Amazing analog sounds that only digital can provide - now in your DAW.
Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility. It's already garnering acclaim as one of the best synths of the year.
Note there is a MOA1225 LIMITED Double 10" record of 30 copies. Only 5 are left as of this post. It is also available on CD and of course, digital download.
1. Benge - Shadow - The Rest Of Light 05:06 2. Dave Bessell - All Is Now 08:35 3. Bluetech - Broken Prisms Still Refract Light 05:39 4. Erik Wøllo - Emergence 06:55 5. Lyonel Bauchet - A Perfect Day For Uncertainty 07:16 6. Robert Rich - Ornament Drift 05:37 7. d'Voxx - Vila Madalena 06:28 8. Parallel Worlds - Some Space 06:58 9. Ian Boddy - Small World 07:06 10. Polypores - Viridescence 07:36 11. Markus Reuter - Albatross 06:01 12. Field Lines Cartographer - Sea Of Grass 07:52 13. Scanner - Now There Was Nowhere 06:29 14. Chris Carter - Consonance 03:17 15. Bernhard Wöstheinrich - On The Cusp Of Lucid Dreaming 07:02 16. Radio Massacre International - Flying Colours 07:14 17. Surface 10 - Psyche Dio 07:59 18. Nigel Mullaney - There Is No Dark 06:13 19. Node - Rewind 10:08 20. ARC - System Six 11:33
"This is certainly a milestone release for the DiN label as it celebrates its 25th anniversary. Needless to say, this is quite an achievement for a niche, independent label that has relentlessly ploughed its own path for quarter of a century. Its catalogue and release schedule has been carefully curated over all these years by label boss Ian Boddy, who launched the imprint way back in the spring of 1999. It is perhaps a reflection of his own musical identity which, whilst grounded in the Berlin School of the 1970s, has continued to evolve and grow to cover ever widening areas of electronic music, where sub-genres can be mixed and matched at will.
There have been plenty of compilation albums released on the DiN label in the past, most notably the iNDEX sampler albums, of which there have been eight to date. These cover tracks from existing albums and are certainly a great showcase for the label. However, this double album is different, in that Boddy invited the majority of the musicians who have previously been released on the main DiN catalogue to compose new pieces. Spread across two discs, this amounts to 142 minutes of sublime, varied and thoroughly original music. Ranging from beautifully ambient to dark brooding soundscapes, via cinematic electronica through to old school Berlin School sequencer workouts, “25 Years of DiN” is a wonderful distillation of the DiN label.
Presented in a stunning six panel fold out Digipak double CD package with 8-page booklet featuring an essay by Neil Mason (Moonbuilding), this release is a must-have for collectors of the DiN labels output. credits releases July 19, 2024
This new release from synthesist Dave Bessell sees him completing a quartet of albums loosely based on the Greek philosophy of the Four Elements, namely Fire, Water, Earth and Air. There’s certainly no doubting that “Chromatic Lightning Cage” with its vivid cover is referencing Fire. At times the ghost of Amon Tobin and Nils Frahm wander through the album but mostly it has its own distinctive voice which draws on a whole variety of influences. This one will repay repeated listenings. Lovers of Electronica, Downtempo, Ambient and Soundtracks will find much to admire in this new album and the music once again showcases the unique talent of this highly individual musician.
To coincide with the release of Chromatic Lightning Cage there will be 25% off all the other back catalogue Dave Bessell titles on DiN until the end of March. No need for a code, the prices have been adjusted accordingly.
You might recall Parallel Worlds latest release Fragmented (DiN83) posted here. For those interested, a listening party for his latest release will be held on February 9th on Bandcamp.
Details follow:
February 9th @ 8:00 PM GMT - chat starts @ 7:30PM
A gentle reminder of this listening party on Friday. Join Greek synthesist Bakis Sirros and DiN label boss Ian Boddy to listen and chat about the new Parallel Worlds album "Fragmented" (DiN83).
This fourth solo sonic journey from Sirros on the DiN imprint sees him focusing in on his modular synthesiser systems. It has certainly be noted before, but is worth reiterating, that there is a certain John Carpenter like soundtrack quality to the music of Parallel Worlds. Seemingly simplistic they shroud a wealth of detail and beauty that is revealed over repeated listening.
"The first DiN album of 2024 is now live on the DiN Bandcamp store. "Fragmented" (DiN83) by Parallel Worlds, on limited edition Digipak CD & download. This fourth solo sonic journey from Parallel Worlds sees him focusing in on his modular synthesiser systems."
A new release by Parallel Worlds is coming February 16th. Details follow.
Parallel Worlds Fragmented DiN83 Release date 16th February 2024 Limited to 200 copies Digipak CD Bar Code CD 5028423240839
Greek synthesist Bakis Sirros who records under the name of Parallel Worlds has become a familiar name to followers of the DiN label. His debut release was “Obsessive Surrealism” (DiN26) back in 2007 and since then he has released two further solo albums, “Shade” (DiN32) and “Plector” (DiN76), as well as several collaborative albums with different artists including DiN label boss Ian Boddy & Node guru Dave Bessell.
This fourth sonic journey from Sirros on the DiN imprint sees him focusing in on his modular synthesiser systems, especially the Eurorack format with some able support from Buchla. These massive constructed patches live and breath like a crepuscular organism waking from its slumber. Indeed “Fragmented” is bookended by two wonderfully deep, textural tracks appropriately titled “Dawning” and “Sunset”. With the exception of the organ-like drone soundscape of “Time Flow” the remaining seven tracks encapsulate everything we have come to expect from this unique artist, namely dark, menacing bass lines overlaid with glitchy percussive patterns and beguiling, floating melody lines. It has certainly be noted before, but is worth reiterating, that there is a certain John Carpenter like soundtrack quality to the music of Sirros. Seemingly simplistic they shroud a wealth of detail and beauty that is revealed over repeated listening.
Lovers of Electronica, Dark Techno, Downtempo & IDM will find much to admire in “Fragmented” and this new album once again showcases the unique talent of this highly individual musician.
"We are able to create entire worlds with music - and travel through these images in the same way as when reading books or watching films. Research stations on distant stars, unfamiliar ecosystems of unexplored planets, new impressions from visiting parallel dimensions - all this in a new soundset that describes the different worlds of our vast reality!
This soundbank, created by LFO Store’s sound designer Otto K. Schwarz, is perfect for different styles of electronic music, especially ambient, berlin school, new age; as well as for scoring soundtracks. We have prepared 40 exclusive multi-layered sample-based performances, including atmospheric pads, bright plucks, exciting leads, powerful sequences, and even more.
We made the most of the Korg Wavestate synthesizer, revealing its full potential and implementing all of its functions! Each preset has modwheel and X/Y pad assigned - this allows you to modulate and customize the sounds to the needs of your own musical works. Explore the capabilities of our favourite Korg Wavestate synthesizer and let your musical compositions reach a new quality level!
"Secta is an audio effect that dynamically splits incoming audio in two sections and processes each with an exclusive kit of effects, sculpting silence, shaping accents and amplifying hidden details, guiding each layer into a parallel sonic dimension."
Secta / 10 minutes tape loop disintegration
Press release follows:
K-Devices releases Secta as VST3 and AU parallel (sound) worlds
Arvieux, France - September 28 2023. K-Devices, developer of creative music tools, has released Secta, a new audio effect, as VST3 and Audio Unit plugin for MacOS and Windows.
Building on the concept of a multidimensional gate, Secta processes the audio in a unique way, adding an ephemeral and dramatic touch to acoustic instruments, warmly disintegrating loops, injecting abrupt drops and retexturizing your lines, or throwing down any beat into a dark path of fragmentation.
At first, Secta splits the incoming signal acting as a gate effect: the user sets an amplitude threshold using the Verge and Boost parameters. The signal’s amplitude portion greater than the threshold value generates an envelope which controls the Above and Below sections. The envelope itself controls the frequency of a lowpass filter in the Above section (resulting similar to a lowpass gate), while its inverse value controls the amplitude of the Below section. Such envelope can be shaped using several global parameters: Smooth, Retain, and Sidechain. Above and Below sections process sounds using a different set of effects each: the more rumbling Above, the more textural and looney Below. Using one section at a time holds interesting sculpting results, while combining and balancing them is great for creating richer textures.
Hard-to-describe with classic effect categories, Secta processes both sides of a gated source independently, acting as a counterpoint amplitude sculptor. Secta cuts to (re)generate. Secta is a colorizer, no mix parameters are available: just load Secta onto your track and let it inspire you with its timbrical shades. A gate, a dynamic multi-distortion, a double heads tectonic monster, a trembling detuned textures generator, and more... so many uses of Secta have yet to be discovered!
== Totem/ Series == Secta is part of the totem/ series by K-Devices: unconventional audio effects coming in a compact format, easy to use, at a lower, convenient price. == Requirements == Available as VST3 and Audio Unit plugin any 64bits compatible DAW MacOS and Windows == Availability, price, and deals ==
Black Corporation is thrilled to introduce EXPANDER MK2, a revolutionary
tabletop or 6U rack mount effects processor combining the magic of both analog
and digital worlds. A major evolutionary leap from our original EXPANDER, MK2
takes multi-effects processing to new heights, boasting an incredibly flexible
effects system that covers everything from reverb and delay to modulation and
overdrive, and much more.
With line and HI-Z inputs, the EXPANDER MK2 is perfect for a diverse range of
music producers, synthesizer users, guitarists, bassists, and live musicians
looking to expand their sonic horizons. The stereo and dual-mono routings offer
an immense range of connections, with each channel having its own distinct
effects chain. The intuitive routing matrix array of LED tact switches lets you
create an endless variety of effects chains, from sending a single source to
multiple effects in parallel, to cascading them in series.
EXPANDER MK2’s interface takes a knob per function approach, allowing you to
dive right into new sonic territories. You can easily save and recall all your
settings as presets, with complete MIDI CC functionality, foot switch, and
expression pedal inputs adding even more control possibilities.
Delay: The delay section is MIDI syncable, offering both digital and analog
options. The digital delay is based on the legendary PCM42, with the same
discrete 12-bit ADC/DACs, optical compressor, and filters as the original.
Guidance from Gary Hall, the engineer behind the original unit, has resulted in
a sound as close to the original rack as possible, with the added benefit of a
modern CPU and expanded memory.The analog delay, using analog BBD circuitry,
offers a warmer tone with up to 820 milliseconds of delay time. Both delays
feature panning controls for added spatial motion.
Reverb: As on the delay, EXPANDER MK2 boasts both digital and analog options.
The digital reverb is based on the lush and spacious 224, faithfully recreated
by our friends at Meris. The spring reverb uses two 17” tanks (one for each
channel) each equipped with an EQ and digital pre-delay section.
Modulator: The modulator is a ring modulator section with enhanced
functionality. The first being a quadrant multiplier ring modulator for clean,
modern silicon chip-based sounds, and the second, a vintage-style, harmonically
rich transformer and diode based ring. The modulator also includes a reference
oscillator with an attack and release envelope controlling its pitch, similar to
that on DECKARDS’S DREAM’s predecessor, the CS-80.
Chorus: The chorus section features two distinct BBD chorus lines, with manual
controls for speed and depth, to add subtle stereo widening or intense,
turbulent animation. For fans of the classic four-button chorus, those presets
are in there too! Phaser: The phaser section includes an analog OTA- based
12-stage phaser circuit for warm, psychedelic phaser effects, as well as an
optical phaser to get a classic Krautrock sound.
Insert / Resonator: The Insert / Resonator section allows you to patch in
outboard effects into any part of the effects chain. The resonator component can
be used as a subtle EQ to sculpt the tone or can be modulated by the LFO section
to create animated resonant or panning effects. The insert returns and sends can
occur pre or post-resonator and can also be used as an extra input and output to
route multiple signals. When used in parallel, these can turn EXPANDER MK2 into
a 4-channel effects processor.
Overdrive: The overdrive section uses Korg’s groundbreaking Nu-Tube micro tube
technology to add subtle texture and warmth to any sound, from guitars, synths,
drum machines or vocals to anything in between. When pushed further, it can
create screaming distortion, perfect for anyone looking to turn up the heat.
LFO: The LFO section features a multitude of LFO’s routable to nearly any
destination of the other sections, adding life and movement throughout the
signal path.
A convenient selection of connections on the back panel of EXPANDER MK2 includes
balanced inputs and outputs, stereo send and return (via individual 1/4′′ jacks
or using a common DB25 connector), expression and switch pedals, USB, and DIN
MIDI. Additionally, the front includes a convenient HI-Z input for guitarists or
any instrumentalist with quieter outputs to plug and play right away. EXPANDER
MK2’s natural wood sides can be switched out for included rack ears.
EXPANDER MK2 is a vintage effects inspired powerhouse pushing the boundaries of
sound in a
robust, studio form factor. Its hands on capabilities and nearly endless routing
options make it an outstanding companion to any production or live set up!"
"Greek synthesist Bakis Sirros who records under the name of Parallel Worlds has become a familiar name to followers of the DiN label. His debut release was 'Obsessive Surrealism' (DiN26) back in 2007 and since then he has released a further solo album, 'Shade' (DiN32), as well as several collaborative albums with different artists including DiN label boss Ian Boddy & Node guru Dave Bessell.
'Plector' (DiN76) is his third solo outing on the DiN imprint and continues the deep dive into organic, analogue modular excursions that this talented musician is so adept at. Throbbing, deep bass lines are accompanied by sparse drum patterns and beguiling melodic synth lines. The album has a beautifully cohesive, dark and brooding atmosphere. Hints of a John Carpenter like synth soundtrack lurk around every corner but the sound world that Sirros creates is very much his own. At times the raw beauty of his synth patches grab you whilst at other moments the delicate, glitch like sound design details hover just out of sight. The album is built upon two groups of three rhythmic tracks interspersed with the dark drone of 'Atmoform' and the beautiful, almost Enoesque final track, 'Harmonic Pathways'.
Lovers of Electronica, Dark Techno, Downtempo & IDM will find much to admire in 'Plector' and this new album once again showcases the unique talent of this highly individual musician.
releases December 9, 2022 All tracks composed, arranged and produced by Bakis Sirros during 2022.
Mastered by Ian Boddy July 2022.
Thanks to: friends and family, John Sirros, Ian Boddy, Mamonu, Ingo Zobel & Dimitris Pavlidis.
A Filter of Crows
Our classic Pittsburgh Filter pushed to the limits. The overdrive preamp from original Crow module paired with switchable filter response, resonance instability mode, and voltage control over both frequency and resonance. A Filter of Crows can be both menacing and subtle with a massive sonic palette. Shifting from buttery smooth sweeps to punishing, overdriven noise without ever sounding harsh or uncomfortable. This is the most interesting variant of the Pittsburgh Filter we have created.
A Filter of Crows is a unique filter module that builds on the concept of the highly sought-after Safari Series #1 module, 'Crow'. It combines three Pittsburgh-designed 100% analog technologies.
Ultra-high-gain preamp:
The first is an ultra-high-gain preamp circuit. The preamp, taken directly from the original Crow offers a unique up to 75x of variable gain overdrive. This circuit provides unmatched dimensions of overdrive without sounding harsh. Additionally, the circuit can be completely bypassed to allow for a completely clean exploration of the other aspects of the module.
PGH Filter:
Next is a 12db State Variable 'no-dead-spot' Filter, The classic PGH Filter with manually selectable and stackable filter responses. Lowpass, bandpass, and highpass filter responses can be enabled or disabled individually for instant parallel processing.
The PGH filter has been continually refined over the last 12 years of research and altered to fit the demands of each system that it has been a part of. One of its unique defining characteristics is its ability to offer a complete sweepable range without any noticeable dead spots. Dead spots are uneven / muted portions of the swept range due to non-linearities in the circuitry. The PGH filter has no noticeable dead spots and is voiced to interact well with the high-gain preamp circuit. The result is a rich, even, fully sweepable range.
Resonant Stability Circuit:
Lastly is Pittsburgh’s Resonant Stability Circuit. This circuit enables the PGH filter to provide near-infinite resonance without slipping into self-oscillation, unless the user wants it to. Set to stable, Crows will not self-oscillate. It operates as a clean, organic filter. Set to unstable mode, the character of Crows changes dramatically. At normal settings, the incoming signal modulates the self-oscillating filter to produce harmonically complex sounds. In more extreme settings, Crows will start to struggle with controlling the oscillating resonance, adjusting the resonance shifts from ringing fuzz to heavy distortion to an extremely musical total failure."
Dynamics Controller Bat
Both a resonant filter and a VCA, the Pittsburgh Modular Dynamics Controller Bat is a modern re-interpretation of Don Buchla’s famous 'lopass' gate. The original lowpass gate was limited to a static response time that varied from unit to unit. For better or worse, this made each lowpass gate a little different. The Dynamics Controller Bat solves this issue and expands on the original concept by adding a unique voltage controllable response curve and variable resonance to the lowpass gate. Nothing has more depth, sounds more natural, or feels more alive than the our Dynamics Controller. Not only is this module unique in the world of modular synthesis, it sounds amazing.
Both a resonant filter and a VCA, the Pittsburgh Modular Dynamics Controller Bat is a modern reinterpretation of Don Buchla’s famous 'lowpass' gate.
Unlike a VCA, which simply changes the loudness of the sound without modifying the harmonic content, the lowpass gate circuit uniquely simulates the characteristics of how sounds interact in natural environments.
When used in lowpass gate mode, louder sounds contain more harmonic content and quieter sounds contain less harmonic content. The result is a more organic, complex, and rounded sound.
Don Buchla’s original lowpass gate (LPG) was limited to a static response time that varied from unit to unit. For better or worse, this made each lowpass gate a little different. Pittsburgh’s research that has made its way into the Dynamics Controller Bat solves this issue. It modernizes Don Buchla's concept by adding a unique voltage controllable response curve and variable resonance to the lowpass gate. This allows for all the sonic depth of the LPG while providing the same kind of sustain control offered by a more traditional VCA. The resulting Pittsburgh innovation is the best of both worlds, natural and alive sound, that's completely controllable."
The Wolf Channel Strip VCA
The idea was to design a VCA that makes everything sound better. Through the use of a custom Wolf preamp circuit, parametric EQ, and a high quality, linear VCA, The Wolf adds depth and presence to any patch. A custom preamplifier with variable gain control shifts between .5x and 7x gain followed by a soft clipping limiter. Results range from fully transparent to warm saturation to overdrive depending on how hard it is pushed. A three stage, 15db EQ pairs sweeping low and mid range channels with a fixed frequency high shelf followed by a second soft clipping limiter identical to the one in the preamp to keep it smooth. Green, Yellow, and Red LEDs are both fun and informative! Located after the EQ and before the VCA in the signal path, the LEDs offer insight into the audio signal.
The Wolf is a Channel Strip VCA designed to improve and provide more control over any input source. It does this through another three unique circuits.
Wolf Preamp
The Wolf’s Preamp is a custom preamplifier with variable gain control shifts between .5x and 7x gain followed by a soft-clipping limiter. The soft-clipping limiter is a way to control the amplitude of the signal while avoiding harsh distortion. Depending on how hard it is pushed, the results of running a signal through this circuit range from fully transparent to warm saturation to overdrive.
Wolf three-stage Semi-Parametric 15db EQ
The Wolf also has a three-stage Semi-Parametric 15db EQ featuring sweeping low and mid-range channels, as well as a fixed frequency high shelf. The EQ section is followed by an additional soft-clipping limiter identical to the one in the preamp. This evens out the signal keeping the audio sounding smooth.
Wolf VCA
The Wolf’s VCA is a low noise, high quality, linear voltage controlled amplifier with both manual level and CV attenuator controls.
Metering
No channel Strip would be complete without metering. Wolf’s LED Meter provides Green, Yellow, and Red LEDs for fun and informative listening. Located after the EQ and before the VCA in the signal path, the LEDs offer useful insight into the audio signal."
Price, Availability, and More Information
The retail price for the A Filter of Crows, Dynamics Controller Bat, and The Wolf Channel Strip VCA is $249 USD each. Because these modules are considered experiments, production has been limited to 200 A Filter of Crows, 250 Dynamics Controller Bat, and 200 The Wolf Channel Strip VCA modules. The modules are available now through the Pittsburgh Modular web shop. More information regarding the A Filter of Crows, Dynamics Controller Bat, and The Wolf Channel Strip VCA Eurorack Modules is available at pittsburghmodular.com/safari.
"Out Friday 18th March 2022 Back with a 3rd Volume of Patches for the fantastic Moog One, demonstrating Patches 33 to 64. The Bank contains 128 Patches, which can be either Single, Split of Layered using all 3 Synth Engines.
There's a wide range of Sounds, especially Motion and Evolving Pads, Brass and Strings, solid Bass and Leads, plus a whole host of others.
Some of the Sounds are more experimental, however they all are playable and have Controllers assigned to the Mod Wheel, Aftertouch and X/Y Pad for maximum control of how the Sound evolves over time.
There can be only One...MOOG ONE - Singularity Vol 3.
A new release from supporting member, Bakis Sirros aka Parallel Worlds.
Digital and Dimensional 12" vinyl album #MOA1202 on the well respected Móatún 7 label, limited to 30 copies!
Notes on the production:
Made entirely with eurorack and Serge modular sysystems. It was created without midi and midi-cv converters; only cv's, gates and triggers, countless lfo's, vca's & many vco's, vcf's and adsr's. I also used analogue sequencers, analog shift registers, quantizers, trigger delays, rotating clock dividers, clock multipliers, harmonic oscillators, granular processor & more. NO conventional keyboard was used.
"The names of Dave Bessell & Parallel Worlds should be familiar to aficionados of the DiN label with various solo & collaborative albums under their belts. “Phosphenes” see these two well respected musicians team up for their third collaborative release on DiN.
Following on from Morphogenic (DiN41, 2012) & Dystopia (DiN56, 2018) this new album builds on their previous work creating an imaginary Synthwave soundtrack. Bakis Sirros the mastermind behind Parallel Worlds provides the skittering rhythmic backdrop to the tracks over which he and Bessell overlay ominous bass lines, twisting melodies and creative sound design that recall a shadow of 1980s John Carpenter film scores. Bessell also adds his unique guitar style that he so effectively uses in his other well known side project with the synth quartet Node. Both musicians make extensive use of modular synth systems but in very different ways that perfectly blend together in these eight atmospheric tracks.
The duo of Bessell and Sirros really do have a unique sound that is unlike anything else released in the world of electronic music and “Phosphenes” presents another chance to enter their darkly twisted sonic world. credits releases January 15, 2021
All tracks composed, arranged and produced by Bakis Sirros & Dave Bessell between November 2019 & July 2020.
The names of Dave Bessell & Parallel Worlds should be familiar to aficionados of the DiN label with various solo & collaborative albums under their belts. “Phosphenes” see these two well respected musicians team up for their third collaborative release on DiN.
Following on from Morphogenic (DiN41, 2012) & Dystopia (DiN56, 2018) this new album builds on their previous work creating an imaginary Synthwave soundtrack. Bakis Sirros the mastermind behind Parallel Worlds provides the skittering rhythmic backdrop to the tracks over which he and Bessell overlay ominous bass lines, twisting melodies and creative sound design that recall a shadow of 1980s John Carpenter film scores. Bessell also adds his unique guitar style that he so effectively uses in his other well known side project with the synth quartet Node. Both musicians make extensive use of modular synth systems but in very different ways that perfectly blend together in these eight atmospheric tracks.
The duo of Bessell and Sirros really do have a unique sound that is unlike anything else released in the world of electronic music and “Phosphenes” presents another chance to enter their darkly twisted sonic world.
