MATRIXSYNTH: Search results for Sounds of Synth


Showing posts sorted by relevance for query Sounds of Synth. Sort by date Show all posts
Showing posts sorted by relevance for query Sounds of Synth. Sort by date Show all posts

Tuesday, January 08, 2019

HyperSynth Intros Memory Expansion Cards for Yamaha DX-7, DX7-II, DX5 - DX1, Roland D-50





Additional details further below.

Hcard-701 (Yamaha DX7 MKI) €91/$104 - holds up to 100 banks (3200 presets)
Hcard-702 (Yamaha DX7II-D/FD) €91/$104 - holds up to 100 banks (6400 presets)
Hcard-750 (Roland D-50) €95/$109 - holds up to 64 banks (6400 presets)

Coming in the pipeline:

Hcard-705 Pair (Yamaha DX5-DX1) & H-Display (For All Hcard Series)







Additional details on the current cards:

Tuesday, November 23, 2021

IK Multimedia Introduces Syntronik 2



"Syntronik 2 sets the new standard in modern virtual synthesizers. IK’s advanced sampling techniques, combined with a hybrid sample and modeling synthesis engine, power a comprehensive collection of rare and sought-after synths with stunning sonic accuracy and the deepest editing.

This is a massive update to the previous release, adding 11 new synths, exciting new, advanced, and much-requested functionality, and a huge number of all-new presets for the 22 original synths taking advantage of all these new features."



"Syntronik 2 features

33 powerful synths with familiar panel designs and easy-to-use controls

A collection of 54 iconic hardware synthesizers and string machines

Multi-sampled oscillators for ultimate authenticity

4 classic types of circuit-modeled filters to shape sounds

DRIFT™ technology for realism of subtle oscillator variations

Mix and match oscillators with filters for new original sounds

True 4-part synth to create rich sounds with Multis and splits

4 dynamic arpeggiators and new step sequencer for complex rhythmic textures

71 high-quality effects derived from T-RackS, MixBox and AmpliTube

More than 200 GB of sounds with disk streaming and over 5,500 presets

Browser search by category or keyword to find sounds in seconds

Optimized resizable interface and “lunchbox-style” effects panel

Load Syntronik sounds into SampleTank 4* for more expandability

Works as a 64-bit plug-in or standalone instrument for Mac/PC

Fully functional free Syntronik CS version also available"


New models.


The CATO captures the distinctive analog sounds of the Octave Cat SRM and its SSM filter. The pure-analog tonality of this synth is huge, and its modulation capabilities allow for truly unique and stylized timbres. Able to create gigantic Moog-style basses, the CAT can also go in its own sonic direction with its clever oscillator sync implementation.

Sunday, December 12, 2021

AJH Synth Patch of The Week Videos

video uploads by AJH Synth Official

Videos by supoorting member, DreamsOfWires.

Playlist: 1. Patch of The Week: The Sonic XV's Wave Folder - So many tones from just 1 VCO's Triangle wave
'Sonic Arps': The Sonic XV Transistor Diode Ladder Filter has a built-in Wave Folder, and in this video I'm using an arpeggiator in random mode to show the many subtle flavours of sound it can achieve from just a simple triangle wave from a single VCO. I will also pull a huge variety of timbres from a sine wave in a similar fashion.
The filter is a re-creation and expansion of the VCF from the Musonics Sonic V (5) synth of the 1970's (predecessor of the Moog Sonic Six), and shares a similar character to that of the EMS Synthi and VCS3, also being early diode filters. Bearing that in mind you might expect it to produce aggressive tones and chaotic feedback, which it can do well enough, but you might not have expected that it can also be very subtle, organic and warm in character, particularly well-suited to melodic arps/patterns and percussive sounds. With the added wave shaping functionality that wasn't present on the original, along with 24dB and 6dB low pass modes, and band pass filtering, this module packs a lot of tone shaping into 14hp.

Index:
00:00 'Sonic Arps'
00:34 Introduction
01:01 Assembling the patch
01:39 Sounds & Settings
04:33 Patch Sheet

A PDF file of the patch can be downloaded here: https://kvisit.com/8AE/xfUG

Patch notes:
Green dots show approximate pot and switch positions. Where a pot has two dots, this illustrates the range I move them during the video. Pots and switches that do not have green dots are not used in this patch, and should be left at their zero or off positions.
I'm using the VCA as a mixer so that I can use the outputs from both the BP and 6dB outputs of the Sonic XV. Notice in the video they are set at different volumes at different points depending on the sound - you will need to adjust this too, as different combinations of IN LEVEL, IN MIX, IN WAVE, and filter settings can make a significant difference to volume levels.
Modules used from left to right: Vintage Transistor Core VCO, Sonic XV, Contour Generators, Discrete Cascaded VCA.
2. Patch of the Week: 'Schulze School' - Melodic Eurorack performance + 'how-to' guide & patch sheet
This week's patch makes use of the V-Shape wave shaper/wave folder to sculpt the great analogue tone of the MiniMod VCO to create some delicate timbres that reminds us of Klaus Schulze's mesmerising sounds created on his sequencer-driven Moog modular synth systems in the 1970's. It also makes particular use of the Ring SM as a sub oscillator generator, and the rich tones of the Sonic XV diode filter.

Check out the AJH Synth playlists for more 'Patch of The Week' videos, which will be either performances or 'how to' guides detailing a range of sounds, some familiar, some less so, and each containing a patch sheet at the end to show you how to construct it for yourself.
3. Patch of the Week: 'Singing Gemini' - Dual Analogue VCF as a Dual Sine Wave VCO How to & patch sheet
This patch uses each of the 2 analogue filters of the Gemini as a dual VCO, self-oscillating, so that they produce sine waves and can be sequenced melodically using the Korg SQ-1 or any analogue step sequencer. This guide shows you how to make this patch, along with a patch sheet at the end. It is one of the many ways you can use just a couple of Eurorack modules to make music, as modular synthesis can be rewarding even with a minimal gear list.

Thursday, July 20, 2017

Syntronik™ - the legendary synth powerhouse for Mac/PC is now shipping


Announced back in May, Syntronik™ is now available.

The official press release follows:

"Syntronik™ - the legendary synth powerhouse for Mac/PC is now shipping

Cutting-edge virtual instrument delivers iconic synthesizers and string machines with unique synthesis engine and stunning sound quality, available as a collection or separate instruments

July 20, 2017 - IK Multimedia is proud to announce that Syntronik™, the legendary synth powerhouse for Mac® and PC, is now shipping worldwide.

Syntronik offers the definitive and best-sounding collection of vintage synthesizers in a virtual instrument to date. It provides unsurpassed quality and flexibility thanks to an entirely new combination of the most advanced sampling techniques with a unique hybrid sample and modeling synthesis engine, a large assortment of high-quality modeled effects and innovative instrument features.

Syntronik - a dream collection of synths
Syntronik includes a collection of 17 amazing instruments with over 2,000 soundscovering a wide selection from 38 of the most iconic to ultra-rare vintage synthesizers of all time:

Friday, February 06, 2015

Zed Synth for iOS - New Synth & Effect Processor for iPad & iPhone


Zed Synth Introduction Rik MaxSpeed Published on Feb 6, 2015

From the creator of Patch Morpher.

"The official introduction to Zed Synth, a hybrid physical modelling and virtual analogue synth for iPhone & iPad.

Demo soundtrack by Felix Sturmberger, produced entirely on the Zed Synth with no additional sounds, effects, reverbs, delays or samples."

iTunes: Zed Synth - Richard Meyer

"Have fun making music and creating amazing & unique sounds with this powerful synthesiser for iPhone & iPad.

Zed Synth is easy to learn, with live graphs throughout and built-in help for every knob, but it's a real powerhouse synth combining virtual analog synthesis with physical modelling. This innovative blend of technologies allows you to create rich and immersive sounds, ranging from bright electronic dance music patches to subtle and expressive solo instruments.

Zed Synth is also a unique audio effect processor: you can route external sounds through the synth and completely transform them: use the microphone and transform your voice, turn drum machines into strummed guitars, or radically transform the sound of any other Audiobus-compatible app!

Over 140 presets covering a wide range of styles provide a great starting point to making your own music. And you can easily share your patches with friends and other IOS musicians.

Key features:

- Wave-Shaping oscillators: inspired by 1950s vacuum-tube technology, 4 parameters allow you to create a vast array of original oscillator shapes which can be modulated in real-time.

- Physical Modelling: a sophisticated resonator can be either struck by a mallet or excited by the synth section (including external audio) with different forms of interaction to simulate blown, bowed or struck models.

- Unique Audio effect: the Zed Synth can process external audio via Audiobus and pass it through its string model. This unique effect can turn unpitched sounds, such as beats, into pitched sounds, akin to what you could do with a vocoder, only more responsively and with a much richer timbre. Using this approach, Zed Synth can radically transform the sound of any other Audiobus-compatible synth on IOS.

- A unique “Spring Box” effect capable of emulating the full 88-string sympathetic resonance of a piano soundboard, or simulating the body resonance of a musical instrument.

- Oscilloscopes throughout the user interface provide clear visual feedback and ease of use.

- Built-in Help system throughout the app to explain each of the modules and all the parameters.

- A Powerful Modulation system makes it incredibly easy to add modulations from a variety of sources to any of the synth’s parameters.

- The Granulator: a different take on the ubiquitous arpeggiator, the granulator can periodically or randomly retrigger the sound, and also vary the pitch. This makes it possible to create rhythmic chorded sounds with a human feel to them, or completely chaotic sounds like raindrops on a tin roof.

- Synth Overview displays the signal path and routing of the various modules, as well as making it easy to jump around sections when editing.

- Effects to further enhance the sound, including a stereo expander to enrich the spatial complexity of the signal.

- iPhone support: Zed Synth has been specially developed to run on both iPhones and iPads. Actual polyphony will depend on the speed of the device and older devices will not be able to recreate a full 88-string piano reverberation effect.

- Patch Sharing: Zed synth makes it easy to import & share patches with friends via e-mail.

- MIDI Learn mode so you can quickly & easily map your MIDI controller’s knobs to the synth’s parameters.

- Audiobus (including presets), Inter-App Audio and Core MIDI.

- 4x Oversampling: this greatly increases the quality of the sound and reduces aliasing at high frequencies. It can be disabled to reduce CPU utilisation.

Headphones, an external controller keyboard and a sustain pedal are highly recommended to get the most out of Zed Synth. Older devices will have reduced polyphony.

Full support and user manual provided online.

Zed Synth is a true innovative powerhouse - get jamming!"

iTunes: Zed Synth - Richard Meyer

Wednesday, January 04, 2012

NAMM: Our First NAMM Teaser of the Year Comes from Casio

Click on the bottom two pics and zoom in. Some things to take from the images:

1. Four Assignable knobs

2. Two rows with LEVEL labels

3. First LEVEL Row: (my guess) SYNTH1, SYNTH2, PCM1, PCM2, ???, ???, ??? New Section with ASSIGN1, ASSIGN2?

4. Second LEVEL Row: (my guess) LAYER1, LAYER2, LAYER3, LAYER4, LAYER5, LAYER6, New Section with ASSIGN1, ASSIGN2?

5. Below the LEVEL sections appear to be numbers and/or letters? Maybe tempo settings?

6. There is another section to the right of the knob controller section with buttons.

7. Note what looks like a KORG MS20, laptop and mixer on the table of the concert image. The image along with "The Beginning of a New Era" implies a new audience and new market for Casio.

What do you think?

Update: the two bottom shots joined together and blown up a little:

If you are on a Mac and try to do a screen grab with Command Shift 4 and select the whole image, you will see it brighten up, and you can see some of the additional controls on the far right. I captured a MATRIXSYNTH ghost in there BTW. I really need to invest in Photoshop.

Update: and a new teaser pic spotted on ComputerMusicGuide

The XW-P1 Performance Synthesizer

Update 1.12.12:

"A Mono solo section with up to six oscillators: two virtual analog, two PCM, noise, and external audio. Poly section with wide variety of gig- ready sounds. Drawbar organ mode. Six-way HexTone multis. Nine-track step sequencer with dedicated drum track."

Rumored price for the Casio XW-P1 is $699.

via this HC thread, via Computer Music Guide.

 


Update 1/19/12: Details are in:

Click each pic for the super size shot.  Details on each section below.

STEP SEQUENCER

Providing everything from pulsing dance grooves to animated synth textures and arpeggios, the Step Sequencer in both the XW-P1 and XW-G1 is the first of its kind. With nine tracks for drums, basses, synths and chordal parts, four controller tracks for adding panning, filter changes and other animation to existing parts and eight patterns make up each sequence; the user can build and mix their performance on the fly. Sequences can even transpose live from the keyboard, providing a completely interactive experience.


DRAWBAR ORGAN

In addition to the solo synth and HexLayers, the XW-P1 performance synthesizer is armed with an arsenal of gig ready sounds like stereo pianos, vintage electric pianos, strings, brass, guitars, basses, drums and more. It also has a new drawbar organ mode. Utilizing the nine sliders on the XW-P1 you have full range control over each drawbar. The XW-P1 even has dedicated controls for key percussion and rotary speaker while also providing vibrato, distortion and more for the ultimate drawbar organ experience.


SOLO SYNTH

Utilizing Casio’s exclusive (HPSS) Hybrid Processing Sound Source, a six oscillator monophonic solo synth is just one of the amazing sound engines in both the XW-P1 and XW-G1. The solo synth has the power to deliver classic analog sounds and sounds with an aggressive edge unlike anything else. Two virtual analog style oscillators, two PCM based oscillators, a noise oscillator and an external oscillator via mic and line inputs can be combined to make up a single solo synth tone. Each oscillator has an independent filter, envelopes, independent key tracking, portamento, two LFO’s and access to master resonant filter. With impressive modulation and control capabilities at your fingertips, the solo synth is capable of a wide range of sounds and expression.

HEXLAYER

In addition to the solo synth, the XW-P1 also features HexLayer tones. A HexLayer is a single sound comprised of up to 6 components, allowing complex layers, splits and velocity switched sounds. The sliders on the XW-P1 can be used to mix sounds on the fly to create evolving pads and rich synth textures while key velocity can be used to create dynamic velocity switched orchestral sounds and more.

ARPEGGIATOR AND PHRASE SEQUENCER

The XW-P1 and XW-G1 both have powerful Arpeggiators. In addition to typical arpeggio patterns, this Arpeggiator can create polyphonic synth gated patterns, acoustic instrument emulations and is even fully programmable allowing you to create your own unique sounds. An additional phrase sequencer allows you to quickly capture any riff that you play on the keyboard and have it available on a front panel switch or triggered and transposed live from a range of notes on the keyboard. The combination of the Step Sequencer, Arpeggiator and Phrase Sequencer provides an endless array of sound possibilities.


CONTROL

The XW-P1 and XW-G1 have 4 real- time controller knobs, pitch bend and modulation wheels, along with 9 sliders to provide control over internal sounds and external devices. Through standard MIDI ports and with a class-compliant USB port the keyboard can be used as a controller for other instruments, including computer software and iPad® based software applications. It also includes an audio input allowing you to monitor an MP3 player, computer or other device without the need for a mixer.

TECH SPECS
6 Oscillator Monophonic Solo Synthesizer (Both)
Sample Looper - Up to 19 Seconds of sampling time (XW-G1)
Sample Player - 10 user tones with up to 5 samples each can be stored in Flash Memory for instant recall (XW-G1)
HexLayer - A single sound made up of 6 components for gig ready splits and layers (XW-P1)
Drawbar Organ Mode with 9 sliders, adjustable rotary speaker, key click, vibrato and percussion (XW-P1)
Fully editable PCM based sounds like stereo pianos, vintage electric pianos, strings, guitars,
drums and more. (400 XW-P1) 300 (XW-G1)
13 Track Step Sequencer (Both)
16 step programmable Arpeggiator (Both)
Performance mode providing 4 internal or external instrument zones with instant recall of effects, Step Sequences, Arpeggiators and Phrases (Both)
4 real-time controller knobs (Both)
Phrase sequencer to record and playback your riffs (Both)
Stereo 1/8" line input to connect an MP3 player, laptop or tablet (Both)
USB and MIDI ports (Both)
1/4" Line Outputs (Both)
Included Power Supply (Both)
Can operate on 6 D batteries (Both)

http://casiomusicgear.com/home/index.html

Update 10:07 1/19/12: The Official Press Release with pricing:

"NEW YEAR, NEW ERA, NEW PROFESSIONAL SYNTHESIZERS INTRODUCED BY CASIO

Synthesizers built with Innovative and Interactive Features for Performing and Recording Musicians

ANAHEIM, CA, January 19, 2012 —Casio America, Inc. and its parent company Casio Computer, Ltd. today unveiled two new professional Synthesizers. Casio's roots were cultivated from the CZ-series synthesizers over 25 years ago. Recognizing that today’s professional musician wants more, Casio has re-entered the professional synthesizer market with two products which are the ideal tools for performing and recording artists. The XW-P1 is a 61 key performance synthesizer with Casio’s exclusive (HPSS) Hybrid Processing Sound Source. Providing screaming virtual analog monophonic leads and basses, drawbar organs, complex layers, stereo pianos, drums and more, the XW-P1 has the sounds and real-time control the performing musician needs. While the XW-G1 groove synthesizer is designed for the DJ and club performer providing an interactive step sequencer and a sample looper for digitally capturing performance patterns and external instruments. Both will be on display at the 2012 Winter NAMM Show, beginning today through January 22nd at the Anaheim Convention Center in Anaheim, California, booth # 5900, Hall B.

“The XW series are not just new keyboards, they represent a new direction for Casio in the musical instrument business” said Mike Martin, general manager of Casio’s Electronic Musical Instrument Division. “Casio’s formula of value and quality that has been the foundation of award winning instruments like Privia has been applied to a new product category, and the XW-P1 and XW-G1 are just the beginning.”

A six oscillator monophonic solo synth is just one of the amazing sound engines in both the XW-P1 and XW-G1. Two virtual analog style oscillators, two PCM based oscillators, a noise oscillator and an external oscillator via mic and line inputs can be combined to make up a single solo synth tone. Each oscillator has an independent filter, envelopes, independent key tracking, portamento, two LFO’s and access to master resonant filter.

“The solo synth has an incredibly deep and powerful design. Among countless others, the oscillators even have access to waveforms from Casio’s original CZ synthesizers. It can create a variety of classic analog sounds, but also has the power to deliver sounds with an aggressive edge” said Mike Martin. “Everyone is going to be surprised by the expressiveness and range of sounds the solo synth can create, but that is just one aspect of these products.”

In addition to the solo synth the XW-P1 performance synthesizer is armed with an arsenal of gig ready sounds like stereo pianos, vintage electric pianos, strings, brass, guitars, basses, drums and more. It also has a new drawbar organ mode providing nine steps for each drawbar, vibrato, percussion and rotary speaker control. Rounding out the XW-P1’s sound-set are HexLayer; a HexLayer is a single sound comprised of 6 components, allowing complex layers, splits and velocity switched sounds.

The XW-G1 groove synthesizer is geared for the club DJ and dance music performer. In addition to 420 built-in sounds, solo synth and PCM based sounds, the XW-G1 also has the ability to sample. A 19-second sample looper captures internal sounds as well as external instruments allowing the performer to create layers and overdub sounds on the fly. Sampled sounds can even be saved in Flash ROM so they remain in memory after the keyboard has been powered off.

Providing everything from pulsing dance grooves to animated synth textures and arpeggios, the Step Sequencer in both the XW-P1 and XW-G1 is the first of its kind. With nine tracks for drums, basses, synths and chordal parts, four controller tracks for adding panning, filter changes and other animation to existing parts and eight patterns make up each sequence; the user can build and mix their performance on the fly. Sequences can even transpose live from the keyboard, providing a completely interactive experience.

Furthermore, both the XW-P1 and XW-G1 have 4 real-time controller knobs, pitch bend and modulation wheels, along with 9 sliders to provide control over internal sounds and external devices. Through standard MIDI ports and with a class-compliant USB port the keyboard can be used as a controller for other instruments, including computer software and iPad® based software applications. It also includes an audio input allowing you to monitor an MP3 player, computer or other device without the need for a mixer.

The XW-P1 will be available in March 2012 for an MSRP of $699.00 and the XW-G1 will be available in April 2012 for an MSRP of $799.00.

For more information, visit www.casiomusicgear.com

XW-P1 Features
• 6 Oscillator Monophonic Solo Synthesizer
• HexLayer – A single sound made up of 6 components for gig ready splits and layers
• Drawbar Organ Mode with 9 sliders, adjustable rotary speaker, key click, vibrato and percussion
• 400 fully editable PCM based sounds like stereo pianos, vintage electric pianos, strings, guitars, drums and more.
• Step Sequencer with 9 instrument tracks and 4 controller tracks
• 16 step programmable Arpeggiator
• Phrase sequencer to record and playback your riffs
• Performance mode providing 4 internal or external instrument zones with instant recall of effects, Step Sequences, Arpeggiators and Phrases
• 4 real-time controller knobs
• Pitch and Modulation Wheels
• ¼” Mic and Line puts to process your voice or other instruments
• Stereo 1/8” line input to connect an MP3 player, laptop or tablet
• USB and MIDI ports
• ¼” Line Outputs
• Included Power Supply
• Can operate on 6 D batteries

XW-G1 Features
• 6 Oscillator Monophonic Solo Synthesizer
• Sample Looper – Up to 19 Seconds of sampling time
• Sample Player – 10 user tones with up to 5 samples each can be stored in Flash Memory for instant recall
• 300 fully editable PCM based sounds
• Step Sequencer with 9 instrument tracks and 4 controller tracks
• 16 step programmable Arpeggiator
• Phrase sequencer to record and playback your riffs
• Performance mode providing 4 internal or external instrument zones with instant recall of effects, Step Sequences, Arpeggiators and Phrases
• 4 real-time controller knobs
• Pitch and Modulation Wheels
• ¼” Mic and Line puts to process your voice or other instruments
• Stereo 1/8” line input to connect an MP3 player, laptop or tablet
• USB and MIDI ports
• ¼” Line Outputs
• Included Power Supply
• Can operate on 6 D batteries

###

About Casio America, Inc.
Casio America, Inc., Dover, N.J., is the U.S. subsidiary of Casio Computer Co., Ltd., Tokyo, Japan, one of the world’s leading manufacturers of consumer electronics and business equipment solutions, established in 1957. Casio America, Inc. markets calculators, keyboards, digital cameras, mobile presentation devices, disc titles and label printers, watches, cash registers and other consumer electronic products. Casio has strived to fulfill its corporate creed of “creativity and contribution” through the introduction of innovative and imaginative products. For more information, visit www.casiousa.com."

Monday, April 02, 2018

Mr Woofer - Synth Demos


Published on Oct 6, 2017 Mr Woofer

Playlist:

1. Mr Woofer - Enter Space (Atari STE Demo)
"Enter Space!" says Sinclair Spectrum ZX through its Currah uSpeech synthesizer. The Atari STE and its Yamaha YM2149F chip in all its square wave glory does exactly that. The tools used to control the STE are NSQ (Near Synthesizer Quality), Chip Synth and MaxYMiser.

The powerful beats are coming from NI Massive except for the Hi-hats and noise bursts which are also Atari STE. As usual external reverb and delay are added. Hope you enjoy it!

Music and Sound Design by Mr Woofer (Konstantinos Kampanis).
Original footage and video editing by Mr Woofer.

Enjoy!

Monday, November 04, 2013

KORG Introduces Little Bits - Magnetically Snappable Modular Synth

Litttlebits * korg

Published on Nov 3, 2013 Sota TOSHIYOSHI·2 videos
Update: module list & more added below.

Update2: I thought the following was an interesting note from PatchPierre of PatchPierre.Net on The MATRIXSYNTH Lounge: "Assuming all LittleBits can interact, the connections with the already existing bits look the most interesting to me. For example: theremin-like creations with http://littlebits.cc/bits/light-sensor. and projects with http://littlebits.cc/bits/bend-sensor and http://littlebits.cc/bits/pressure-sensor"

This was supposed to embargoed until November 8th, but it looks like the little bits are out of the box. Below are some shots via lhuga on Flickr and some initial details.   Some of you might remember Little Bits from previous posts (see the LittleBits channel for more). LittleBits was created by Ayah Bdeir. You can see her in this video. The first post went up back on August 12, 2008. I always wondered if more synth bits would be coming. Thanks to KORG it looks like they have.

The price for the kit appears to be 16,000 Yen which translates to roughly $162 US.

Tuesday, January 15, 2019

New KORG KROME EX Music Workstation


KORG KROME EX - Overview Published on Jan 15, 2019 Korg

"An evolved go-to synthesizer with a focus on "FUTURE BASICS"

KROME, the best-selling synth focused on packing the most usable sounds into an easy to use platform, has received a major refresh. Updated to meet the needs of the current music scene, KROME EX has a special emphasis on sounds that can immediately fit into productions of all types.

In addition to standard sounds that will never grow old, KROME EX provides numerous new programs and PCM data, including piano programs prepared specifically for this product. This instrument provides high-quality and immediately-usable sounds that take full advantage of the KROME's high performance specs. The new body also features a newly revamped build and look to accompany the new sounds.

A music workstation for gigging musicians and producers of all stripes.
The KROME EX."




"An evolved go-to synthesizer with a focus on "FUTURE BASICS"

KROME, the best-selling synth focused on packing the most usable sounds into an easy to use platform, has received a major refresh. Updated to meet the needs of the current music scene, KROME EX has a special emphasis on sounds that can immediately fit into productions of all types.

In addition to standard sounds that will never grow old, KROME EX provides numerous new programs and PCM data, including piano programs prepared specifically for this product. This instrument provides high-quality and immediately-usable sounds that take full advantage of the KROME's high performance specs. The new body also features a newly revamped build and look to accompany the new sounds.

A music workstation for gigging musicians and producers of all stripes. The KROME EX.

Friday, January 12, 2007

Korg Sigma


via this auction

"This is the Korg Sigma KRP-30 Vintage Analog Mono Synth from the famose 1970's MS Series*** This synth is extremely RARE! You will not see it on ebay very soon ! **** This is one of my favorite all time synthesizers because of the unique sounds of the MS series with performing abilities that was very rare in those days - For examplr it has its own AFTER TOUCH and rING MOD and 2 Joysticks and tons of buttons and knobs to change the sound ****** The Korg Sigma does let you play a quarter-tone scale ***** it was Used by Jean Michel Jarre, Rick Wakeman and Keith Emerson ***** I hate to let it go...But- I'm leaving the country soon and I'm selling All the equipment from my smokeless recording studio in the next few weeks and this Korg is one of the nice ones. Everything works on it flawlessly ***** Here is some info from the web: The Sigma is an interesting bi-timbric synthesizer consisting of two sections: a genuine analog "Synthe" and a Preset "Instrument" section. All together, there are 19 presets on it that give a variety of sounds. There are 11 presets for the "Instrument" section which include fuzz guitar, electric bass, clavi, string, flute, double reed, trumpet, hammered percussion, etc. And there are 8 presets for the "Synthe" section that give variable waveforms (square, pulse, sawtooth) in different pitch ranges (from 32' to 4'). Each preset has it's own rotary control to vary it's sounds. The Sigma is also unique for its ability to combine the synth and instrument sections for a nicer, layered synth sound or effect. While the synth section is nice, the instrumental sounds (tuba, trumpet, strings, guitar, etc.) are pretty darn bad, and only get interesting when mixed with the "Synthe" section sounds. **** Cool joysticks add multi-dimensional control. Use one to control pitch, noise and vibrato and use the second joystick to edit the low-pass and hi-pass VCF filters! There is also an "Effect" section which is for Vibrato, Portamento, Sample and Hold, Noise, Key Hold, Multiple Trigger and Ring Modulator (each with it's own rotary control to vary it's sound). Even though it has a switch labelled "Ring Mod," it's actually a cross-mod. It lets you cross modulate between the instrument and Synth sections. ***** o read a review please go here. ***** The Manual can be downloaded here ***** I just found another review of the Korg Sigma *** I found this review too: "Ever since i got my Korg sigma and for all that time i can not stop playing with it. - never got board. First thing to mention is that this synth is purely unique - It does not sound like anything I ever heard before and looks like a cross between organ/synth. Keeping in mind that this synth was designed at the same the time as The KORG MS series Synthesizers. ( same designer) All the Osc ,envelopes and filters are the same as the ones youll find in the MS-20 I do own also the X-911 ( gtr synth) that the synth section is kind of from the same family. There are "18" Oscilators running at the same time.... Plus One noise osc with Attack/release control, and lots of effects... Sigma is really a mono performing synth you can sit down and change the sound again and again just by adding more oscilator to the party. than coloring those Oscilators with diffrent controls such as Attack/Release , Decay, Freq-filter control , Pulse Width , Tone, S/H Clock ( cool LED for timing) But the coolest features are: Ring modulation with control of pitch that makes this synth sound almost like a DX-7 on acid... Imagine these old VCO with digital flavores. ( when you using the LP filter sometimes a flute can sound as if it was fried with eggs...) there are also 2 joysticks. one for VCF and HP/LP the other one for Pitch shift ,Vibrato and the most Weird effect ever "Noise Depth" that sounds like increasing amount of sweet distortion. The effect section covers all the regular known effects - Portamento,vibrato,oct high/low, Multi trig, Hold, Keyboard Sens ( if you push down youll get the effect-After touch ) and a "Quarter note effect" - when you use this one, the notes are runing in 1/4 notes instead of 1/2 notes so the scale of the key will change to major scale almost to a minor scale... for example If you hold down the key of C and also press the key of D the sound is key of C#... I also used it on pitch shift which is really cool. Oh yeah you can also push a button ( ala JUNO 60 Vibrato ) for the portamento in/out effect - on the fly. All and All - this is really one weird mono beast with a rainbow of sounds - from a hollow "CASIO-TONE" to heavy DX7 through MS20 like colored lead. I did use it as bass synth and space effects noise-box but the best use is the screaming distortion like leads. Now, if you have some other old synth with ext input - run the sigma through them (use the CV/Gate ) its amazing I tried it with Minimoog, X911, Arp Axxe and the Roland SH09 its sounded different in every situation but was making the sound much much more interesting"

Sent my way via sonicbrat.

Thursday, January 22, 2015

Roland JD-Xi Interactive Analog/Digital Crossover Synthesizer - Official Details & Video

Dorian Concept Performance Featuring the JD-Xi Synthesizer

Published on Jan 21, 2015 RolandChannel

"The JD-Xi puts a true analog synth engine, Roland’s famous SuperNATURAL synth sounds, and other creative tools including onboard pattern sequencer and vocal FX. Small in size and Large in versatility, the JD-Xi is all about big sounds and big fun! This video is a solo performance of Dorian Concept featuring the JD-Xi. Dorian creates the track from scratch, while he performs in real time."

Dorian Concept Interview about the JD-Xi Synthesizer

Published on Jan 21, 2015 RolandChannel

"Dorian Concept tells his impression about the sounds, usability and applications, of the JD-Xi."

And the official press release:

"ROLAND DEBUTS JD-XI INTERACTIVE ANALOG/DIGITAL CROSSOVER SYNTHESIZER

Powerful Compact Synth with Pattern Sequencer and Vocal FX

Los Angeles, CA, January 22, 2015 — Roland is proud to announce the JD-Xi Interactive Analog/Digital Crossover Synthesizer, a new compact keyboard that’s powerful, versatile and fun. Equipped with 37 mini keys, the JD-Xi features a true analog synth engine along with a wide selection of Roland’s acclaimed SuperNATURAL digital sounds. This affordable instrument also comes packed with many great extras for self-contained music creation, including built-in drum kits, a four-track pattern sequencer, and a gooseneck mic for using the synth’s Vocoder and AutoPitch effects.

Thanks to its unique crossover sound engine, the JD-Xi gives musicians the best of both worlds: the warm, smooth response of classic analog, and the clarity and versatility of modern digital. In one keyboard, players can enjoy fat, warm analog bass and lead tones with ample controls for hands-on tweaking, plus polyphonic PCM essentials like electric piano, brass, guitar, and many others.

The newly developed analog synth section in the JD-Xi features saw, triangle, and square waveforms with pulse-width modulation and an analog filter, plus an independent sub oscillator for low-end power. Two digital synth sections offer 128-voice polyphony and a wide range of SuperNATURAL-based PCM tones for playing any style of music. Sounds can be enhanced with the JD-Xi’s effects section, which includes delay, reverb, and processing options such as Bit Crusher, Slicer, Ring Mod, and others.

The JD-Xi comes with a sturdy, high-quality gooseneck mic and onboard vocal effects. With the Vocoder, users can sing into the mic and control the tone and pitch via sounds played on the keyboard. AutoPitch makes it simple to achieve the robotic vocal sounds common in today’s pop and electronic music styles, while the cool Auto Note function provides the ability to “sing” JD-Xi synth sounds without touching the keyboard.

Using the built-in pattern sequencer, it’s possible to create and perform sophisticated music with only the JD-Xi. Four separate tracks—two digital synth parts, analog synth, and drums—make it easy to build rich-sounding loops. Real-time and step recording modes are provided, along with a special TR-REC mode for programming in the style of Roland’s classic TR-series beatboxes. Patterns can be queued up and manipulated while playing the keyboard, and many preset patterns are included for jamming right out of the box.

The dynamic drum kits in the JD-Xi offer high-quality rhythm tones to support any groove. Included are many types of electronic and acoustic kits, and the drum instrument assignments are conveniently labeled above the keys for quick identification. Users can modify the sound of the kits with filter, envelope, pitch, and pan parameters.

Supporting both MIDI and audio over USB, musicians can use the JD-Xi with their favorite computer music applications. USB also provides the ability to access a growing collection of free JD-Xi patches programmed by top engineers and artists, which are available at Roland’s Axial sound library site.

Featuring red and black styling to match the synth, the optional CB-JDXi gig bag provides a convenient way to carry the JD-Xi and its gooseneck mic along with cables and other accessories.

For more information, visit RolandUS.com."

Specs:

Saturday, September 16, 2023

Yamaha EX5 Demos by Snupps


videos upload by Snupps Synth channel

Use the player controls to skip through videos.

1.
A demo of a effect sound i made, Under the Name The Abyss, its a strange sound. And only the EX5 can achieve this type of sounds, I used no external FX for this and there is almost no layered tracks, mostly one continous recorded track. I used the AWM/FDSP engine for this, Cheers!
Yamaha EX5 Demo The Abyss 2. Public Transport (Yamaha EX5 Demo)
A ambient track, where i mostly use my Yamaha EX5, and most specifically a sound i made under the name Transporter, which kinda sounds like a bowed string instrument, where i used the FDSP synth engine. I also used my Korg M50 and Kawai K5000s for some more layered sounds. All the sounds were made by me.

Tuesday, September 21, 2021

Ultimate Synth Selection for NAUTILUS



Playlist:
Ultimate Synth Selection - KORG NAUTILUS
The Ultimate Synth Selection utilises the Set List feature in NAUTILUS and gives the user the ability to search for sounds from legacy instruments through to the world-class sound engines of the NAUTILUS.

Imagine walking into a room containing an MS20, a Polysix, WAVESTATION, M1, TRITON, Concert pianos, CX-3 drawbar organs, Electric Pianos with an array of FX pedals, supercharged FM synths and more…

The Ultimate Synth Selection lets you do that within the NAUTILUS by giving the user 11 custom setlists created by KORG UK. Full details at https://www.korg.com/uk/news/2021/090...

Ultimate Synth Selection for NAUTILUS - SGX-2
The SGX-2 Premium Piano sound engine offers three distinctive pianos - the rich German D piano, a Japanese upright model and a small Japanese C grand. Each uses superb, un-looped stereo samples, with 12 velocity levels. Thoughtful attention to detail preserves the realism and warmth of the piano sound, even to the extent of sampling and reproducing the sounds of the body resonances and the mechanical key, damper pedal noises, string resonance, varied microphone placements and even prepared piano samples.

Ultimate Synth Selection for NAUTILUS - EP-1
Our EP-1 sound engine is dedicated to faithfully recreating six of the most popular classic electric pianos which provide realistic simulations of the period amp, cabinet, speaker and even the hard-to-find vintage effects that gave the original instruments their distinctive sound. The MDS modelling technology eliminates the transitions between velocity-switched samples and provides the user with unique control over the tines, reeds and noise elements.

Ultimate Synth Selection for NAUTILUS - CX-3
The original KORG CX-3 combo organ went on sale in 1980. The CX-3 engine precisely models this classic tonewheel instrument. Proprietary KORG technology has been used to perfectly reproduce the vacuum tube amp and effects, such as Vibrato/Chorus and the must-have rotary speaker - even the instability, fold-back, leakage and noise of the tonewheels have been obsessively analysed to recreate this much sought-after classic organ.

Ultimate Synth Selection for NAUTILUS - MS-20EX
Debuting in 1978, the MS-20 unified a 37-note keyboard with a vertically oriented control panel. It had a thick and solid sound, aggressive filters and patching that opened up limitless potential for creating sounds. Using KORG's CMT (Component Modeling Technology), the MS-20EX faithfully reproduces the MS-20, whilst dramatically expanding its patch panel functionality. Its signature filters provide a unique sound, a great contrast to the AL-1 and PolysixEX.

Ultimate Synth Selection for NAUTILUS - PolysixEX
The original Polysix from 1981 offered six-voice polyphony, program memory and a surprisingly competitive price tag. With its self-oscillating four-pole filter, smooth analogue oscillator and sub-oscillator, plus a lush Chorus/Ensemble effect, the PolysixEX extends the abilities of the original in many creative ways, The Polysix arpeggiator is included and you can modulate every control on the front panel to make new sounds that were impossible on the original keyboard.

Ultimate Synth Selection for NAUTILUS - WAVESTATION
The WAVESTATION synthesizer appeared in 1990 with an advanced vector synthesis system that combined and shifted between multiple complex waveforms. Using the HD-1 Engine in the NAUTILUS, KORG have included most of the original wave sequences, as well as a full wave sequence edit mode. The patterns can also be manipulated with the on-screen vector joystick, just like on the original!

Ultimate Synth Selection for NAUTILUS - TRITON
The KORG TRITON series of workstations was first released in 1999. Countless top musicians and producers from around the world loved the newly developed expressive PCM sounds that helped shape the sound of the 2000s in the studio and on stage. This collection of 128 original TRITON programs uses the HD-1 engine to faithfully recreate the HI (Hyper Integrated) synthesis system that was at the core of the legendary TRITON series.

Ultimate Synth Selection for NAUTILUS - MOD-7
Combine Variable Phase Modulation (VPM), wave-shaping, ring modulation, samples and subtractive synthesis, plus a modular patch-panel system and you end up with the MOD-7. Exceptionally versatile, it offers everything from classic FM keyboards, bells and basses (including the ability to import sounds from vintage DX synths), to rhythmic soundscapes and sparkling, epic pads.

Ultimate Synth Selection for NAUTILUS - AL-1
The AL-1 is the same premium feature-packed analogue modelling sound engine that was first featured on the KORG OASYS, the Open Architecture Synthesis Studio back in 2005. Its patented ultra-low-aliasing oscillators smoothly recreate all the power and glory of true analogue synthesis-without the artifacts that can plague lesser instruments.

Ultimate Synth Selection for NAUTILUS - STR-1
Based on the physical modelling DNA that KORG developed in products such as the WAVEDRUM, Prophecy and Z1, this struck/plucked-string physical modelling sound engine takes advantage of cutting-edge technology. The STR-1 engine is packed full of highly playable sounds, whose tone responds to your touch in ways that are difficult for a PCM sound engine to replicate, including acoustic and electric guitars, harpsichords, clavinets, harps, bells and ethnic instruments.

Thursday, January 27, 2022

Jordan Rudess plays the Megawave, Obie One, CATO, and Triptych from Syntronik 2

Jordan Rudess plays the Megawave modern virtual synthesizer from Syntronik 2
video upload by ikmultimedia

"Watch Jordan Rudess plays one of the classic synths of Syntronik 2 - the Megawave. The Megawatt features the powerful wavetable synth sounds of the original Waldorf Microwave, a classic digital/analog hybrid. The Microwave was the heir to the PPG Wave legacy with its sweepable digital wavetables and Curtis chip analog filter. The unit we recorded is the most coveted Rev A version."

And a few more:

Jordan Rudess plays the Obie One modern virtual synthesizer from Syntronik 2


"Watch Jordan Rudess plays one of the classic synths of Syntronik 2 - the Obie One. The Obie One is our recreation of the innovative Oberheim OB-1, excellent at creating classic and fat sounding bass, pad and lead sounds. The new 4-pole slope in our O-Type state variable filter model in Syntronik 2 now captures the distinct difference between the 2- and 4-pole filter sounds of this excellent hardware synth."

Jordan Rudess plays the CATO modern virtual synthesizer from Syntronik 2


"Watch Jordan Rudess plays one of the classic synths of Syntronik 2 - the CATO. The CATO captures the distinctive analog sounds of the Octave Cat SRM and its SSM filter. The pure-analog tonality of this synth is huge, and its modulation capabilities allow for truly unique and stylized timbres. Able to create gigantic Moog-style basses, the CAT can also go in its own sonic direction with its clever oscillator sync implementation."

Jordan Rudess plays the Triptych modern virtual synthesizer from Syntronik 2


"Watch Jordan Rudess plays one of the classic synths of Syntronik 2 - the Triptych. The Triptych is based on the warm sounds of the classic Korg Trident with its separate synth, string and brass sections. The Trident was basically a 2-oscillator Korg Polysix combined with a convincing string machine with dedicated ensemble chorus and a paraphonic brass synth. It is a beast of a synth capable of a wide range of classic analog synth and stringer sounds."

You can find additional IK Multimedia Syntronik 2 psots here.

Tuesday, June 13, 2017

Ampify & Novation Release Groovebox - Beats & Synths Music Studio for iOS


Groovebox for iOS // A Beats & Synths Studio from Ampify on Vimeo.

iTunes: Groovebox - Beats & Synths Music Studio - Novation

"If you love making electronic music, you’ll love Groovebox. Enter an inspiring world of music production on your iPhone & iPad.

Groovebox is a free, beautifully designed music studio app packed with inspiring synths and drum machines. In minutes you’ll be making beats, melodies, and playing with world-class instruments. Expand your own collection with more sounds and instruments available in the store. From the creators of Launchpad, Groovebox helps you produce music on iPhone & iPad.

A Beats & Synth Music Studio

Play with touchable instruments to quickly create your own beats and melodies, or draw in notes. Need inspiration? Groovebox has hundreds of patterns and sounds to get you started. Two powerful synthesisers, designed in partnership with Novation, deliver deep retro basslines and analogue harmonic melodies. The modern drum machine, with expanding drumkit library, will turn Groovebox into your go-to beat production studio.

Synths Designed in Partnership with Novation

Designed in partnership with Novation, legendary synth pioneers, Groovebox packs a world-class sound. Each instrument uses a new powerful synth engine capable of recreating classic warm analogue sounds and rich modern harmonics

Easy to start, Deep Enough to Master

Groovebox is designed to kick-start ideas, but it has serious features for artists and producers too. The advanced synth parameters* let you sculpt your own sounds. Included iPad mixer, note sequencer, key and scale modes let you control your sound. Export your sounds easily to a laptop to produce further. Sync to other apps or a laptop with Ableton Link. Connect using Audiobus, Inter-App Audio and even Export to Ableton Live seamlessly.

Features

• Three powerful instruments - Drumbox, Retrobass and Poly-8
• Discover and build ideas - Quickly explore sounds with hundreds of melody and rhythm patterns
• Play touchable instruments - Create your own melodies and beats
• Build beats - Play drum pads or keys, sequence notes or use patterns
• Sound innovation - Synths developed in partnership with legendary Novation
• Expand your sounds - Regular, fresh-content drumpacks, presets and patterns*
• Production-ready sounds - Crafted by world-class sound designers and artists
• Extendable Instruments - Expose more tweakable synth controls
• Sequence your music - Draw notes and build patterns instead of playing them
• Stay in time and key - Choose from any tempo, key or musical scale
• Mix your music - 8-track mixer on iPad. Instrument focus mixer on iPhone.
• Share your music - Easily create a mix of your music to share with others

*Requires In-App Purchase

Advanced Features

• Jam with others - Audiobus, Inter-App Audio, Ableton Link and Ableton Export
• Ableton Export - Easily send your project to Ableton Live
• Full scale support - All keys and major, minor and modes supported
• Project management - Rename, duplicate and delete
• iPad Pro support - Optimised to use the entire iPad Pro screen
• Send your ideas to a laptop - Batch export your pads as a .zip file, or use Ableton Export
• Bluetooth speaker supported

Ampify x Novation

We are Ampify, a unique innovative team formed from Novation, world-renowned music instrument pioneers. We’re responsible for some of the most popular music creation and remixing apps on Apple’s App Store. Launchpad for iOS has nearly 7 million downloads, and Blocs Wave for iOS won a number of prestigious awards. Our team, originally called Blocs, is now known as Ampify.

Supported Devices

Groovebox is compatible with iPad 4th Generation, iPad Air 1/2, iPad Pro 9.7/12.9, iPad Mini 2/3/4, iPod Touch 6th Generation, iPhone 5/5C/5S, iPhone 6/6S, iPhone 6S/6S Plus, iPhone 7/7 Plus. Requires iOS 10."

And the descriptions and screenshots from iTunes:


iTunes: Groovebox - Beats & Synths Music Studio - Novation

Thursday, December 10, 2015

UVI Announces Cameo - Casio CZ Inspired Synthesis Suite

UVI Cameo | Trailer

Published on Dec 10, 2015 UVI

"UVI Cameo
Phase Distortion Suite
http://www.uvi.net/cameo.html

The sound made famous by the classic CZ-series keyboards is back in this new 3-instrument suite! Explore a huge library of authentic hardware sounds, craft your own patches from scratch with raw waveforms or explore new sounds of PD synthesis with the wavetable oscillator and DSP shaping tools from Falcon.

Whether you’re a fan of classic ‘80s synths or just looking to expand your sonic arsenal, Cameo delivers an awesome range of inspiring and high-quality sounds with the unmistakable character of some of our favorite synths.

Music credits: Louis Couka"

"Phase Distortion Suite

For us at UVI the CZ series from Casio is a longstanding favorite. When we approached the Cameo project we wanted to do something special that not only highlights the amazing sounds of these classic synths but that offers something new to our fellow CZ aficionados.

We began with a number of fully-serviced classics, including the Casio CZ1, CZ101, CZ1000, CZ2300S, CZ3000 and CZ5000, and ended up with 3 instruments—each with a different approach, unique sonic character and inspiration."

Thursday, January 24, 2019

Spectrasonics Releases Major Omnisphere 2.5 Update


Note Omnisphere 2.5 is the update announced back in 2018 that introduced the ability to control Omnisphere software models with and based on various hardware synths. It is now available. The press release follows:

We are happy to announce the release of a major update of our flagship software synthesizer, Omnisphere®. With the new version 2.5, Omnisphere becomes the first software synth in the world to offer a Hardware Synth Integration feature, which transforms over 30 well-known hardware synthesizers into extensive hands-on controllers that unlock Omnisphere’s newly expanded synthesis capabilities. Simply put, this ground-breaking new feature makes using Omnisphere feel just like using a hardware synth! The extensive new FREE update also features a newly announced hi-resolution interface, support for Windows Multitouch, new Granular Synthesis capabilities and a stunning new sound library of over 1000 brand new sounds, bringing the total number of included sounds to over 14,000.

Hardware Synth Integration
This remarkable innovation bridges the physical experience gap between software and hardware, giving users intuitive control of Omnisphere by using the familiar layout of their supported hardware synth. The initial release officially supports over 30 popular hardware synthesizers from Moog®, Dave Smith Instruments®, Roland®, Korg®, Novation®, Nord, Access, Studiologic, Sequential® and more to come. The supported hardware synths cover a wide range of types and price ranges for different types of users.

Tuesday, May 01, 2018

Meet the UNO Synth - True Analog Hardware Synth from IK Multimedia Revealed


Uploaded on May 1, 2018 ikmultimedia

Details on IK Multimedia's new synth, first teased here, are in, and it is not only hardware, but it's analog. Rumored price is 199 Euro which currently comes out to roughly $238 USD.




via IK Multimedia:

"You don’t have to go big to sound huge

True analog synthesizer. Easily programmable. Ultra-portable.

The ultimate real analog synth for everyone

UNO Synth is the ultimate portable, monophonic, true analog synthesizer and IK Multimedia’s entry in the hardware synthesizer world.

We combined our two decades of experience in software and hardware development with the expertise of Italian boutique synth-maker Soundmachines and IK’s synth guru, Erik Norlander (one of the brains behind acclaimed synths like the Alesis Andromeda). The result is a no-compromise instrument with massive analog sound that’s also easy to use with hands-on programmability and advanced features at an unbeatable price.

The days of compromise are over. Now everyone can own a real analog synth with professional sound.

And UNO Synth is proudly made in IK’s own Italian manufacturing facility to ensure the highest quality standards. Like the majority of IK hardware products, UNO Synth is built using a combination of IK’s state-of-the-art, automated mounting machines and test systems and fine, renowned Italian craftsmanship.

Seasoned synth professionals and beginners alike will love UNO Synth’s high-quality, pure analog audio path and its ultra-compact form factor. With both classic and modern synth sounds instantly at hand, UNO will put a smile on the face of synth fans of every musical genre. All this in a synth module that can be easily carried anywhere.

Electronic music lovers or first-time synth users will get instant satisfaction from this affordable, easy-to-use instrument even if they are new to analog synths or synth programming. Thanks to its onboard presets and easy-to-play keyboard with selectable scales and arpeggiator, UNO Synth is the perfect gateway into the synthesizer world.

Great sounding true-analog audio path

Beneath its miniature exterior, UNO Synth packs a powerful, fat and rich-sounding synthesis engine with a full analog audio path on par with professional synthesizers costing much more.

All-analog audio path with 2 VCOs, noise generator, resonant multimode VCF and VCA
2 independent VCOs with Saw, Triangle, Pulse waveforms with continuously variable shape including PWM of the square wave plus a separate white noise generator
A 2-pole OTA-based analog resonant sweepable multimode filter with LPF, HPF and BPF
Custom-designed, dual-stage overdrive that provides filter input overdrive for classic synth saturation tone, from subtle warming to aggressive distortion
LFO with Sine, Triangle, Square, Up Saw, Down Saw, Random and Sample-and-Hold to modulate Pitch, Filter, Amp and continuous oscillator wave shapes including PWM

This highly flexible synthesis engine not only excels in producing the rich, warm, punchy, deep bass sounds that are the core of a high-quality monophonic synth, it’s also perfectly designed to bring a wide sonic palette of leads, drones, arps, sequences, sweeps and effects.

Friday, August 26, 2022

Custom Patch Demos - Octave, Novation, Korg, Yamaha, Roland, Ensoniq, & Oberheim Vintage Synths


video uploads by soitgoesmusic

Playlist:

The Cat by Octave (1976 Non-SRM) Custom Patch Demo
A demo of the vintage Octave Cat synthesizer. This is the original Non-SRM one from 1976. It's one fat sounding synth.

Patches programmed and played by so.it.goes. No effects added. What you hear is direct from the synth. Each part is from one patch only. There is no multi-tracking on any part.

Pros:
- amazing vintage analog sound
- it feels alive with electricity and has lots of subtle variations in the textures of the sound
- independent faders for each wave form means that 8 sounds can be playing at once (4 on VCO 1, 3 on VCO 2, and noise), creating huge sounds

Cons:
- no midi
- needs to be tuned on each use
- needs lots of maintenance (i.e., regular calibration)
- can't save patches and rarely sounds exactly the same twice
Novation Drumstation - Custom Kits Demo
A demo of the OG 808 and 909 emulator: the Novation Drumstation. This is the version 2. Wanted to show the versatility of the machine.

Kits programmed and played by so.it.goes. No effects added. What you hear is direct from the drum machine.

Pros:

- well emulated 808 and 909 sounds in a small 1U rack unit
- adds tuning to some drums that originals don't have
- built in distortion and front cut

Cons:

- no on-board sequencer
- no power switch
Korg MS-20 (Vintage) Custom Patch Demo
A demo of the original Korg MS-20. This is a wild synth that can take you to some unexpected places.

Patches programmed and played by so.it.goes. No effects added. What you hear is direct from the synth. Each part is from one patch only. There is no multi-tracking on any part.

Pros:
- amazing vintage analog sound
- patch bay provides so many unique configurations
- the resonant high pass filter can make huge bass
- has quirks that make it sound and behave like no other (e.g., the unusual sustain on EG2, the hold time on EG2, the External Signal Processor, etc.)

Cons:
- no midi
- can't save patches (though taking pictures can help)
Yamaha RX5 drum machine - Custom Kits Demo
A demo of the under-rated Yamaha RX5 drum machine. Wanted to show how strange and sci-fi this machine can sound.

Kits programmed and played by so.it.goes. No effects added. What you hear is direct from the drum machine. Each section is made from four drum sounds. Only the stock sounds from the unit were used. No cartridges or external sounds added.

Pros:

- amazing voice editing features
- gritty lo-fi sound
- volume slider and individual out for each drum pair

Cons:

- no velocity
- interface is needlessly complex
Roland Juno-106 Custom Patch Demo
A demo of the legendary Roland Juno-106. Trying to show off the analog warmth of this synth.

Patches programmed and played by so.it.goes. No effects added. What you hear is direct from the synth (including the scratchiness of the chorus). Each part is from one patch only. There is no multi-tracking on any part.

Pros:
- amazing analog sound
- hands-on control over all parameters
- wide sweet spot

Cons:
- no velocity
- needs to warm up to sound its best
Korg MS2000 BR Custom Patch Demo
A demo of the Korg MS2000BR. Wanted to show some of this synth's unique features, such as the modulation sequencer (1:03, 2:34, and 5:00) and the vocoder (1:26).

Patches programmed and played by so.it.goes. No effects added. What you hear is direct from the synth. Each part is from one patch only. There is no multi-tracking on any part.

Pros:
- lots of hands on control
- modulation sequencer

Cons:
- polyphony is only 4
Ensoniq ESQ-1 Custom Patch Demo
A demo of the Ensoniq ESQ-1. Trying to show some of the versatility of this digital/analog hybrid synth.

Patches programmed and played by so.it.goes. No effects added. What you hear is direct from the synth. Each part is from one patch only. There is no multi-tracking on any part.

Pros:
- very easy to program for a digital interface
- the keyboard has a great feel

Cons:
- no real-time parameter changes, except through mod wheel
Yamaha TX81Z Custom Patch Demo
A demo of the Yamaha TX81Z. Trying to show what this synth can do beyond the dated presets.

Patches programmed and played by so.it.goes. No effects added. What you hear is direct from the synth. Each part is from one patch only. There is no multi-tracking on any part.

Pros:
- editing the parameters can yield surprising results
- efficient with cost and space

Cons:
- tedious to program
Oberheim Matrix-6R Custom Patch Demo
A demo of the Oberheim Matrix-6R.

Patches programmed and played by so.it.goes. No effects added. What you hear is direct from the synth. Each part is from one patch only. There is no multi-tracking on any part.

Pros:
- a deep synth with lots of editable parameters, many of which can be controlled through the modulation matrix
- great analog sound

Cons:
- tedious to program, can be helpful to have the parameter list in front of you

Monday, March 14, 2016

MATRIXSYNTH Review and Overview of the Novation Circuit


Update: Not covered in this review, sample support has been added in the latest Circuit Components update.

The following is my overview and review of the $329 Novation Circuit.

Introduction

NEXT PAGE HOME


Patch n Tweak
Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH