MATRIXSYNTH: Search results for Circadian Rhythm


Showing posts sorted by relevance for query Circadian Rhythm. Sort by date Show all posts
Showing posts sorted by relevance for query Circadian Rhythm. Sort by date Show all posts

Saturday, January 26, 2013

NAMM 2013: Tiptop Audio Trigger Riot Full Details & Video!

"The Trigger Riot represents a new type of sequencer that is both creatively deep on one hand and intuitive on the other.

From a conceptual view, the Trigger Riot generates 16 clock streams consisting of multiple time manipulation functions (division, offsets, etc) that interact to create the trigger output, and direct access to each parameter via individual knobs allows for quick manipulation. The 8 outputs are the sum of those manipulated streams per row. The outputs of the module are arranged as either a 4x4 matrix, where each of the 16 knobs affects both row and column, or as a set of independent outputs for each row or column. This allows forming 8 complex musical interactions in a ‘Matrix’ mode or 8 independent streams in ‘Independent’ mode and is switchable from one to the other on press of a button for some unexpected results.

Since each of the 16 knobs represents a real time tweakable trigger generator/modifier the Trigger Riot is extremely playable and can result very complex patterns with only few knob turns; patterns that would otherwise take much longer and in some instances be almost impossible to produce using grid based step sequencing. Patterns can have unique time signatures that can repeat or be randomized through probability, time shifted and phased, divided, multiplied and counted, it’s unbelievable how complex this module can get with minimal input.

Functions include:

Divide: Divide the clock stream into either even or odd divisions from 1 to 255

Speed: Multiply or Divide the clock streams in sub clock particles based on 24 PPQ, breaking up the standard grid values.

Probability: Sets the odds of a trigger firing which makes more varied and less rigid patterns or can create subtle accents and fills.

Pulse Width: Sets the pulse width of each stream, creating overlaps and as a result all kind of odd time signatures; also great for sustaining envelopes or for programming a high pulse fro some time.

Clock Offset: Moves the trigger streams in time to change the relationship between streams. Streams can be set to the same amount but offset to trigger in between each other rather than simultaneously to create syncopation effects.

Time Shift: Shifts the triggers streams variably in between clocks for swing type feels and off the grid patterns.

Step: Places single shot triggers on individual clock ‘Steps’ to trigger events once per pattern. This can also be seen as a pulse counter.

Mute/Sel: Muting of each trigger output for live dub mixing or to select which row to edit in ‘Independent’ mode.

Tap tempo: Tap in your own time.

Cycle: Internal reset counter to constrain pattern length and relationships between divisions

Clock Out: Trigger out of the Riot’s highly accurate internal clock

Clock Input: External clock

Reset Out: Trigger output based on the internal reset length

Reset In: External trigger input to reset the internal count

Playing sets:

The Trigger Riot features 4 banks of 4 presets for saving, and instant recall of patterns with any level of complexity making it a real time sequencer. Patterns and banks are not volatile and can be loaded for stage or studio sessions on power up.

Several riots can be synced together with all control signals shared based on a master reset, clock, and pattern across multiple units and even synced with the Circadian Rhythm sequencer.

In addition to that, a master touch controller is in development which can control up to 4 Riots for the ultimate in hardware sequencing for Tip Top’s wide array of drum and synthesis modules (of course, it works great with every other module too).

A little bit of what going on under the hood: The Trigger Riot is made with the latest in high-end microprocessors and a special combination of hardware and firmware technology designed to achieve unprecedented levels of timing and extreme types of pattern complexity.

Size: 28HP

Engine: State of the art 80MHz 32bit Processor MIPS M4K Core

Available: We are hoping to have it released late march 2013, keep your fingers crossed

Price: TBD"

http://tiptopaudio.com

Listen in stereo:

Trigger Riot prototype 1

Published on Jan 26, 2013 GM1ify·25 videos

"Some jungle noises with the Riot"

Trigger Riot prototype 2

Published on Jan 26, 2013

"Another long video of the Riot jungle patch turns techno"

Trigger Riot prototype, from techno to complete riot

Published on Jan 26, 2013

"Random tweaking of parameters on the riot prototype, starting with some basic streams, then going wilder and into off-grid sequencing"

Thursday, January 23, 2014

Tip Top Audio Circadian Rhythm


via Bryce on Facebook

And a Vine video from Richard Devine here.

Thursday, July 16, 2015

DPO 4 Pluto


Published on Jul 15, 2015 SunFallsMusic

"1st encounter & session with the MakeNoise DPO (dual prismatic oscillator) installed. Just went with what started happening. This is my favourite excerpt from todays session, after being away from the studio for a week. Enjoy the lil jam :)

Patch notes would be difficult. As i was just grabbing and patching away. the modulation is deep. But the basics:
DPO main voice, Benjolin background noise (both being pitch sequenced differently)
Asteroid BDv4 kick, Jupiter Storm snare.
All being subtley process by Clouds, Echophon, Erbe-Verb.
With Circadian Rhythm driving and being driven by PM Bender, and the Ultra Random Analog playing lots of roles."

Wednesday, January 23, 2013

NAMM 2013: Tiptop Audio Trigger Riot and Circadian Rhythm Sequencers


http://tiptopaudio.com

New Tiptop Audio Eurorack modules coming to NAMM Booth 1170 Hall E

Below: Tiptop on a plane, on its way.

Thursday, October 02, 2014

The Weather Warlock - Weather Controlled Analog Synthesizer

You might remember Quintron's Singing House. It was an analog "drone synth" from New Orleans experimentalists Quintron and Miss Pussycat. The instrument was unique in that it was capable of being completely modulated by the weather. It is now called The Weather Warlock and currently streams at WEATHER FOR THE BLIND, a new website dedicated to the instrument.

Weather Warlock is also the name given to a heavy drone ritual (click through for details) which "only happens at sunrise or sunset involving zero to nine members performing sets which may last from 30 minutes to one year long."  I'm guessing the never ending Weather Warlock instrument is the one band member that continues to play endlessly all year long.

The following are some details pulled from WEATHER FOR THE BLIND for the archives:

"Since 2011 Quintronics – the company which brought you the Drum Buddy – has been actively developing a low voltage weather controlled drone synthesizer. Base station number 1, called WEATHER WARLOCK was finally finished in the Spring of 2014 at the Robert Rauschenberg Foundation in Captiva, Florida.

www.weatherfortheblind.org will stream sounds from this musical weather station most every day and night as a free public service. This giant analog synth and it’s weather sensors will live primarily in New Orleans Louisiana at the Spellcaster Lodge. The entire apparatus will occasionally travel as part of a live band, also called WEATHER WARLOCK or as a part of QUINTRON AND MISS PUSSYCAT.

A weather controlled synthesizer had long been on the books for Quintronics but it took a fairly serious health crisis and a forced “vacation” from touring to steer these sounds towards consonant drone…E major to be exact. Mental and cellular relaxation became a part of the invention process.

This site is called “weather for the blind” in reference to a circadian rhythm sleep disorder suffered by many sight impaired persons. Our hope is that this instrument could be of some help to those experiencing any type of sleep disorder or to anyone suffering from stress or health issues which might benefit from a direct musical connection to nature. Windowless office buildings and crappy hotels may want to tune in as well.
Another future mission for this endeavor is that more base stations be built around the world so that listeners may experience musical interpretations of a variety of different climates and time zones – from Iceland to the Amazon. Please contact rhinestonerecords@hotmail.com if your museum, school, or private institution would be interested in commissioning a custom base station.

Occasionally weatherfortheblind.org will broadcast other sounds, stories, and special events. We will also invite guests manipulators to come and jam on the base station knobs and communicate with the weather gods for our listening pleasure. Thanks for visiting and please enjoy.

This project would not have been possible without the assistance of the Robert Rauschenberg Foundation, New Orleans Airlift, Tulane University, artist / engineer Mars Brown, Rami (Ballzack) Sharkey, and the ever brilliant advice of Miss Pussycat."

Wednesday, May 03, 2017

Erogenous Tones Radar and VC8


Published on May 3, 2017 Perfect Circuit Audio

Supporting MATRIXSYNTH members get a %10 discount at Perfect Circuit Audio!

"Using the Erogenous Tones Radar and VC8 to gate and modulate sound sources from the rest of the modular rig. Some of the Radars slope generators are triggered by the Tiptop Audio Circadian Rhythm and used as envelopes, and some are cycling and used as LFOs. The VC8 is used as both VCAs for gating rhythmic sounds and as a mixer.

RADAR, from Erogenous Tones, is the one stop shop for Envelopes and LFOs. It is a monstrous octo-slope generator with options for looping envelopes, Attack-Decay envelopes, and Attack-Sustain-Release envelopes. Envelope shapes can be morphed from logarithmic to linear to exponential, with CV inputs for modulation of speed and shape. Also included are switches to adjust how RADAR responds to triggers, analog and digital. In analog mode, it responds like a classic slope generator, with the frequency not held steady when changing the rise and fall times. In Digital mode, it maintains the frequency when the shapes are changed, turning the RADAR into waveshapable LFOs and even audio rate oscillators. There is nothing quite like this modulation machine.

Radar available here: https://www.perfectcircuitaudio.com/e...
VC8 available here: https://www.perfectcircuitaudio.com/e..."

Saturday, October 01, 2016

Melody Progression Tips for Eurorack Modular


Published on Oct 1, 2016 mylarmelodies

"If you like this, subscribe & support me on Patreon to get bonus videos! https://www.patreon.com/mylarmelodies - Shoutout to $10 Patreon Patron Andrew for inspiring this episode.

More on Steevio, top read: https://www.xlr8r.com/features/2016/0...

-Key Featured Modules-
Doepfer A-151 Quad Sequential Switch
Doepfer A-185-2 Precision Adder
Make Noise Pressure Points
Abstract Data Octocontroller
Tiptop Audio Z8000
Tiptop Audio Trigger Riot
Music Thing Turing Machine

-Also Featured-
ALM BusyCircuits Akemie's Castle
Make Noise Erbe Verb
Make Noise MATHS
Nobots Divide
Tiptop BD808 + Plague Bearer
Tiptop HATS808
Tiptop Maracas
Tiptop 909 Clap
Hexinverter Mutant Snare
Tiptop Audio Circadian Rhythm
ADDAC System Intuitive Quantizer"

Friday, April 15, 2016

Eurorack modular synthesizer music - Reverte


Eurorack modular synthesizer music - Reverte from Giorgio A on Vimeo.

"more knob-wiggling: https://soundcloud.com/giorgioalvera

Modular Synth performance, recorded live in one take. All sounds produced on Eurorack synthesizer modules.

Six voices sequenced by Audio Damage Sequencer1, MN Rene and MN Pressure Points:

1) Synthech E340 Cloud Generator VCO to MA SVVCF filter; 2) Birdkids Bateleur VCO to MI Streams VCF and processed by Qubit RT60 in delay mode and Music Thing Spring Reverb; 3) MI Elements strike triggered by MN Rene gate and processed through MI Clouds; 4) 4MS SMR resonator clocked by MN Tempi with rotation sequenced by MN Pressure Points and processed by MN Echphon and Erbe Verb; 5) Mannequins Mangrove VCO to Three Sisters filter with modulations to span and quality from MI Tides; 6) Hexinverter Mutant Bass Drum and Hi Hats triggered by MI Grids and Tip Top Circadian Rhythm with probability assigned by MI Branches."

Friday, January 25, 2013

NAMM 2013: Tiptop Audio Jam


Published on Jan 25, 2013 matrixsynth 249 videos

"Tiptop Audio's eurorack modular featured at NAMM 2013. The system features new modules including the Trigger Riot, C24 DIGITAL HITS, & Circadian Rhythm."

http://tiptopaudio.com

Saturday, September 21, 2019

Analog Kick Drum & Big Muff Fuzz Demo (Feat Jomox ModBase 09 Eurorack Drum Module)


Published on Sep 21, 2019 Sound Provider

"I m testing here the Jomox ModBase 09 Analog Kick Drum in the in my good old and Famous Electro Harmonix Big Muff for future Techno / Rave / Hard Techno sound bank.

In this very simple patch I use the tiptop audio Circadian Rhythm aka the "trigger sequencer techno monster" who trig the Jomox Bass Drum Module .

Between the Kick module and the Big muff (and it s very important to keep the signal more "clean") I use the Diy module from ADDAC , the 200PI PEDAL INTEGRATOR . This small utility allows 2 different chains of pedals to be independently connected to modular synthesizer.The Send channels attenuate the synth level to instrument level. The Return channels amplify the signal from instrument to synth level."

Sunday, July 09, 2017

VCOADSR Piano Phase minus Piano - Bells N Whistles Crackles N Pops 2016


Published on Jul 9, 2017 DivKidVideo

"Here's VCOADSR live from Ross Lamond's Bells N Whistles Crackles N Pop event back from November 2016. Bit of a 'from the archives' vibe with this as I captured it all at the event (obviously) and then haven't had chance to get to it with other work taking priority but ... VCOADSR gave us a treat with his eurorack modular take on Piano Phase but minus the Piano.

His set up looks to include a TipTop Audio Circadian Rhythm, Orthogonal Devices ER101 and ER102 expander, Audio Damage ODIO, Pamela's Workout from ALM Busy Circuits, Humpback filter from GOD's BOX and WMD PDO, ALM Busy Circuits Beast's Chalkboard, Make Noise Pressure Points, TipTop Audio Z-DSP and the new Richie Hawtin DJ Mixer alongside the Elektron Analog Heat. There's also a 1U set of tile modules and a few others I can't see under the tightly packed and tidy cable work."

Thursday, March 22, 2018

New ADE-33 Event Boss Eurorack Module From Abstract Data


Published on Mar 22, 2018 abstractdatabiz

"30 second overview covering the main features and functionality of the Abstract Data ADE-33 Event Boss.

The ADE-33 is a pattern and rhythm creation and manipulation module.

It has 36 algorithms in 6 sets covering Variables, Multiples, Probability, Logic, Phase and Gates with configurable CV control over all parameters."


"Abstract Data is very pleased to announce the launch of our debut rhythm and pattern creation module - the ADE-33 Event Boss.

The ADE-33 combines 6 sets of algorithms - with 36 algorithms in total - covering:

* Variables: Rhythmic patterns and circadian-style rhythms
* Multiples: Clock and LFO multiplication and division by factors from 1-12
* Probability: Pseudo-random, probability and chance-based variations
* Logic: Classic logic-based functionality
* Phase: Phase shifting, time-based delays and swing-style effects
* Gates: Trigger, pulse and gate manipulation and generation

The Event Boss is designed to work with any clock, gate, trigger, square wave or PWM-type LFO input. It will take regular clocks and generate rhythms, it will take rhythmic patterns and generate new patterns and it will take irregular and random clocks and generate new, irregular and probability-based patterns and variations.

There is CV control over every parameter so patterns can be rhythmic, continually evolving, entirely random or pretty much any combination the user chooses.

Of course, it can also be used as a utility module to perform various clock division/multiplication, phase-shifting and logic-related tasks. However, it is at its most creative when used as a real-time pattern generator for creating musically useful rhythms and patterns from simple clock, rhythm and CV inputs.

The ADE-33 Event Boss is on sale now for GBP199.00 and can be bought directly from Abstract Data or our international dealers. Please talk to your local Eurorack dealer about availability."

You can find dealer banners to the right, here on MATRIXSYNTH.

Friday, January 25, 2013

NAMM 2013: Pics by PYRAPHONIC - New Tiptop Audio Modules, Buchla & More


Click here for more pics and some impressions at PYRAPHONIC.

Pictured here:
Tiptop Audio Trigger Riot, C24 DIGITAL HITS, & Circadian Rhythm.

Below: a shot of the new Buchla Easel with hand to give you an additional perspective on the size.  BTW, rumor is the Buchla will go for roughly $4000.





Friday, March 18, 2016

Folktek Matter - /Cre^turə_ Feature


Published on Mar 18, 2016 Owen Canivet

"Self generating patch centred around Folktek matter module.

Sound sources:
Folktek matter
Intellijel shapeshifter (drone)
Make noise Phonogene (sample)

Sequencing:

Friday, August 19, 2016

Rocking Koma


Published on Aug 19, 2016 Jurgen SONICrider

"Patchinfo KOMA Komplex Sequencer
- Sequencer A:
--- CV to muliple to Moog Mother 32 & Pittsburgh Modular VCO
--- Gate 2 mutiple to Moog VCA & Pittsburgh Modular Dual VCA
(Pittsburgh VCA to Track & Hold controlled by Maths)
- Sequencer B:
--- CV to Gate Length sequencer A
- Sequencer C:
--- CV to Skip Step sequencer A
--- CV to Skip Step sequencer B
- Sequencer D:
--- CV to SSP sequencer A
--- CV to SSP sequencer C

Clock in from TipTop Audio Circadian Rhythm (plays also drum sounds)
Percussion sound Elektron Machinedrum"

Sunday, January 22, 2017

Sébastien Léger - Dreamfunk Modular


Published on Jan 22, 2017 Sébastien Léger

"another quick jam, something dreamy yet funky too.

Used in this patch:

Sequencers: Orthogonal Devices ER101/102, Intellijel Metropolis, QuBit Electronix Octone X2, Doepfer A155:156, Make noise Pressure Points+Brain, Tiptop Audio Circadian Rhythm, Make Noise Tempi
VCO: Erica Synth Black Wavetable, Make Noise STO, 2 Moog Mother 32, Mutable Instruments Braids
FX: Ensoniq DP4, 4MS DLD, Erica Synths DSP, Make Noise Erbverb, Audio Damage Delay, XAOC Kamieniec, Intellijel Rainmaker.
Mixers: WMD performance mixer, Intellijel Dubmix, Erica Synths Pico Mixer.
Drums: TipTop audio & Erica Synths Pico Drums.
Many other tools like clock dividers, LFO (synced or not) etc....

No computer used recording this live session."

Wednesday, May 27, 2015

broken sun take 4


Published on May 27, 2015 SunFallsMusic

"*Line Audio-headphones recommended*
Cello meets eurorack modular, studio outtake: working on a new concept : 'broken sun' : this sketch is more of a minuet, a focused study in patience.
-the cello chain runs like this:
In via Gozinta, multed from here to 4ms Buff Mult, and spread to: Maths as env follower, uVCF, MixZ to echophon & erbe verb. Also, straight to MixZ for clean cello signal mixed in.
TipTop Audio's Circadian Rhythm is driving the modular. Main other voice is MakeNoise STO, sequenced by Rene being triggered by the same syncopated pattern thats feeding the Basimilus Iteritas on snare duties, with Asteroid BDv4 for kick. Kick n Snare running thru QuBit RT60."

Wednesday, May 24, 2017

Ströme live beim PULS Festival 2016 (Full Concert) & Live at Superbooth 2017


Published on Dec 6, 2016 PULS Musik

"Alle Fotos und Videos vom PULS Festival: http://www.deinpuls.de/festival"

via Florian Anwander:

"Two guys from Munich, Germany do live music with two big modular systems. The group is called 'Ströme' which is german for "electric currents". They are professional musicians. They played bass and drums for several years in the very successful bavarian band "La Brass Banda". The left one is Mario Schönhuber, the (former) bass player. He is doing most of the sequences and chords. The guy at the right system is Tobias Weber (drummer at La Brass Banda), he is doing all drums and percussive stuff.

Tobias uses in the first video the Doepfer A-157 for the drum programming, but changed now to a Tiptop Audio Circadian Rhythm (can be seen in the Berlin video).

Marios uses a combination of Audio Damage Sequencer 1, Stillson Hammer, Intellijel Metropolis, and Make Noise Tempi for his bass sequences. In the first video he is using still a Roland JD-Xi for the chords, but recently he changed over to a Audio Damage Sequencer 1 which controls for Doepfer A-111-3 plus monophonic filter and vca (you may spot it in the Berlin video in the most upper row).

Enjoy it."

Superbooth 2017 - Ströme live

Published on May 5, 2017 Bendeg

Saturday, May 13, 2017

Let's Patch - Modular Synthesizer Experiments with Colin Benders 3: Derping around with rhythms


Streamed live on May 11, 2017

Four hours of Colin Benders on his modular system. I thought this was one was particularly interesting as he discusses what he is doing as he builds a complex patch from scratch.

"We tried to feedbackloop clocks and found out why we can't directly feedback loop clocks.
We did some Zombienation
We did a lot with clock multipliers/dividers/probability
We found out Circadian Rhythm does not like variable clocks (or variable pulsewidth) but the A-157 does not mind
Zetaohm dropped by in the chat and showed me how to do polyrhythms with his FLXS1"

Thursday, October 29, 2015

arturia beatstep vs tiptop audio circadian rhythm


Published on Oct 28, 2015 ZV_K

"comparing the basic functionality. drum sequencing only

EDIT: it is indeed possoble to mute and select individual drum tracks.
Hold DRUM+MUTE+whatever drum track(s) to mute
Hold DRUM+ whatever drum track to select."

Anyone else seeing this behavior with their Beatstep?
PREVIOUS PAGE NEXT PAGE HOME


Patch n Tweak
Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH