweil users, major improvements have been made, allowing for a much more user friendly experience. The PC361's backlit 240 x 64 display conveys all the information you'll need, when you need it, in an elegant, easy to navigate environment.

Programs are categorized and can be selected by scrolling or by using bank and program select buttons. Further, user favorites can be organized into convenient "Quick Access" banks for easy one touch recall.

In addition to fast navigation, each preset sound is accompanied by an "Info" screen which can be accessed at the touch of a button. As every sound can have its own customized set of real-time, physical controllers (sliders, modwheel, switches, CC Pedals, mono pressure, etc.) , the Info button makes viewing the current assignments effortless.

Complimenting the PC361's killer soundset is the the Easy Audition feature, where every one of the PC361's presets is linked to a bank of "riffs", recorded sequences which demonstrate each sound in an appropriate context. Just hit the "play" button on the front panel and get a quick musical preview of the current selection. Program selection and navigation, fast and easy.

Helping to tap the system's full potential, the PC3 also sports a feature-laden software-based Desktop Editor with comprehensive, easy to use features. (free download- both Mac & PC platforms available)
Effects...

With up to 16 insert effects, two available auxiliary sends, PLUS a global Master FX section, the PC361 offers more than twice the processing power of our acclaimed KDFX engine. Effects can be chained together in series, or distributed among the PC361's 16 multitimbral channels. And these are simply the best effects in the business - burning distortions, transparent compressors, warm phaser and chorus effects, perfect reverbs - everything from flawless vintage emulations to concert halls which decay into complete silence. All parameters are assignable to any of the PC361's real time controllers - sliders, pedals, wheels, etc.
Sequencer...

The PC361 features a newly designed sequencer, with unlimited tracks and 960 PPQ resolution. Combining a set of powerful song editing functions like event editing, swing, and controller scaling with a new friendlier interface, the PC361 truly excels as a song writing/arranging workstation, ideal for music production on the fly. Chasing controls, input quantizing and a global "set song length" function are just a couple of the features we've incorporated.
Arpeggiators & Riffs...

The PC361 sports sixteen (yes, 16!) independent, fully programmable arpeggiators featuring 48-step programmable, pattern generators with both pitch and velocity controls - per zone (allowing for up to 16 patterns to playback simultaneously). These are accompanied by a thorough collection of modes, scales and pre-programmed patterns to get your juices flowing.

If that wasn't enough, the PC3 offers sixteen unique "Riff" generators, which permit the triggering of MIDI sequenced phrases, beats, or even complete multi-track arrangments from notes on the keyboard and/or any on-board physical controller.

Suggested Retail Price: $2395
Estimated Release Date: March 2009 (N. America)

All specifications subject to change without notice."

More details here.

NAMM: Akai Professional MPK25

"AKAI PRO EXPANDS MPK KEYBOARD SERIES WITH NEW 25-KEY MODEL

MPK49 Keyboard Controller with MPC Pads Gets MPK25 Sibling

Cumberland, R.I. (Jan. 15, 2009) – Akai Professional, the name synonymous with music production, announces MPK25, a new addition to its popular MPK series of keyboard controllers with MPC pads. The MPK25 will be on display at the 2009 NAMM Show in Anaheim, Calif., January 15 – 18, 2009 at the Akai Professional booth, number 6400.

The MPK25 draws on the design of the popular MPK49, the first keyboard ever to feature genuine MPC pads. It features a 25-key, semi-weighted keyboard with aftertouch, 12 MPC pads, Q-Link controls and MPC technology. Its smaller, more portable size makes the MPK25 the perfect travel companion. Its small footprint can fit in a musician’s lap on the couch or on a plane, enabling them to create tracks whenever inspiration strikes.

The MPK series features Akai Professional-exclusive MPC pads that are pressure and velocity-sensitive to capture every nuance of the user’s creativity. The pads can access four banks of sounds, so performers can have 48 samples at their fingertips with the touch of a button.

The MPK25 offers extensive assignable controls through its Q-Link section. The MPK25 gives players 32 parameters of hands-on control through 12 virtual knobs and four virtual buttons, each of which can access two different banks of assignment via a bank-change control.

Two technologies pioneered in the MPC series and built into the MPK series are MPC Note Repeat and MPC Swing. These note-modifying features can be heard in many of the most popular tracks over the last two decades. MPC Note Repeat automatically plays a rhythmic pattern, such as 16th notes on a hi-hat, for accuracy and speed of entry. MPC Swing is sometimes referred to as "the heart and soul of hip hop". Users can specify exactly the degree and timing of swing they want to apply for the perfect feel.

The MPK25 has an arpeggiator, which enables performers to develop creative riffs in seconds. The arpeggiator features six different modes and can have its own swing settings independent of the MPC Note Repeat settings.

Because MPK series controllers are USB class compliant, they do not require custom drivers to work with Mac or PC computers and will work with all MIDI recording, sequencing and performance software. The MPK series is perfect for musicians, producers, DJs and VJs.

The MPK25 comes with Ableton Live Lite Akai Edition software, one of the most popular and powerful performance and production programs in the world. Ableton Live Lite enables musicians to spontaneously compose, record, remix, improvise and edit musical ideas in a seamless audio/MIDI environment.

“This new addition to the MPK line takes the expressive, creative capabilities of the MPK49 to new places,” said Gregg Stein, Director of Marketing, Akai Professional. “The MPK25 can go away for the weekend with you and it is easy to integrate into on-stage setups for multi-instrumentalists and drummers.”

The MPK25 keyboard controller with MPC pads will be available from pro audio and musical instrument retailers in Q2 at an MSRP of $399.99 and an estimated street price of $299.99.

# # #

About Akai Professional

Since 1984, Akai Professional products have been a staple of modern music both in the studio and on stage. With intuitive design and cutting edge features, Akai Professional is one of the world’s most influential manufacturers of musical electronics. For more information, visit www.akaipro.com; images are available at http://akaipro.com/media.php.

Update .zerozeroisland. via in the comments:
"It's a great piece of gear, let me tell you. I was one of the beta testers, and i have one sitting right next to me as i type this.

it's a solidly built hunk of metal with a great feeling keyboard and pads that are pretty much as good as the ones on my mpc, although slightly smaller. the Vyzex sofware editor for it is also a great app. with that many programmable pads, knobs, switches etc. you'll definitely be glad for the on-screen editing!"

Korg Trinity

images at this auction
"Sound Generation : Multi-Oscillator Synthesis System
Sound : 24MB internal PCM ROM
Keyboard : 61-key
Memory Capacity : 256 Programs and 256 Combinations
Effects : 114 dynamic multi-effects, 8 insert and 2 master effects available simultaneously
Display : touch-screen Graphical User Interface
Sequencer : 16-track, 80000-note capacity
Card slot : optional 8MB PCM Flash ROM for sounds
Controllers : ribbon controller, joystick, assignable switches
Connectors : L(Mono)/R output, Phones, MIDI IN/OUT/THRU, Foot switch, Foot pedal"

Multitouch Prototype 2

Multitouch Prototype 2 from Randy Jones on Vimeo.
"8 x 8 touch sensitive array sampled at 1300 Hz. Cost: about $50 in materials plus a nice audio interface. More info: 2uptech.com/intimate_control"

Update: "Randy is teaching a series of Max/MSP/Jitter classes this Winter. See 2uptech.com for details."

Yamaha DX7II FD TX802 SYNTHESIZER

via this auction

note the pull out. I know the TX81Z has one as well. I'm curious how many other Yamaha racks had them.

Details:
"The TX-802 is the rack mount version of the DX-7II with a few added touches. It is an FM synth, so it excellent at re-creating Hammond organ, electric pianos, brass, analog sounds, and bells. It is in a whole new class for percussive sounds and ethnic sounds as you can change the tuning and get out of the 12 tone box. It is not too good when it comes to, acoustic pianos, and saxophones, but that's why the gods made samplers. A required piece of gear in my opinion since the DX7 is such a legendary synth. There are thousands of patches available online for this synth (can take DX7 and DX7II patches).

CLICK FOR MORE »

microKORG XL SYNTHESIZER/VOCODER - Available Early 2009

"The microKORG range expands with a new big brother to mega selling microKORG synth

The original microKORG is loved and used daily by musicians around the world – from keyboardists to guitarists – enabling everyone to experience the enjoyment of a great synthesizer. Now an advanced microKORG is available; a synthesizer that lets you generate your own personal sound, packing a cutting-edge sound engine and powerful effects into a compact, vintage-like body. Welcome the microKORG XL

Main features
New vintage design is both fresh and nostalgic.
Korg's renowned MMT Multi Modeling Technology, optimized for the microKORG XL.
Sixteeen band vocoder for voice controlled effects. A gooseneck microphone is included, so you can begin vocoding right away.
128 powerful sounds are built-in and ready for immediate use.
Intuitive sound selection; simply specify the music genre and instrument category.
Seventeen powerful KAOSS derived effects.
Newly developed natural touch mini keyboard is compact, yet easy to play.
Editing software can be downloaded from the Korg website, as well as converted MS2000 and microKORG programs.
Battery powered for on-the-go enjoyment.

The new top of the range microKORG --- XL power in a micro body
The microKORG has continued to be a best-seller since its arrival five years ago, and remains enormously popular today. This latest model boasts Korg’s powerful RADIAS/R3 derived MMT Multi Modeling Technology, as well as a powered-up vocoder. The updated ROM includes PCM data for recreating in-demand vintage keyboards such as piano, electric piano, and clav. Externally, the microKORG XL boasts a completely new vintage design with a textured black body and industrial silver panel. The interface has also been enhanced, making it easier than ever to use. Sound selection is controlled by two large dials; three smaller knobs allow the main parameters to be easily selected. The newly-developed mini-keyboard is firm and responsive for even greater playability. And best of all, it’s battery-powered so you can take it anywhere and still enjoy serious sound. For beginners, advanced musicians, and sound designers, this is a synthesizer that will stimulate your musical creativity.

Korg's MMT Multi Modeling Technology

Korg’s MMT engine provides a compendium of Korg’s various modeling technologies, offering a robust range of sounds – including great analog re-creations. Korg’s famed MMT is the same high-fidelity synthesis that powers our RADIAS, R3, and ElecTribe MX, optimized to provide the microKORG XL with phenomenal performance. The microKORG XL uses two MMT oscillators to generate powerful sounds. Oscillator 1 (OSC1) provides not only the standard waveforms you expect from an analog synthesizer, but a total of seven types of oscillator algorithms, including formant waveforms such as human voice, noise, and PCM/DWGS waveforms such as vintage keyboards and strings. Cross-modulation, unison, and VPM (Variable Phase Modulation) let you create sounds that would be impossible for a conventional PCM synthesizer. Oscillator 2 (OSC2) can be used for modulation (sync or ring) in conjunction with the first oscillator, making it easy to create complex and powerful sounds.

Dynamic synthesis power
Two multi-mode filters, a drive/waveshaping circuit for distinctively distorted sounds, and EG and LFO for creating time-varying tonal change, provide plenty of parameters for serious synthesis. Virtual Patching simulates the patching capability of Korg's classic MS series, and the arpeggiator can run six types of patterns, all adding up to a high degree of creative freedom. There’s also an external audio input jack, so you can process external audio material from a sampler or other source device. In the full-edit mode you have unlimited access to all of the microKORG XL's synthesis parameters.

Versatile Vocoding covers every angle – including those robot voices
Using a microphone, the microKORG XL’s amazing vocoder allows you to add vocal characteristics to any sound, creating everything from “talk-box” filtering, pseudo choirs, talking instruments and vintage Sci-Fi robots. You can also use a nother instrument – such a drum machine – to add rhythmic dexterity to your synth tracks. Our unique Formant Hold allows you to freeze the vocal input for continuous vocoder effects. In addition to simulating the classic vocoder sounds of the past, the microKORG XL also allows you to shift the filter frequencies (Formant Shift function) and adjust the level and pan of each of the sixteen bands, greatly altering the tonal character. This allows you to easily create fascinating textures and sounds that go far beyond traditional vocoding. A gooseneck microphone is included, so you can immediately start using these superb vocoder functions.

128 professional sounds, organized for immediate use

Finding the right sounds is easy. To choose a sound simply rotate the two large dials. The first selects the musical genre, while the second defines the instrument category. From the familiar "ROCK / KEYBOARD," the standard "R&B / LEAD," and the distinctive "HIPHOP / BASS," a wide range of presets are instantly available. For the diehard synthesists and sound designers, you can use the three performance edit knobs for fast, effective editing in performance. You're also free to select and assign your favorite parameters

Advanced dual effect engines
The two master effect processors were perfected on our KAOSS series. These up-to-the-minute effects go far beyond traditional delay and chorus, delivering a total of 17 powerful algorithms, including ring modulation and a grain shifter. In addition, delay effects can be synchronized to MIDI clock for expanded possibilities in a live performance and other “beat-sensitive” situations.

Compact expression and playability
Our new Natural Touch Mini Keyboard is firm and easy to play, inspiring confidence and greatly enhanced expressivity. The proportion of the black keys to white keys has been adjusted to make chording easier, and the improved touch allows rapid-fire phrases. The “waterfall” keys project a feeling of quality, and also make it easier to play glissandos, smears and slides.

FREE! Downloadable sound editing software
You can use a USB cable to connect the microKORG XL to your computer, and use the free sound editing software to organize your sounds and edit all of the parameters from your computer. In addition to the editing software, you can also download and use converted programs from microKORG and the MS2000/MS2000B free of charge.

Please note: Cosmetic and Technical specifications are subject to change without notice

microKORG XL Specifications
Tone Generator System: MMT (Multiple Modeling Technology)

Multi Timbral= maximum 2 (when using Layer, Split, or Multi)
Voices=8 voices
Structure: [Synth] 2 oscillators + noise generator, Oscillator 1: Wave: 8 types (Sawtooth, Pulse, Triangle, Sine, Formant, Noise, DWGS, Audio In), Modulation: Waveform, Cross, Unison, VPM, Oscillator 2: Wave: 4 types (Sawtooth, Pulse, Triangle, Sine), Modulation: Ring, Sync, Ring+Sync, Waveshape: Type: Drive, Decimator, HardClip, OctSaw, MultiTri, MultiSin, SubOSCSaw, SubOSCSqu, SubOSCTri, SubOSCSin, LevelBoost,

Multimode Filters: Filer 1: -24 dB/oct LPF ~ -12 dB/oct LPF ~ -12 dB/oct BPF ~ -12 dB/oct HPF ~ Thru, Filter 2: LPF, HPF, BPF [Vocoder] 16 channel vocoder, adjustable level and pan for each channel, Formant Shift function, Formant Hold function

Keyboard: 37 notes (mini-keyboard, velocity sensitive)
Effects: Timbre: 2 band EQ, Master effect x 2, 17effects
Arpeggiator: Six types: UP, DOWN, ALT1/2, Random, Trigger, Individual step on/off function
Programs: 128 programs (A/Bbanks x 8 genres x 8 category)
Inputs:
[AUDIO INPUT 1] jack (with MIC/LINE switch) – Rear Panel
Connector: 1/4” phone jack (unbalanced)
[AUDIO INPUT 1 (MIC)] jack – Front Panel
Connector: XLR jack (balanced)
Outputs:
[L/MONO, R] jacks
Connectors: 1/4² phone jacks (unbalanced)
[PHONES] jack
Connector: 1/4² phone stereo jack
MIDI: IN, OUT, THRU connectors
USB: Type B connector
Display: Custom LCD
Power Supply: DC 9 V (AC adapter), or six AA alkaline batteries (sold separately)
Battery Life: approx. four hours (with alkaline batteries)
Dimensions: 556(W)x231(D)x73(H)mm/21.89"(W)x9.09"(D)x2.87"(H)
Weight: 2 kg/4.41 lbs. (without batteries and included microphone)
Accessories: AC adapter, Gooseneck Microphone
microKORG XL Sound Editor
Operating requirements
Windows:
• Computer
A computer that satisfies the operating requirements of Windows XP or Windows Vista, and has a USB port
• Operating system
Microsoft Windows XP (SP3 or later), Windows Vista (SP1 or later)
Macintosh:
• Computer
An Apple Macintosh computer that satisfies the operating requirements of Mac OS X and has a USB port
• Operating system
Mac OS X version 10.4 or later
03-Dec-2008"

Musical Applications for Multi-Touch Interfaces

Musical Applications for Multi-Touch Interfaces from BricK Table on Vimeo.
"Short demo video of the various ways in which we are exploring creating and composing music using our custom tangible and multi-touch interface (BricKTable)."

Roland Juno Stage Ships

"JUNO-STAGE: 128-Voice Expandable Synthesizer
A New Synth Star for the Stage
Features

Designed from the ground up for live performers, JUNO-STAGE is a new breed of synthesizer that every gigging keyboardist will love. Decked out with an extra-large display, USB backing-track functionality, a Click output for drummers, dedicated performance knobs, hands-free patch select, instant master MIDI control functionality and much more, JUNO-STAGE sets a new standard for powerful onstage performance at a friendly price.

* High-quality, versatile sound set, including 88-key stereo multi-sampled piano, plus 2 open SRX expansion slots for soundset customization
* Newly-developed 76-note synth-action keyboard with first-class touch and response
* Live-performance features such as an extra-large LCD, dedicated Reverb and Master EQ knobs, Click output for drummers, and hands-free patch-select capabilities
* Top panel USB port enables accompaniment-track playback (MP3, .WAV, AIFF, SMF) directly from USB key
* Phantom-powered mic input, plus reverb and vocoder, great for playing and singing along
* MIDI Controller mode transforms JUNO-STAGE into a MIDI master keyboard with a single touch – perfect when using the JUNO-STAGE with a computer"

You can find more info here.

SMule: Ocarina for iPhone [Stairway]

YouTube via smuleage
"Ocarina, for iPhone, for SMule."

SMule: Ocarina for iPhone [Zeldarian]

"Ocarina, for iPhone, by SMule. http://www.smule.com/"

"The Ocarina synthesizes sound in real-time, just like a regular instrument, based on actual gestures including wind input, tilt, and finger placement over the four holes overlaid on the multi-touch pad. Unlike other iPhone audio apps, the sound is not pre-compiled but is generated by the notes, gestures and nuance of the individual performer. As a result, it allows an iPhone user to explore and master the musical sounds of an entirely iPhone-native version of an ancient flute-like instrument.

Smule's audio engine (CHiP) and the Smule Sonic Network make it possible to hear live performances around the world. With the globe view, you can hear performances, and see the origin of that performance.

This is the fourth in a series of innovative applications from Smule (www.smule.com), based on the developer's innovative mobile audio platform."

It’s available now on Apple’s AppStore™ for $0.99 here:

Violin for iPhone

YouTube via hit9ent. I wonder if you have to hold it that way. Note the multi-touch chords.
"Violin lets you fiddle with 5 high quality notes for an easy user experience. Anyone can pick this up and create music. Switch from Legato, Pizzicato and Tremolo with a quick tap and use your finger like a bow. Sounds great with headphones, iPhone/iPod speakers or home theatre! We hope you enjoy it and if you have any feedback please visit our support page and we will try to reply as quickly as possible. *Violin Pro will come in the future.*"
You can get Violin here:

Noise.io - the iPhone synth - is released

"Amidio, Inc has released Noise.io - the first full-featured sound synthesizer for the iPhone and iPod Touch. One of the most anticipated handheld music applications, Noise.io is capable of creating all kinds of melodic sequences, basses, leads, keys, bells, percussive sounds and sound effects. Designed by an experienced electronic musician, Noise.io makes it possible to create 303-like acid basslines or any other melodies using the buit-in sequencer, or jamming live in sync with the rhythm using the TapBPM feature. Extensive sound control possibilities are implemented - fingersliding, multitouch, accelerometer, velocity-sensitive dual keyboard and a modulation matrix. 9 factory preset banks are included: Azure Leads, Warping Basslines, Infinite Keys, Distant Bells, Touch the Bass, Strange Places, Klang Percussive, FX Pack 1, totalling in 81 presets. Noise.io utilizes an original synth technology called ESFM and features 3 generators, 2 filters, 3 LFO, 3 sequencers, 6 effects, unlimited presets, extensive user support and much more. Users are able to instantly share their banks with the community utilizing the on-line preset repository at the website http://noise.io. Noise.io is available on the App Store for $9.99 (introductory price)."
You can get noise.io here:

Lecture: Sergi Jordá and the Reactable

"The Mills College Music Department and the Center for Contemporary Music present:

Lecture: Sergi Jordá and the Reactable

November 17, 7:30 PM

Music Buildiing Ensemble Room

FREE

Sergi Jordà will lecture on his work as coordinator of Interactive Systems at the Music Technology Group of the Audiovisual Institute of Pompeu Fabra University in Barcelona, Spain. Mr Jordá leads the team of researchers who developed the Reactable, a collaborative electronic music instrument with a tabletop tangible multi-touch interface, which was recently awarded the Golden Nica for Digital Musics at the Ars Electronica Festival in Austria. Several simultaneous performers share complete control over the instrument by moving and rotating physical objects on a luminous round table surface. By moving and relating these objects, representing components of a classic modular synthesizer, users can create complex and dynamic sonic topologies, with generators, filters and modulators, in a kind of tangible modular synthesizer or graspable flow-controlled programming language. The Icelandic singer Björk has successfully used the Reactable during her last "Volta" world tour.

Sergi Jordá will perform in a concert that features his own improvisations and collaborations with Mills students and faculty on the Reactable on Friday, November 21 at 8 PM in the Mills College Art Museum.

Mills College
5000 MacArthur Blvd
Oakland, CA
http://music.mills.edu/events"

via brian c

Opensource Multitouch Music Apps ssandler.wordpress.com

YouTube via cerupcat. Be sure to forward towards the end of each.
"Two applications I created for a multitouch table I am building. Both applications are still a work-in-progress.

Find more on DIY multitouch tables and applications at my blog ssandler.wordpress.com or www.nuigroup.com.

Thanks to Adi, Deej, and Muhneer for making these videos on their tables since mine is still in progress."

DIY Multitouch Table ssandler.wordpress.com