"+ [Special note for track A9 - SHFTR_CA#BB1] => A huge shout of thanks to Richard D James for gifting me a Sequentix Cirklon sequencer and PreenFM2 synth during my Regional Arts Fellowship in 2017! This was the first track I made using this gear. You can also read up more about my open source Farey Sequence FM programming tool for the PreenFM here =>
github.com/noyzelab/FareyPreenFM2
++ Folks interested in using cellular automata can also check out my open source Arduino based synth module here =>
github.com/noyzelab/uMANIAC"
NYZ of
Noyzelab has a new release out on neon orange vinyl (limited to 300 copies) titled SHFTR FRQ which features PreenFM2 sequenced by the Sequentix Cirklon. You will find a track off the release above. Below you will find some exclusive pics sent my way from NYZ and info on the release from
Forced Exposure where it is available in the US. The album is
available in the UK from Boomkat here. Update: it's also available at
Phonica Records,
Norman Records,
Juno Records,
Redeye Records, and
Bleep.
"The Death of Rave is honored to plate up the vinyl debut by NYZ; the cult, algorithmic/ generative music project of award-winning artist/scientist Dave Burraston (Bryen Telko, Noyzelab). The A-side revolves 14 succinct blatz, ranging from cranky percussive pieces to queered microtonal dissonance and SAW II-like atmospheres -- notably including one track made on a Sequentix Cirklon sequencer and PreenFM2 synth gifted him by Richard D. James. The B-side contains a steeply immersive spectral drone tract that (never) ends in a locked groove, especially cut at D&M, Berlin. The results are wholly unique and speak to the endless, playfully experimental variation of NYZ's art/research. They reveal visceral, alien microcosms of curdled microtonal tunings and proprioceptive chicanery bound to thrill and induce strange, new sensations in even the most hard-to-please fiend of electronic music. It's strongly recommended to followers of Russell Haswell's chaotic gnash, the mind-bending tunings of Aphex Twin, the visionary algorithmic scapes of Roland Kayn, and Eliane Radigue's microtonal meditations. In Dave's own words:
"SHFTR FRQ is a series of experimental studies into simple synth setups controlled by varying levels of generative complex systems [MANIAC cellular automata]. SHFTR FRQ was recorded over the last six years on an ever-changing hybrid of equipment encompassing the domains of modular and MIDI-based microtonal sound synthesis [analog and digital]. Setups were always ultra-minimalist, often with just the MANIAC cellular automata sequencer and one or two modules/synths to provide a consistent sensory focus. The studies range from ultra-short sequences, micro-ditties, investigatory motifs, to a full length high spectral drone meditation."
Burraston has previously collaborated with Alan Lamb on recordings of a mile-long telephone wire in the Australian outback, and more recently he issued nearly a dozen NYZ tapes and CDs with some of the most crucial modern music labels, as well as a number of releases under the Noyzelab and Bryen Telko aliases. In 2014, Dave self-published SYROBONKERS!, the most technical and in-depth interview ever given by Aphex Twin. Screen-printed jacket. RIYL: Russell Haswell, Aphex Twin, Eliane Radigue, EVOL/ALKU, Roland Kayn."
"The Death of Rave is honored to plate up the vinyl debut by NYZ; the cult, algorithmic/ generative music project of award-winning artist/scientist Dave Burraston (Bryen Telko, Noyzelab). The A-side revolves 14 succinct blatz, ranging from cranky percussive pieces to queered microtonal dissonance and SAW II-like atmospheres -- notably including one track made on a Sequentix Cirklon sequencer and PreenFM2 synth gifted him by Richard D. James. The B-side contains a steeply immersive spectral drone tract that (never) ends in a locked groove, especially cut at D&M, Berlin. The results are wholly unique and speak to the endless, playfully experimental variation of NYZ's art/research. They reveal visceral, alien microcosms of curdled microtonal tunings and proprioceptive chicanery bound to thrill and induce strange, new sensations in even the most hard-to-please fiend of electronic music. It's strongly recommended to followers of Russell Haswell's chaotic gnash, the mind-bending tunings of Aphex Twin, the visionary algorithmic scapes of Roland Kayn, and Eliane Radigue's microtonal meditations. In Dave's own words:
"SHFTR FRQ is a series of experimental studies into simple synth setups controlled by varying levels of generative complex systems [MANIAC cellular automata]. SHFTR FRQ was recorded over the last six years on an ever-changing hybrid of equipment encompassing the domains of modular and MIDI-based microtonal sound synthesis [analog and digital]. Setups were always ultra-minimalist, often with just the MANIAC cellular automata sequencer and one or two modules/synths to provide a consistent sensory focus. The studies range from ultra-short sequences, micro-ditties, investigatory motifs, to a full length high spectral drone meditation." 
