Polyvera Synth - Born from a Love of '80s Sounds | Superbooth 2026

video upload by Music Journey with Paul

"At Superbooth 2026, I talked with Stefano from SuonoBuono about Polyvera - a synthesizer that took around four years to develop and was born from a simple idea: building the instrument he couldn't find on the market.

Chapters
00:00 Intro
00:14 Suono Buono = Sounds Good
00:47 How long did it take you to produce the Polyvera synth?
02:02 Who is Polyvera for and what gap does it try to fill on the market?
03:09 What makes Polyvera stand out?
03:51 Stefano’s role in the company
04:05 Where is it produced?
04:23 The plans for the future
04:48 Recent new features

Polyvera combines the character of early digital instruments - samples, wavetables, aliasing and that unmistakable '80s digital texture - with analog filters designed to have real personality.

We talk about the story behind SuonoBuono, Stefano's inspirations from PPG and early Akai, and Roland samplers, why he deliberately didn't follow current synth market trends, and what makes Polyvera different.

Stefano also talks about the latest developments, including a new hybrid analog/digital wavefolder, new sounds and modulation possibilities that can create some seriously strange recursive feedback.

Designed and produced in Stockholm, Sweden.

Filmed at Superbooth 2026.

#Superbooth2026 #Polyvera #SuonoBuono #Synthesizer #Synth"

Audio Damage AD-202 - How Can This Synth Sound This Good - Walkthrough & Demo - iOS

video upload by The Sound Test Room

"You can get AD-202 here on the App Store
https://apps.apple.com/gb/app/ad-202/...

Roland MC-202 in a Plugin? | Audio Damage AD-202 Demo

video upload by Autodafe

"The Audio Damage AD-202 is a modern software take on the classic Roland MC-202 MicroComposer, the compact analog monosynth and sequencer released by Roland in 1983. With its single VCO, sub oscillator, resonant 24 dB low-pass filter and simple modulation architecture, the original MC-202 shared much of its sonic DNA with instruments like the SH-101 and TB-303.

I actually owned an original Roland MC-202 many years ago — and, like quite a few pieces of vintage gear I used to have, I eventually sold it. So I was particularly curious to hear Audio Damage's take on it.

AD-202 keeps the straightforward single-oscillator architecture and vintage workflow, while expanding it with modern features including 8-voice polyphony, analog-style drift, MPE, tempo-synced modulation, saturation, drive and distortion.

In this no-talking demo, I'll simply go through some sounds and presets so you can hear what AD-202 can do.

🎛️ Audio Damage AD-202:
www.audiodamage.com/collections/instruments/products/ad066-ad202"

Supercritical Synthesizers Interview Superbooth 2026

video upload by Take the Fear out the Gear

"Hi everybody this time we bring you the Supercritical Synthesizers Interview Superbooth 2026

Redshift 6 is a true sonic powerhouse. With 16 analog oscillators per voice and a 4-pole analog multimode filter featuring drive and character controls, it effortlessly delivers everything from super saw stabs to lush pads and from unison basses to vintage poly synth sounds. The Redshift 6’s 4 envelopes and 4 LFOs, combined with complex yet easy-to-assign modulation possibilities and the 32-slot mod matrix, offer endless possibilities for sound design.

Each of the Redshift 6’s six voices features a Demon Core Oscillator, capable of generating up to 16 simultaneous analog oscillators per voice. These oscillators can be assigned in various ways, from lush polyphonic textures to a massive 96-oscillator unison.

To take full advantage of the 96 oscillators almost endless sonic possibilities, the Demon Core Oscillator has various Engines, giving users a range of powerful options to choose from. Whether it’s traditional twin oscillators, supersaw engines, flanging phase sync, or transistor organ modes, each Engine is designed to be intuitive, highly controllable, and fully modulatable.

The filter core is an analog 4-pole state variable filter that is digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth – plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects."

ESP32-S3 Polysynth - Absolutely rocking it!

video upload by Bad Dog Designs

"An update on the ESP32-S3 Polysynth build.
I've got the sound engine working really well, and it now has patch storage and retrieval, along with 2 wavetables - .wav files loaded off an SD card.

Next up is making it look pretty to match the sounds it can make!

In the video, all the sound is out of the back of the DAC, but as the synth is not multitimbral ( the ESP32 would melt ) I've multitracked a couple of tunes to demo the sort of sounds it can make.

Headphones on, and bonus points if you can identify the tracks!!"

All-New for Behringer JN-80: 222 Ultimate Patches, Plus Free Patch Pack

video upload by ULTIMATE PATCHES

"Ultimate Patches created the popular factory presets that ship in JN-80's Banks A-E as heard in the video above, and now, Ultimate Patches releases the next level JN-80 Ultimate Patches: Volumes 1+2. 222 all-new premium quality sounds from the past, present and future: Classic polys, leads, basses as well as classic non-synth instruments including electric guitars, electric basses, strings, brass, percussion, acoustic pianos, wurlitzer electric piano, classic 60's/70s organs, voices, world & orchestral and more!

The collection spans the genres of 70s, 80s & 90s synth classics as well as modern pop, retrowave, R&B, orchestral, cinematic, hiphop, vintage pop+rock, vaporwave, trance, retrocade, latin, reggae, jazz, chiptune, reggaeton, dubstep, and tech / deep / retro house.

Pricing & Availability:
Available now as an instant digital download at ultimatepatches.com starting at just $19.99 per 100-Patch Volume or $29.99 for all 222 Patches.

In addition, a Free 15-Patch Taster Pack from the collection is now available (no registration required): https://www.ultimatepatches.com/free-synth-presets-patches.html"

Soft Cell - Tainted Love | 80s Synthpop Cover | Maxi-Korg 800DV, PPG Wave & Emulator II

video upload by RetroSound

"My cover of the iconic 1981 Soft Cell synthpop classic “Tainted Love”, recreated with authentic vintage synthesizers and samplers from the 80s electronic music era.

For this version, I used:

🎹 Maxi-Korg 800DV – analog bass and fx synthesizer sounds
🎹 PPG Wave 2.2 – main theme and pads
🎹 E-MU Emulator II – CR-78 drum and additional sampling sounds

The goal was to capture the atmosphere, character and raw electronic aesthetic of classic 1980s synthpop, while giving the song my own production and sound approach.

' Tainted Love ' became one of Soft Cell’s defining songs after its release in 1981. The duo Marc Almond and Dave Ball transformed the earlier soul song into a minimalist, dark and highly influential synthpop classic. The song was originally written by Ed Cobb and first recorded by Gloria Jones in 1964.

Soft Cell’s version became a major international hit and helped define the sound of early-1980s electronic pop, with synthesizers, electronic rhythms and a distinctive minimalist arrangement.

For me, recreating this track with vintage hardware is also a journey back to the analog and early digital sound of the 1980s — before modern software instruments became the standard. Dave Ball wrote me he used the Korg Bass and the Synclavier in the original song."

synth tees: https://retrosound.creator-spring.com

Minimal Audio Current 50 Atmospheric Arp Presets. Sound Demo

video upload by Anton Anru

✨ "Dreaming Motion" is a bank of 50 Arp Presets for Minimal Audio Current 2, combining warm analog-inspired sounds with soft and airy atmospheres.
The collection moves between retro synth character, subtle analog imperfections, dreamy textures, and spacious evolving arpeggios, giving the bank both nostalgic and modern sides.

📦 The download link: https://antonanru.sellfy.store/p/curr...
👤 The author of the soundset is Ilian.

🎛️ Each preset features 4 Macros for shaping the sound, while the Modwheel adds additional movement and expression.
The macros are a significant part of the soundset. They can change tone, stereo width, modulation depth and rate, noise level, distortion, detuning, space/echo/reverb, effects mix, envelope parameters, and others.
You may control them via MIDI controller, use them for automation, or map the macros to your DAW modulators like LFO, Shaper, and others.

📻 The patches are perfect for Electronica, Synthwave, Ambient, IDM, Downtempo, Melodic Techno, Chillout, and experimental electronic music.

🎹 All Arps are designed in either C Major or C Minor, following Current 2’s tonal Arp system. This makes the presets easy to use while keeping their harmonic character consistent. You can change the Scale in the lower right corner of the synthesizer to the one used in your track.

CLICK FOR MORE »

Cha Cha Guitri - Non non non

I just recently came accross this one and thought it was worth sharing, if anything for the nun with the SYNTHI below. It immediately reminded me of the Every Nun Needs a SYNTHI ads. According to the article that the image is from, they formed around 1981. The article is in French and has one NSFW (not safe for work) image of a breast - fair warning if you pop it up with someone else within eyesight: [French | Googlish]. The following is the bit pertinent to synths followed by a translation of the full article. You can find the release via BandCamp above or in the article from Born Bad Records. I also wanted to post this for the way the female singer enunciates those lyrics.



"While they started out like everyone else, playing flute and acoustic guitar and listening to King Crimson, the arrival of synthesizers on the European music scene completely redefined their direction: they cut their hair, donned ties, and replaced Indian tapestries with Venetian curtains. Kraftwerk had clearly had an influence. It was around an EMS AKS synthesizer, a Roland SH101, and a Roland TR808 drum machine that the four friends gathered in their home studio to compose the carefree and joyful electronic and exotic tunes that are the hallmark of Chacha Guitry. The group thus chose to climb the sunny side of New Wave, the one taken by the B-52's or Isabelle Antena, rather than its dark side, cluttered with the heirs of Joy Division. The boys programmed the machines, while the girls created minimalist, geometric costumes using whatever materials were at hand (paper rather than fabric). Together they immortalize their youth on Polaroid, take glue and scissors to assemble photomontages in the style of their Dadaist idols."

CLICK FOR MORE »

Sound Is Colour – Finally a Synth for Musicians, not Engineers (Abyss II)

video upload by DAWESOME MUSIC

[Alternative ways of interfacing with a synth engines]

"'Klangfarbe' is not a metaphor, it is how our brains perceive sound. But if sound is colour, then why are most synths built like lab equipment?

Abyss II is built on a simple yet radical premise: a synth designed around how we actually experience sound. It keeps you in the flow rather than forcing you into abstract formulas. Just play with colours, as you would mess with paint.

TIMESTAMPS:
0:00 Sound is Colour
0:12 How Brains Perceive Sound
0:28 Synths = Lab Equipment?
0:45 Abyss II First Impression
1:05 Patch in 60 Seconds
2:05 E-Pianos & Variations
3:01 Handpan Sample to Preset
3:40 Pad in 30 Seconds
4:12 Sequencer Demo
4:30 Palettes from Samples
4:55 Full Track (25 Instances)

All sounds in the video are created using Abyss.
The track 'Stare in2 the Abyss' was made by Rich.

Abyss II will be released August 20th, 2026
https://www.dawesomemusic.com/"

Partials & Discrepancies | Laid-Back Jam with MPE + Unusable Engineering FX

video upload by Unusable Engineering

"A slow, fairly minimal jam that appeared at the end of a testing session while I was working on improvements across the Unusable Engineering full suite.

There are only three sounds.

The pulse / heartbeat-like rhythm comes from Logic’s Drum Synth, processed with Spectral Pressure Chamber and a static Frequency Guillotine setting used mainly for EQ shaping and stereo spread.

The main keyboard sound is Partials & Discrepancies. It is a four-slot patch built from very few partials, but with constant movement between the slot states. That runs through a stereo tremolo sequence in Binaural Modulator, subtle stepped movement from Frequency Guillotine, a slowly modulated Geometry Delay, and a similarly slow-moving Geometry Reverb.

The high drone comes from Curves & Membranes, using two currently unreleased features and some portamento movement. It runs through a slewing Frequency Guillotine sequence, a deeper modulated Geometry Delay, and another slow Geometry Reverb setting.

Partials & Discrepancies is being played from both a Moog Muse over regular MIDI and a ROLI Seaboard Rise 2 using MPE at the same time.

I have started liking this combination quite a lot. The regular keyboard gives you the predictable part of the performance, while the MPE controller can add pressure, slide, and more expressive movement on top of it without having to commit the whole patch to one playing style.

Truth be told, most of my testing sessions ends with something like this. It is a nice way to clear the head.

More information:
www.unusable.net"

Neiro N106 Plugin: Digital Emulation & Real Hardware Render | Sound Demo

video upload by Davide Puxeddu

"In this video, I showcase the true power of the Neiro Audio N106 plugin. We are doing a direct comparison: Digital Emulation vs Real Analog Hardware Render! You will hear the huge difference when the digital preset is suddenly processed through the actual analog circuitry.

How does it work? The N106 is not just a standard VST. You compose your track using their high-quality digital emulation without any streaming latency. Once your MIDI and automations are locked in, the plugin sends your data directly to Neiro Studios. There, it is fed through a real physical Roland Juno-106 (specifically a hardware Kiwi 106 synth). The analog output is recorded using high-end RME Fireface UCX interfaces and automatically downloaded right back into your DAW as a WAV audio file. It's exactly like owning the real vintage analog synthesizer remotely.

To sit perfectly in a mix, I've also processed these sounds through external hardware-style reverb and delay.

🎧 Best experienced with studio monitors or high-quality headphones.

More Info: https://neiroaudio.com"

"Connect to a classic analog synthesizer revered for its lush, warm sounds. The Neiro N106 features a rich chorus effect that’s instantly recognizable from classic tracks like 'Jump' and 'Tom Sawyer'.

Connect directly to the Roland Juno-106 unit today."

Unusable Engineering Slot Sequencers | How They Work

video upload by Unusable Engineering

"A walkthrough of the shared slot sequencer system added to all Unusable Engineering effects in version 1.3.0.

Depending on the plugin, the sequencer has four or eight slots. Each slot stores a different set of effect parameters, and the plugin can step or slew between those settings manually, using an internal clock, or in sync with the host.

This video covers:
editing and selecting slots
manual movement between settings
internal and host-clock stepping
Slew in free and clocked modes
copying and pasting slots
randomization
enabling and disabling slots
differences between individual plugins
and a bit of the philosophy behind it"

"Curves & Membranes has also gained a new oscillator mode called Node Mode.

The normal oscillator uses Bézier handles to shape its single-cycle waveform. In Node Mode those handles are replaced by vector points, which changes how the synth sounds and allows much deeper wave folding.

It gives the synth a noticeably more modern and aggressive side while still using the same one-oscillator architecture. Curves & Membranes also got a new Vel->Radius option, where incoming velocity can multiply the radius of its orbital modulators by up to 5x. That makes harder notes introduce more movement rather than just changing level or filter response.

There is also now a preset browser across the full lineup, along with some starting-point presets, version checking and a few smaller workflow and stability improvements.

The updates are free for existing owners and available through the account page: https://www.unusable.net/account/

The two freebies (Binaural Modulator and Cavitation Fractures) have also gotten updated with slot-sequencer, preset-system and some bug fixes.
Product pages and press images are here:
https://www.unusable.net/
https://www.unusable.net/press/

External MIDI Amiga Synth? Wait, what?!

video upload by Jeremy Parker

"A few years ago I restored my childhood Amiga 500, and only recently found a way to use a soft synth, Aegis Sonix V2, with external MIDI control. I saw ‪@magicalsynthadventure3216‬ video on the topic a while back, and on a whim decided to revisit the idea of using my Amiga as a synth. Thanks to an Amibay.com forum thread, I learned that it's pretty easy to get Aegis Sonix V2 to respond to incoming MIDI, and so I was off to the races. Enjoy!

Magical Synth Adventures video: • Commodore Amiga Music Production: Modern S... [below]
Amibay thread: https://www.amibay.com/threads/aegis-...
Stone OakValley Studios info on Aegis Sonix: https://www.stone-oakvalley-studios.c...
OctaMED info: https://chipmusic.org/forums/topic/10...

00:00 Intro
02:28 The Solution
03:33 Sonix Demo
05:31 Sonix & Reaper
07:33 Amiga Groove

Commodore Amiga Music Production: Modern Sound Design on Retro Hardware

video upload by Magical Synth Adventure

"A delve into obscure software instruments on the Commodore Amiga. Here I look into both realtime & non-realtime varieties, covering a staggering array of synthesis types!

Additional attributions:

I forgot to give a shout out to uncle Brian! Sorry uncle Brian!
Endless Tunnel Animation: KRITRIMVAULT
Syndicate Intro: BullFrog Productions

Links:
SOFTWARE
http://old.exotica.org.uk/websites/dr...
http://ftp2.grandis.nu/turransearch/"

Update: An interesting side note is that Sonix was released in 1987 with a beta in 1986. That's 10 years earlier than Dave Smith's Seer Systems Reality, which was released in 1997. Seer Systems Reality is often credited as the world's first soft synth. Curious if the distinction was between an editor/interface for the existing Amiga sound chip vs. a self contained software synthesizer.  

I asked Google AI just to see what it would say. Here it is:

CLICK FOR MORE »

The LOST Bad Gear Episode

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. In a time like ours when material needs no longer exist in music production the accumulation of things seems to have become more important than ever.

Today we are going to talk about Novation Drumstation. While today’s synth clones are mostly used for home studio decoration this 1996 drum machine and shameless Roland TR-808 and 909 ripoff was more or less the only affordable way to actually tweak the iconic drum sounds. Simpler times."

Chapters:
00:00 I found the Lost Episode on an old Hard Disk
00:13 Intro tune
01:06 Overview Novation Drum Station V1
01:47 Limitations
02:02 Midi Control
02:24 Analog or Digital???
03:05 Workflow
03:32 Features
04:00 NoIsE iSsUeS
04:29 Audition/Auto-trigger
04:40 What else??? (More Features, Pricing, V2, D-Station ,...)
05:06 H*te Screen
05:35 Jam 1 ( Old School Techhouse )
06:25 Jam 2 ( Old School Trance )
07:28 Finale ( Old School Footwork/Juke )
08:02 VERDICT

The Crow Hill Company Announces POCKET STRINGS Plug-in for Free

The Best Strings Plugin Money CAN'T Buy??? video upload by CROW HILL

Press release follows:

The Crow Hill Company announces availability of popular POCKET STRINGS plug-in for free, bringing broadcast-grade string possibilities to everyone

EDINBURGH, UK: around a year after its initial launch, not long after the Edinburgh-based enterprise effectively rebranded itself with an aesthetic that truly realises company co-founder and composer Christian Henson’s heartfelt dream of encouraging people to make music and help them on their journey, regardless of whatever point they were at and wherever their journey began, The Crow Hill Company is proud to announce that it has made its popular POCKET STRINGS — styled as a never-tried-before strings plug-in that aims to bring broadcast-grade string possibilities to everyone by combining live cinematic orchestral recordings of some of the best musicians working in the UK with some rarefied vintage synth classics made to measure for added body, depth, and character — available for free with no strings attached (but pun intended), as of August 6…

CLICK FOR MORE »

Roland Juno-106 | Custom Sound Bank Demo | 80s Vintage Analog Synth Classics

video upload by RetroSound

"Experience the legendary Roland Juno-106 with a collection of custom-made patches created by RetroSound.

This no talking demo showcases original sounds ranging from warm analog pads and lush strings to punchy basses, expressive leads, classic brass, and atmospheric textures. Every preset was programmed from scratch to highlight the unmistakable character of the Juno-106.

Originally released in 1984, the Roland Juno-106 has become one of the most iconic analog synthesizers ever made. Featuring 6 voices of true analog polyphony, digitally controlled oscillators (DCOs), a rich 24 dB/oct low-pass filter, onboard stereo chorus, and full MIDI implementation, the Juno-106 remains a favorite among musicians and producers around the world.

Roland Juno-106:
• Released in 1984
• 6-voice analog polyphonic synthesizer
• 61 full-size keys
• Digitally Controlled Oscillators (DCOs) for excellent tuning stability
• Classic Roland 24 dB resonant low-pass filter
• Stereo Chorus I & II for the signature Juno sound
• Full MIDI implementation (rare for analog synths of its era)
• 128 patch memories

Every sound in this video was programmed by RETROSOUND.
🎹 No factory presets – only custom patches."

Website ► https://retrosound72.wixsite.com/home

Modor DR-2 Sound Demo (no talking): Different but Awesome!

video upload by Limbic Bits

0:00 TEC 3
2:16 Boomer (Electro)
3:41 Cave
5:05 3L3C7R0
6:29 Elfo
8:08 TEC 1
9:32 Def 1
10:28 TEC 2
12:11 CERN
13:29 Programming

"(Please note: This demo was shot a while ago, and several updates have improved the DR-2 even further.) Built into a solid metal chassis, the MODOR DR-2 is a drum machine unlike many others. It sounds refreshingly different from the dozens of X0X clones out there, yet it's still powerful enough to shake club walls.

With its old-school display, spacious interface, and faders, it definitely delivers the kind of '90s nostalgia that I really enjoy. Its different drum machine models offer a vast spectrum of possible sounds, and the MODOR is clearly on the digital side of the sonic spectrum.

It's a lot of fun to perform with (although I occasionally exaggerated the volume a bit while recording this demo). Take your time, learn the machine inside and out, and I'm sure you'll get even better results. I especially like the faders, and programming is quite straightforward. It's a little different from the step sequencers many users are familiar with, but it has its own logical workflow once you get the hang of it.

As a small company from Belgium, Modor Music has certainly found its niche as a boutique manufacturer with its own unique approach to synthesizer design. I congratulate them on creating this fantastic drum machine and welcome its refreshing take on what a modern drum machine can be.#drummachines #synth #synthesizer #technoproducer"

"Mellotron Micro" Short Live !

video upload by KATSUNORI UJIIE Synth, Keyboard & Music Channel

"Mellotron Micro（メロトロン・マイクロ）のショートライブです。
Mellotron Micro はMellotron M4000Dデジタルメロトロンのマイクロ・バージョンで、M4000Dへ搭載された100音色、優れた操作性をもつコントロールパネルはそのままに、2オクターブの標準サイズ鍵盤を搭載し本体の大きさと重さを極限までサイズダウンした"Micro"バージョンです。

Short live performance featuring the Mellotron Micro.
The Mellotron Micro is a “Micro” version of the Mellotron M4000D digital Mellotron.
It retains the 100 sounds and the user-friendly control panel found on the M4000D, but features a standard-size two-octave keyboard and has been scaled down to the absolute minimum in terms of size and weight."

Tone2 Releases Electra 3.5

Press release follows:

Tone2 Audio has released an update for their multilayer-synthesizer-workstation Electra. The update to v3.5 is a major update and is free for anyone who bought Electra 3.

It is downward compatible with previous versions. Existing song projects and patches can be loaded without any further steps necessary. They will benefit from the enhanced sound-quality.

What's new in Electra 3.5?

4 additional INSERT FX slots:

Each of the 4 layers has an additional insert effect slot. Here you can pick from from 64 different effect types.
20 additional MATRIX slots:

Each of the 4 layers now has 5 additional modulation matrix slots. They can be accessed by clicking on the '11-15' button.

9 new filter types:

LP MS-20: A screaming lowpass filter with self-oscillation. It sounds analog and uses 0-delay technology.

Phaser 2x: Analog 4-stage phaser with negative feedback.

Phaser 3x: Analog 6-stage phaser with positive feedback.

CLICK FOR MORE »

Vaemi Introduces Synterra

video uploads by Vaemi

Playlist:
1. Synterra : Audio Demo : Vaemi
2. Synterra Nedir? : VAEMI’nin Yeni Enstrümanı #synth #generativemusic #sounddesign #synthesizer
3. Synterra : VAEMI’nin Yeni Generatif Enstrümanı : Tüm Özellikleri #Organic #NaturalPatterns #Plants

Click CC in the player controls for subtitles.

"We are delighted to announce Synterra, VAEMI’s new instrument, which many of you have been waiting for. We are truly excited.

Synterra is a unique device designed as a more comprehensive instrument than similar equipment created to date, capable of interacting with organic objects, living organisms, and different surfaces in its surroundings.

Synterra can use changes in the magnetic and electrical fields around it, liquid or solid organic materials, fruits, plants, fungi, trees, light, and the touch-sensitive area on its surface, allowing your own resistance to become part of the music and the patch.

Synterra also determines its initial position during startup by using the magnetic field of its environment as a reference. This allows the device to position itself according to its surroundings each time it is powered on and begin processing incoming signals based on this initial reference.

In addition to these features, the device offers 8 different scale options. Synterra converts signals received from living organisms or other sources into data. It then processes this data through probability and quantizer structures, creating an algorithmic arrangement that generates different notes at different times. In this way, the device establishes a generative synthesis structure within itself.

Synterra features 9 different synth presets. These presets include a variety of synthesis characters based on subtractive synthesis, wavetable, resonator, Karplus–Strong, drums, and noise.

The device can also be used practically without being connected to any living organism, as light and your own resistance can be incorporated into the circuit. In addition, a much wider variety of sensors can be added to the system through the clip cables and the additional sensor input.

Synterra can be powered by either batteries or USB. Battery operation allows you to use the device comfortably on nature walks, in outdoor spaces, and in creative environments outside the studio.

The onboard potentiometers allow you to adjust the output level of the internal sounds, as well as the amount and sensitivity values. This enables you to use the device comfortably across a broader range of applications and receive signals at more suitable levels from different living organisms or organic sources.

CLICK FOR MORE »