You are looking at one of a kind analog vintage synthesizer,rirst ever made Altair 231,a prototype,well known as a Mnimoog model D soviet version,with a finger vibrato,synth in great condition and had new custom wood side,220 v,sounds really great,lush and raw!"
"Sound designer and composer Michael Manning is back on the Signal Sounds channel to explore the Future Sound Systems Cric! A year after the release of this monster analogue synth, Mick reflects on his evolving use of it in his work, and runs through a few examples of how to use the patching matrix for both simple and complex sound design. Along the way he plays some stunning pieces that showcase the full range of this dream machine.
This track sits in the realm of experimental and minimal ambient music, influenced by abstract electronics, and slow-moving sound design. Best experienced with headphones or in a focused listening environment.
Here's to you my 'No talking demo' of the amazing Cobalt 8M by Modal Electronics.
Cobalt 8 is an 8 voice extended Virtual Analog synthesiser that unlocks the full creative potential of analogue waveforms. This powerful, inspiring instrument reinvents the aesthetics of analogue sounds and invites musicians, producers and sound designers to explore a new era of virtual-analogue synthesiser textures, far beyond the limits of its analogue forefathers.
On top of the innovative oscillator engine of COBALT8, it also has a massive arsenal of inspiring morphable and static filters. Combined with Modal’s unparalleled modulation options, an inspiring real-time / step sequencer, the energising arpeggiator, MPE, studio-quality effects and MODALapp integration, COBALT8 is the perfect synth for everyone who wants a versatile electronic music instrument to play vintage synth sounds and is eager to enter new sound dimensions.
Eight true polyphonic voices tempt players to lay out wide string or rich synth pad chords, while a monophonic bass or lead patch, played with 64 oscillators can shake the walls of every stadium. And with the avant-garde sound forming features, every synth enthusiast can refine his performance with sounds that no other synthesiser is able to generate."
"This tabletop noise synth has been used only a few times for specific recordings and remains in perfect physical and working condition. The item pictured is the actual item you will receive.
Beatsville (Japan) Exclusive Model
Beatsville description (Japanese to English Translation)
JMTSYNTH, known for its popular creative noise drone synths, has released the DNVO-1a , offering even more flexibility and excellent integration with modular synths! This exclusive Beatsville model features a white acrylic panel and an additional Gate In jack, adding a touch of glamour. It's modulated by the voltage control of a BASTL INSTRUMENTS modular. Five modulation options are applied to the main VCO, which is then output via a brutal noise filter. Each sub-oscillator, SUB1 through SUB3, has its own on/off switch, is set to a different frequency range, and the modulation frequency can be adjusted with a knob. Each one distorts the sound intensely, creating a deluge of organic noise. Additionally, the NOISE knob allows you to apply noise modulation to the main VCO, adjusting the peak point with the knob. The fifth modulator is the WAVE GENERATOR, which can be enabled with the WAVE ON switch. The "WAVE GENERATOR" allows you to adjust the frequency with the WAVE LEVEL knob, while the ATTACK and RELEASE knobs, trigger switch, and Trigger 1 through Trigger 3 knobs allow you to create periodic, rhythmic vibrato and pitch bend. Random, rhythmic bends and long-period ups and downs can also be freely adjusted. This is a very practical technique, as it can be combined with noisy sounds to create noise synth sounds that add rhythmic elements without becoming monotonous. The DNVO-1a (Deluxe Edition) offers three types of trigger type switches. The top position, MIX, mixes the timing determined by the Trigger 1 through Trigger 3 knobs and sends it to the VCO. The bottom position, REPEAT, creates a regular rhythm and rhythmically modulates the VCO. The center position, GATE (OFF), is a special mode that allows the built-in envelope generator-type LFO to be generated from an external gate signal input to the Gate In jack (Trigger 1 through Trigger 3 are turned off, and the trigger is generated from the gate signal input to the Gate In jack). For example, if a gate signal is input from an external sequencer module, you can adjust its waveform with the ATTACK and RELEASE knobs before sending it to the oscillator. The additional CV IN jack also allows you to connect the CV OUT from an external modular or other device to modulate the VCO with an external CV! Everything is intuitive, allowing you to create even the most complex sounds. Furthermore, by connecting to external modular synths, you can explore the variety of analog synth sounds colored by JMTSYNTH's organic noise. This is an outstanding desktop synthesizer with a wide range of synth sounds."
"This was recorded right after I unboxed this amazing instrument that just got a huge update to include original waverables by Waldorf
I am very impressed with this synth. I have many Livens by Sonicware and love them but this is in a whole other category
I know I’m going to enjoy this synth and it will take me a long time to do all that it’s capable of."
FARFISA POLYCHROME - 1979
A gigantic instrument with an equally huge sound - was this the ultimate string machine of the era? With 4 independent sections of Divide Down-based instruments with lots of modulation capabilities - our bets are in.
The Polychrome uses octave-divider technology to achieve full polyphony meaning you can effectively play a 61 note chord.
It's a big-boned piece of gear, wide and surprisingly deep - it shares the same measurements as the ELKA SYNTHEX but adds a couple of kilos of weight - this to comfortably fit all the circuit boards inside.
We have an additional unit available for purchase - in excellent condition with the original carrying bag included - if you're interested please don't hesitate to contact us for more info, price and photos.
Most of the Farfisa Polychrome specifications are in the video as text already but a quick spec sheet would look like this :
There are four main instrument groups with individual preset sounds that are selectable one at a time
1. Percussive - 6 presets in. all (Piano, Harpsichord, Clavichord and the latest in modern piano emulation - Honky Tonk). This section is equipped with a dedicated filter with Brilliance, Decay and Emphasis parameters, effectively it doubles as a polyphonic synthesizer section.
2. Strings - 1 single preset with 3 octaves selectable simultaneously to form a massively huge string section.
3. Ensemble - 3 Brass preset sounds with an expanded filter section of brilliance and emphasis filter as well as attack and decay controls. There's an error in the video text here : all presets are 'free' - meaning you can adjust the parameters of all sounds. You can get a wide variety of sounds here, from synth leads to basses, brassy chords, you name it.
4. Vocal Chorus - Now this is special : 3 haunting choir preset sounds with an additional free mode, with access to Resonance and Cutoff parameters."
"A little chord sequence and sounds inspired by the (combined) Stranger Things soundtrack.
There are many layers of synths packed into this one minute:
Sequential Prophet VS Strings
Arturia Prophet VS Filtered Strings
Arturia CS-80 arpeggio
Roland Juno-106 Bells
Roland JX-8P Pad
Kawai K3m Bass"
"The Novation MiniNova is a powerful, compact synthesizer known for its surprisingly deep sound engine—the same one found in the larger UltraNova. It is particularly famous for its vocal processing and "Animate" performance buttons.
Here is a breakdown of its key features in English:
Core Sound Engine Powerful Synth Engine: A versatile engine capable of up to 18-note polyphony and 5 effects per patch.
Oscillators: Features 3 oscillators per voice, including classic analog waveforms, 36 wavetables, and 20 digital waveforms.
Filters: 14 different filter types, including low-pass, high-pass, and band-pass, with various slope settings.
Modulation: 20 modulation slots to link synth modules together, plus 3 LFOs and 6 envelope generators.
Vocal Processing (VocalTune & Vocoder) VocalTune: Includes a built-in pitch correction effect to achieve that "auto-tuned" vocal sound.
12-band Vocoder: Comes with a dedicated gooseneck microphone to create classic robotic voice effects.
Voice Processor: You can also run external instruments through its filters and effects via the audio input.
Performance Controls Animate Buttons: 8 backlit "Animate" buttons that allow you to "warp" and trigger modulation in real-time.
Pitch & Mod Wheels: Tactile wheels for expressive playing.
Large Filter Knob: A dedicated, oversized cutoff knob for instant sonic control.
Arpeggiator: A built-in 33-pattern arpeggiator with real-time editing.
Hardware & Connectivity Mini-Keys: 37 velocity-sensitive mini-keys for a compact footprint.
Patch Storage: Space for 384 onboard patches (256 factory sounds included) and additional storage via computer software.
Junior is a 4-bit wavetable synthesizer based on the soundchip of our favorite vintage handheld video game console, bringing the raw and primitive tones of the original into present day.
All sounds in this video are 100% made with Junior without effects."
"Junior is a 4-bit wavetable synthesizer based on the soundchip of our favorite vintage handheld video game console, bringing the raw and primitive tones of the original into present day.
Not only is Junior the perfect lo-bit playground but also a completely unapologetic synthesizer with a unique palette that holds a very special place in many of our hearts. Perhaps it can find its way into yours too.
Based on the limitations and characteristics of the Nintendo Game Boy™ soundchip, Junior emits raw and harmonically rich 4-bit values that will cut through anything. From 0 to 15, there is nothing more and nothing less.
The tone generator in Junior plays back a custom wave buffer of 32 4-bit values which gets transformed by different sound shaping controls. Paired with a 7-bit LFSR noise generator, they form the perfect lo-bit palette.
Junior has four flexible modulators inspired by modulation sequencers often used in trackers (LSDj, Defmon, M8 ..) called Tables. The 16-step modulation table in Junior can be configured as an LFO, envelope, arpeggiator, MIDI input mapper and more.
While Junior simulates the Game Boy™ sound, it's not a strict emulation by design. It expands upon the original capabilities with a modern feature-set and control while staying true to the original. The balance between accuracy and fun is just right.
A modular synthesiser performance recorded on my terrace in Porto, built around the 4MS Spectral Multiband Resonator and the Serge Random Source Triple Waveshaper [with Play all Day's PlayFader].
This patch became something to play rather than explain, with dense cross modulation and unstable feedback paths.
Watch the companion video looking at the underlying patch structure here:"
Patch Memory #3 | Chaotic cross modulation with 4MS SMR and R*S Triple Waveshaper
"Another patch exploration video, this time focusing on chaotic cross modulation between the 4MS Spectral Multiband Resonator and the Serge Random Source Triple Waveshaper.
This is a short overview of the patch logic rather than a full performance or a repeatable recipe. The sounds are unstable by design and difficult to reproduce exactly.
Performance audio available on Bandcamp, alongside an additional piece here:
"All sounds, except for the drums, were recorded directly from the synthesizer to the audio interface and were not processed by any VST plugins. All effects are taken from the synthesizer and are contained in patches.
Was used 'Oberheim TEO-5! Modern Funk' collection of 96 custom patches
"Adventure into the creating lab and headquarters of Noise Engineering Co-Creator Stephen McCaul, where he and Kris create synthesizer modules and pedals that channel sounds from the past, future, and new dimensions. If you love synths, euroracks, modular synthesis, moog's, Wendy Carlos, and everything sci-fi, then this video is for you.
CHAPTERS:
------------------
0:00 - Intro
1:04 - Plus Synth Wall
1:50 - Jam 1 (Sax + Synths)
2:28 - Plus Wall
10:42 - Jam 2 (Sax + Synths)
11:16 - Plus Wall
13:00 - The Mothership (totally insane eurorack modular space station)
15:42 - DX7
16:00 - Fender Rhodes
16:51 - Moog Theremin Synthesizer
18:00 - More Synth Modules
18:49 - Synth Creation Lab (where everything is created)
22:37 - Jame 3 (Solo Synth)
23:07 - Pedal Land
23:43 - Custom Wood Equation Structures
24:06 - Original Designs
25:38 - Execution Space
26:15 - More Pedals (Dystorpia + Batverb)
27:17 - Closing / Thanks For Watching
------------------"
"Emax, Emax II, Casio SK-1, Roland Junos and everything mashed together with arcade sounds and kung-fu.
This is a blend of the studio production and a live performance of the track.
The track itself is called "The Kung-Fu Arcade" and is available (digital download) from me directly upon request."
"(c)2007-25 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi
One of my favorite tracks from the early 80s.
Human Nature by Michael Jackson from the album Thriller (1982)
Written by Steve Porcaro (Toto)
I used the Roland Juno-60 for the arpeggio and bass (original Jupiter-8), the Oberheim OB-Xa for pads, strings and horn sounds and the Emulator II for the Rhodes and guitar sounds."
synth tees: https://retrosound.creator-spring.com
Bandcamp: https://retrosound.bandcamp.com/
em
"Discover 158 acoustic and electronic sounds of all categories, for composing in lots of music genres! Initially designed for the dualo du-touch (https://dualo.com/dualo), the soundbank is now adapted for all MPE controllers! Requires Decent Sampler 1.13.11 or above.
MPE controls: Play with X, Y and Z axes on MPE keyboards such as Exquis (or only on Z axis on Polyphonic Aftertouch keyboards) to modulate notes individually, and play with the 4 knobs to apply effects. A certain number of sounds (especially acoustic) also react to velocity.
Exquis owner? Use presets within Exquis app (Decent Sampler V.1.15.0 required) Once you purchased Dualo Legacy soundbank, open Exquis app and scan Decent Sampler plug-in as VST3, then download the Dualo Legacy soundbank from Decent Sampler store. You will then be able to load all Dualo Legacy presets from the Presets tab. Percussion presets are automatically linked to custom key layouts for Exquis keyboard.
"Here’s a fast, no-talk demo of SQUID-3 (SQ-3), the new synth by Acustica Audio. This video is all about listening: no voice-over, no explanations — just sounds and visuals so you can get a first impression of what this synth can do.
In this demo I’m simply showcasing a selection of patches and musical textures. I’m not going into technical details or deep sound-design features this time — think of this as a relaxed, musical overview rather than a tutorial.
If you’re curious about the engine, workflow, or a more in-depth breakdown, feel free to leave a comment and I may cover it in a future video. For now, just sit back and enjoy the sound."
SQUID-3 is a forward-thinking synthesizer born from Acustica’s groundbreaking MAREA series, available in VST3, AU, and AAX formats. Built to respond better than a real instrument, SQUID-3 gives you the speed to create instantly, and the depth to design without limits. It’s fluid, focused, and sonically honest.
This isn’t a vintage emulation, or a collection of pretty presets under reverb.
SQUID-3 fuses algorithmic modeling with advanced convolution, capturing the behavior of analog gear - better than gear does.
SQUID-3 is not another virtual synth.
It’s a new breed - designed to sound finished, even before the FX.
Every stage of its engine, from oscillator to output, was built to make raw synthesis sound like a mastered record.
SQUID-3 is available in two separate editions:
• the Standard (3-D, multi-page) edition, hardware-inspired interface with depth, lighting, and tactile realism for an immersive studio feel.
• a Flat (2-D version, single-page) edition, A clean, flat design optimized for speed, built for maximum graphic efficiency, where all controls are summarized on a single page"
"Experience a complex web of audio feedback with three powerful modular systems: the Serge Paperface 50 Helios, Paris Flash, and Tempo di Roma. This video showcases their unpredictable, nonlinear behavior, producing textures and sounds that evolve in surprising ways.
All sounds featured in this video are included in the latest release of my Serge Modular Synth Sample Pack, giving you full access to these unique modular tones for your own productions.
Get the sample pack here: Serge Modular Synth (Sample Pack) https://akihikomatsumoto.sellfy.store..."
"In this monumental video, I’m sitting down in Steve Porcaro’s studio for a rare, up-close demonstartions at how one of the true synth legends created some of the most iconic sounds in music history.
What makes this so special is that Steve takes us step by step through the exact synthesizer techniques he used on massive hit records — including Michael Jackson’s 'Human Nature,' Toto’s 'Africa' and 'Rosanna,' as well as classic tracks for Hall & Oates, Don Henley, Donna Summer, and more. He also recreates these sounds on the same model vintage synthesizers he used on the original recordings.
As we dig in, Steve shares his personal approach to synthesis, how he builds multi-dimensional sounds, thinks about atmosphere and texture, and shapes parts so they serve the song emotionally, not just sonically. He also reveals how he writes out synthesizer parts on score paper, treating synths like orchestral instruments and arranging them with real intention.
This isn’t a preset rundown or surface-level demo. It’s a candid, in-studio conversation about process, musical thinking, with hands-on demonstrations from someone who helped define the sound of an era. If you’ve ever wondered how these legendary synth parts were truly made, now you can get it straight from the source, this is a moment you don’t want to miss!"
