YouTube via Luftrum1 — April 08, 2010 — "Luftrum 2. Ambient ReFill with 69 ambient patches for Thor Synthesizer, Propellerhead Reason 4.
With an exclusive selection of ambient pads, sleeping drones and textured soundscapes Luftrum 2 is taking Thor to a level yet unheard. Judge for yourself and listen to the audio demo. Whether you produce deep cryo-sleeping ambient, experimental IDM or beatless space drone music, this ReFill is guaranteed to inspire your sound. Luftrum 2 sounds like: Harold Budd, Tangerine Dream, Brian Eno, early Aphex Twin, Global Communication, FSoL, Moby and Biosphere.
YouTube via organfairy — April 08, 2010 — "This is the final chapter of my little mini modular synthesizer building project. I make some usefull-but-not-crucial modules: A pedal, a PWM unit, an amplifier, and a power distribution system.
Again the music in this video is made on the Elka X-1000 organ - this time with a little help from the Technics SX-C600."
"* Auction includes: Roland TB-303 with replaced Alps pushbutton switches, dust guard installed and upper six knobs remounted about 1.5mm higher
* Original Roland grey & orange faux leather carry case / gig bag
* Bound copy of the TB-303 manual
* Choice of official Roland/Boss power supply (choice from Boss models PSA-240 (brand new and made in China), PSA-220, ACA-120G and ACA-220 (the latter three being used and all being made in Japan)
* Energizer Ultra C cell batteries x4
"I thought I would give an update on where things stand with the new v2 version of the software - most of the new features I will include are coded, and now I am just wrestling with a few bugs and details, and then on to beta testing. I also have to fully update the docs. Here's the listing of what's coming in this version, as well as a few screenshots...
* new VST instrument hosting - route MIDI externally, or internally to virtual instruments (or mix of both)
* new A-B output
* LEDs to switches, for A, B, or A&B
* constrain output notes to specific scale
* output chord based on root note - user can specify up to 6 pitches in chord, plus root note
* can reverse direction to R to L, instead of L to R
* external load via MIDI or audio input
* MIDI CC control for virtually all UI controls
I plan to demo this version at the upcoming Analogue Heaven Northeast event on April 25: http://stretta.com/ahne/2010/
Also - one little tidbit that made my day: for the 80's Industrial fans out there, cEvin Key of Skinny Puppy is a software Klee user (and hardware too) - see his quote at http://defectiverecords.com/klee/index2.html"
click here for all posts featuring the software Klee including video.
Update via abducted in the comments: "hello, nathanscribe (on vintagesynth.com forum) has all the details :
'It's a Korg LP-10 Electronic Piano. They were out around '81 I think.
There are 3 presets: Piano, Clav and E.P., which can be mixed together (on/off only, not variable level) - there are three sustain modes (gate, decay and release, basically) and a knob for the decay rate. There's a strange stepped slider for pitch control - you can shift the whole keyboard up to an octave up in semitones - and there's a 6-band EQ. Probably the best sounds use the built-in chorus, which has an on/off switch and rate control. It's pretty sweet, if a touch noisy.
There's not much interfacing - phones out, high/low mono out, and damper pedal input - I did see one with an extra socket on eBay once, but the owner had no idea what it was for. The LP-10 does have built-in speakers but they're a bit crappy.
It's pretty basic and cheap, the keyboard is synth-style and not weighted in any way; it sounds nice through proper speakers with a touch of reverb. Goes well with a stringer.'"
"HERE IS SOME INFO FROM ARP The Omni keyboards are string synthesizers with four separate voices (bass, cello, viola, violin, each independently switchable) and a bass/synthesizer section. The string section has its own variable speed LFO, and attack/release envelopes. The synthesizer section has a VCF and its own ADSR envelope. The bass/synthesizer split is set to the lower one and a half octaves.
The Omni (model 2300) was ARP's best selling intstrument. Unlike the original, the Omni-2 has single triggering so that when any note is held down the VCF and VCA envelopes will not re-trigger. The original Omni had multiple triggering so that every time a key was depressed the envelopes were triggered."