Oddment ODD-1 Build Update & Demos

video upload by oddment

Demos

video uploads by oddment

Playlist:
1. ODD-1 Overview: Playheads

For a long time now we have tried to live by the words of the great Michael Bolton from the movie Office Space, "why should I change when he's the one who sucks?" But language evolves, and unfortunately, the word “grok” has taken on associations that are problematic. Oddment has evolved too. Starting from one quirky product idea, in 3 years we have grown and are now ready for manufacturing and fulfillment of this product, with ambition to make it the first among many. So with much consternation, we have decided to drop the name groc. When we thought about a new name, we thought that what we have is a little unusual, perhaps a little outside the norm...you might even call it, the ODD-1. This is the first in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off half of the encoders that control the granular synthesis engine - the PLAYHEADS function. Here you can control the level, starting point, tuning (aka pitch adjustment) and playback speed for up to 4 different granular playheads. The auxiliary functions available on the touch screen introduce random variability in different ways.

2. ODD-1 Overview: Grains

This is the second in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the second half of encoders that control the granular synthesis engine - the GRAINS function. Here you can control the size, spacing, left-right placement, and grain window shape. Each control also has a related function, introducing grain size variability, spacing jitter, binaural scatter, and a front-back bias for the window shape. The auxiliary functions available on the touch screen control a bandpass filter that can be randomized per grain and adjust whether grain size is regulated in the source sample or in the output signal, which can have a big impact on sound characteristics.

3. ODD-1 Overview: 03 Envelopes & Time Path

This is the third in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the ENVELOPES function. Here you can control the note amplitude envelope and timing, access 3 envelopes that can be used as modulation sources, and use our unique TIME PATH feature to dynamically adapt the playback speed.

4. ODD-1 Overview 04: Sample

This is the fourth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the SAMPLE function. Here you can choose a sample from the factory library or user-uploaded samples, control the playback mode and the section available for granulation, play and hold notes, set loop points and interact with pitch, tempo and channel information of the sample. We also show the auto pitch and tempo alignment features.

5. ODD-1 Overview 05: LFOs, Macros, Patching

This is the fifth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the LFOs, Macros and how to create modulation connections. There are 4 LFOs, 3 Envelopes, 4 Macros (assignable knobs), 4 Control inputs and MIDI information that can all act as modulation sources. Any parameter on the device is a parameter destination. Unlimited connections are made by holding down a destination parameter and then pressing or twisting a modulation source.

6. ODD-1 Overview 06: Filters, Saturation, Echoes

This is the sixth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the Filters, Saturation and Echoes modules. Two filters and two saturation modules per voice, both with multiple types of processing and modulatable parameters, allow for transformation beyond the granular engine. Two echoes sections with filtering and distortion in the feedback loop and fully modulatable parameters make ODD1 worthwhile just as a modular effects rack!

7. ODD-1 Overview: 07 Layers

This is the seventh in a series of videos to show all of the ODD-1's functions in more detail. In this one we show the dual Layer functionality. Essentially the entire system is duplicated so the ODD-1 is like having a dual modular systems, each with a polyphonic granular engine feeding two filters and two non-linear processors per voice, with 3 envelopes, 1 time path, 4 LFOs, 4 Macros and a independent modulation matrix per layer. In these examples we also remind that granular can easily do subtractive-style synthesis when using a basic waveform as the source sample.

8. ODD-1 Overview 08: Reverb & System

The final video in our eight-part series on the ODD-1's functions focuses on the upper-left row where we have global volume, system-level reverb and can work with banks of patches.

The reverb is a classic matrix-style parametric reverb. Think of it like a whole set of interacting delay units with slowly modulating delay times. Ok now that you have that in mind, that's it, that's what it is. It sounds sweet.

If two layers of modulating, granular goodness with a fantastic reverb on top wasn't enough, how do banks of patches to store every twist and connection sound?

And from their newsletter:

What’s in a name?

For a while now we have tried to live by the words of the great Michael Bolton from the movie Office Space, "why should I change when he's the one who sucks?"

But language evolves, and unfortunately, the word “grok” has taken on associations that are problematic.

Oddment has evolved too. Starting from one quirky product idea, we have grown in three years and are now ready for manufacturing and fulfillment of this product, with ambition to make it the first among many. And with much consternation, we have decided to drop the name groc.

When we thought about a new name, we thought that what we have is a little unusual, perhaps a little outside the norm...you might even call it, the ODD-1.

And we plan to keep that off-beat attitude. We hope that brightly-colored friends, ODD-2 and ODD-3, will be along to join ODD-1 after not too long.

Build Updates

We have a lot of exciting progress to report since the last time I wrote. Hop over to our YouTube channel to check out a build update video and some in-depth functionality demos.

We debugged and fixed several problems with the circuit board including the power-up, line input and output, and noise on the control signal inputs.

We got several bids from contract manufacturers in the U.S. and around the world and selected Soldered, based in the E.U. They came highly recommended, and we think their experience will be a huge asset as we go into production.

We worked with Martyna Alexander to tweak the graphic design of the front and back panel. We are thrilled with the updates, including our new company and product logos.

We have first iterations of our custom firmware, enabling full functionality of the device and full USB connectivity to a host computer.

We have completed first versions of the software that include all audio, MIDI and system functionality we intend to support for the release. After many months of playing and testing we re-organized a few functions to expand both the number of concurrent grain “playheads”, and to support banks of patches intended for convenient switching and management in live performance.

What’s Next?

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New England Digital Synclavier Brochures

Note: links to listings are affiliate links for which the site may be compensated.

New England Digital Synclavier 9600 Polyphonic Sampling System Brochure

via this eBay listing

"RARE! New England Digital Synclavier 9600 Polyphonic Sampling System Brochure

Yes, this is the 9600, and yes, this is in English.

This is THE RAREST and MOST SOUGHT AFTER of the 1989 new system brochures that that fake foreign website scanned the photos from 25+ years ago to show fake systems on the website (instead of real ones like Synclav com has shown for 20+ years). This is the original source of the scan, at least for the Synclavier 9600 model. Those photos show empty boxes. Uhm, what's holding that beige door closed (no locks)? And exactly what software generates that screen image?

This incredibly rare brochure gives all the information, and shows all the specs of the Synclavier 9600. And surprise! The maximum polyphonic sampling memory is not "1.5GB", lulz.

And, lastly, Synhouse has the Synclavier 9600 in stock (two kinds, actually). Nobody else does."

New England Digital Synclavier Brochure VPK Sample-to-Disk VT640

via this eBay listing

"This is an incredibly rare brochure from the summer of 1984 (when NED was working on polyphonic sampling Synclavier to be shown October 1984 and there was no actual system in production, the few shipped were hybrids of the Synclavier V/PK retrofitted to a Synclavier II Control Unit) that shows things that NED didn't exactly make, ever.

This was their first---and last---mention of "The Tapeless Studio" meaning the sequencer (later that meant the Direct-to-Disk system). It describes the SMPTE Reader Option without using that term because it wasn't yet available and they hadn't figured out how it would be done yet (similar to the 1987 discussion of the not-yet-released 3rd party SMPTE reader for the Linn 9000, saying they weren't sure whether or not it would require additional hardware to be added to the Linn 9000....that's the sound of someone who hasn't ever used SMPTE and doesn't know what it is), and it shows a graphical flow chart showing polyphonic sampling and multi-channel outputs (neither available then as building blocks), and is intentionally vague about the "floppy disk system" and "Winchester disks", as they didn't really have the set offering for that (high density Superfloppy, not out until 1985, and 5mb and 10mb IMI MFM Winchester drives being common, neither with SCSI until 9/1985).

It describes the Stereo Option, Sample-to-Disk, SCRIPT/MAX, and different Control Unit enclosures.

Most strangely, it shows a V/PK that never existed, with a back panel that wasn't made, with Synclavier II connectors that were never used and, sadly, an on/off power switch that they never put on this $11,000 machine.

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Future Sound Systems Cric

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Cool side panels. You can find demos of the Cric in previous posts here, including one with the side panels here.

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Adamsynths Warthog Modular Synth with Total Recall is Here

video uploads by Adamsynths

Playlist:

1. Adamsynths™ Warthog – Modular Music Miniatures

In this video, we present a series of short musical sketches, each created entirely with the Adamsynths™ Warthog modular synthesizer.

🎹 These compact compositions – each under a minute – showcase the expressive potential of Warthog patches in a musical context.

Adamsynths™ Warthog – where a patch is not just a moment, but a memory you can share.

Chapters
00:00 – Monkey – Rhythmic Pulse & Synced VCOs
00:29 – Bowland – Rhythmic Pulse & Synced VCOs
01:05 – Interstellar – The Magpie Lead
01:21 – Color TV - Keep calm and enjoy the Warthog

2. Adamsynths™ Warthog – Real Time Snapshot Switching & Morphing

In this video, we showcase two key features of the Total Recall system in the Adamsynths™ Warthog modular synthesizer: Snapshot and Snapshot Morph.

🎛️ Snapshots are switched with incredible speed in real time. Using the Mood Wheels, snapshots can be morphed into one another with refined transitions. This allows patches to continuously transform, generating new sonic textures through the movement of the control wheel.

⏱️ Chapters
00:00 – Spooky – Restless Modulation
00:31 – Lost in Matrix 1 – Groovy Break Bassline 1
01:08 – Lost in Matrix 2 – Groovy Break Bassline 2
01:46 – Jono's Organ - Celestial Drift
02:21 – Lost in Matrix 3 – Groovy Break Bassline 3

3. Adamsynths™ Warthog - Atmospheric Patches

🎧 In this video, we showcase a selection of patches from the Adamsynths™ Warthog modular synthesizer.

Expect:
🌌 Atmospheric textures
🐗 Analog basses
🔮 Modulated soundscapes

⏱️ Chapters
00:00 – Sacrifice Sequence – Audio Modulated VCF
00:47 – Horse – Pulse! Drive! Hypnosis!
01:26 – Low Pass Flight Object – Low-rate VCO, Morphing, Modulation
02:00 – Orbit – Talking Bass Moovement
02:32 – Rate & Cut - The Mating Call of Hogzilla alias Trufflorex

Press Release Follows:


Your Awaited Companion Has Arrived: Adamsynths™ Warthog, the first analog modular synthesizer with TOTAL RECALL Now Available for Pre-Order at Early-Bird Price

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The Electric Music Box: Exploring a Vintage Buchla 200 Modular System

video upload by Sarah Belle Reid

"Join my Patreon community to support future video projects like this one, and to access behind-the-scenes content + community events: https://www.patreon.com/sarahbellereid

In the spring of 2025, I spent a week at the Stony Brook University Electronic Music Studio, working closely with their original Buchla 200 Series modular synthesizer. Built in the early 1970s by pioneering instrument designer Donald Buchla & associates, this rare instrument is one of the few surviving and fully intact systems of its kind.

Due to its rarity, very few musicians have had the opportunity to interact with an original 200 system firsthand. I hope this video will help bridge that gap by sharing the instrument’s sound, design philosophy, and aesthetic intentions with a wider audience.

The video begins with a brief historical overview of the Buchla 200 Series and its role in the rapidly evolving landscape of 1970s electronic music. From there, I dive into a detailed walkthrough of the system, exploring each module with sound demonstrations and examples. We conclude with some reflections on the Buchla 200’s design philosophy, offering insights into the types of musical interaction the instrument was built to encourage (and why it continues to resonate with musicians and designers today).

Join my FREE Introduction to Synthesis mini course here (no experience or special gear required): https://www.soundandsynthesis.com/fir...

Learn how to make your own unique music with modular synths and master the fundamentals of sound design inside my step-by-step course & coaching program, Learning Sound and Synthesis®—no experience needed!: https://www.soundandsynthesis.com

This video was created in collaboration with the Buchla Archives, an organization dedicated to the thorough and thoughtful documentation and preservation of Donald Buchla’s work."

Cric by Future Sound Systems (This synth is bonkers)

video upload by Sarah Belle Reid

"An in-depth walkthrough and demo of Cric, made by Future Sound Systems. Cric is a self-contained synthesizer with fully modular signal routing. It uses a pin matrix for patching between modules, leading to some unusual and exciting workflows and sounds.

In this video we’ll take a look at everything that’s inside of Cric and how it all works, and I’ll share some of my favorite approaches to using Cric as a performance instrument and sound design tool. And of course, I’ll also share lots of sounds and patches along the way."

TIMESTAMPS:

00:00 Introduction
1:23 Overview
2:35 Patching Workflow
4:16 Sound Generation in Cric
6:56 Scissor Oscillator
10:19 DNA Oscillators
23:48 Filter
28:42 Waveshaping & Distortion
35:00 Filter FM
36:28 Filter Self Oscillation
37:19 Modulation in Cric
37:31 Cycling Function Generators
46:24 Sample and Hold
49:10 VCA
51:18 I/O
53:04 Musical Demos

"Learn how to make your own unique music with modular synths and master the fundamentals of sound design inside my step-by-step course & coaching program, Learning Sound and Synthesis®—no experience needed!: https://www.soundandsynthesis.com"

An Update from muSonics via Their Electronic Newsletter

via muSonics

It's Independence Week and while I had intended for this to go out on the 4th itself, I put a bit more work into something special for you which delayed it a few days. I hope that's okay with you.

I wanted to give everyone a status update on how things were going over here and also offer a couple of specials to celebrate. Out of respect for the dozen or so people who have been patient and trusting of me I'm going to let you know how things are going and then share a few cool deals.

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Complex System

video upload by Memetune Studio

"I was wanting a way of setting up an interactive environment to record sounds from some modular systems which could be the basis for some improvised performance based sound explorations

I figured that if I set up some cybersynth patches (ie patches that are evolving by themselves in some way, or are at least dynamically varied over time) and could record some long stereo samples (loops) that could be manipulated live, this might be an interesting thing to do

It occurred to me that the Octatrack, which I got a few years ago and use as a granulating sample mangler, might be perfect to pair with the modulars in this way

The thing about the Octatrack is that it is so unbelievably deep and sophisticated that it can be very difficult to set things up on. I see it as a truly Complex System (AI Overview definition: Complex systems are characterized by numerous interacting parts and emergent behaviors that are not readily predictable from the individual components) and the user manual is utterly hopeless beyond a very basic overview

With the Octatrack you have to basically tell it what you want to do for any given situation. You create a personalised environment inside it and then work within the limitations you set yourself. You have to think of a setup that you want to create, then you build it for yourself using all the different components. In other words, it's not a preset environment that does a few specific things, you have to decide what you want then make it yourself

So I thought it would be useful to have 4 stereo 'Tape Machines' that can be manipulated in real time, with control over the following in each: Pitch, Playback Speed (Timestretch), Direction (forward / reverse) basic Filtering (bandpass) and Delay with feedback. All the things you might find in a Musique Concrete studio in the 1950s (with the addition of granular timetretching)

I might do a more detailed breakdown of the Octatrack patch in the future, but I wanted to live with this setup for a while and make sure it does everything I want it to do in the most efficient way first

This is my first experiment with it, using the Buchla 200. There are two stereo outs from the Buchla - two independent patches running concurrently - going into the Octatrack's dual stereo inputs. These are then fed into the four "tape machines" I created in the Octatrack, which mixes them into one stereo output along with the two live feeds from the Buchla (so what you are hearing is a live mix of the Buchla's 2 voices plus 4 tape loops (30 seconds each) recorded as we go along from the Buchla. As I said, its a complex system 😁"

Future Sound Systems Cric SN 009

via this Reverb listing

You can find demos in previous posts here. You can find the announcement post with details here.

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1968 RA Moog Modular IIIC

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"A 3-cabinet authentic, period correct all RA Moog modules system that dates from 1968.

This instrument forms a part of the RL Music Vintage Synthesizer Collection. We have managed to keep some of the very best examples of Vintage Synthesizers that have come through our business over the last 22 years which we kept for our pleasure and interest. Whilst having a privileged position as a specialist dealer in this genre of equipment, we managed to hang on to particular instruments that were interesting and inspiring. The RA Moog Modular IIIC is one of 40 instruments we have, but is the oldest and most historically important.

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Casual Cric! Noise session with pedals + feedback 21st April 2025

video upload by Future Sound Systems

"Total feedback racket from Cric and friends..."

The past, present & future of AJH Synth // Celebrating 10 years of the MiniMod Eurorack range

video upload by DivKid

"I recently learnt that AJH Synth were celebrating 10 years since the release of their first modules with the MiniMod Eurorack range. Back then I was immediately taken by the quality of sound, vintage tone and open modular architecture capable of taking things way beyond the classic Moog MiniMoog Model D sound. I've got to know Allan over this past decade and we've worked together loads on modules that utterly nail that lush vintage analogue sound and also modern forward thinking new ideas ... so I jumped at the idea of making a celebration video!"

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Future Sound Systems Cric Patch Journal: Two Voice Paraphony

video upload by Matt Lowery

"With freshly tie-dyed hands, I demonstrate and explain a Cric patch that has been on my desk for almost two weeks. We'll use Rene 2 to sequence two channels of Cric, send the resulting audio through the Vongon Polyphase, and create a big granular cloud to sit behind that whole situation. It'll be fun, you'll see.

00:00 Cheeseball Intro
00:17 Cric Settings
03:07 Sequencing Strategy
06:40 Granular Cloud
08:50 Skip Here If You Just Want Cric Sounds"

The World's First Programmable Synthesizer and its Pulitzer Prize Winning Music

video upload by ITSPmagazine

"This synthesizer is the world's first programmable music synthesizer. The first piece of electronic music to win the Pulitzer Prize was made on it.

basically a two voice synthesizer with tone generation and composing in the left hand side and processing on the right hand side, including manual binary for the, uh, ordering of the effects processes. Um, which for its time, uh, essentially like a uh, touring computer. Um, uh, was it You know, one and a half tons, seven feet tall, 14 feet wide, it's quite a behemoth, but now it's a very large paperweight.

Watch the full video:" [The above comes in at 22:41 - vintage Buchla, Serge & more follow. See this post for the red Buchla LSD module]

How Technology is Changing the Way We Make Music | A Conversation with Seth Cluett

video upload by ITSPmagazine

"Guest: Seth Cluett, Director of Columbia University’s Computer Music Center | On LinkedIn: / seth-cluett-7631065 | Columbia University Computer Music Center Bio: https://cmc.music.columbia.edu/bios/s...

Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/

Show Notes

Music and technology have always shaped each other, and few places embody that relationship as deeply as the Computer Music Center (CMC) at Columbia University. In this episode of Music Evolves, Sean Martin sits down with Seth Cluett, Director of the Computer Music Center and Assistant Director of the Sound Art MFA program at Columbia, to explore the center’s rich history, its role in advancing music technology, and how it continues to shape the future of sound.

The Legacy and Mission of the Computer Music Center

The CMC is housed in the same 6,000-square-foot space as the original Columbia-Princeton Electronic Music Center, which dates back to 1951 and is one of the world’s oldest university-based electronic music research facilities. This was the birthplace of early electronic music, where pioneers learned to use cutting-edge technology to create new sounds. Many of those musicians went on to establish their own studios around the world, from Egypt to Japan.

The center has played a role in major milestones in music history, including the work of Wendy Carlos, a former student known for Switched-On Bach, the score for Tron, and The Shining. The first piece of electronic music to win a Pulitzer Prize was also composed here. Today, under Cluett’s leadership, the focus remains on creativity-driven technological innovation—allowing composers and artists to explore technology freely and push the boundaries of what’s possible in sound and music.

One of the center’s guiding principles is accessibility. Cluett emphasizes the importance of lowering barriers to entry for students who may not have had prior access to music technology. The goal is to make sure that anyone, regardless of background, can walk into the studio and begin working with 80% of its capabilities within the first 20 minutes.

Exploring the Labs and Studios

The episode also includes a tour of the labs and studios, showcasing some of the center’s groundbreaking equipment. One highlight is the RCA Mark II Synthesizer, the world’s first programmable music synthesizer. Built in the late 1950s, this massive machine—seven feet tall and weighing over a ton—was instrumental in shaping the sound of early electronic music. The system worked by punching holes into paper to control sound generation, similar to a player piano. While no longer in use, the CMC has collaborated with iZotope to model some of its effects digitally.

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Future Sound Systems Cric masterclass | 26 Feb 2025

video upload by Signal Sounds

"A recording of our in-store event on 26 February 2025, with Finlay of Future Sound Systems giving an in-depth demo of the awesome Cric matrix-patchable synthesiser!

Cric is available here:
https://www.signalsounds.com/future-s...

More on Future Sound Systems:
https://www.futuresoundsystems.co.uk"

Analogue Solutions TC5000 Patch Pin Matrix Synthesizer

video upload by Analogue Solutions



"The Analogue Solutions TC5000 reimagines the essence of classic synthesiser design, merging timeless analogue principles with contemporary innovation. Its modular architecture provides unparalleled flexibility, allowing you to sculpt sound with precision while exploring limitless sonic possibilities. Crafted for those who appreciate both artistic expression and technical mastery, the TC5000 is a modern evolution of the analogue synthesiser, connecting the rich history of synthesis with future-facing sound design.

Key Features:

-Modular design offering limitless routing options for sound exploration.

-Customisable configurations, allowing for tailored setups to suit your creative needs.

-Dual full-width patch matrices for seamless modulation connections.
-Multiple oscillators and filters, including CEM and SEM-style, for rich and dynamic sound creation.

-Dual spring reverbs for lush, immersive soundscapes.

-Innovative sequencer controls with parallel and chained operation for complex, evolving sequences.

-Extensive CV control for flexible integration with other modular systems."

Additional TC5000 posts

Future Sounds Systems Cric Oscillators are Unhinged and Wonderful

video upload by Matt Lowery

"A sleepy and untechnical exploration of the oscillators on the Future Sound Systems Cric.

00:00 Exploration
10:20 The SAUCE
15:00 A synth voice (skip here if you're busy)"

Synapse Audio DUNE 3 - "Berlin Legacy" Soundset (50 presets)

video upload by LFOstore

"Berlin Legacy: A Cosmic Journey Through Time!
Step into the heart of the 1970s electronic revolution with Berlin Legacy—a meticulously crafted soundset for Synapse Audio Dune 3, designed to channel the hypnotic pulse and ethereal textures of the iconic Berlin School. This collection of 50 exclusive presets is a love letter to the pioneers like Klaus Schulze and Tangerine Dream, blending vintage analog warmth with cutting-edge digital precision. Whether you’re looking for pulsating sequences, soaring leads, or otherworldly pads, Berlin Legacy offers the tools to recreate the magic of retro-futurism—or forge entirely new cosmic pathways!

🎹 What’s Inside?
50 wonderful multi-layered royalty-free presets - carefully crafted by OttO K. Schwarz, an experienced sound designer worked with Access Music, Modal Electronics, Native Instruments, etc.:
Sequences That Breathe: Driving arpeggios, hypnotic step patterns, and evolving sequencers that capture the soul of analog modular systems mixed with modern capabilities;
Leads With Character: From warm and cosmic character to gritty, oscillator-driven solos—every sound tells a story;
Pads With Warmth: Lush, cinematic textures designed to add depth and motion to your tracks;
Plucks In Neon Color: 70s and 80s-style plucks and synths with a fresh view.

🎹 Why Berlin Legacy?
Instant Inspiration: Ready-to-use sequences and presets for film scoring, ambient productions, or Berlin School revival projects;
Authentic Retro-Futurism: Every preset is dialed in to mirror the raw, organic imperfections of vintage gear, while leveraging Dune 3’s modern power;
Flexible Modulation: Velocity, Modwheel and Expression are assigned in each preset! So you can morph sounds on the fly;
Cosmic Versatility: Perfect for sci-fi atmospheres, meditative journeys, or rhythmic electronica.

🎹 For Whom?
The soundset is perfect for producers craving the timeless vibe of 70s/80s electronica; sound designers seeking ready-made textures with a retro soul; or nostalgic explorers who want to lose themselves in swirling analog galaxies!
Unleash the Legacy—where the past and future collide in a symphony of light and shadow. Berlin Legacy isn’t just a soundset—it’s a time machine both into past and the future!

🎹 Please find the soundset here - https://ottolfo.sellfy.store/software/"

Future Sound Systems Cric Analog Matrix-Patchable Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

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BUCHLA & FRIENDS: THE SYNTH MAKER SHOWCASE Event Set for LA Next Weekend Jan 25 & 26

Tickets available at Eventbrite

"We’re gathering over 70 boutique synth makers in one awesome Silverlake spot so you can learn, listen, and live the latest in electronic music sound production. This hands-on, headphones-only gathering gives you a chance to hear the best sounds science has ever created. From additive to subtractive, analog to digital, keyboards to breath, audio to visual (yes- some video synths will be here too!), modular to full-size polyphonic, eurorack to Serge to Buchla, you’ll meet synth makers and synth enthusiasts alike. This will be January’s biggest two-day collection of hands-on synths on the West Coast! If you love creative sound, you need to be here."

Delicious food (including vegan) from Moby Rick’s fish tacos, incredible carbonated beverages from United Wild Brew. Exhibitors: 1010music • 4ms • After Later Audio • AIAIAI • AJH • ALM Busy Circuits • Animal Factory • Ashton Research • ASM • Bastl Instruments • Bitwig • Black Corporation • Bored Brain • Buchla • Catalyst • Circuit Happy • Crosspatch • Days of Yore • Rain City Modular • Doepfer • Dogbotic Labs • Dreadbox • Drift DJ • Elektron • Endorphines • eowave • Eternal Research • Five12 • Flame • Frap Tools • Future Retro • Genki Instruments • Groove Synthesis • Jomox • LA Synth Club • Mega Modular Corp • Melbourne instruments • MEMS project • Meris • Modbap • Moog Foundation • Mystic Circuits • Netherblade • New Systems Instruments • Noise Engineering • Noisebug • Novation • Null Modular • OXI Instruments • Polyend • Prism Circuits • Roger Linn • Schlappi Engineering • Sleepy Circuits • SoCal Synth Society • SOMA • Soundwork Shop • Studio Electronics • Supercritical • SynthRISE • TipTop • Tobinski • Touellskouarn • U.D.O. • Vermona • Wavea • Waveform Magazine • Wavesequencer • Weston Precision Audio • WMD ... & more!

Buchla organizes this event to make a stronger synthesizer community. We make it free to attend and affordable for exhibitors. This makes the vibes great - after all, we are all making our own waves!"